| |  Old Manuscripts & Incunabula, PO Box 6019 FDR Station, New York NY 10150 tel 212/ 758-1946 • fax 212/ 593-6186 • http://www.omifacsimiles.com • immels@earthlink.net |  |
| | 28 July 2010,
Viola da gamba - Violoncello - Contrabass. Manuscript facsimiles& facsimiles of first and early editions, together with a selection of modern editions & studies. For ordering information go to: Contact OMI ABEL, Carl Friedrich, 1723-1787 A Duet for Two Violoncellos. Faksimile. Einführung von Peter Holoman.Heidelberg, 2008. 4°. Line-cut of the first edition, together with new pratical edition. Preface in Ger-Eng. Wrappers. $28 [item no.9052] [6 Easy Sonattas, kbd or vdg/vln/fl & bc] Six Easy Sonattas für Viola da Gamba und Basso Continuo oder andere Instrumente, WKO 141-146. Faksimile. Einführung von Leonore und Günter von Zadow. [Sächsische Landesbibl., Dresden]. Heidelberg, 2005. 4°, 2 partbooks, 4, 48 pp. Line-cut of the Amsterdam, 1771 edition. Preface in Ger-Eng. Wrappers. $46 [item no.8544] ADSON, John, c.1585-1640 Courtly Masquing Ayres, Composed to 5. and 6. Parts, for Violins, Consorts, and Cornets. [Christ Church Library, Oxford University].Performers’ Facsimiles, 293. New York, [2009]. 18 x 23 cm, 6 partbooks, 88 pp. Line-cut of T. Snodham edition, London, 1621. 20 ayres in partbook format. Wrappers. $33 [item no.9094] AGRICOLA, Martin, 1486-1556 Musica figuralis deudsch (1532). Im Anhang: Musica instrumentalis deudsch (1529); Musica choralis deudsch (1533); Rudimenta musices (1539). [Bayerische Staatsbibl., Munich & Bibliothek des Alten Gymnasiums, Flenburg].Hildesheim, 1985. 10 x 16 cm, 412 pp. Line-cut of 4 of Agricola’s most famous treatises written in German. Musica instrumentalis was the second of its type (following Virdung’s Musica getuscht, 1511). Rich with woodcut illustrations and examples in Gothic and German lute tablature. Linen. $75 [item no.2531] ALBERT, Heinrich, 1604-1651 [Arias] Erster [2.3.4.5.6.7.8] Theil der Arien. [Stadtbibl., Ulm].Faksimile-Edition Heinrich Albert, 1. Stuttgart, 2001. 20 x 32 cm, 226 pp. Line-cut of the Königsberg, 1652, 1651, 1651, 1651, 1651, 1652, 1648, 1650 editions. 170 songs, sacred and secular, written for weddings, funerals, anniversaries, and the visits of important persons as well as for the private enjoyment of the composer’s friends. For voices with instrumental accompaniment. Hardbound with boards in marbled paper. $95 [item no.7917] [Arias] Arien erster Theil... Leipzig, Cellarius 1657; Arien ander Theil... Brieg, Tschorn 1657. RISM A 641 und 642. [Universitätsbibl. Tubingen]. Faksimile-Edition Heinrich Albert, 3. Stuttgart, 2002. 20 x 32 cm, 278, 279 pp. Line-cut of the Leipzig, 1657 and Brieg, 1657 editions. For voice with instrumental accompaniment. Hardbound with boards in marbled paper. $81 [item no.8131] Alle Gelegenheitskompositionen. [Niedersächsische Staats-& Universitätsbibl., Göttingen & Bayerische Staatsbibl., Munich]. Faksimile-Edition Heinrich Albert, 5. Stuttgart, 2001. 20 x 32 cm, 37 pp. Line-cut of the 1644, 1645, 1645, 1649, 1619, 1650, 1651 editions. Contents: Partitura der Musica; Auf den erfreulichen Namens-Tag Herrn Johann Schmeissen; Freude dem Edlen Koyen; Hirten-Liedchen; Hochzeits-Lied; Rechte Heyrats-Kunst; Braut- & Ehren-Tantz. For voice and instrumental accompaniment. Hardbound, with boards in marbled paper. $30 [item no.7919] Musicalische Kürbs-Hütte, welche uns erinnert menschlicher Hinfälligkeit, geschrieben und in 3. Stimmen gesetzt. Faksimile-Edition Heinrich Albert, 4. Stuttgart, 2001. 20 x 29 cm, 10 pp. Line-cut of the Königsberg, 1615 edition. Wrappers. $10 [item no.7900] Poetisch-Musicalisches Lust Wäldlein. [Niedersächsische Staats-& Universitätsbibl., Göttingen]. Faksimile-Edition Heinrich Albert, 2. Stuttgart, 2001. 20 x 32 cm, 159 pp. Line-cut of the Königsberg, 1648 edition. 144 songs for various functions, notated in score, for voices with instrumental accompaniment. Hardbound, with boards in marbled paper. $73 [item no.7918] ALISON, Richard, b.?-c.1609 The Psalmes of David in Meter 1599. Edited by Ian Harwood. [British Library, K.7.f.10].English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 1. London, 2/ 1980. 26 x 37 cm, iii, 152 pp. Line-cut. A much admired collection of pieces a4, mainly for voice and lute, but with alternative methods of performance possible. Notated in French lute tablature, cittern tablature and mensural notation and printed in table book format. Wrappers. $88 [item no.2987] ANFOSSI, Pasquale, 1727-1797 [Il Curioso Indiscreto, vln, vc, selections] The Favorite Duett for a Violin and Violoncello in the Overture to Il Curioso Indiscreto.Early Cello Series, 3. n.p., c.1985. 4º, 4 pp. Line-cut of the c.1777 printed edition. Wrappers. $12 [item no.1654] ARIOSTI, Attilio, 1666-1729 Cantatas and a Collection of Lessons for the viol d’amore.Bibliotheca Musica Bononiensis, IV/124. Bologna, 1980. 25 x 35 cm, 65 pp. Line-cut of the London, 1728 edition. Contains 6 cantatas (La Rosa; L’amor onesto; L’Olmo; Libertà acquistata in Amore; Il Naufragio Vicino; La Gelosia) and 6 lezioni followed by a postscript. Each text of the cantatas are beautifully printed showing their poetic structure before the music settings. Laid paper, with handsome binding in red linen with gold lettering. $59 [item no.1160] ATYS, fl. 1750-1760 [Sonatas, 2 fl/vln/vdg, op.1] Six sonates en duo en forme de conversation pour deux flûtes traversieres [qui se peuvent facilement executer sur le violon et le pardessus de viole]. Paris, s.d.Archivum Musicum: L’Art de la Flûte Traversière, 65. Florence, 2007. 24 x 34 cm, vi, 31 pp. Line-cut of the Paris, c.1754 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $27 [item no.8872] BACH, Carl Philipp Emanuel, 1714-1788 [Sonatas, keyboard, vln, vc, H.525-530; Wq.89] Six Sonatas for the Harpsichord or Piano Forte [with accompaniments for a Violin and Violoncello].Huntingdon, [1993]. 4º, 3 partbooks, 64 pp. Xerographic reprint of the Bremner edition, London, 1776. Wrappers. $24 [item no.4873] [Sonatas, keyboard, vln, vc, H.522-524; Wq.90] Clavier-Sonaten mit einer Violine und einem Violoncell zur Begleitung. Erste Sammlung. Huntingdon, [1993]. 4º, 3 partbooks, 46 pp. Xerographic reprint of the composer’s edition, Leipzig, 1776. Wrappers. $24 [item no.4871] [Sonatas, keyboard, vln, vc, H.531-534; Wq.91] Clavier-Sonaten mit einer Violine und einem Violoncell zur Begleitung. Zweyte Sammlung. Huntingdon, [1993]. 4º, 3 partbooks, 42 pp. Xerographic reprint of the composer’s edition, Leipzig, 1777. Wrappers. $24 [item no.4872] [Sonata, viol, bc, H.558/Wq.136] Sonata a viola da gamba solo e basso. Source unique: Bruxelles, Bibliothèque du Conservatoire Royal de Musique, cote 5634. Format original. Catalogue: A. Wotquenne Wt 136, E. Helm H 558. Collection Facsimiles, A6. Gland, 1992. 4º, 9 pp. Line-cut of a contemporary ms copy. Limited edition of 500 copies. Laid paper. Wrappers. $26 [item no.4299] [Sonatas, viol, bc, Wq.136-137] Due sonate a viola di gamba e basso. Introduction: Greta Haenen. [Ms. Conservatoire Royal de Musique, Brussels]. Facsimile Series, III/12. Peer, 1991. 4º, 18 pp. Line-cut. Wrappers. $15 [item no.3890] BACH, Johann Christoph Friedrich, 1732-1795 [Sonatas, violoncello, bc] Violoncell-solo [sonate pour violoncelle et basse continue - 1770.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the Hamburg, 1770 edition (extracted from Musikalisches Vielerley). Wrappers. $11 [item no.8943] BACH, Johann Sebastian, 1685-1750 [Suites, violoncello, BWV 1007-1012] 6 Suites. Violoncello solo. Verkleinerte Faksimile-Ausgabe nach der Handschrift von Anna Magdalena Bach.Munich, 1950. 15 x 23 cm, 37 pp. Line-cut in study score format. In the hand of Anna Magdalena Bach. Wrappers. $12 [item no.90] [Suites, violoncello, BWV 1007-1012] Sechs Suiten für Violoncello solo BWV 1007-1012. Die vier Quellen in verkleinerter Wiedergabe. Faksimile-Beiband zum kritischen Bericht von Hans Eppstein. Kassel, 1991. 17 x 25 cm, iv, 156 pp. Halftone of the four surviving mss of this c.1720 work in reduced format (none survive in Bach’s handwriting), including the version by Anna Magdalena around 1730, one by Johann Peter Kellner around 1726, and two by unindentified copyists from the 18th c. Wrappers. $67 [item no.4319] [Suites, violoncello, BWV 1007-1012] Sechs Suiten für Violoncello solo BWV 1007-1012. Kritischer Bericht von Hans Eppstein. Neue Ausgabe Sämtlicher Werke, Kritischer Bericht, VI/2. Kassel, 1990. 17 x 25 cm, 118 pp. Critical commentary to above (in German). Linen. $73 [item no.4653] [Suites, violoncello, BWV 1007-1012] 6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. Herausgegeben von Bettina Schwemer, Douglas Woodfull-Harris. Kassel, 2000. 4º, 7 vols, 95, 41, 200 pp. The “bible” for students of the Bach Cello Suites. New full-size line-cut reproductions of source A, B, C, D, plus the Paris 1st edition [Janet et Cotelle, c.1824]. The first two are in the hand of Anna Magdalena Bach and Johann Peter Kellner, 1727-1731 and 1726 respectively, and as such, are the most autoritative. Source C (2nd half of 18th c.) comes from the estate of Johann Christoph Westphal, a Hamburg organist, printer and music dealer. Source D, or “Traeg” MS, also late 18th c. is named after Johann Traeg, a Vienese art and music dealer who once owned it. As none of the sources derive directly from the now lost autograph nor from each other, they all have a special importance in the textual tradition of the suites. A close comparison discloses significant textual discrepancies, sometimes the result of accidental slips, and at others, true alternative readings. Includes new urtext edition and critical notes. Wrappers, with portfolio case. $65 (more info... ) [item no.7792] BAILLOT, Pierre-Marie-François, 1771-1842 [Method, violoncello] Méthode de violoncelle et de basse d’accompagnement.Méthodes Instrumentales, VI. Geneva, 1974. 4º, 230 pp. Line-cut of the Paris, 1804 edition. Authors include Levasseur, Catel & Baudot. Hardbound. $157 [item no.3241] BANCHIERI, Adriano, 1568-1634 Conclusioni del suono dell’ organo.Bibliotheca Musica Bononiensis, II/24. Bologna, 1968. 17 x 25 cm, 72 pp. Line-cut of the Bologna, 1609 edition. Set of twenty brief chapters on various musical subjects treated from the organist-choirmaster’s standpoint, including a review of the history of the organ, a description of notable contemporary Italian organs, organists and organ builders and a discussion of the specific uses of the organ in church music. Cloth. $41 [item no.2431] BARRIÈRE, Jean, c.1705-1747 [Sonatas, viol, bc, book 5] Sonates pour le pardessus de viole avec la basse continüe. Livre Ve.Viole de Gambe, XI. Geneva, 1986. 4º, 23 pp. Line-cut of the Paris, c.1748 edition. 6 sonatas in 4 movts. Wrappers. $35 [item no.1161] [Sonatas, violoncello, bc, book 1] Sonates pour le violoncelle, avec la basse continue. Livre I (1733). [Universitätsbibliothek, Basel]. La Musique Française Classique de 1650 à 1800, 85. Courlay, 1995. 22 x 31 cm, 11, 40 pp. Line-cut of Paris, [1733] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $29 [item no.7147] [Sonatas, violoncello, bc, book 2] Sonates pour le violoncelle, avec la basse continue. Livre II. Huntingdon, n.d. 4˚. Xerographic reprint of the Paris, [1737] edition. Wrappers. $13 [item no.8304] [Sonatas, violoncello, bc, book 2] Sonates pour le violoncelle, avec la basse continüe. Livre II. Shumilov Facsimile Collection. Magdeburg, [2005]. 4˚, 2 partbooks, 48 pp. Line-cut of the Paris, [1737] edition. Wrappers. $28 [item no.8546] [Sonatas, violoncello, bc, book 2] Sonates pour le violoncelle, avec la basse continue. Livre II (1733). La Musique Française Classique de 1650 à 1800, 201. Courlay, 2007. 22 x 31 cm, 40 pp. Line-cut of Paris, [1733] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $26 [item no.8948] [Sonatas, violoncello, bc, book 3] Sonates pour le violoncelle, avec la basse continue. Livre III . Huntingdon, n.d. 4˚. Xerographic reprint of the Paris, [1739] edition. Wrappers. $13 [item no.8305] [Sonatas, violoncello, bc, book 3] Sonates pour le violoncelle, avec la basse continue. Livre III (1739). La Musique Française Classique de 1650 à 1800, 202. Courlay, 2007. 22 x 31 cm, 36 pp. Line-cut of Paris, [1739] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $24 [item no.8949] [Sonatas, violoncello, bc, book 4] Sonates pour le violoncelle, avec la basse continue. Livre IV. Huntingdon, n.d. 4˚. Xerographic reprint of the Paris, [1740s] edition. Wrappers. $13 [item no.8306] [Sonatas, violoncello, bc, book 4] Sonates pour le violoncelle, avec la basse continüe. Livre IV. Shumilov Facsimile Collection. Magdeburg, [2005]. 4˚, 2 partbooks, 50 pp. Line-cut of the Paris, [1740s] edition. Wrappers. $28 [item no.8547] BARSANTI, Francesco, c.1690-1775 [Sonatas, recorder/violin, bc, op.1] Sonate a flauto, o violino solo, con basso per violone, o cembalo. Londra 1724.Archivum Musicum: Strumentalismo Italiano, 75. Florence, 1993. 23 x 33 cm, ii, 36 pp. Line-cut of the London, 1724 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.4287] BARTÓK, Béla, 1881-1945 [Concerto, viola, orch, draft] Concerto for Viola and Orchestra. Facsimile of the Autograph Draft, with an Introduction by Laszlo Somfai. Preface by Peter Bartók. New Fair Copy of the Autograph by Nelson Dellamaggiore.Homosassa, 1995. 28 x 40 cm, 16 facs, 80 pp. Full-color facsimile of the composing (short) score written in 1944 in New York (and Saranac Lake), which, along with the Third Piano Concerto, is the composer’s last work. The concerto, a commission of the violist William Primrose, although “complete”, was not scored by Bartók (the composer referred to its orchestration as “mechanical work”), and surely many details and modifications would have occurred when he transferred the composition onto the final score paper. That task was later completed by Tibor Serly. With this facsimile we can finally answer the question, how much is Bartók, and what details come from Serly. With preface by Peter Bartók and commentary provided in Eng-Hung-Ger-Jap-Sp. Hardbound in black, with gold lettering. Special OMI price (reg. $100). $80 (more info... ) [item no.4417] BÂTON, Charles, b.?-1758 Six sonates pour la viele, quatre avec la basse continüe et deux en duo, œuvre III; Les amusements d’une heure, duos pour la viéle et la muzette.Geneva, 1986. 22 x 28 cm, 54 pp. Line-cut. Les Amusements consists of 2 suites, “La Vernay” and “Le Pillet”. Presents all the difficulties in regard to the range and limits of the vielle (hurdy-gurdy). Wrappers. $56 [item no.1162] [Suites, 2 viols/musettes/flutes/recorder/oboes; Suites, treble inst, bc] Premier œuvre contenant trois suites pour deux viéles, muzettes, flûtes traversieres, flûtes a bec, hautbois, et trois suites avec la basse continüe. [Collection Paul Fustier]. Béziers, 2003. 20 x 29 cm, ii, 28 pp. Line-cut of the Paris, [1733]. Introduction in Fr by Paul Fustier. Wrappers. $26 [item no.8214] BEACH, Amy, 1867-1944 [Quartet, strings, op.89] Quartet for Strings (in One Movement). Opus 89. Edited by Adrienne Fried Block. [Fuller Public Library, Hillsborough, on deposit at the Univ. of New Hampshire, Beach Collection, 51A, box 4, folder 25].Music of the United States of America, 3. Madison, 1994. 4º, xxxiv, 31, 21 pp. New critical edition, together with halftone of the draft score. Wrappers. $24 [item no.7008] BECKER, Dietrich, 1623-1679 [Musikalische Frühlings-Früchte, strings/winds] Musikalische Frühlings-Früchte bestehend in drey-, vier- und funff-stimmiger Instrumental-Harmonia, nebenst dem Basso Continuo.Huntingdon, 1991. 4º, 7 partbooks, c.190 pp. Line-cut of the Hamburg, 1668 edition. Sonatas and dances for 3, 4 & 5 instruments: strings, cornetti, bassoons, & viols. Wrappers. $49 [item no.7028] [Trio sonatas, strings/winds] Erster Theil zwey-stimmiger Sonaten und Suiten nebest einem gedoppelten Basso Continuo. Huntingdon, c.1990. 4º, 4 partbooks. c.225 pp. Line-cut of the Hamburg, 1674 edition. Vln I, II, bass, & bc partbooks. Wrappers. $48 [item no.7029] Sonata à 2. Violino & Violdagamba (aus “Erster Theil zweystimmiger Sonaten und Suiten”, Hamburg 1674). Für Violine, Viola da Gamba und Basso Continuo. Faksimile herausgegeben: Leonore und Günter von Zadow. Heidelberg, 2005. 4º, 12, 21 pp. Line-cut of the Hamburg, 1674 edition, together with new edition. Preface in Ger-Eng. Wrappers. $28 [item no.8543] BEETHOVEN, Ludwig van, 1770-1827 [Duet, viola, violoncello, WoO 32, Eb major] Duett mit zwei obligaten Augenglässern für Viola und Violoncello herausgegeben von Franz Beyer. Vorwort von Willy Hess.Winterthur, 1986. 4º, iii, 7 facs, 12 pp. Halftone of the autograph score, together with a new practical edition. The jocular title seems to mean that the piece was written for 2 bespectacled players. Preface in Ger-Eng. Wrappers. $19 [item no.2020] [Brandenburg, Sieghard, et al] Beethovens Werke für Klavier und violoncello. Bericht über die Internationale Fachkonferenz Bonn, 18.-20. Juni 1998. Herausgegeben von Sieghard Brandenburg, Ingeborg Maaß und Wolfgang Osthoff. Albi Rosenthal zum Andenken. Veröffentlichungen des Beethoven-Hauses, IV/15. Bonn, 2003. 8˚. 362 pp. Contents: Birgit Lodes, “Beethovens Sonaten für Klavier und Violoncello op. 5 in ihrem gattungsgeschichtlichen Kontext”; Wolfgang Osthoff, “Die Coda des Hauptsatzes der Cellosonate op.5 Nr. 1 und Beethovens Ensemble-Kadenzen”; Ingeborg Maaß, “Korrekturen in den Autographen der Cellovariationen WoO 45 und 46”; Bernard van der Linde, “Beethoven als Korrekturleser. Die Plattenkorrekturen in den Erstausgaben der Sonaten op. 5 und anderer Cellowerke”; William Drabkin, “Beethoven's Cello and Piano Textures”; Lewis Lockwood, “Beethoven's op. 69 Revisited: The Place of the Sonata in Beethoven's Chamber Music”; Sieghard Brandenburg, “Die Skizzen zu Beethovens Cellosonate op.69”; Albert Dunning, “Eine wiederaufgefundene Stichvorlage zu Beethovens Cellosonate op.69”; Albi Rosenthal, “’Ein Böcklein aus dem Stall’ - Beethovens Anmerkungen in einem Exemplar der Erstausgabe von op. 102”; Peter Cahn, “Formprobleme in Beethovens ‘Freyer Sonate’ op. 102 Nr. 1”; Rudolf Bockholdt, “Der letzte Satz von Beethovens letzter Violoncellosonate op. 102 Nr. 2”; Armin Raab, “Authentische und zweifelhafte Bearbeitungen Beethovens für Klavier und Violoncello”; Kai Köpp, “Beethovens Violoncello - Ein Geschenk des Fürsten Lichnowsky? Zur Provenienz der Streichquartettinstrumente Beethovens”. Wrappers. $65 [item no.6703] [Küthen, Hans-Werner] Beethovens und die Rezeption der Alten Musik. Die hohe Schule der Überlieferung, Symposion Bonn 2000, Congressional Report Edited by Hans-Werner Küthen, 2002. Veröffentlichungen des Beethoven-Hauses, IV/16. Bonn, 2002. 8˚. viii, 312 pp. Contents: Martin Zenck, “Geschichtsreflexion und Historismus im Musikdenken Beethovens”; Hans-Josef Irmen, “Beethoven, Bach und die Illuminaten”; Tomislav Volek, “Mozartsche Fragmente und Beethovensche Rente. Zwei historische Tatsachen von großer Aussagekraft”; William Drabkin,” Die langsame Einleitung zur Kreutzersonate. Form und Vorbilder”; Richard Kramer, “Beethovens Opus 90 und die Fenster zur Vergangenheit”; William Kinderman, “Rückblick nach vorn: Beethovens ‘Kunstvereinigung’ und das Erbe Bachs”; Annette Monheim, “Händel auf dem Weg nach Wien. Die Händel-Rezeption in Florenz, Berlin und Wien von 1760 bis 1800”; Ulrich Bartels, “Zwischen Assimilation und Provokation. Bemerkungen zur ‘barocken’ Beethoven-Interpretation”; Christopher Reynolds, “Beethovens ‘Arioso dolente’ und die Frage seiner motivischen Erbschaft”; Hans-Werner Küthen, “’Szene am Bach’ oder der Einfluss durch die Hintertür. Die Bach-Rezeption der anderen als Impuls für Beethoven”; Norbert Gertsch, “Wer verfasste die Orgelstimmen in Beethovens Messen?”. Wrappers. $65 [item no.6704] BELLINZANI, Paolo Benedetto, c.1690-1757 [Sonatas, recorder, bc] Sonata a flauto solo con cembalo, o violoncello, Venezia 1720.Archivum Musicum: Strumentalismo Italiano, 9. Florence, 1979. Oblong, 34 x 24 cm, v, 59 pp. Line-cut. 12 sonatas and folia. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.747] BERG, Alban, 1885-1935 Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Faksimile des Autographs in der Bayerischen Staatsbibliothek.Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 pp. Beautiful 2 color line-cut of the autograph fair copy arranged for chamber ensemble. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Mauser. Folder. $39 [item no.3521] Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Faksimile des Autographs in der Bayerischen Staatsbibliothek. Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 facs, 12 (trans.) pp. Beautiful 2 color line-cut of the autograph fair copy arranged for chamber ensemble, together with modern edition. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Mauser. Folder. $54 [item no.4428] BERNHARDT, Christoph, 1628-1692 Geistliche Harmonien [erster Theil, begreifende zwanzig deutsche Concerten von 2.3.4. und 5. Stimmen. Opus primum]. Dresden/Wolfgang Seyffert 1665. [Bibl. Jagiellońska, Krakow].Faksimile-Edition Krakau, 9. Stuttgart, 2007. 21 x 33 cm, 7 partbooks, 138 pp. Line-cut of the Dresden, 1665 edition. Collection of 12 sacred settings (3 a2, 1 a3, 5 a4, 2 a5, & 1 a6), with violin and viola da gamba accompaniment. Printed in partbook format: 1. Sing-Stimme, 2. Sing-Stimme, 3. Sing-Stimme, 4. Sing-Stimme, 1. Instrument, Anderes Instrument, Basso Continuo. Wrappers, in marbled paper slipcase. $65 [item no.8830] BERTALI, Antonio, 1605-1699 Prothimia suavissima ovvero XII sonate a tre o quattro strumenti e basso, parte seconda. S.l. 1672.Archivum Musicum: Strumentalismo Italiano, 82. Florence, 2000. Oblong, 34 x 24 cm, 4 partbooks, c.112 pp. Line-cut of the 1672 edition. Scored for vln I, vln II, viola da gamba & basso continuo. Introduction in It by Hugh Ward-Perkins. Wrappers in decorative paper with matching slipcase. $41 [item no.7842] BIBER, Heinrich Ignaz Franz von, 1644-1704 [Partitas, 2 violins, bc] Harmonia artificioso-ariosa. Diversimodè accordata. VII Partien à tre. Faksimile, Erstdruck 1696 (Wiesentheid). Herausgegeben von Reinhard Goebel. [Stadtbibliothek, Wiesentheid].Magdeburg, 2007. Oblong, 4º, 3 partbooks, xv, 100 pp. Line-cut of the first edition, Wiesentheid, 1696. The recently rediscovered first edition—now available for the first time in facsimile—does not have some of the errors made by the editors of the Denkmäler edition. The piece, in 7 movements or partitas and principally scored for 2 violins and bc (1 partita is for 2 viole d’amore & bass) employs scordatura tunings (”harmonia artificioso”) in the upper parts. Only partita VI is written for violins in normal tuning. Wrappers. $79 [item no.8873] BISMANTOVA, Bartolomeo, 17th c. Compendio musicale, Ferrara 1677. [Biblioteca Municipale di Reggio Emilia].Archivum Musicum: Strumentalismo Italiano, 1. Florence, 1978. 17 x 24 cm, v, 121 pp. Line-cut of the holograph. Wrappers in decorative paper. $27 [item no.1250] BLAINVILLE, Charles-Henri de, c.1711-c.1769 [Sonatas, 2 violoncellos, book 2] Second livre de sonates à deux violoncelles.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the Paris, c.1750 edition. Wrappers. $12 [item no.8879] BLAVET, Michel, 1700-1768 [Pièces, 2 flutes/violins/viols, collections 1-3] Premier recueil de pièces accomodé pour les flûtes traversières; Deuxième recueil de pièces accomodé pour les flûtes traversières; Troisième recueil de pièces accomodé pour les flûtes traversières. Paris s.d.Archivum Musicum: L’Art de la Flûte Traversière, 48. Florence, 1995. Oblong, 24 x 17 cm, viii, 245 pp. Line-cut of the Paris, c.1750-1755 editions. Introduction in It by Marcello Castellani. Wrappers. $41 [item no.7141] [Pièces, 2 flutes/violins/viols, 1st collection] Ie recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. Paris, n.d. Oblong, 25 x 16 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.1589] [Pièces, 2 flutes/violins/viols, 1st collection] 1er recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Olbong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8679] [Pièces, 2 flutes/violins/viols, 2nd collection] IIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Wrappers. $28 [item no.3830] [Pièces, 2 flutes/violins/viols, 2nd collection] 2ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8680] [Pièces, 2 flutes/violins/viols, 3rd collection] IIIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c. Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.3831] [Pièces, 2 flutes/violins/viols, 3rd collection] 3ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1757. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 182. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8681] BLOW, John, 1649-1708 Amphion Anglicus. A Facsimile of the 1700 London Edition.Monuments of Music and Music Literature in Facsimile, I/2. New York, 1965. 4º, 216 pp. Line-cut of the London, 1700 edition. Contains the best of Blow’s vocal music. Laid paper. Beautifully bound in white linen. $100 [item no.187] BOCCHERINI, Luigi, 1743-1805 [Sonatas, violoncello, bc] Six Sonatas for the Violoncello. [Library of Congress, Washington, DC].Performers’ Facsimiles, 174. New York, [1996]. 25 x 32 cm, 37 pp. Line-cut of the London, c.1785 edition. Wrappers. $18 [item no.7293] BOCCHI, Lorenzo, 18th c. [Musicall Entertainment, vln, fl, vc, bc, op.1] A Musicall Entertainment for a Chamber. Sonatas for Violin, Flute, Violoncello and Six String Bass. With a Thorough Bass for the Harpsichord or Bass Violin. Lastly a Scotch Cantata. Opera prima.Huntingdon, [1990]. 4º, Line-cut of the London, c.1725 edition. Wrappers. $24 [item no.4879] BOISMORTIER, J.B. Bodin de, 1691-1755 [Ballets, trios, 2 musettes/viols/rec/vln/ob/fl, bc, op.52] IV balets de village en trio pour les musettes, vieles, flutes à bec, violons, haubois, ou flutes traversières. Œuvres 54, 1734.Les Plaisirs Champêtres. Paris, 1991. 4˚, 3 partbooks, ii, 36 pp. Line-cut of the Paris, 1752 edition. Preface in Fr-Eng by Jean-Christophe Maillard. Wrappers. $28 [item no.8726] [Sonatas, 2 bassoons/violoncelli/viols, op.14, 40; Petites sonates, op.66] Œuvres pour deux bassoons, violoncelli ou violes. Opus 14, 40 & 66. [Bibl. Nationale de France, Paris]. La Musique Française Classique de 1650 à 1800, 131. Courlay, 2000. 4º, xii, 3 vols, 26+23+26 pp. Line-cut of the Paris, 1726, 1732, & 1737 editions. Introduction in Fr-Eng-Ger by Stephan Perreau. Wrappers. $46 [item no.7883] [Sonatas, 2 bassoons/violoncelli/viols, op.14] XIVe œuvre contenant VI sonates à deux baßons, violoncelles, ou violes. Musique de Chambre, 6. Geneva, 1991. 22 x 30 cm, 24 pp. Line-cut of the author’s & Boivin edition, Paris, 1726. 6 sonatas in 4 movts. Wrappers. $30 [item no.3023] [Sonatas, 2 bassoons/violoncelli/viols, op.40] 6 sonates. . . op.40. Huntingdon, [1994]. 4º, Line-cut of the Paris, 1732 edition. Wrappers. $12 [item no.4849] [Sonatas, 2 viols, op.10] Sonates à deux violes, Œuvre dixième. Viole de Gambe, XII. Geneva, 1986. 22 x 30 cm, 26 facs, i pp. Line-cut of the author’s & Boivin edition, Paris, 1725. 6 sonatas in 4 or 5 movts, some of which are dances. Wrappers. $35 [item no.1167] [Sonatas, 2 viols, op.10] Sonates à deux violes. Opus 10. 1725. [Bibl. Nationale de France, Paris]. La Musique Française Classique de 1650 à 1800, 133. Courlay, 2000. 4º, vii, 26 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $23 [item no.7881] [Sonatas, viol, bc, op.61] Œuvre soixante et unième contenant VI sonates pour le pardessus de viole avec la basse. Introduction de Hazelle Miloradovitch. Viole de Gambe, 23. Geneva, 1996. 22 x 30 cm, x, 23 pp. Line-cut of the Paris, 1736 edition. All six sonatas of contain chords only possible on the six-string pardessus de viole. Wrappers. $35 [item no.7269] [Sonatas, 2 viols/bsn/vc, op.66] Petites sonates suivies d’une chaconne op.66. Huntingdon, c.1996. 4º, 23 pp. Line-cut of the Paris, 1737 edition. Wrappers. $12 [item no.7616] [Sonatas, 2 violoncelli/viols/bassoons, bc, op.26 & op.50] Cinq sonates, un concerto. Opus 26 (violoncelle, viole ou basson); Six sonates, un trio. Opus 50 (violoncelle, viole ou basson). Présentation par Stéphan Perreau. La Musique Française Classique de 1650 à 1800, 132. Courlay, 2000. 4º, vii, 52 pp. Line-cut of the Paris, 1729 and 1734 editions. Introduction in Fr-Eng-Ger. Hardbound. $33 [item no.7823] [Sonatas, 2 violoncelli/viols/bassoons, bc, op.26] 5 sonates. . . op.26. Huntingdon, [1994]. 4º, Line-cut of the Paris, 1729 edition. Wrappers. $10 [item no.4848] [Sonatas, 2 violoncelli/viols/bassoons, op.50] VI sonates. . . op.50. Huntingdon, [1994]. 4º, Line-cut of the Paris, 1734 edition. Wrappers. $10 [item no.4850] [Trio sonatas, 2 ob/fl/vln, bc; bass/bassoon, bc, op.28/37] Six sonates en trio, opus 28 / Cinq sonates en trio, suivies d’un concerto, opus 37. Présentation par les élèves du Ce. F.E. de M. de Rueil-Malmaison. La Musique Française Classique de 1650 à 1800, 134. Courlay, 2000. 4º, 7 vols, xv, 78 pp. Line-cut of the Paris, 1730 and 1722 editions. Preface in Fr-Eng-Ger by Nathalie Lechat, Karen Daniau, Céline Morandeau & Marie-Hélène Landreau. Wrappers, in slipcase. $50 [item no.8120] [Trio sonatas, flute/violin, bass/bassoon, bc, op.37] XXXVIIe Œuvre contenans V sonates en trio pour un deßus & deux baßes; suivica d’un concerto à cinq parties pour une flûte, un violon, un haubois, un baßon, & la baße. Huntingdon, [1994]. 4º, 3 parts, 32 pp. Line-cut of the Paris, [1732] edition. Wrappers. $20 [item no.4859] BONI, Pietro Giuseppe Gaetano, 18th c. [Sonatas, violoncello, bc] XII sonate a per camera a violoncello e cembalo op.1. Roma [1717].Archivum Musicum: Strumentalismo Italiano 91. Florence, 2005. Oblong, 34 x 24 cm, x, 43 pp. Line-cut of Rome, [1717] edition. Introduction in It by Andrea Fossà. Wrappers in decorative paper. $34 [item no.8668] BONIZZI, Vincenzo, b.?-1630 [Alcune opera, viola bastarda, strings] Alcune opere di diversi autori. Passaggiate principalmente per la viola bastarda, ma anco per ogni sorte di stromenti e di voci, Venezia 1626. [Printed source & Ms, Civico Museo Bibl. musicale, Bologna].Archivum Musicum: Strumentalismo Italiano, 54. Florence, 1983. Oblong, 24 x 17 cm, xvii, 94 pp. Line-cut. Includes facsimile of contemporary ms copy transmitting passaggiate. Introduction in It by Elio Durante & Anna Martellotti. Wrappers in decorative paper. $27 [item no.1169] BONPORTI, Francesco Antonio, 1672-1749 [Sonatas, violin, bc, op.12] Concertini e serenate con arie variate, siciliane, recitativi e chiuse a violino e violoncello o cembalo, op.XII. Augusta s.d.Archivum Musicum: Strumentalismo Italiano, 81. Florence, 1998. Oblong, 4º, vii, 64 pp. Line-cut of the Augusta, c.1736 edition, plus the “arie variate” from MS 11275, in the possession of the library of the Brussels Royal Conservatory. Preface in It by Daniele Valersi. Wrappers. $32 [item no.7684] [Sonatas, violin, bc, op.7 & 10] Sonate da camera a violin solo e basso, op.VII; Invenzioni a violino solo e basso, op.X. Amsterdam s.d. Archivum Musicum: Strumentalismo Italiano, 78. Florence, 1995. Oblong & upright, 4º, 2 vols, ix, 52 pp. Line-cut of the Amsterdam, n.d. edition. Preface in It by Daniele Valersi. Wrappers. $41 [item no.7140] [Trio sonatas, 2 violin, bc, op.4] Sonate da camera. Opera IV. A due violini, violone, cembalo o arcileuto. Venezia 1703. Archivum Musicum: Strumentalismo Italiano, 87. Florence, 2002. 4º, 3 partbooks, viii, 108 pp. Line-cut of the Venice, 1704 edition. Preface in It by Daniele Valersi. Wrappers. $32 [item no.8233] BOÜIN, J.F., 18th c. La vielleuse habile ou nouvelle méthode courte, très facile et très sure pour apprendre à jouer de la vielle / [J.B. Dupuits des Bricettes:] Principes pour toucher de la viele.Geneva, 1986. 25 x 32 cm, 94 pp. Line-cut of the authors’ edition, Paris, c.1761, 1741. 2 complementary tutors for the hurdy gurdy. Discusses fingering, cadences, the coup de poignet, choice of bowings, etc. Sonatas and other pieces. Wrappers. $66 [item no.1174] BRAHMS, Johannes, 1833-1897 [Quintet, strings, op.88, F major] Streichquintett Nr.1 F-Dur op.88. Faksimilé-Ausgabe. [Brahmsgesellschaft, Baden-Baden].Baden-Baden, 1994. Oblong, 33 x 26 cm, 46 pp. Fine color reproduction of Brahms’ elegant autograph fair copy, dated and signed May 1882. Limited bibliophile edition of 200 copies. Handsomely bound in dark burgundy leatherette with the composer’s signature embossed in silver. $185 (more info... ) [item no.7077] [Trio, piano, clarinet, violoncello, op.114, A minor] Trio für Pianoforte, Clarinette und Violoncell, Opus 114. Faksimile des Autographs und Werkbericht von Alfons Ott. [Ms. Sammlungen der Gesellschaft der Musikfreunde, Vienna]. Tutzing, 1958. Oblong, 35 x 27 cm, 14, 32 pp. Outstanding halftone of the elegant 1891 autograph score. Clarinettist Richard Mühlfeld (b.1856), a soloist and chamber virtuoso with the Meininger Hofkapelle, gave Brahms the impetus to write this beautiful Trio, whose composition is also closely tied with the Clarinet Quintet, op.115. The work premiered on 24. Nov. 1891, played directly from the manuscript, Brahms at the piano and Mühlfeld and Robert Hausmann respectively playing clarinet and cello. This facsimile represents the publishing debut of the venerable music publisher Dr. Hans Schneider. Handsome bibliophile edition of 800 copies bound in grey linen with ivory colored boards. $55 (more info... ) [item no.212] BRAUN, Jean Daniel, 18th c. [Sonatas, 2 bassoons/cellos/basses] Six sonates pour deux bassons ou deux basses. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique de de Danse de Paris.La Musique Française Classique de 1650 à 1800, 176. Courlay, 2005. 4º, ix, 31 pp. Line-cut. Wrappers. $23 [item no.8518] BRÉVAL, Jean-Baptiste Sébastien, 1753-1823 Les nocturnes, ou six airs variés pour un violon et violoncelle. Œuvre IX.Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 16 pp. Line-cut of the Paris, 1782 edition. Wrappers. $13 [item no.9037] BROSSARD, Sébastien de, 1655-1730 Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois, les plus usitez dans la musique, seconde édition, 1705. Eingeleitet von Harald Heckmann.Dictionarium Musicum, 1. Hilversum, 1965. 17 x 24 cm, xviii, 390 pp. Halftone of the second edition, Paris, 1705. Cloth (also available in wrappers). $116 [item no.2112] BUONAMENTE, Giovanni Battista, b.?-1642 [Sonatas, 2 violins, bc, book 4] Il quarto libro de varie sonate, Venezia 1626.Archivum Musicum: Strumentalismo Italiano, 47. Florence, 1982. 24 x 34 cm, 3 parts, iii, 138 pp. Line-cut. Contains 50 compositions, sinfonie, gagliarde, corrente, & brandi for 2 violins and violone. Wrappers and slipcover in decorative paper. $41 [item no.1254] BUONANNI, Filippo, 1638-1725 Descrizione degl’istromenti armonici d’ogni genere.Leipzig, 1975. 20 x 28 cm, 256 pp. Line-cut of the Rome, 1726 edition. Extremely informative treatise on organology with altogether 140 extended descriptions provided in Italian and French. Bilingual indices. Accompanied by 142 superb woodcuts of scenes of musicians with their instruments. Linen. $175 [item no.2703] BURKHARD, Willy, 1900-1955 [Concerto, viola, orch, op.93] Konzert für Viola und Orchester Op.93. Faksimile-Ausgabe nach der Handschrift des Komponisten (1953).Kassel, 1973. 8º, Line-cut of the autograph score in reduced format. Wrappers. $31 [item no.219] BUTERNE, Charles, 17-18th c. [Sonatas, winds/strings, bc, op.2] Six sonates pour la vielle, musette, violon, flutes, hautbois et pardessus de violles; quatre avec la basse continue, et deux en duo. Œuvre IIe. [Bibl. Municipale, Nimes].Béziers, 1985. 29 x 21 cm, 29 pp. Line-cut of the 1745 edition. Sonatas for viel/mus/vln/fl/rec/ob/viol, bc, and 2 viel/mus/vln/fl/rec/ob/viol, without bc. Laid paper, with wrappers. $20 [item no.2149] BUXTEHUDE, Dietrich, 1637-1707 [Klaglied, voice, viols, bc (or voice, organ), BWV 76] Fried- und Freudenreiche Hinfarth des alten großgläubligen Simeons bey seeligen ableiben des Herrn Johannis Buxtehuden. Edited by Michael Belotti. [Badische Landesbibl., Karlsruhe].Critical Facsimiles, 6. New York. 2005 20 x 31 cm, iv, 9, i. Line-cut of the Lübeck, 1674 edition. A funeral piece composed and performed for the composer’s father. Includes apparatus listing all editorial emendations. Wrappers. $12 [item no.8571] [Sonata, 2 violins, viol, bc, G major, K.271] Sonata i G-dur. Besättning: 2 Violiner, Viola da gamba och basso continuo. Faksimiltryck från handskrift i Uppsala Universitetsbibliotek. Autographus Musicus, 4. Bandhagen, 1973. 21 x 34 cm, ii, 9 pp. Line-cut of a contemporary ms copy. Loose sheets in folder. $14 [item no.223] [Sonatas, violin, viol, harpsichord, op.1, K.252-258] VII. sonates à doi, 1 violino e viola da gamba, con cembalo. Opera prima, 1696. Présentation par Marie-Françoise Bloch. [Universitetsbibl., Uppsala]. Collection Dominantes. Courlay, 1995. 24 x 33 cm, 3 partbooks, 8, 56 pp. Line-cut of the Lübeck, 1696 edition. Introduction in Fr-Eng-Ger. Wrappers. $41 [item no.4403] [Sonatas, violin, viol, harpsichord, op.2, K.259-265] VII. suonate à due, violono et viola de gamba con cembalo. Opera seconda. Présentation par Marie-Françoise Bloch. [Universitätsbibl., Uppsala ]. Collection Dominantes. Courlay, 2003. 4º, 3 partbooks, 124 pp. Line-cut of the Lübeck, 1696 edition. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.7208] [Sonatas, violin, viol, harpsichord, op.2, K.259-265] VII. suonate à due, violino et violadagamba con cembalo. Opera secunda. Edited by Eva Linfield. Critical Facsimiles, 3. New York, 2003. 21 x 38 cm, 3 partbooks, 19, 104 pp. Line-cut of the Lübeck, 1696 edition. Includes apparatus listing all editorial emendations. Wrappers. $40 [item no.2150] [Sonata, viol, bc, K.268, D major] Violadagamba Solo. Sonate D-dur für Viola de Gamba und Basso Continuo, BuxWV 268. Faksimile und Neuausgabe. Generalbassaussetzung von Dankwart von Zadow. Herausgegeben von Leonore und Günter von Zadow. [Bodleian Library, Oxford, Mus. Sch. D. 249]. Heidelberg, 2005. 4°, 22 pp. Halftone of a contemporary ms copy, together with a new performing edition. Preface in Ger-Eng. Wrappers. $22 [item no.8545] BYRD, William, 1543-1623 Songs of Sundry Natures, Some of Gravitie, and Others of Myrth, Fit for All Companies and Voyces. Lately Made and Composed into Musicke of 3.4.5. and 6. Parts. [British Library, London].Performers’ Facsimiles, 163. New York, [2000]. 18 x 25 cm, 5 partbooks, c.292 pp. Line-cut of the London, 1589 edition. 14 compositions a3, 11 a4, 12 a5, and 10 a6, suitable for voices and or instruments. Wrappers. $75 [item no.7840] CAIX D’HERVELOIS, Louis de, 1670-1760 [Pièces, viol, bc, book 1] Premier livre de pièces de viole avec la basse continuë. [Bibliothèque Municipale, Toulouse].Béziers, 1993. Oblong, 23 x 18 cm, 2 partbooks, 96 pp. Line-cut of the author’s & Foucault edition, Paris, c.1715. Laid paper with wrappers. $49 [item no.4634] [Pièces, viol, bc, book 1] Premier livre de pièces de viole (avec la basse continue), c.1715. Présentation par: Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 170. Courlay, 2005. 24 x 34 cm, 2 partbooks, viii, 98 pp. Line-cut of the Paris, c.1715 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $51 [item no.8578] [Pièces, viol, bc, book 2] Premier livre de pièces de viole avec la basse continuë. [Bibliothèque Municipale, Toulouse]. Béziers, 1996. Oblong, 23 x 18 cm, 2 partbooks, 215 pp. Line-cut of the author’s & Foucault edition, Paris, [1719]. Laid paper with wrappers. $62 [item no.7235] [Pièces, viol, bc, book 2] Second livre de pièces de viole. Basses continues du second livre de pièces de viole, 1719. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 170. Courlay, 2006. 24 x 34 cm, 2 partbooks, xiii, 134, 80 pp. Line-cut of the Paris, c.1719 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $86 [item no.8662] [Pièces, 2 viols, book 4] IVe livre de pièces a deux violes contenant II suites et III sonates. Musique pour Viole de Gambe, 6. Paris, 1990. 4º, vii, 41 pp. Line-cut of the author’s edition, Paris, 1740. The bass line could also be played by harpsichord or theorbo. Introduction in Fr/Eng by Jean-Louis Charbonnier. Wrappers. $32 [item no.8389] [Suites, flute/viol, bc, 3rd collection, op.6] Sixième œuvre contenant quatre suites pour la flûte-traversière, avec la baße, qui conviennent aussi au pardessus de viole. [Bibl. Municipale, Lyon]. La Musique Française Classique de 1650 à 1800, 57. Courlay, 1991. 24 x 33 cm, 12, 28 pp. Line-cut of the 1736 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $25 [item no.4103] [Suites, viol, op.3; Pièces, viol, book 5] Troisième œuvre contenant quatre suites pour la viole avec la basse chiffrée en partition; Ve livre de pièces de viole contenant trois suites et deux sonates. Viole de Gambe, III. Geneva, 2/ 1993. 22 x 30 cm, 93 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, 1731 & 1748. Wrappers. $56 [item no.1176] [Suites, viol & bc, op.3] Troisième œuvre, contenant quatre suites de pièces pour la viole, avec la baße chifrée en partition. Paris, n.d. 4º, vii, 41 pp. Line-cut of the Paris, 1731 edition. Introduction in Fr by Jean-Louis Charbonnier. Wrappers. $24 [item no.3832] [Suites, viol & bc, op.3] Quatre suites de pièces pour la viole avec la basse-chiffrée en partition, 1731. Présentation par: Jean Saint-Arroman. [Bibl. Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 163. Courlay, 2005. 4º, viii, 42 pp. Line-cut of the Paris, 1731 edition. Introduction in Fr-Eng-Ger. Wrappers. $31 [item no.8558] CAMPAGNOLI, Bartolomeo, 1751-1827 [Caprices, viola] 41 caprices pour l’alto. Présentation par Jean-Philippe Vasseur. [Bibliothèque Nationale, Paris].Collection Dominantes. Courlay, 1999. 4º, xiii, 35 pp. Line-cut of the Paris, 1869 edition. Introduction in Fr-Eng-Ger. Hardbound. $31 [item no.7716] CAMPION, Thomas, 1567-1620 [Ayres, books 1 & 2] Two Books of Ayres. The First Contayning Divine and Morall Songs: The Second, Light Conceits of Lovers. To be Sung to the Lute and Viols, in Two, Three, and Foure Parts; or by One Voyce to an Instrument. [British Library, London].Performers’ Facsimiles, 106. New York, [1995]. 24 x 37 cm, 54 pp. Line-cut of the London, [1613] edition. Wrappers. $20 [item no.7134] [Ayres, books 3 & 4] The Third & Fourth Books of Ayres [1618]. Edited by David Greer. [British Library, London]. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 5. London, 1973. 26 x 37 cm, iii, 44 pp. Line-cut of the London, [1618] edition. 48 settings for voice with viol, lute, or orpharion. Wrappers. $39 [item no.2991] [Ayres, books 3 & 4] The Third and Fourth Booke of Ayres: So as They may be Expressed by One Voyce, with a Violl, Lute, or Orpharion. [British Library, London]. Performers’ Facsimiles, 107. New York, [1995]. 24 x 37 cm, 44 pp. Line-cut of the London, [1618] edition. Wrappers. $20 [item no.7135] [Maske, for Lord Hayes] The Discription of a Maske Presented before the Kinges Maiestie at White-Hall, on Twelfh Night Last, in Honour of the Lord Hayes, and His Bride. [private collection]. Performers’ Facsimiles, 259. New York, [2007]. 17 x 23 cm, 40 pp. Line-cut of the London, 1607 edition. Wrappers. $15 [item no.8833] CANAVAS, Jean-Baptiste, 1713-1784 [Sonatas, violoncello, bc, op.2] Sonates pour le violoncelle avec la basse continue — Opéra II.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, 1773 edition. 6 sonatas for cello and bc. Wrappers. $13 [item no.8881] CAPRICORNUS, Samuel Friedrich, 1628-1665 Geistliche Concerten mit 2. und 3. Stimmen. [Universitätsbibl., Uppsala].Faksimile-Edition Capricornus, 11. Stuttgart, 2000. 14 x 19 cm, 4 partbooks, c.120 pp. Line-cut of the Gerjard edition, Nuremberg, 1658. Partbook format: vox prima, vox secunda, vox tertia, bassus pro organo. Wrappers, with slipcase in marbled paper. $84 [item no.7899] Geistliche Concerten ander Theil. Stuttgart 1665. RISM C 936. [Landesbibl. Dresden; Universitätsbibl., Tübigen]. Faksimile-Edition Capricornus, 3. Stuttgart, 2002. 14 x 19 cm, 3 partbooks, 102 pp. Line-cut of the Stuttgart, 1665 edition. 12 settings a 3 plus basso continuo (”vox prima” partbook of original print has been lost and is not included in this facsimile). Wrappers, in portfolio covered with decorative paper. $56 [item no.8658] [Geistliche Harmonie, 3 voices, winds, strings, bc] Erster [-Ander, -Dritter] Theil geistlicher Harmonien mit zwei und drey Stimmen und 2. Violinen. Faksimile-Edition Capricornus, 9. Stuttgart, 2000. 16 x 23 cm, 7 partbooks, 740 pp. Line-cut of the Stuttgart, 1659, 1660 & 1664 editions. 42 pieces for two and three sopranos, two violins, in various combinations with flute, cornetto, bassoon, trombone, & viola da gamba. Hardbound in marbled paper. $158 [item no.7815] Jubilus Bernhardi [in 24. partes distributus, & quinque vocibus concertantibus, quibus adjunctae quatuor violae]. [Bibliothèque Nationale, Paris, Ms. VM1 988]. Faksimile-Edition Capricornus, 8. Stuttgart, 2000. 15 x 21 cm, 15 partbooks, c.590 pp. Line-cut of the Endter edition, Stuttgart, 1660. 24 sacred numbers in concerted form in partbook format: cantus 1, cantus 1 ripieno, cantus 2, cantus 2 ripieno, alto, alto ripieno, 4 violas, tenor, tenor ripieno, bassus, bassus ripieno, & basso continuo (organ). Wrappers, with slipcase. $160 [item no.7821] Opus aureum missarum [ad sex, decem & duodecim tonos redactae, cum basso ad organum. [Bibliothèque Nationale, Paris, Ms. VM1 982]. Faksimile-Edition Capricornus, 7. Stuttgart, 2000. Oblong, 30 x 20 cm, 11 partbooks, c. 110 pp. Line-cut of the Bencard edition, Frankfurt, 1670. Partbook format: 2 cantus, 2 alto, 2 tenor, 2 violins & bass continuo (organ). Wrappers, with slipcase in marbled paper. $137 [item no.7755] Opus Musicum. [Zentralbibliothek, Zürich]. Faksimile-Edition Capricornus, 15. Stuttgart, 2001. 20 x 33 cm, 18 partbooks, c.190 pp. Line-cut of the Nuremberg, 1655 edition. Concerted pieces for voice and instruments, from 1 to 8 parts & bc. Wrappers, with portfolio in marbled paper. $134 [item no.7947] Raptus Proserpinae. In einem singenden Schaw-Spiel vorgestellet. [Landesbibliothek Stuttgart]. Faksimile-Edition Capricornus, 4. Stuttgart, 1999. 14 x 19 cm, 46 pp. Line-cut of the Nuremberg, 1662 edition. Libretto only. Hardbound, with marbled paper boards. $20 [item no.7747] Scelta musicale ò la prima opera d’eccellenti motteti, voce sola è uno, overò duos instrumenti. [Zentralbibliothek, Zürich]. Faksimile-Edition Capricornus, 5. Stuttgart, 2000. Oblong, 28 x 20 cm, 4 partbooks, c.80 pp. Line-cut of Ammon edition, Frankfurt, 1669. 8 settings for voice (canto, alto, basso) and various instruments (viola da gamba, violins, cornetti, trombone, bassoon, organo). Hardbound, with slipcase in marbled paper. $115 [item no.7987] [Tafelmusik, voice, strings/winds, bc, part 1] Neu-Angestimte und erfreuliche Tafelmusik. [Österreichische Nationalbibliothek, Vienna]. Faksimile-Edition Capricornus, 12. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 28 pp. Line-cut of the Frankfurt, 1670 edition. Wrappers, with portfolio in marbled paper. $46 [item no.7945] [Tafelmusik, strings/winds, bc, part 2] Continuation der neuen wohl angestimmten Taffel-Lustmusik. [Österreichische Nationalbibliothek, Vienna]. Faksimile-Edition Capricornus, 13. Stuttgart, 2001. Oblong, 28 x 19 cm, 3 partbooks, 34 pp. Line-cut of the Frankfurt, 1671 edition. Wrappers, in marbled portfolio. $48 [item no.7946] Theatrum musicum [quod per duodecim secenas sue sacras cantiones]. Würzburg, Bencard 1669. RISM C 937. Faksimile-Edition Capricornus, 2. Stuttgart, 2003. Oblong, 29 x 20 cm, 8 partbooks, 131 pp. Line-cut of the Würzburg, 1669 edition. 12 settings with sacred Latin texts scored for altus, tenor, bass, four viols & organ. Hardbound, with marbled paper boards & matching slipcase. $87 [item no.8346] Continuatio theatri musici [seu Sacrarum cantionum. Pars secunda]. Würzburg, Bencard 1669. [Bibl. Nationale de France, Paris]. Faksimile-Edition Capricornus, 6. Stuttgart, 2003. Oblong, 28 x 20 cm, 10 partbooks, c.114 pp. Line-cut of J. Bencard edition, Würzburg, 1669. 8 sacred settings for various voice and instrumental combinations (partbooks: SSTAB, vdg I-II-III-IV, trb, org). Portfolio in marbled paper. $92 [item no.8375] Zwey Lieder von dem Leyden und Tode Jesu, in 6. Stücke getheilet und mit 2. Stimmen wie auch 4. Violen (welche doch nach belieben können aussgelassen werden) auf besondere Concerten Art gesetzt. [Landesbibliothek Stuttgart]. Faksimile-Edition Capricornus, 1. Stuttgart, 1997. 15 x 19 cm, 7 partbooks, 80 pp. Line-cut of the Nuremberg, [1660] edition. For two sopranos, four viols (ad libitum) & bc. Wrappers, in portfolio. $36 [item no.7544] CASTELLO, Dario, 16-17th c. [Sonate concertate, winds, strings, bc] Sonate concertate in stil moderno, per sonar nel organo overo spineta, con diversi instrumenti a 2. e 3. voci. Venezia 1658.Archivum Musicum: Strumentalismo Italiano, 15. Florence, 1979. 24 x 34 cm, 4 partbooks: 96 pp. Line-cut of the Venice, 1658 partbooks (canto I, canto II, basso), as well as the full score. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. $41 [item no.821] [Sonate concertate, a1-4, winds/strings, bc, book 2] Sonate concertate in stil moderno per sonar nel organo overo clavicembalo con diversi instrumenti a 1.2.3. & 4 voci. Libro secondo, Venezia 1644. Archivum Musicum: Strumentalismo Italiano, 44. Florence, 1981. 24 x 34 cm, 5 partbooks, ii, 96 pp. Line-cut in the original partbook format. Consists of 17 sonatas for various instrumental combinations. Preface in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $41 [item no.1256] CAURROY, Eustache du, 1549-1609 [Fantasies, a3-6, wind/strings] Fantaises à III, IV, V et VI parties.Geneva, nyp. Oblong, 8º, 6 partbooks, c.480 pp. Line-cut of the Ballard edition, Paris, 1610. 42 fantasies for instrumental ensemble in partbook format. Wrappers. $253 [item no.7093] CERONE, Pietro, c.1560-1625 El melopeo y maestro : (Napoles, J.B. Gargano y L. Nucci, 1613) / Pedro Cerone ; Antonio Ezquerro Esteban, ed.Monumentos de la Música Española, 74. Madrid, 2007 23 x 32 cm, 2 vols: 1392 pp. Line-cut of the Naples, 1613 edition based on exemplars preserved in the Biblioteca “Jose Maria Lafragua” de la Benmerita Universidad Autonoma de Puebla (Puebla de los Angeles, Mexico), and in the Biblioteca Publica del Estadoo “Fray Francisco de Burgoa” de la Universidad Autonoma “Benito Juarez” de Oaxaca (Oaxaca, Mexico). Huge synthesis of musical-theoretical topics divided into 22 books. Deals with plainsong, mensural theory, vocal and instrumental variation, counterpoint, canon & fugue, problems of composition, mensuration and “tonality”. The last book deals with musical enigmas and puzzle canons. Contains numerous references to composers and detailed musical examples, including a careful analysis of Palestrina’s Missa L’homme armé. Hardbound. $295 [item no.9151] CERRETO, Scipione, c.1551-c.1633 Della prattica musica, vocale, et strumentale. [Civico Museo Bibliografico Musicale, Bologna].Bibliotheca Musica Bononiensis, II/30. Bologna, 2/ 2003. 16 x 22 cm, v, 344 pp. Line-cut of the Naples, 1601 edition. Preface in It by Giuseppe Vecchi. Cloth. $87 [item no.1634] CHARPENTIER, Marc-Antoine, 1643-1704 [Complete works, from autographs] Mélanges autographes. Volume 1. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/1. Geneva, 1990. 23 x 35 cm, 159 pp. Line-cut of the autograph score. Cloth. (Please contact us for details on contents of each volume). $111 (more info... ) [item no.3052] [Complete works, from autographs] Mélanges autographes. Volume 2. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/2. Geneva, 1991. 23 x 35 cm, 209 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3053] [Complete works, from autographs] Mélanges autographes. Volume 3. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/3. Geneva, 1995. 23 x 35 cm, 273 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3054] [Complete works, from autographs] Mélanges autographes. Volume 4. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/4. Geneva, 1996. 23 x 35 cm, 255 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3055] [Complete works, from autographs] Mélanges autographes. Volume 5. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/5. Geneva, 1996. 23 x 35 cm, 132 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3056] [Complete works, from autographs] Mélanges autographes. Volume 6. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/6. Geneva, 1996. 23 x 35 cm, 201 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3057] [Complete works, from autographs] Mélanges autographes. Volume 7. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/7. Geneva, 1996. 23 x 35 cm, 196 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3058] [Complete works, from autographs] Mélanges autographes. Volume 8. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/8. Geneva, 1996. 23 x 35 cm, 99 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3059] [Complete works, from autographs] Mélanges autographes. Volume 9. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/9. Geneva, 1997. 23 x 35 cm, 130 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3060] [Complete works, from autographs] Mélanges autographes. Volume 10. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/10. Geneva, 1997. 23 x 35 cm, 177 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3061] [Complete works, from autographs] Mélanges autographes. Volume 11. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/11. Geneva, 1997. 23 x 35 cm, 163 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3062] [Complete works, from autographs] Mélanges autographes. Volume 12. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/12. Geneva, 1999. 23 x 35 cm, 107 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3063] [Complete works, from autographs] Mélanges autographes. Volume 13. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/13. Geneva, 1999. 23 x 35 cm, 95 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3064] [Complete works, from autographs] Mélanges autographes. Volume 14. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/14. Geneva, 1999. 23 x 35 cm, 93 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3065] [Complete works, from autographs] Mélanges autographes. Volume 15. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/15. Geneva, 1999. 23 x 35 cm, 210 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3066] [Complete works, from autographs] Mélanges autographes. Volume 16. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/16. Geneva, 1999. 23 x 35 cm, 142 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3067] [Complete works, from autographs] Mélanges autographes. Volume 17. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/17. Geneva, 1999. 23 x 35 cm, 119 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3068] [Complete works, from autographs] Mélanges autographes. Volume 18. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/18. Geneva, 2000. 23 x 35 cm, 145 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3069] [Complete works, from autographs] Mélanges autographes. Volume 19. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/19. Geneva, 2000. 23 x 35 cm, 79 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3070] [Complete works, from autographs] Mélanges autographes. Volume 20. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/20. Geneva, 2000. 23 x 35 cm, 162 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3071] [Complete works, from autographs] Mélanges autographes. Volume 21. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/21. Geneva, 2002. 23 x 35 cm, 217 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3072] [Complete works, from autographs] Mélanges autographes. Volume 22. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/22. Geneva, 2002. 23 x 35 cm, 200 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3073] [Complete works, from autographs] Mélanges autographes. Volume 23. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/23. Geneva, 2002. 23 x 35 cm, 123 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3074] [Complete works, from autographs] Mélanges autographes. Volume 24. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/24. Geneva, 2003. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3075] [Complete works, from autographs] Mélanges autographes. Volume 25. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/25. Geneva, 2003. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3076] [Complete works, from autographs] Mélanges autographes. Volume 26. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/26. Geneva, 2003. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3077] [Complete works, from autographs] Mélanges autographes. Volume 27. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/27. Geneva, 2005. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3078] [Complete works, from autographs] Mélanges autographes. Volume 28. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259. Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/28. Geneva, 2005. 23 x 35 cm. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3079] CHÉDEVILLE, Nicolas, 1705-1782 [Les deffis, musette/hurdy-gurdy, bc] Les deffis ou l’étude amusante. Pièces pour la musette ou vielle avec la basse continüe dédiées aux virtuoses.Geneva, 1993. 21 x 30 cm, 42, 1 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1740. Includes: “The Pleasures of St. Polten”, “The Return from Prague”, “The Pleasures of Javotte”, “The Divinity of the Woods”, “The Dutch Woman”, “The Chinese”, etc. Wrappers. $51 [item no.1180] [Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe, Opera XIII. Réimpression de l’édition de Paris, Boivin, 1737. Source: München, Bayerische Staatsbibliothek, cote 4729/4. RISM: V. 2233. Catalogue: P. Ryom RV 54-59. Collection Facsimiles, B1. Gland, 1991. 4º, 40, 8 pp. Line-cut of the Paris, 1737 edition. Together with an introduction in Fr-Eng by Peter Ryom entitled “An Authentic Case of Falsification” which reproduces a document from the Archives Nationales de France clearly identifying N. Chédeville as the composer/arranger of the six sonatas. Limited edition of 500 numbered copies. Linen slipcase. $40 [item no.4302] [Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Opera XIII. [Library of Congress, Washington, D.C.]. Performers’ Facsimiles, 111. New York, [1992]. 24 x 31 cm, 41 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4481] [Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido (œuvre attribuée à Antonio Vivaldi), 1737. Présentation par Philippe Lescat. [Munich, Bayerische Staatsbibliothek]. La Musique Française Classique de 1650 à 1800, 78. Courlay, 1994. 24 x 33 cm, 21, 38 pp. Line-cut of the Paris, 1737 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4804] CHIOCCHIA, Prospero, 17th c. Del metallo ricercari a due voci per sonare, e cantare. [British Library, London].Faksimile-Edition Rara, 33. Stuttgart, 2002. 16 x 23 cm, 2 partbooks, 104 pp. Line-cut of the Rome, 1674 edition. 39 duos for various vocal or instrumental ranges. Wrappers, with portfolio in marbled paper. $34 [item no.8097] CIRRI, Giambattista, c.1740-d.? [Duets, violin, violoncello, op.12] Six Duetts for a Violin and a Violoncello. Opera XII. [Civico Museo Bibliografico Musicale, Bologna].Bibliotheca Musica Bononiensis, IV/149. Bologna, 1983. 25 x 35 cm, 2 partbooks: 26 pp. Line-cut of the London, 1600 edition. Partbooks in handsome cloth portfolio. $33 [item no.2445] [Duets, 2 violoncelli] Eight Duetts for Two Violoncellos. [Civico Museo Bibliografico Musicale, Bologna]. Bibliotheca Musica Bononiensis, IV/148. Bologna, 1972. 25 x 35 cm, 34 pp. Line-cut of the London, 18th-c. edition. Laid paper. Hardbound. $33 [item no.2444] CORBETT, William, c.1675-1748 [Trios, 2 flutes/violins, bc, op.1] XII Sonatae à tre. Due Violins & Violoncello col basso per l’organo. Opera I. [King’s College, Cambridge]Alston, [2003]. 4º. 4 partbooks, iii, 80 pp. Line-cut of the London, c.1700 edition. Introduction by Peter Holman. No. 1 is scored for vln, bass viola da gamba obbligato & bc and no.12 is for tpt/vln, ob/vln, vc & bc. Ring binder. $41 [item no.8367] CORELLI, Arcangelo, 1653-1713 [Concerti grossi, op.6] Concerti grossi, con 2 violini e violoncello di concertino obligato e 2 altri violini, viola e basso di concerto grosso ad arbitrio che si potranno radoppiare. [Library of Congress & private collection].Performers’ Facsimiles, 130. New York, [1993]. 22 x 28 cm, 7 partbooks, 209 pp. Line-cut of the Estienne Roger edition, Amsterdam, [1714]. Wrappers. $70 [item no.4683] [Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo, Roma 1700. Archivum Musicum: Strumentalismo Italiano, 21. Florence, 1979. Oblong, 34 x 24 cm, v, 62 pp. Line-cut of the G.P. Santa edition, Rome 1700, together with reprint of the Roger edition (Amsterdam, 1710) with ornamented adagios. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.1183] [Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo. Opera quinta. Facsimile Edition. London, 1987. Oblong, 32 x 22 cm, iii, 69 pp. Line-cut of the Rome, 1700 edition. Introduction in Eng-Ger by Edgar Hunt. 11 sonatas. Linen. $59 [item no.1789] [Sonatas, violin, bc, op.5] Sonates pour violon et basse continue, opus V. Édition originale (Rome, Santa, 1700), Édition agrémentée (Amsterdam, Roger, 1710), Extraits de versions ornées (Manuscrit de Manchester, Geminiani, Veracini). Présentation par Nicolas Fromageot. Collection Dominates. Courlay, 1998. Oblong & upright, 33 x 24 cm, xx, 228 pp. Line-cut of the Rome, 1700 edition, the Amsterdam edition of 1710 with ornamented adagios, the Manchester manuscript with 5 ornamented sonatas, plus the 9th sonata with Geminiani’s ornamentation and the 3rd and 6th with Veracini’s. Wrappers. $88 [item no.7672] [Sonatas, violin, bc, op.5] Sonate a violino e violone o cimbalo. Opera quinta. Nouvelle edition où l’on a joint les agréemens des Adagio de cet ouvrage, composez par Mr. A. Corelli, comme il les joue. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 231. New York, [1999]. 24 x 31 cm, 93 pp. Line-cut of the Roger edition, Amsterdam, 1710. Wrappers. $28 [item no.7690] [Trio sonatas, 2 vln, bc, op.3] XII Sonatas of Three Parts for Two Violins and a Bass with a Through Bass for ye Organ, Harpsicord or Arch Lute. Opera Terza. Huntingdon, [1990]. 4º, 4 partbooks, c.96 pp. Xerographic reprint of the Walsh edition. Wrappers. $31 [item no.7023] CORKINE, William, 16-17th c. Ayres to Sing and Play to the Lute. 1610. Edited by David Greer. [British Library, London].English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 11. London, 2/ 1978. 26 x 37 cm, iii, 25 pp. Line-cut of the London, 1610 edition. 12 songs for voice, lute and bass viol, in table book format, plus 6 lessons for the lyra viol, notated in tablature. Wrappers. $31 [item no.2997] The Second Booke of Ayres 1612. Edited by David Greer. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 12. London, 2/ 1977. 26 x 37 cm, iii, 36 pp. Line-cut. Wrappers. $31 [item no.2998] CORRETTE, Michel, 1709-1795 [Method, contrabass & viol] Méthodes pour apprendre à jouër de la contre-basse à 3, à 4 et à 5 cordes, de la quinte ou alto et de la viole d’Orphée nouvel instrum[en]t ajusté sur l’ancienne viole.Geneva, 2/ 1999. 17 x 24 cm, 50 pp. Line-cut of the Paris, 1781 edition. Principles of the double bass, the viola or quinte and the viol (“Orphée’s viol”). Several sonatas for 2 violas, viola and bass, viol or cello. Wrappers. $40 [item no.1188] [Method, hurdy-gurdy] La belle vielleuse. Geneva, 1984. 20 x 25 cm, 52 pp. Line-cut of the Castagnery edition, Paris, c.1783. Considers the maintenance of the vielle à roue (hurdy-gurdy) as well as techniques to hold and play it. Well-known tunes for 1 and 2 vielles & 2 suites by Corrette. Wrappers. $51 [item no.1184] [Method, viol] Méthode pour apprendre facilement à jouer du pardessus de viole à 5 et à 6 cordes avec des leçons à I. et II. parties composée par Michel Corrette. Geneva, 1983. 20 x 25 cm, 48 pp. Line-cut of the author’s, Boivin, & Leclerc edition, Paris, 1738. Method for the high treble viol with 5 strings or quinton. Discusses tuning, bowing, cadences, arpeggios, with preludes, sonatas and rondeaux. Wrappers. $40 [item no.1187] [Method, violoncello] Méthode théorique et pratique pour apprendre en peu de temps le violoncelle dans sa perfection / [J.M. Raoul:] Méthode de violoncelle. Geneva, 1972. 22 x 30 cm, 162 pp. Line-cut of the Paris, 1741 & 1797 editions. Both methods treat bowing, fingering, ornaments and cadenzas. Corrette emphasizes the superiority of the instrument for the execution of thoroughbass. Raoul models himself on Tartini’s art of bowing. Wrappers. $61 [item no.1190] [Sonatas, violoncello/viol/bassoon, bc, op.20] Les délices de la solitude, sonates, pour le violloncelle, viole, basson. Avec la basse continüe chiffrée. Œuvre XX. Huntingdon, [1992]. 4º, 26 pp. Xerographic reprint of the Paris, 1740 edition. Wrappers. $18 [item no.4771] [Sonatas, violoncello/viol/bassoon, bc, op.20] Les délices de la solitude, sonates, pour le violloncelle, viole, basson. Avec la basse continüe chiffrée. Œuvre XX. Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1740 edition. Wrappers. $17 [item no.9039] COUPERIN, François, 1668-1733 [Apothéose de Corelli & Lully, winds/strings] Apothéose de Corelli; Apothéose de Lully.La Musique Française Classique de 1650 à 1800, 35. Courlay, 1989. 24 x 33 cm, x, 45 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.2908] [Apothéose de Lully, winds/strings] Concert instrumental sous le titre d’Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Lully. [Nederlands Muziek Instituut, The Hague]. Performers’ Facsimiles, 248. New York, [2001]. 26 x 34 cm, 29 pp. Line-cut of another surviving print of the Paris, 1725 edition. Wrappers. $20 [item no.7942] [Concerts royaux; Goûts réunis, nos.1-14] Concerts royaux; Les goûts réunis ou nouveaux concerts à l’usage de toutes les sortes d’instrumens de musique. La Musique Française Classique de 1650 à 1800, 36. Courlay, 1989. 24 x 33 cm, x, 91 pp. Line-cut of the Paris 1722 & 1724 editions. 14 concerts for unspecified intruments and basso continuo, notated in keyboard format. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $46 [item no.2909] [Concerts royaux, nos.1-4] Concerts royaux. Supplement du troisième livre de pièces de clavecin. Introduction by Don Hulbert. Performers’ Editions. New York, 1989. 27 x 36 cm, iii, 30 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3843] [Concerts royaux, nos.1-4] Concerts royaux. Música Facsímil, 18. Madrid, 1988. 21 x 30 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $16 [item no.1936] [Concerts royaux, nos.1-4] Concerts royaux. [Rowe Music Library, King’s College, Cambridge]. Basel, c.1980. 25 x 35 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3644] [Goûts réunis, nos.5-14] Les goûts réunis du 5e au 14e concerts. Paris, 1990. 4º, 64 pp. Line-cut of the author’s edition, Boivin, Paris, 1724. $64 [item no.4492] [Goûts réunis, nos.5-14] Les goûts-réünis ou noveaux concerts à l’usage de toutes les sortes d’instruments de musique augmentés d’une grande sonade en trio intitulée Le Parnasse ou l’Apothéose de Corelli. [Nederlands Muziek Instituut, The Hague]. Performers’ Facsimiles, 249. New York, [2001]. 26 x 34 cm, 82 pp. Line-cut of another surviving print of the Paris, 1724 edition. Wrappers. $28 [item no.7922] [Goûts réunis, nos.10, 12 & 13] 12e, 13e et 10e concerts extraits des “Goûts réunis ou Nouveaux concerts”. Musique pour Viole de Gambe, 1 Paris, 1981. 4º, i, 13 pp. Line-cut of the Paris, 1724 edition. Preface in Fr by Jean-Louis Charbonnier. Wrappers. $23 [item no.3833] Leçons de ténèbres à une et à deux voix. Paris (s.d. = 1714). [Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 89. Courlay, 1995. Oblong, 31 x 22 cm, 44, 48 pp. Line-cut of the Paris, [1714] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $43 [item no.2910] [Pièces, viols, bc] Pièces de violes avec la basse chiffrée. Viole de Gambe, XIII. Geneva, 1986. 22 x 28 cm, 2 partbooks, 29 pp. Line-cut of the Boivin edition, Paris, 1728. 2 suites composed for 2 viols, of 7 and 4 movts. Wrappers. $51 [item no.1191] [Pièces, viols, bc] Pièces de violes avec basse chiffrée. La Musique Française Classique de 1650 à 1800, 37. Courlay, 1989. 22 x 31 cm, x, 28 pp. Line-cut of the Paris, 1728 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $26 [item no.2911] CUPIS, Jean-Baptiste, c.1711-1788 [Method, violoncello] Méthode nouvelle et raisonnée pour apprendre à jouer du violoncello. [Civico Museo Bibliografico Musicale, Bologna].Bibliotheca Musica Bononiensis, IV/212. Bologna, 1974. Oblong, 31 x 22 cm, 45 pp. Line-cut of the 18th-c. edition. Cloth. $35 [item no.1192] DALL’ABACO, Evaristo Felice, 1675-1742 [Concerti, vln, vla, vc, bc, op.2] Concerti a quattro da chiesa. Cioè due violini, alto viola, violoncello e basso continuo. Opera seconda. Amsterdam s.d.Archivum Musicum: Monumenta Musicae Revocata, 33. Florence, 2006. 24 x 34 cm, 4 partbooks, 16, 92 pp. Line-cut of the Roger edition, Amsterdam, c.1714 edition. Preface in It-Eng by Laura Ochs. Quarter linen. $60 [item no.8771] [Concerti, vln, vla, bsn, bc, op.5] [VI] Concerti a più strumenti. Opera quinta, libro primo. Amsterdam s.d. Archivum Musicum: Monumenta Musicae Revocata, 34. Florence, 2007. 24 x 34 cm, 7 partbooks, 19, 143 pp. Line-cut of the Roger edition, Amsterdam, c.1716 edition. Partbooks: vln I, vln II, vln I ripieno, vln, II ripieno, vla, bsn, org/bc. Preface in It-Eng by Laura Ochs. Wrappers with portfolio in quarter linen and ties. $128 [item no.8988] [Sonatas, violin, violoncello (or keyboard solo), op.1] [XII sonate da camera a violino e violoncello ovvero clavicembalo solo. Opera prima. Amsterdam, s.d. Archivum Musicum: Monumenta Musicae Revocata, 24. Florence, 1999. Oblong, 24 x 31 cm, 22, 53 pp. Line-cut of the Roger, c.1705 edition. The instrumentation suggested by the title is somewhat ambiguous, as the keyboard could replace the violoncello, or bother instruments altogether, making it a piece for solo keyboard. Preface in It-Eng by Marco Materassi & Laura Ochs. Quarter linen. $49 [item no.7740] [Trio sonatas, 2 violins, violoncello, bc, op.3] [XII] sonate da chiesa e da camera a tre. Amsterdam s.d. Archivum Musicum: Monumenta Musicae Revocata, 28. Florence, 2002. 24 x 33 cm, 4 partbooks, 24, 106 pp. Line-cut of the Roger, c.1712 edition. The title page of the sonatas da camera indicates an alternative scoring: two oboes with bassoon doubling the bass. Preface in It-Eng by Marco Materassi & Laura Ochs. Portfolio in quarter linen. $54 [item no.8179] DANDRIEU, Jean François, 1682-1738 [Method, harpsichord, accomp.] Principes de l’accompagnement du clavecin.Geneva, 2/ 1993. Oblong, 30 x 22 cm, 118 pp. Line-cut of the Paris edition, c.1719. Method with 21 tables explaining figured bass. With examples giving basses for some celebrated brunettes. Wrappers. $81 [item no.834] [Trio sonatas, 2 violins, bc] Livre de sonates en trio. La Musique Française Classique de 1650 à 1800, 28. Courlay, 1988. 22 x 31 cm, xiii, 43 pp. Line-cut of the Paris, 1705 edition. Introduction by Jean Saint-Arroman. Wrappers. $31 [item no.2168] [Trio sonatas, 2 violins, bc] Livre de sonates en trio. Béziers, 1997. 21 x 28 cm, 43 pp. Line-cut of the Paris, 1705 edition. Wrappers. $22 [item no.2169] DANGUY, 18th c. L’illustre Danguy. Pièces pour vielle manuscrites & imprimées.Béziers, 2004. 20 x 29 cm, viii, 19 pp. Line-cut of 17 pièces pour vielle by Danguy from one printed source (Chédeville, Nouveau recueil de vaudevilles, menuets, contredanses e autres airs choisis and two manuscript collections (Bibl. de l’Arsenal, ms 2547 and Ville du Mans, Médiathèque Louis Aragon, Manuscrit de Madame de Vibraye). Introduction by Paul Fustier. Wrappers. $28 [item no.8427] DANOVILLE, 17th c. [Method, treble/bass viol] L’art de toucher le dessus et basse de violle.Geneva, 1986. 13 x 21 cm, 48 pp. Line-cut of the Paris, 1687 edition. Wrappers. $30 [item no.1193] DANZI, Franz, 1763-1826 [Duos, viola, violoncello, op.9] Trois duos pour alto et violoncelle, livre I.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 2 parts, 40 pp. Line-cut of the Paris, n.d. edition. Wrappers. $16 [item no.8901] DEGLI ANTONI, Giovanni Battista., 1660-aft.1696 [Balletti e correnti, 2 vln, vc, bc, op.4] Balletti e correnti gighe, e sarabande da camera a violino, e clavicembalo; o violoncello. [Civico Museo Bibliografico Musicale, Bologna].Bibliotheca Musica Bononiensis, IV/145. Bologna, 1972. 18 x 25 cm, 55 pp. Line-cut of the Bologna, 1688 edition. 12 numbers in score format. Laid paper. Hardbound. $36 [item no.1262] [Ricercate, violoncello, harpsichord, op.1] Ricercate op.1. Huntingdon, n.d. 4˚. Xerographic reprint of the 1687 edition. Wrappers. $15 [item no.8307] [Ricercate, violoncello/violin, harpsichord, op.1] Ricercate sopra il violoncello o clavicembalo (Bologna, 1687) e ricercate per il violino (Riproduzione del ms. conservato nella Bibl. Estense di Modena). Facsimile della stampa e del manoscritto ed edizione della partitura a cura di Marc Vanscheeuwijck. Bibliotheca Musica Bononiensis, IV/101. Bologna, 2006. 4°, 3 vols, 108, 50, 39 pp. Line-cut of the 1687 edition (violoncello o clavicembalo) and a contemporary ms copy (violin). Degli Antoni’s Ricercate has been considered the earliest example of music for solo cello. The newly discovered ms of the work (reproduced in facsimile here) includes a further part for the violin, suggesting the the Ricercate were originally intended for violin and bc. Together with practical edition. Preface in It-Eng. Wrappers, in portfolio. $86 [item no.8826] DE SELMA Y SALAVERDE, Bartolome, 17th c. [Canzoni, fantasie, winds, strings, bc, books 1-4] Canzoni, fantasie et correnti, primo [secondo, terzo, & quarto] libro, Venezia 1638.Archivum Musicum: Strumentalismo Italiano, 38. Florence, 1980. 24 x 34 cm, 5 partbooks, iii, 219 pp. Line-cut. 57 compositions for 1, 2, 3 & 4 voices with basso continuo. Introduction in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $46 [item no.1196] DEVIENNE, François, 1759-1803 [Quartet; trios, strings/winds, bc] Sonate en quatuor pour le clavecin ou le forte-piano avec accompagnement de flûte, cor (ou violoncelle) et alto obligés / Six trios pour trois flûtes; Six trios pour deux flûtes et basse.La Musique Française Classique de 1650 à 1800, 140. Courlay, 2001. 4º, 11 partbooks, xiii, 101 pp. Line-cut of the Paris, 1789, Paris, n.d., & London, n.d. editions. Preface in Fr-Eng-Ger. Wrappers. $57 [item no.7920] DIEUPART, Charles, c.1670-c.1740 [Suites, harpsichord; or, vln/rec, viol/archlute, bc] Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert.Monaco, 1990. 4º, 2 partbooks 32, 64 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542] [Suites, vln/rec, viol/archlute, bc] Six suittes de clavessin divisées en ouvertures, allemandes, courantes, sarabandes, gavottes, menuets, rondeaux & gigues. Pour un violon & flûte avec une basse de viole & un archilut. Münster, 1990. 4º, 2 partbooks: i, 49 pp. Line-cut of the Roger partbooks, (Amsterdam, 1711), for violin or recorder and viol or archlute. Wrappers. $28 [item no.4353] DOLLÉ, Charles, 18th c. [Pièces, viola da gamba & bc, op.2] Pièces de viole avec la basse continüe, œuvre IIe.Viole de Gambe, IV. Geneva, 1979. 22 x 30 cm, 27 pp. Line-cut of the Paris, c.1740 edition. 3 suites and a tombeau by Marais. Wrappers. $35 [item no.1197] [Pièces, viola da gamba & bc, op.2] Pièces de viole avec la basse continue. Œuvre IIe, 1737. [Bibliothèque Nationale, Paris]. Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 28 pp. Line-cut of the Paris, 1737 edition. Wrappers. $13 [item no.8803] DOWLAND, John, 1562-1626 Lachrimae [1604]. A Reproduction of the Copy Owned by Robert Spencer. With the Commentary by Warwick Edwards for the 1974 Reproduction of the Manchester P.L. Copy and Additional Notes 1991 by Stewart McCoy and Robert Spencer.Musical Sources, 5. Aberystwyth, 1992. 23 x 33 cm, 8, 49 pp. Halftone. 21 pieces for 5 strings with nine-course Renaissance lute in old tuning. Collection comprises the 7 pavans based on Lachrimae (Dowland’s most celebrated composition and the most widely known melody at that time), 3 other pavans, 9 gailliards and 2 almands. Printed in table-book format. Some pieces can be played as lute solos. Wrappers. $38 [item no.4449] Lachrimae. Performers’ Facsimiles, 209. New York, [1998]. 22 x 33 cm, 49 pp. Line-cut of the London, 1612 edition. Table-book format. Wrappers. $20 [item no.7580] A Pilgrimmes Solace. Wherein is Contained Musicall Harmonie of 3.4. and 5. Parts, to be Sung and Plaid with the Lute and Viols. Performers’ Facsimiles, 195. New York, [1996]. 24 x 35 cm, 47 pp. Line-cut of the London, 1612 edition. Table-book format. Wrappers. $20 [item no.7325] [Songs, voices/viols, lute, book 1, 1613 ed.] The First Booke of Songs 1613. Edited by Diana Poulton. [British Library, London]. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 15. London, 3/ 1985. 26 x 37 cm, iii, 48 pp. Line-cut of the Humfrey Lownes edition (London, 1613), believed to represent Dowland’s own revisions. 21 songs a4 with lute/orpherian/viol accompaniment, plus 1 galliard for two lutes. In table-book format. Wrappers. $31 [item no.3002] [Songs, voices/viols, lute, book 1, 1613 ed.] The First Booke of Songs or Ayres of Foure Parts, with Tableture for the Lute. [British Library, London]. Performers’ Facsimiles, 127. New York, [1994]. 24 x 35 cm, 47 pp. Line-cut of the London, 1613 edition. Wrappers. $20 [item no.4765] [Songs, voices/viols, lute, book 2] The Second Booke of Songs or Ayres 1600. Edited by Diana Poulton. [Folger Shakespeare Library, Washington, D.C.]. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 16. London, 3/ 1985. 26 x 37 cm, iii, 50 pp. Line-cut of the Thomas Este edition (London, 1600). 22 songs a2, a4 & a6 with lute/orpherian/viol accompaniment. In table-book format. Wrappers. $31 [item no.3003] [Songs, voices/viols, lute, book 2] The Second Booke of Songs or Ayres of Foure Parts, with Tableture for the Lute. [Folger Shakespeare Library, Washington, D.C.]. Performers’ Facsimiles, 128. New York, [1994]. 24 x 35 cm, 49 pp. Line-cut of the London, 1600 edition. Wrappers. $20 [item no.4766] [Songs, voices/viols, lute, books 3 & 4] The Third and Last Booke of Songs or Ayres 1603. Edited by Diana Poulton. [Folger Shakespeare Library, Washington, D.C.]. English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 17. London, 2/ 1985. 26 x 37 cm, iii, 47 pp. Line-cut of the Thomas Adams edition, London, 1603. 21 songs a4 & 5, with lute/orpharian/viol accompaniment. In table book format. Wrappers. $34 [item no.3004] [Songs, voices/viols, lute, books 3 & 4] The Third and Last Booke of Songs or Aires. [Folger Shakespeare Library, Washington, D.C.]. Performers’ Facsimiles, 129. New York, [1994]. 24 x 35 cm, 47 pp. Line-cut of the London, 1603 edition. Wrappers. $20 [item no.4767] DUMONT, Henri, 1610-1684 Motets a II. III. et IV. parties pour voix et instruments avec la basse-continue. Introduction: José Quitin. [Conservatoire Royal, Brussels & Bibl. Nationale, Paris].Facsimile Series, III/9. Peer, 1989. 18 x 24 cm, 5 partbooks, viii, 410 pp. Line-cut of the Christophe Ballard edition, Paris 1681. Contains 37 motets (often with violin accompaniment & basso continuo), and 3 instrumental “symphonies”. Three of the motets can be performed by double choir. Wrappers. $62 [item no.2793] DUPORT, Jean-Louis, 1749-1819 Essai sur le doigté du violoncelle et sur la conduite de l’archet.Huntingdon, c.1996. 4º, Line-cut of the Paris, 1813 edition. One of best treatments of cello technique up to its time and the basis of modern cello playing. Wrappers. $80 [item no.7617] DUPUITS DES BRICETTES, Jean-Bapiste, 18th c. [Method, hurdy gurdy] Principes pour toucher de la viele / [J.F. Boüin:] La vielleuse habile ou nouvelle méthode courte, très facile et très sure pour apprendre à jouer de la vielle.Geneva, 1986. 4º, 108 pp. Line-cut of the authors’ edition, Paris, c.1761, 1741. 2 complementary tutors for the hurdy gurdy. Discusses fingering, cadences, the coup de poignet, choice of bowings, etc. Sonatas and other pieces. Wrappers. $66 [item no.1174] ELGAR, Edward, 1857-1934 Concerto for Violoncello and Orchestra in E Minor, Op. 85. Royal College of Music London MS 402. Facsimile. Introduction by Jonathan Del Mar; Foreword by Steven Isserlis.Documenta Musicologica, II/36. Kassel, 2007. 25 x 34 cm, xix, 134 pp. Facsimile of the autograph score issued on the 150th anniversary of the composer’s birth. Reproduces Elgar’s numerous colored corrections and additions as well as preparations for the printed score and last minute changes. One of the great concertos of the cello repertoire, the work, composed shortly before the death of the composer’s wife in 1920 and in the aftermath of a ghastly war, is considered by many as his last masterpiece. Introduction in Eng-Ger. Handsome binding with torquise paper boards with reproduction of Cuno Amiet’s “The Cellist”. $124 (more info... ) [item no.8808] ENESCO, Georges, 1881-1955 [Quartet, string, op.22, no.2 in G; quartet movt, in C] Quatours à cordes: 1) 2d Quatour pour deux violons, un alto et un violoncelle en sol majeur, Op. 22, No. 2; partition / 2) Quatour pour deux violons, un alto et un violoncelle (en ut majeur); partition (le premier mouvement). Manuscriptum. Edition publiée par les soins de Titus Moisescu. [Ms. Library of Congress, Washington, D.C.].Bucarest, 1985. 21 x 30 cm, 96, 10 pp. Halftone of the autograph of Op.22, no.2 and the 1st movt of the quartet in C. Afterword in Fr-Rom. Wrappers. $45 [item no.2041] ERLEBACH, Philipp Heinrich, 1657-1714 [Sonatas, violin, gamba, bc] VI Sonate. Nürnberg, Endter 1694. [Stadtbibliothek, Nürnberg].Faksimile-Edition Stadtbibliothek Nürnberg, 3. Stuttgart, 2000. 22 x 34 cm, 3 partbooks, 96 pp. Line-cut of the Endter edition, Nuremberg, 1694. Some pieces call for scordatura tuning. The exemplar upon which this facsimile is based lacks sonata no.6. Wrappers, in portfolio. $79 [item no.7911] FAIGNIENT, Noë, b.?-c.1595 Chansons, madrigales & motetz a quatre, cincq & six parties. Anvers, vefve de Iean Laet, 1568. Introduction: Eugeen Schreurs. [Bayerische Staatsbibl., Munich].Facsimile Series: I/B.11. Peer, 1986. Oblong, 20 x 15 cm, 5 partbooks, c.209, xvi pp. Line-cut of the Antwerp, 1568 edition. 44 works, including chansons, madrigals and motets. 5 polyphonic songs with Dutch texts and a beautiful parting song, “Adieu Anvers, adieu la noble ville”. Introduction in Fle-Eng. Wrappers. $30 [item no.1360] FALCONIERI, Andrea, 1585-1656 [Canzone, sinfonie, winds, strings, bc, book 1] Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde alemane, volte per violini, e viole, ouero altro stromento à uno, due, et tré con il basso continuo.Archivum Musicum: Strumentalismo Italiano, 22. Florence, 1980. 24 x 34 cm, 4 partbooks, i, 210 pp. Line-cut of the Naples, 1650 edition in the original partbook format (canto, altro canto, basso, & basso continuo). Contains 29 pieces a3, 14 a2 and 7 a1. Introduction in It by Marcello Castellani. Wrappers and slipcase in decorative paper. $41 [item no.1263] FERRABOSCO, Alfonso, c.1572-1628 Ayres 1609. Edited by David Greer.English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 20. London, 2/ 1978. 27 x 37 cm, iii, 38 pp. Line-cut. Wrappers. $31 [item no.3006] FESCH, Willem de, 1687-1757 [Sonatas, violoncello, bc, op.8] Six Sonatas for a Violoncello with a Thorough Bass for the Harpsichord. Opera ottava.Performers’ Facsimiles, 55. New York, [1988]. 4°, 24 pp. Line-cut of the London, 1736 edition. Wrappers. $18 [item no.2790] FINGER, Godfrey, c.1660-1730 A Collection of Musick in Two Parts 1691 by Mr. G. Finger to which is Added a Sett of Ayres in Four Part by Mr. John Banister. (University College, Durham].Alston, 2002. Oblong, 4º, 2 partbooks, viii, 47 pp. Line-cut of the London, 1691. Ayres, chaconnes, divisions and sonatas for recorders/flutes (with and without bc) and four-part strings & bc. Introduction by Peter Holman. $28 [item no.8181] [Trio sonatas, var. strings combinations, bc, op.1] Sonatae XII pro diversis intrumentis quarum tres priores pro violino & viola di gamba. Proximae tres pro II violinis & viola di basso, tres sequentes pro III violinis reliquae pro II violinis & viola. [The College, Durham]. Alston, 1998. 4º, i, 5 partbooks, c.125 pp. Line-cut of the Roger edition, Amsterdam, 1688, possibly engraved by Finger himself. Divided into four grouping of three pieces by their scoring: vln, bass viol& bc; 2 vln, bass vln & bc; 3 vln & bc; 2 vln, vla & bc. Introduction by Peter Holman. Ring binding. $61 [item no.7828] FLACKTON, William, 1709-1798 [Solos, violoncello, bc; tenor, violoncello, bc, op.2] Six Solos, Three for a Violoncello and Three for a Tenor Accompanied Either with a Violoncello or Harpsichord. Opera II.Huntingdon, [1992]. 4º, 26 pp. Line-cut of the London, [1770] edition. Wrappers. $18 [item no.4768] FLORIO, Pietro Grassi, c.1740-1795 [Trio sonatas, fl, vln, vc, op.3] Six Trios for a German Flute, Violin and Violoncello Obbligato. London s.d.Archivum Musicum: Flauto Traversiere, 40. Florence, 2006. 24 x 30 cm, 3 partbooks, xii, 37 pp. Line-cut of the London, [1781] edition. Introduction in It by Giovanni Battista Columbro. Wrappers, in decorative paper, in matching portfolio. $37 [item no.8768] FONTANA, Giovanni Battista, b.?-1630 Sonate a 1, 2. 3. per il violino, o cornetto, fagotto, chitarone, violoncino o simile altro istromento. Venezia 1641.Archivum Musicum: Strumentalismo Italiano, 5. Florence, 1981. 24 x 34 cm, 4 partbooks, vi, c.120 pp. Line-cut of the Bartolomeo Magni edition, Venice, 1641. Consists of 18 sonatas. Introduction in It by Marcello Castellani. Wrappers and slip cover in decorative paper. $41 [item no.1265] FORQUERAY, Antoine, 1672-1745 [Pièces, viol, bc, book 1] Pièces de viole avec la basse continue. Livre Ier.Viole de Gambe, II. Geneva, 1976. 4º, 48 pp. Line-cut of the Boivin & Leclerc edition, Paris, 1747. Dedicated to Madame Henriette de France. Compiled by the composer’s son, Jean-Baptiste. Bass and viol parts in score. Wrappers. $40 [item no.1201] [Pièces, viol, bc, book 1] Pièces de viole avec la basse continuë. Livre Ier. Performer’s Facsimiles, 4. New York, 1985. 26 x 32 cm, 38 pp. Line-cut of the Boivin & Leclerc, 1747 edition, Paris. Compiled by the composer’s son, Jean-Baptiste. Bass and viol parts in score. Wrappers. $18 [item no.1200] [Pièces, viol, bc, book 1] Pièces de viole avec la basse continue. Paris, 1747. [Bibl. Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 97. Courlay, 1996. 28 x 34 cm, 11, 38 pp. Line-cut of the Paris, 1747 edition. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $29 [item no.7331] FOSSA, François de, 1775-1849 Trio concertante for Guitar, Violin, and Violoncello. Op.18 No.1. Edited by Margarita Mazo.Boston, 1984. 4º, vi, 52, 12 pp. Line-cut of the autograph score, together with a new practical edition (score & parts). Historical introduction. Wrappers. $17 [item no.3200] FOUCQUET, Pierre-Claude, 1694-1772 [Pieces, harpsichord, op.1] Les caractères de la paix. Pièces de clavecin. Œuvre Per - 1752. [Bibliothèque Nationale, Paris].Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 17 pp. Line-cut of Paris, [1752] edition. An eight-movement piece (two movements with violin and one with viol & violin accompaniment), preceded by a method. Wrappers. $11 [item no.8804] FRANCESCO DA MILANO, 1497-1543 Intavolatura de viola o vero lauto. Libro primo (-secondo). Edition revue et corrigée. Introduction d’Arthur Ness.Geneva, 1977. 8º, 136 pp. Line-cut of the Sultzbach edition, Naples, 1536; recently discovered. Wrappers. $66 [item no.1028] FRESCOBALDI, Girolamo, 1583-1643 [Canzoni, a1-4, strings, winds, bc, books 1 & 2] Il primo libro delle canzoni a una, due, tre, e quattro voci per sonar con ogni sorte de stromenti, Rome 1628 / Canzoni da sonare a una, due, tre e quattro con il basso continuo. Venezia 1634.Archivum Musicum: Strumentalismo Italiano, 42. Florence, 1981. Oblong & upright, 34 x 24 cm, 6 partbooks & score, c.300, ii pp. Line-cut of the Paolo Masotti and Alessandro Vincenti edition (the former issued the work in score format, the latter in partbooks). Preface in It by Lapo Bramanti. Wrappers in decorative paper, in a slipcase. $46 [item no.1266] GABRIELLI, Domenico, c.1659-1690 Ricercari per violoncello solo. Canone a due violoncelli. Sonate per violoncello e basso continuo. Riproduzione dei manoscritti. Prefazione e apparato critico di Marc Vanscheeuwijck. [Bibl. Estense, Modena, Mus. G.79 & Mus. F.416.1-2].Bibliotheca Musica Bononiensis, IV/78. Bologna, 1998. Oblong, 31 x 21 cm, 9, 56 pp. Line-cut of two important mss containing the complete works for cello solo (7 ricercari), cello and bc (2 sonatas) and two cellos (1 canon) by Gabrielli. Preface in It, with summaries in Fr-Eng. Wrappers. $36 [item no.7730] GALLIARD, Johann Ernst, c.1680-1749 [Sonatas, bassoon/violoncello, bc] Six Sonatas for the Bassoon or Violoncello with a Thorough [Bass] for the Harpsichord.Musique de Chambre, 8. Geneva, 1995. 21 x 30 cm, 28 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $30 [item no.7094] [Sonatas, bassoon/violoncello, bc] Six Sonatas for the Bassoon or Violoncello with a Thorough Bass for the Harpsichord. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 255. New York, [2007]. 24 x 31 cm, 26 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $18 [item no.8811] GANASSI, Sylvestro, 1492-d.? [Method, viol, part 1] Regula Rubertina.Bibliotheca Musica Bononiensis, II/18a. Bologna, 1984. Oblong, 22 x 16 cm, 48 pp. Line-cut of the 1542 edition. Earliest known tutor on playing the viol named after the author’s aristocratic pupil, Roberto Strozzi. Laid paper with handsome binding in linen. $30 [item no.1204] [Method, viol, part 2] Lettione seconda pur della prattica di sonare il violone d’arco da tasti. Bibliotheca Musica Bononiensis, II/18b. Bologna, 1978. Oblong, 22 x 16 cm, 71 pp. Line-cut of the 1543 edition. Laid paper. Wrappers. $39 [item no.1203] GARDANO, Antonio, 1509-1569 [publisher] [Duos, winds/strings] Il primo libro a due voci de diversi autori. RISM 1543(19).[Yellow Book Series, 5]. Højbjerg, 1991. Oblong, 23 x 16 cm, 2 partbooks: 80 pp. Line-cut of the Venice, 1543 edition. Consists of 67 textless duos derived for the most part from masses by a representative selection of composers. Wrappers. $44 [item no.4155] Fantasie recercari contrapunti a tre voci di M. Adriano & de altri autori appropriati per cantare & sonare d’ogni sorte di stromenti. [Bayerische Staatsbibl., Munich]. Facsimile Series: I/B.8. Peer, 1986. Oblong, 21 x 16 cm, 18, 3 partbooks, c.94 pp. Line-cut of the Venice, 1559 edition. Includes 2 Regina celi by Willaert and Rore and instrumental trios in strict contrapuntal style. Introduction in Flem-Eng by Ignace Bossuyt. Wrappers. [item no.1264] GEMINIANI, Francesco, c.1680-1762 [Sonatas, violoncello, bc, op.5] Sonate pour le violoncelle et basse continue, dans lesquelles il a fait une étude particuliere pour l’utilité de ceux qui accompagnent. Ouvrage cinquieme.Archivum Musicum: Monumenta Musicae Revocata, 6. Florence, 1988. 25 x 34 cm, vi, 27 pp. Line-cut of The Hage, 1747 edition. Collection of six pieces. Introduction in It-Eng by Paolo Paolini. Quarter linen. $37 [item no.1792] [Sonatas, violoncello, bc, op.5] Sonates pour le violoncelle et basse continue dans lesquelles il a fait une étude particulière pour l’utilitè de ceux qui accompagnent, Ouvrage cinquième. Performers’ Facsimiles, 74. New York, [1989]. 24 x 30 cm, 25 pp. Line-cut of The Hage, 1746 edition. Wrappers. $18 [item no.3650] [Sonatas, violoncello, bc, op.5] Sonates pour le violoncelle et basse continue. 1746. [Bibliothèque Nationale, Paris]. Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 28 pp. Line-cut of the Paris, 1746 edition. Wrappers. $13 [item no.8805] GERLE, Hans, c.1500-1570 Musica und Tablatur, auff die Instrument der kleinen und grossen Geygen, auch Lautten.Geneva, 1977. 8º, 216 pp. Line-cut of the Formschneider edition, Nuremberg, 1546. Transcriptions of French and German songs. Notated in German lute and viola da gamba tablature and mensural notation. Wrappers. $76 [item no.1039] GIBBONS, Orlando, 1583-1625 Fantasies of Three Parts. [British Library, London].Performers’ Facsimiles, 150. New York, [1993]. 17 x 23 cm, 3 partbooks, 29 pp. Line-cut of the London, c.1620, edition in partbook format (altus, tenore & basso). Wrappers. $28 [item no.4613] [Madrigals & motets, a3] The First Set of Madrigals and Mottets of 5. Parts: Apt for Viols and Voyces. Performers’ Facsimiles, 50. New York, 1989. 18 x 24 cm, 5 partbooks, 120 pp. Line-cut of the London, 1612 edition. Wrappers. $45 [item no.2788] GIORDANI, Tommaso, c.1730-1806 [Duets, violin, violoncello; 2 violins, op.21] Six Duettos, Four for a Violin and Violoncello and Two for Two Violins. Op. XXI.Early Cello Series, 7. n.p., c.1985. 4º, 28 pp. Line-cut of the London, c.1775 edition. Wrappers. $16 [item no.1661] GODECHARLE, Eugène, 1742-1798 [Trio sonatas, 2 violins, bc, op.3] Six trios pour deux violons et basse, opus III. Inleiding-Introduction: Bernard Huys.Fontes Musicae Bibliothecae Regiae Belgicae, II/1. Brussels, 1980. 25 x 32 cm, 4 partbooks, ii, c.60 pp. Line-cut of the 18th-c. print issued in Paris between 1765 and 1774. Introduction in Flam-Fr. Wrappers, with folder. $24 [item no.1206] GŒTZ, Hermann Gustav, 1840-1876 [Quartet, strings, Bb major] Quartett für zwei Violinen, Viola und Violoncello B-Dur. Herausgegeben von Bernhard Billeter.Winterthur, 1990. 4º, 34 pp. Halftone of the autograph score, together with a new practical edition. Wrappers. $58 [item no.4329] GRANATA, Giovanni Battista, c.1620-1680 Novi capricci armonici musicali in vari toni per la chitarra spagnola, violino, e viola concertati, et altre sonate per chitarra sola.Bibliotheca Musica Bononiensis, IV/183. Bologna, 3/ 2005. 22 x 32 cm, 55 pp. Line-cut of the Giacomo Monti edition, Bologna, 1674. Wrappers. $32 [item no.1050] GRAUN, Carl Heinrich, c.1703-1759 Concerto en la mineur pour viole de gambe et orchestre, W22. Fac-similé du manuscrit de Cracovie, Biblioteka Jagiellonska, AmB. 236/12. Édition critique intégrale par Vittorio Ghielmi.Geneva, 1998. 20 x 30 cm, 7 partbooks, 12, 54 (facs), 39 pp. Line-cut of the score plus new critical edition of the parts. Scored for vdg solo, vln I-II, vla, bass. Wrappers. $141 [item no.8365] GUERINI, Francesco, b.?-c.1770 Six Solos for a Violoncello with a Thorough Bass for the Harpschord. Opera IX. Edited by Sarah Freiberg.Critical Facsimiles, 8. New York, 2001. 22 x 31 cm, iii, 37, iii pp. Line-cut of the London, c.1765 edition. “Corrected” facsimile edition reflecting the views of the editor. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $18 [item no.7950] GUILLEMAIN, Louis Gabriel, 1705-1770 [Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuors, ou conversations galantes et amusantes entre une flûtte traversiere, un violon, une basse de viole et la basse continüe. Œuvre XIIe. [British Library, London].Performers’ Facsimiles, 243. New York, [2000]. 4º, 4 partbooks, 80 pp. Line-cut of the Paris, 1743 edition. Wrappers. $43 [item no.7796] [Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuor ou conversations galantes et amusantes, flûte traversière, violon, basse de viole, basse continue. Œuvre XII, 1743. Présentation par les étudiants du Ce.F.E. de M. d’Île-de-France. La Musique Française Classique de 1650 à 1800, 149. Courlay, 2003. 22 x 33 cm, xvi, 88 pp. Line-cut of the Paris, 1743 edition. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.8241] GUILLEMANT, Benoît, 18th c. [Pièces, 2 bassoons/violoncellos, op.3] Pièces à deux bassons ou violoncelles — Opus 3.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, c.1748 edition. 6 sonatas for 2 bassoons or violoncellos without bc. Wrappers. $13 [item no.8883] HAGEN, Bernhard Joachim, c.1720-1787 [Concerti, lute, violin, violoncello] Due Concerti con liuto obligato. 2 Concertos for Baroque Lute, Violin & Violoncello. Facsimile of the Manuscript in the Augburg Staats- und Stadtbibliothek.Lübeck, 2004. 4˚. Line-cut. French tablature with Baroque tuning. Staff notation for bowed instruments. Ring binding. $30 [item no.8450] Kammermusik für Laute herausgegeben von Joachim Domning. Hamburg, 1984. 21 x 30 cm, 3 partbooks, ii, 137 pp. Line-cut. Music for lute, violin I & II, viola & violoncello. Wrappers. $79 [item no.4741] HANDEL, George Frideric, 1685-1759 [Musick for the Royal Fireworks, orch, HWV 351; Concerti, orch, HWV 335a & The Musick for the Royal Fireworks / Feuerwerksmusik, HWV 351. Concerti HWV 335a & 335b. British Library Manuscript R.M. 20.g.7. Facsimile. Introduction and Commentary by Christoher Hogwood / Eingeleitet und kommentiert von Christopher Hogwood.Documenta Musicologica, II/32. Kassel, 2004. 4˚, 26, 70 pp. Handel's great outdoor piece for strings and wind band. Halftone of the 1749 autograph score, composed for the celebration of the Treaty of Aix-la-Chapelle. The overture is the longest single instrumental movement that Handel wrote and is scored for tpt 1-3 (x3), hn 1-3 (x3), ob 1-3 (x12, x8, x4), bsn 1-2 (x8, x4), timp (3 pairs), & bc. The manuscript also includes 2 concerti, HWV 335a and 335b, intended as interludes during oratorio performances, scored for strings, 2 ob, 2 tpt (only HWV 335a), 4 hn, bsn, timp, & bc (organ). This is a fascinating score, in Handel’s forceful script, showing his erasures by smudging, his clarifications by writing note letters over a correction, and his normal abbreviations for colla parte using custodes. The manuscript also bears evidence of arguments over scoring that went on with the civil servants organizing the spectacle. Preface in Ger/Eng. Hardbound. $68 (more info... ) [item no.8448] [Musick for the Royal Fireworks, orch, HWV 351, 1st ed.] The Musick for the Royal Fireworks in all its Parts, viz. French Horns, Trumpets, Kettle Drums, Violin, Hoboys, Violoncello, & Bassoons with a Thorough Bass for the Harpsicord or Organ. [British Library, London]. Performers’ Facsimiles, 120. New York, [1993]. 4º, 11 partbooks: 37 pp. Line-cut of the original Walsh printed parts, London, [1749]. Scored for 2 vln, 3 ob, 3 hns, 3 tpt, timp, bsn & bc. Wrappers. $40 [item no.4530] [Water Music, orchestra, HWV 348-350] The Celebrated Water Musick in Seven Parts, viz., Two French Horns, Two Violins or Hoboys, a Tenor, and a Thorough Bass for the Harpsichord or Bass Violin. Performers’ Facsimiles, 70. New York, [1990]. 24 x 36 cm, 7 partbooks, 36 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $40 [item no.3690] HAYDN, Franz Joseph, 1732-1809 [Quartets, strings, “Prussian”, op.50, 1st ed.] Six quatuors pour deux violins alto et basse. Composes et dediés a sa Majesté Frederic Guillaume II, roi de Prusse, œuvre 50e. [Library of Congress, Washington, D.C.].Performers’ Facsimiles, 80. New York, [1992]. 27 x 26 cm, 4 partbooks: 88 pp. Line-cut of the Artaria edition, Vienna, 1787. Wrappers. $50 [item no.4424] HEBDEN, John, 1712-1765 [Concertos, strings, bc] Six Concertos in Seven Parts for Four Violins, a Tenor Violin, a Violoncello with a Thorough Bass for the Harpsicord. Opera II. [British Library, London].Alston, 2001. 4º, 7 vols, ii, c.84 pp. Line-cut of the London, 1745 edition. Preface by Peter Holman. Ring binder. $54 [item no.7910] HENTZSCHEL, J., 17th c. Canzon mitt 8. Viol-digambe oder Posaunen gesetzt.Basel, c.1980. 17 x 25 cm, 5 parts, 10 pp. Line-cut of the Thorn, 1649 edition. Canzon for 8 instruments in mensural notation. Wrappers. $6 [item no.3642] HEUDELINNE, Louis, 17-18th c. [Pièces, 2 viols, bc, book 2] Second livre de pièces pour le dessus et basse de violle, et pour le viollon et clavessin, triots et sonates.Musique de Chambre, 12. Geneva, 1999. Oblong, 4º, 52, i pp. Line-cut of the Paris, [1705] edition. Includes dances (some with doubles), preludes, fantasias and sonatas, as well as some descriptive pieces. Wrappers. $56 [item no.3090] HOFFMEISTER, Franz Anton, 1754-1812 Études pour alto-viola. Livres I et II. Présentation par Jean-Philippe Vasseur.Collection Dominantes. Courlay, 1993. 24 x 32 cm, 27, 20 pp. Line-cut of the Leipzig, c.1800-1805 editions. Introduction in Fr-Eng-Ger. Wrappers. $31 [item no.4728] HOLBORNE, Antony, b.?-1602 Pavans, Galliards, Almains and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments.Waiblingen, 1991. Oblong, 8º, 5 partbooks, c.180 pp. Line-cut of the 2nd edition, London, 1648. 65 instrumental pieces, suitable for strings & winds, in mensural notation. Handsome vellum-paper boards, with matching slipcase. $122 (more info... ) [item no.4149] Pavans, Galliards, Almains, and other Short Aeirs both Grave and Light, in Five Parts, for Viols, Violins, or other Musicall Winde Instruments. [Christ Church Library, University of Oxford]. Performers’ Facsimiles, 263. New York, [2010]. 19 x 23 cm, 5 partbooks, c.180 pp. Line-cut of the 2nd edition, London, 1648. 65 instrumental pieces, suitable for strings & winds, in mensural notation. Wrappers. $45 [item no.9161] HOTTETERRE, Jacques Martin, 1674-1763 [Pièces, flute, bc, op.2, book 1] Pièces pour la flûte traversière, livre premier. Première édition. Paris, 1708; Premier livre de pièces pour la flûte traversière. Nouvelle édition augmentée de plusieurs agréments. Paris, 1715. [British Library, London; Bibliothèque Nationale, Paris].La Musique Française Classique de 1650 à 1800, 115. Courlay, 1999. Oblong, 31 x 22 cm, 2 vols, xviii, 126 pp. Line-cut of Paris, 1708 & Paris, 1715 editions. Introduction in Fr-Eng-Ger by Philippe Lescat. Hardbound, with slipcase. $54 [item no.7715] [Suites, 2 flutes/recorders/viols/oboes, bc, op.4, 6 & 8] Première suitte de pièces à deux dessus, sans basse continue, œuvre quatrièsme; Deuxième suitte de pièces à deux dessus pour les flûtes-traversières, flûtes-a-bec, violes, &e, œuvres VIe; Troisième suitte de pièces a deux deßus. Archivum Musicum: L’Art de la Flûte Traversière, 40. Florence, 1989. Oblong, 29 x 21 cm, viii, 49 pp. Line-cut of the Paris 1712, 1717 & 1722 edition. Introduction in It by Marcello Castellano. Wrappers in decorative paper. $27 [item no.3182] [Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue pour les flûtes traversières, flûtes à bec, violes, etc. Œuvre IVe. Musique de Chambre, 13. Geneva, 1991. Oblong, 25 x 17 cm, 18 pp. Line-cut of the author’s & Boivin edition, Paris, 1712. Wrappers. $25 [item no.3103] [Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue. Pour les flûtes traversières, flûtes à bec, violes, etc. Paris, 1712. [Bibliothèque Municipale, Grenoble]. La Musique Française Classique de 1650 à 1800, 86. Courlay, 1995. Oblong, 31 x 22 cm, 13, 18 pp. Line-cut of Paris, 1712 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $19 [item no.7146] [Suite, flutes/recorders/viols, (bc), op.6] Deuxième suitte de pièces à deux dessus pour les flûtes traversières, flûtes-à-bec, violes, etc. Avec une basse adjoutée séparément et sans altération des dessus, laquelle on y pourra joindre dans le concert. Œuvre VIe. Musique de Chambre, 14. Geneva, 1991. Oblong, 25 x 17 cm, 18 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1717. Pieces dedicated by the the author to his pupil, the chamberlain to the Duke of Orleans. Wrappers. $25 [item no.3104] HUBERTY, Anton, c.1722-1791 [Method, viola d’amore] Neu Method-Messige Viol d’amore Stüke. Wien. Mit einem Kommentar und Inhaltsverzeichnis von Marianne Rônez. [Sibley Library, Rochester, NY].Faksimile-Edition Rara, 56. Stuttgart, 2008. Oblong, 25 x 18 cm, 3 vols, 220, 23 pp. Line-cut of the Vienna, c.1790 edition, based on the unique copy preserved in the Sibley Library. This rare and fascinating publication, by a professional double bass player and publisher, offers a treatise on the viola d’amore, together with a rich collection of music: genre pieces (short dances or character pieces), 9 sonatas, 1 duo, pieces with bc accompaniment, pieces with voice. Introduction in Ger-Eng. Hardbound in decorative paper, with handsome slipcase. $175 [item no.8953] HUGAR, Pierre, 18th c. [Pièces, viol] La toilette, pièces nouvelles pour le pardessus de viole à cinq cordes gravées par Mlle. Vendôme.Viole de Gambe, VIII. Geneva, 1984. 4º, 32 pp. Line-cut of the Paris, c.1760 edition. Four suites including pictorial pieces. These works are beautifully engraved by Marie-Charlotte Vendôme (who, together with her husband François Moria, founded a publishing house). Wrappers. $30 [item no.3282] HUME, Tobias, c.1569-1645 [Ayres, voice, lute/viola da gamba] The First Part of Ayres 1605. With an Introduction by Frank Traficante. [British Library].Hebden Bridge, 2002. 4˚. iv, 64 pp. Line-cut of the London, 1605 edition. In lyra-viol tablature notation. Spiral binding. $32 [item no.8319] Captain Humes; Poeticall Musicke 1607. With an Introduction by Frank Traficante. Hebden Bridge, 2004. 27 x 37 cm, iv, 52 pp. Line-cut of the London, 1607 edition. In lyra-voil tablature notation. Spiral binding. $32 [item no.8455] IVES, Simon, 1600-1662 Duets for Two Bass Viols. London, British Library, Ms. Add. 31424.Facsimile Series, III/25. Peer, 1997. Oblong, 8º, 3 partbooks, 80, ii pp. Line-cut of a contemporary ms copy. Contains 9 duets, 2 fantasias and 6 ayres. In addition, there are two anonymous fantasias and works of John Ward (1571-1638). Introduction by Piet Stryckers. Wrappers. $28 [item no.7152] JACCHINI, Giuseppe Maria, 1667-1727 [Sonatas, violin & violoncello; violoncello, bc, op.1] Sonate a violino e violoncello e a violoncello solo per camera. Edizione della partitura e prefazione a cura di / Score Edition and Preface by Marc Vanscheeuwijck.Bibliotheca Musica Bononiensis, IV/91. Bologna, 2005. Oblong, 31 x 22 cm, 64 pp. Line-cut of the c.1692 edition by the celebrated Bolognese cellist. 6 sonatas for violin & cello and 2 sonatas for cello and bc. Wrappers. $54 [item no.8640] JANOVKA, Tomas, 1669-1741 Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale Albert II, Brussel].Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag, 1701 edition. Along with Brossard’s Dictionnaire de musique one of the first modern dictionaries of musical terms. Wrappers. $66 [item no.2115] JANSON, Jean-Bapiste, 1742-1803 [Sonatas, violoncello, bc, op.1] Six sonates à violoncelle et basse. Œuvre 1re (1765). [Sächsische Landesbibliothek, Dresden].La Musique Française Classique de 1650 à 1800, 84. Courlay, 1995. 22 x 31 cm, 21, 37 pp. Line-cut of Paris, [1765] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $31 [item no.7148] [Sonatas, violoncello, bc, op.4] Six sonates pour violoncelle et basse. Œuvre IVe (1774). [Sächsische Landesbibliothek, Dresden]. La Musique Française Classique de 1650 à 1800, 136. Courlay, 2000. 24 x 34 cm, xi, 26 pp. Line-cut of Paris, [1774] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Hardbound. $28 [item no.7877] JELIC, Vinco, 1596-1636 Parnassia militia [Concertuum unius, duarum, trivum et quattor vocum tam nativis quam instrumentalibus vocibus, ad organum concinendarum. Opus primum], Straßburg, Paul Ledertz 1622. [Universitätsbibliothek Frankfurt].Faksimile-Edition Canto e Continuo, 5. Stuttgart, 2008. 16 x 22 cm, 5 partbooks, 220 pp. Line-cut of the Strasbourg, 1622 partbooks (cantus, altus, tenor, bassus, bassus ad organum). Collection of 24 motets for 1 to 4 voices, plus 4 ricercare for cornetto/violin, trombone/viol & bc). Wrappers, with portfolio. $72 [item no.9031] KAPSBERGER, Johann Hieronymus, c.1575-c.1640 [Arias, voice, bc, book 1-2; Motets, voice, bc, book 1] Libro primo di arie passeggiate a una voce con l’intavolatura del chitarone, Roma 1612; Libro primo di motetti passeggiati a una voce, Roma 1612; Libro secondo d’arie a una e più voci, Roma 1623.Archivum Musicum: Strumentalismo Italiano, 32. Florence, 1980. 24 x 34 cm, 3 booklets, v, 80 pp. Halftone and line-cut. Over 60 monodies among the 3 publications. Introduction in It by Orlando Cristoforetti. Wrappers and slip cover in decorative paper. $41 [item no.1269] [Villanelle, a1-3, books 1-4] Libro primo [secondo, terzo & quarto] di villanelle a 1, 2, & 3 voci, Roma, 1610 [1619, 1619, & 1623]. Archivum Musicum: Strumentalismo Italiano, 28. Florence, 1982. 24 x 34 cm, ii, 4 books, 96 pp. Line-cut. Contains 83 villanelle notated in score. Introduction in It by Orlando Cristoforetti. Wrappers in decorative paper with slip case. $41 [item no.1065] KAYSER, Isfrid, 1712-1771 Cantatae sacrae [complectentes arias XVIII. cum recitativis, et alleluja plerisque anni festivitatibus accommodatas à voce sola, 2. violinis, alto viola, et organao. [Stadtbibl., Ulm].Faksimile-Edition Ulm, 13. Stuttgart, 2002. 20 x 32 cm, 5 partbooks, c.270 pp. Line-cut of the Munich, c.1746 edition. Scored for solo voice, 2 vln, vla & bc (organ). Hardbound in decorative paper, with slipcase. $109 [item no.8119] KRESS, Johann Albrecht, 1644-1684 Musicalische Seelen-Belustigung [oder Geistliche Concerten mit vier nothwendigen Vocal-Stimmen und Sechs Instrumenten, welche nach Belieben können ausgelassen werden]. Stuttgart, Paul Treu 1681. [Bibl. Jagiellońska, Krakow].Faksimile-Edition Kress, 1. Stuttgart, 2004. 20 x 21 cm, 10 partbooks, 414 pp. Line-cut of the Stuttgart, 1681 edition. 14 settings for 4 voices and 6 instrumental parts (scored for SATB, 2 vln, 3 vla, & bc.). Wrappers, with slipcase. $162 [item no.8530] Der süsse Nahme Jesu, oder Teutscher Iubilus Bernhardi [mit dreyen Stimmen gesetzt]. Stuttgart, Paul Treu 1681. [Universitätsbibliothek Krakow]. Faksimile-Edition Kress, 2. Stuttgart, 2006. 16 x 22 cm, 5 partbooks, 230 pp. Line-cut of the Stuttgart, 1681 edition. 15 settings a3 with basso continuo. Wrappers, with slipcase covered in marbled paper. $75 [item no.8659] KÜHNEL, August, 17-18th c. [Sonatas, viols, bc] Sonate o partite ad una o due viole da gamba, con il basso continuo. [Landesbibl. & Murhard’sche Bibl. der Stadt Kassel].Facsimile Series, III/22. Peer, 2/ 1996. 21 x 31 cm, 3 partbooks, 56 pp. Line-cut of the Kassel, 1698 edition. Contains 6 sonatas for 2 viols & bc and 8 sonatas for 1 viol & bc, a dance, and sonata and variation forms. Wrappers. $36 [item no.1209] [Sonatas, viols, bc] Sonate ô Partite ad una ô due Viola da Gamba con il basso continuo. Kassel, 1698. Présentation par Marie-Françoise Bloch. [Gesamthochschul-Bibl., Kassel]. Collection Dominantes. Courlay, 1998. 4º, 3 partbooks, 16, 54 pp. Line-cut of the Kassel, 1698 edition. Preface in Fr-Eng-Ger. Wrappers. $36 [item no.7589] LANFRANCO, Giovanni Maria, b.?-1545 Scintille di musica. [Civico Museo Bibliografico Musicale, Bologna].Bibliotheca Musica Bononiensis, II/15. Bologna, 2/ 1988. Oblong, 21 x 15 cm, xi, 151 pp. Line-cut of the Lodovico Britannico edition, Brescia, 1533. Introduction in It by Giuseppe Massera. Wrappers. $50 [item no.2484] LASSO, Orlando di, 1532-1594 [Motets a5-6, book 1] Il primo libro de motetti [a cinque et a sei voci]. Einführung: Horst Leuchtmann. [Staatsbibl. zu Berlin, Musikabteilung].Facsimile Series, I/B.23. Peer, 1993. Oblong, 8º, 5 partbooks, 16, 154 pp. Line-cut of the Johannes Laet edition, Antwerp, 1556. Lasso dedicated this work–also known as the “Antwerp Motet Book”–to Antoine Perrenot de Granville, Bishop of Arras and Secretary of State of Charles V. Contains 18 motets, some of which were undoubtedly written in Italy, but clearly rewritten in Antwerp. Wrappers, with slipcover. $40 [item no.4191] LAURENTI, Lodovico Filippo, 18th c. [Sonatas, violoncello, bc, op.1] Suonate da camera pel violoncello e basso. Opera prima.Bibliotheca Musica Bononiensis, IV/71. Bologna, 1980. Oblong, 31 x 22 cm, 38 pp. Line-cut of the Bologna, 18th-c. edition. Collection of 12 sonatas. Laid paper. Cloth. $35 [item no.1210] LAWES, Henry, 1596-1662 The Henry Lawes Manuscript. By Pamela J. Willetts.London, 1969. 8º, 83, 22 plates pp. Examination and inventory of the Lawes manuscript (British Library, Add. MS 53723), together with a selection of halftone plates with autograph examples and music of his contemporaries. Cloth. $52 [item no.7545] LECLAIR, Jean-Marie, 1697-1764 [Sonatas, violin/flute, bc, op.2] Sonates pour le violon et pour la flûte traversière avec la basse continue (Second livre).La Musique Française Classique de 1650 à 1800, 6. Courlay, 1986. 22 x 31 cm, xiv, 86 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. No.8 is à trois (vln/fl, vdg, bc). Introduction by Jean Saint-Arroman. Wrappers. $46 [item no.2199] [Sonatas, violin/flute, bc, op.2] Second livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre II]. [Yale University, New Haven, CT]. Performers’ Facsimiles, 286. New York, [2010]. 27 x 36 cm, 90 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. Wrappers. $30 [item no.9178] [Sonatas, 2 violins/violes, op.3] Sonates à deux violons sans basse (Premier livre). La Musique Française Classique de 1650 à 1800, 3. Courlay, 1986. 22 x 31 cm, x, 48 pp. Line-cut of the Paris, 1730 edition, containing 6 sonatas (which, according to the title page, can also be played on 2 violes). Introduction by Jean Saint-Arroman. Wrappers. (violins I & II bound together). $31 [item no.2202] [Sonatas, 2 violins/violes, op.3] Sonates à deux violons sans basse. Troisième œuvre. On peut jouer ces sonates a deux violes. Performers’ Facsimiles, 88. New York, [1990]. 26 x 33 cm, 2 partbooks, 48 pp. Line-cut of the Paris, 1730 edition, containing 6 sonatas. Wrappers. $25 [item no.3977] [Sonatas, 2 violins/violes, op.12] Second livre de sonates à deux violons sans basse dediées à Monsieur Baron, Conseiller du Roy, Notaire. Œuvre XII. La Musique Française Classique de 1650 à 1800, 30. Courlay, 1989. 22 x 31 cm, x, 47 pp. Line-cut of the Paris, [1747] edition, containing 6 sonatas. Introduction in Fr-Eng-Ger by Philippe Lescat & Jean Saint-Arroman. Wrappers. (violins I & II bound together). $31 [item no.2203] LEGRENZI, Giovanni, 1626-1690 Balletti e correnti a 5. . . op.16.Huntingdon, [1993]. 4º, Xerographic reprint of the 18th-c. edition. Wrappers. $59 [item no.4853] [Sonatas, a 2,3,5,6, strings, bc, op.8] Sonate a due, trè, cinque, e sei stromenti. Libro terzo, opera ottava. Huntingdon, [1993]. 4º, 6 partbooks, c.193 pp. Xerographic reprint of the Giacomo Monti edition, Bologna, 1671. Wrappers. $69 [item no.4852] LE JEUNE, Claude, 1528-1600 Fantaisies pour les violes, 1612, [Moulinié: Cinquiesme livre d’airs de cour a quatre & cinq parties] 1639. Présentation par: Anne-Sophie Aliz. [Bibl. Sainte-Geneviève, Paris].La Musique Française Classique de 1650 à 1800, 167. Courlay, 2005. 24 x 33 cm, 9 partbooks, viii, 62 + 64 pp. Line-cut of the Paris, 1612 & 1639 editions. Two complementary sets of airs for viol ensembles (dessus/haut-contre/taille/5. voc./basse-contre; dessus/haute-contre/taille/basse-contre). Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8574] LENDORMY, N.-G., 18th c. [Pièces, viol, bc, books 1 & 2, op.2-3] Premier [-second] livre de pièces pour le pardessus de viole ou le violon à cinq cordes avec la basse.Viole de Gambe, IX. Geneva, 1984. 8º, 36 pp. Line-cut of the Paris, c.1760 edition. Wrappers. $30 [item no.3296] LEPIN, Henri-Noël, 18th c. [Sonatas, violoncello] Six sonates pour le violoncelle, 1772.Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the author’s edition, Paris, 1772. Wrappers. $13 [item no.8855] LE VAVASSEUR, Nicolas, 16-17th c. Airs à III. IIII. et V. parties. [Schermar-Bibliothek, Stadtbibliothek, Ulm].Faksimile-Edition Schermar-Bibliothek Ulm, 11. Stuttgart, 1996. Oblong, 13 x 9 cm, 5 partbooks, c.325 pp. Line-cut of the Pierre Ballard edition, Paris, 1623. 27 airs for three, four and five parts, suitable for voices or instruments. Wrappers, with handsome slipcase in marbled paper. $78 [item no.7347] LIEBMANN, Hélène, 18-19th c. [Sonata, piano, violoncello, op.11] Sonate pour pianoforte et violoncelle, œuvre 11.Early Cello Series, 1. n.d., c.1985. 4º, 24 pp. Line-cut of the Leipzig & Berlin, 1806 edition. Wrappers. $16 [item no.1656] LIETO (Panhormitano), Bartolomeo, 16th c. Dialogo quarto di musica [dove si ragiona sotto un piacevole discorso sulle cose pertinenti per intavolare le opere di musica et esercitarle con la viola a mano over liuto con sue tavole ordinate per diversi gradi alti e bassi]. A cura di Patrizio Barbieri.Musurgiana: Sources and Materials for the History and Theory of Music, 10. Lucca, 1993. 15 x 20 cm, xxvii, 43, ii pp. Line-cut of the Naples, 1559 edition. Short treatise explaining how to transcribe any contrapuntal score into tabulature for viola a mano or lute. Includes 14 tables showing the gamut, clefs, staves, accidentals, and the corresponding signs for Italian lute tablature. Introdution in It-Eng. Bibliography. Cloth. $30 [item no.3797] LOCATELLI, Pietro, 1695-1764 [Concerti grossi, strings, op.1] XII concerti grossi à quattro è à cinque, dedicati all’Ecce. è reve. Sig. Monsignore C. Camillo Cybo de Duchi di Massa, è Carrara & Patriarca di Costantinopoli. Opera prima.Huntingdon, [1993]. 4º, 12 partbooks, c.130 pp. Xerographic reprint of the Jeanne Roger edition, Amsterdam, [1721]. Partbooks: (concertino) vln I, vln II, vla I, vla II, vc; (ripieno) vln I, vln II, vla I, vla II, vc, continuo, bass. Wrappers. $95 [item no.4834] [Concerti, strings, op.3] L’arte del violino. 12 concerti per violino con 24 capricci ad libitum. Reprint of the 1733 Amsterdam Edition. Introduction by Paul van Reijen. Amsterdam, 1981. 22 x 31 cm, vii, 132 pp. Line-cut of the violin solo and basso continuo parts. Wrappers. $70 [item no.2206] [Concerti, strings, op.3] L’arte del violino. XII concerti cioè, violino solo, con XXIV capricci ad libitum, che si potrà finire al segno. Violino primo, violino secondo, alto, violoncello solo, è basso. . . Opera terza. [Toonkunst-Bibliotheek, Amsterdam]. Huntingdon, [1993]. 4º, 6 partbooks, c.230 pp. Xerographic reprint of the Le Cène edition, Amsterdam, [1733], plate no. 572. These orchestral parts supplement the violin solo and basso parts previously published by Saul B. Groen (OMI #2206). Partbooks: vln I, vln II, vla, vla, cello solo, keyboard. Wrappers. $68 [item no.4835] [Introduttioni teatrali & concerti, strings, op.4] Opera quarta. Parte prima: VI introduttioni teatrali. Parte seconda: VI concerti, violino primo, secondo, alto, è violoncelle, soli violino primo, secondo, alto, è basso, ripieni. Huntingdon, [1993]. 4º, 12 partbooks, i, c.300 pp. Xerographic reprint of the Le Cène edition, Amsterdam, [1735]. Wrappers. $79 [item no.4837] [Sonatas, violin & bc; & 2 violins & bc, op.8] X sonate, VI a violino solo e basso, e IV a tre. Opus VIII. 1744. Présentation par Nicola Fromageot. [Bibl., University of Leiden]. Collection Dominantes. Courlay, 1997. 4º, 3 vols, ix, 70 pp. Line-cut of the Amsterdam, 1744 edition. Introduction in Fr-Eng-Ger. Wrappers. $38 [item no.7431] [Sonatas, violin & bc; & 2 violins & bc, op.8] X sonate: VI, à violino solo è basso, è IV à tre. Dedicate al molto illustre signore il signor Abraham Croock. Opera ottava. Huntingdon, [1993]. 4º, 4 partbooks, 82 pp. Line-cut of the author’s edition, Amsterdam, [1752]. Partbooks: vln I, vln II, cello, bc. Wrappers. $30 [item no.4836] LOCKE, Matthew, 1630-1677 His Little Consort of Three Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins. In Two Several Varieties: The First 20 are for Two Trebles and a Basse. The Last 20 for Treble, Tenor & Basse. To be Performed either Alone or with Theorbo’s and Harpsecord. [The Chapter Library, The College, Durham].Performers’ Facsimiles, 193. New York, [2002]. Oblong, 24 x 19 cm, 3 parts, 36 pp. Line-cut of the London, 1673 edition. Wrappers. $25 [item no.8074] LOTTI, Antonio, 1667-1740 [Sonata, flute, viol, harpsichord, F maj.]] Sonata a flauto traversier, viola da gamba & cembalo, Ms (Wq 6829). Introduction: Piet Stryckers.Facsimile Series, IV/11. Peer, 1995. 4º, i, 10 pp. Line-cut of a contemporary ms copy, a unique source for this sonata. Wrappers. $14 [item no.7153] LUZZASCHI, Luzzasco, 1545-1607 Madrigali per cantare et sonare a uno, e doi, e tre soprani.Archivum Musicum: Strumentalismo Italiano, 35. Florence, 1980. 24 x 34 cm, v, 43 pp. Line-cut of the Rome, 1601 edition. Introduction in It by Elio Durante and Anna Martellotti. Wrappers in decorative paper. $27 [item no.1331] MACE, Thomas, c.1613-1709 Musick’s Monument. A Facsimile of the 1676 London Edition.Monuments of Music and Music Literature in Facsimile, II/17. New York, 1966. 22 x 33 cm, 291 pp. Line-cut of the London, 1676 edition. Laid paper, clothbound. $100 [item no.1778] MACHY (Demachy), 17th c. [Pièces, viol] Pièces de violle [en musique et en tablature, differentes les unes des autres, et sur plusieurs tons].Viole de Gambe, I. Geneva, 2/ 1993. Oblong, 22 x 15 cm, iv, 51 pp. Line-cut of the Paris, 1685 edition, beautifully engraved by Bonneüil. Introduction on viol playing, legato bowing and ornaments, a table of the latter being provided. Preludes, allemandes, courantes, sarabandes, jigs, gavottes, minuets, chaconnes, occasionally with doubles; in ordinary notation or in tablature. A few movements are plucked, lute fashion. The sound of the viole plucked is quite unworldly, sounding like a very soft-voiced lute. Preface in Fr by François Lesure. Wrappers. $40 [item no.1194] MAGITO, Alexis, 18th c. [Sonatas, violoncello, op.1] Six Sonate for the Violoncello e basso. Opera prima. [British Library, London].Early Cello Series, 19. n.d., c.1989. 4º, 25 pp. Line-cut of the London, 18th-c. edition. Wrappers. $18 [item no.3979] MAHAUT, Antoine, c.1720-c.1785 [Method, flute] Nouvelle méthode pour apprendre en peu de tems à jouër de la flute traversière à l’usage des commençans et des personnes plus avancées suivie de petits airs, menuets, brunettes, et accomodés pour deux flûtes, violons et pardessus de viole.Geneva, 1972. Oblong, 4º, 55 pp. Line-cut of the Paris, 1759 edition. Describes many aspects of performance, including ornaments; includes fingerings and trill fingerings. With numerous examples. Wrappers. $45 [item no.3298] MAJER, Joseph Friedrich Bernhard Caspar, 1689-1768 Museum musicum theoretico practicum. Faksimile-Neudruck herausgegeben von Heinz Becker.Documenta Musicologica, I/8. Kassel, 1954. Oblong, 21 x 17 cm, 124, ii pp. Halftone of the 1732 edition. Fascinating treatment of music theory, including 10 woodcuts of instruments and a glossary of musical terms taken from Greek, Latin, Italian and French. Hardbound. $55 [item no.2853] Neu-eröffneter theoretisch- und praktischer Music-Saal, das ist: Kurze, doch vollständige Methode, so wohl die Vocal- als Instrumental-Music gründlich zu erlernen. Dokumentationen, Reprints, 23. Michaelstein, 1990. Oblong, 21 x 15 cm, 125 pp. Halftone of the Nuremberg, 1741 edition (second, vastly reset edition of Museum Musicum). Fascinating treatment of music theory, including 10 woodcuts of instruments and a glossary of musical terms taken from Greek, Latin, Italian and French. Wrappers. $24 [item no.4221] MARAIS, Marin, 1656-1728 [La gamme, violin, viol, harpsichord] La gamme et autres morceaux de simphonie pour le violon, la viole, et le claveçin.Performers’ Facsimiles, 49. New York, [1988]. 27 x 34 cm, 63 pp. Line-cut of the Paris, 1723 edition. Wrappers. $25 [item no.2787] [La gamme, violin, viol, harpsichord] La gamme et autres morceaux de simphonie pour le violon, la viole, et le claveçin (La gamme – La maresienne – Sonnerie de Sainte-Geneviève du Mont de Paris). 1723. Présentation par Jean Saint-Arroman. [Bibl. Nationale de France, Paris]. La Musique Française Classique de 1650 à 1800, 154. Courlay, 2003. 4˚, xiii, 75 pp. Line-cut of the Paris, 1723 edition. Wrappers. $43 [item no.8383] [Pièces, viol, ms] Pièces pour la basse de viole seule (avant 1685). Fac-similé des manuscrits 9465, 9466 et 9467 de la National Library of Scotland, Edimbourg. Introduction et index par Jonathan Dunford. Manuscrits, 16. Geneva, nyp. 8º, 272 pp. Line-cut of three mss, the first two possibly by Marais himself. 83 pieces forming 9 suites of which 44 have never been published. Although 39 of the pieces are to be found in Marais’ first three books of Pièces de viol, these ms versions include numerous differences in notes, ornaments and fingerings. Includes 12 couplets des folies d’Espagne”. Wrappers. $0 [item no.7098] [Pièces, viol, bc, book 1] Pièces de violes, 1er livre; basse-continues du premier livre de pièces de viole. Basel, c.1980. Oblong, 30 x 20 cm, 2 partbooks, 202, iv pp. Line-cut of the Paris, 1686-89 edition. Index. Wrappers. $63 [item no.3634] [Pièces, viol, bc, book 1] Pièces à une et à deux violes. Premier livre, 1686; Basses continues des pièces à une et à deux violes, 1689. [Bibliothèque Municipale, Lyons]. La Musique Française Classique de 1650 à 1800, 145. Courlay, 2002. Oblong, 32 x 23 cm, 2 partbooks, xvi, 121, 102 pp. Line-cut of the Paris, 1686-1689 editions. Preface in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $95 [item no.8144] [Pièces, viol, bc, book 2] Pièces de violes, 2e livre; basse-continues du second livre de pièces de viole. Basel, c.1980. Oblong, 30 x 20 cm, 2 partbooks, 267, vi pp. Line-cut of the Paris, 1701 edition. 8 suites, with altogether 142 movements. Index. Wrappers. $61 [item no.3635] [Pièces, viol, bc, book 2] Pièces de viole. Deuxième livre, 1701. [Bibliothèque du Conservatoire de Genève]. La Musique Française Classique de 1650 à 1800, 77. Courlay, 1994. Oblong, 32 x 23 cm, 2 partbooks, 10, 276 pp. Line-cut of the Paris, 1701 edition. With a transcription and translation (Eng-Ger) of the titles and programatic notes by Jean Saint-Arroman and Philippe Lescat. Wrappers. $94 [item no.4809] [Pièces, viol, bc, book 2, “Folies d’espagne”, arr.] Les folies d’Espagne pour flûte à bec (en ut) ou flûte traversière, luth (ou clavecin) et viole de gambe. Restitution Jean-Claude Veilhan. Réalisation de la basse Guy Robert. Archives de la Musique Ancienne. Paris, 1978. 4º, iii, 31, 11 pp. Line-cut of the 1701, Paris edition (basso continuo part only). Together with a new practical edition arranged for recorder/flute/lute/cemb,viol. Preface in Fr-Eng-Ger. Wrappers. $26 [item no.786] [Pièces, viol, bc, book 3] Pièces de violes, 3e livre; basse-continues de 3e livre de pièces de viole. Basel, c.1980. Oblong, 30 x 20 cm, 2 partbooks, 242, iv pp. Line-cut of the Paris, 1711 edition. Index. Wrappers. $62 [item no.3636] [Pièces, viol, bc, book 3] Pièces de viole. Troisième livre. Livre pour la viole. Livre pour la basse continue, 1711. La Musique Française Classique de 1650 à 1800, 100. Courlay, 1997. Oblong, 32 x 23 cm, 2 partbooks, 10, 249 pp. Line-cut of the Paris, 1711 edition. With a transcription and translation (Eng-Ger) of the titles and programatic notes by Jean Saint-Arroman and Philippe Lescat. Wrappers. $88 [item no.7499] [Pièces, viol, bc, book 4] Pièces de violes, 4e; basse-continues du 4e livre de pièces de viole. Basel, c.1980. Oblong, 30 x 20 cm, 2 partbooks: 208, iv pp. Line-cut of the Paris, 1717 edition. Index. Wrappers. $60 [item no.3637] [Pièces, viol, bc, book 4] Pièces de viole, quatrième livre; Livre pour la viole, livre pour la basse continue. [Bibl. Municipale, Lyon & Bibl. Municipale, Versailles]. La Musique Française Classique de 1650 à 1800, 113. Courlay, 1999. Oblong, 32 x 23 cm, 2 partbooks, xv, 200 pp. Line-cut of the Paris, 1717 edition. With a transcription and translation (Eng-Ger) of the titles and programatic notes by Jean Saint-Arroman and Philippe Lescat. Wrappers. $94 [item no.7674] [Pièces, viol, bc, book 5] Pièces de violes, Ve livre; basse-continues du 5e livre de pièces de viole. Basel, 1982. Oblong, 30 x 20 cm, 214, iv pp. Line-cut of the Paris, 1725 edition. 8 suites, altogether 142 movements. Includes the humourous “Le tableau de l’operation de la taille–Les relevailles”. Index. Wrappers. $60 [item no.3638] [Pièces, viol, bc, book 5] Pièces de viole. Cinquième livre, 1725. [Bibliothèque Ingimbertine, Carpentras]. La Musique Française Classique de 1650 à 1800, 76. Courlay, 1994. Oblong, 32 x 23 cm, 2 partbooks, 16, 211 pp. Line-cut of the Paris, 1725 edition. With a transcription and translation (Eng-Ger) of the titles and programatic notes by Jean Saint-Arroman and Philippe Lescat. Wrappers. $88 [item no.4810] [Trios, flutes/violins/viols, bc] Pièces en trio pour les flûtes, violon, & dessus de viole. Archivum Musicum: L’Art de la Flûte Traversière, 20. Florence, 1982. Oblong, 21 x 15 cm, 3 partbooks, xii, 342 pp. Line-cut of the Paris, 1692 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $41 [item no.787] [Trios, flutes/violins/viols, bc] Pièces en trio pour flûtes, violon & dessus de viole. Paris, 1692. [Bibl. Municipale, Grenoble]. La Musique Française Classique de 1650 à 1800, 118. Courlay, 1999. Oblong, 4º, 3 partbooks, xvi, 342 pp. Line-cut of the Paris, 1692 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $118 [item no.8388] [Trios, flutes/violins/viols, bc] Pièces en trio pour les flutes, violon, & dessus de viole. Edited by John Hsu. Critical Facsimiles, 4. New York, 2003. Oblong, 21 x 13 cm, 3 partbooks, xiv, 342 pp. Line-cut of the Paris, 1692 edition. “Corrected” facsimile edition reflecting the views of the editor. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $50 [item no.8227] MARAIS, Roland, 18th c. [Pièces, viol, bc, books 1 & 2] Premier et deuxième livre de pièces de viole avec la basse chiffrée en partition.Viole de Gambe, X. Geneva, 1983. 22 x 30 cm, 73, ii pp. Line-cut of the author’s, Boivin & Le Clerc edition, Paris, 1735-1738. 2 books, 4 suites each, by the son of Marin Marais. Wrappers. $45 [item no.1213] [Pièces, viol, bc, book 2] IIe livre de pièces de viole avec la basse chiffrée en partition. Paris, n.d. 4º, 37 pp. Line-cut of the Paris, 1738 edition. Wrappers. $24 [item no.3834] MARC, Thomas, fl.1720-1735 [Suites, viola da gamba & bc] Suitte de pièces de dessus et de pardessus de viole et trois sonates avec les basses-continüe, qui se peuvent joüer sur la viole, la flûte traversière et autres instruments.Viole de Gambe, XIV. Geneva, 1988. 4º, 45 pp. Line-cut of the author’s & Boivin edition, Paris, 1724. A suite of dances, mostly minuets. Introduction on how to play the two instruments. Wrappers. $51 [item no.1214] MARCELLO, Benedetto, 1686-1739 [Sonatas, recorder, bc, op.2] Sonate a flauto solo con il suo basso continuo per violoncello ò cembalo.Archivum Musicum: Strumentalismo Italiano, 37. Florence, 1980. Oblong, 34 x 24 cm, v, 90 pp. Line-cut of the Venice, 1712 edition, together with a reprint of the Amsterdam, E. Roger edition in reduced format. Introduction by Marcello Castellani. Wrappers in decorative paper. $32 [item no.788] [Sonatas, violoncello, bc, op.2] Six Solos for a Violoncello with a Thorough Bass for the Harpsicord. Opera Seconda. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 155. New York, [1996]. 24 x 30 cm, 26 pp. Line-cut of the London, c.1732 edition. Wrappers. $18 [item no.7291] [Trio sonatas, 2 vc/vdg, bc, op.2] VI sonata a tré due violoncello o due viole di gamba e violoncello o basso continuo. Opera seconda. [Statens Musikbibliotek, Stockholm]. Performers’ Facsimiles, 239. New York, [2000]. 24 x 30 cm, 3 partbooks, 51 pp. Line-cut of the Amsterdam, c.1734 edition. Wrappers. $28 [item no.7778] [Trio sonatas, 2 vc/vdg, bc, op.2] VI sonata a tré, due violoncello o due viole di gamba e violoncello o basso continuo. Opera seconda. Introduction de Vittorio Ghielmi. Musique de Chambre, 19/1 Geneva, 2002. 4º, 3 partbooks, viii,51 pp. Line-cut of the Amsterdam, c.1734 edition. Wrappers. $96 [item no.8177] MARINI, Biagio, c.1587-1663 [Affetti musicali, winds, strings, bc, op.1] Affetti musicali nella quale si contiene, symfonie, canzoni, sonate balletti, arie, brandi, gagliarde & corenti à 1.2.3 accomodate da potersi suonar con violini corneti & con ogni sorte de strumenti musicali. Opera prima.Archivum Musicum: Strumentalismo Italiano, 7. Florence, 1985. 24 x 34 cm, 4 partbooks, ii, c.60 pp. Line-cut of the Gardano edition, Venice, 1617. 27 pieces in partbook format. Introduction in It by Marcello Castelliani. Wrappers and slipcover in decorative paper. $41 [item no.1271] [Arie, madrigali, a1-3, winds, strings, op.3] Arie, madrigali et correnti [a 1.2.3. Opera terza] (1620). Monumenta Brixiensia, Fototypice Expressa, 8. Bologna, 1970. 21 x 31 cm, 32 pp. Line-cut of the Gardano edition, Venice, 1620. 22 works for 1-3 voices notated in score format, including three for unspecified instruments and one for violin, with or without bass. Hardbound. $39 [item no.1272] [Sonatas, winds, strings, bc, op.8] Sonate, symphonie, canzoni, passemezzi, baletti, corenti, gagliarde, et retornelli. Per ogni sorte d’instrumenti. Opera ottava, Venezia 1626. Archivum Musicum: Strumentalismo Italiano, 89. Florence, 2004. 24 x 34 cm, 6 vols, viii, 169 pp. Line-cut of the Gardano edition, Venice, 1626. Pieces from 1 to 6 instrumental voices (canto I, canto II, tenore, quinta/sesta, basso, bc). Wrappers and slipcover in decorative paper. $43 [item no.8456] [Sonatas, winds, strings, bc, book 3, op.22] Per ogni sorta d’istromento musicale diversi generi di sonate, da chiesa, e da camera à due, trè, & à quattro con l’alfabeto alle più proprie, per la chitarra alla spagnola a beneplacito. Libro terzo, opera XXII. Archivum Musicum: Strumentalismo Italiano, 18. Florence, 1979. 17 x 24 cm, 4 partbooks, i, c.120 pp. Line-cut of the Venice, 1655 partbooks (violino primo & secondo, viola & basso, & basso continuo). Contains 24 pieces. Introduction in It by Marcello Castellani. Wrappers and slipcover in decorative paper. $37 [item no.1274] MARTUCCI, Giuseppe, 1856-1909 [Works, selection] Gli autografi della Fondazione Pagliara. FacsimiliLucca, 2009. 4°, 2 vols, vii, 219; vii, 171 pp. Line-cut of 7 autograph manuscripts in possession of the Fondazione Pagliara, together with new critical editions: Capriccio per pianoforte op.2; Pensiero musicale per violoncello e pianoforte op.36, no.1; Tre pezzi per pianoforte op.64; Due canti op.68c; La canzone dei Ricordi op.68a; Composizione in re (1902); Terza melodia (1902). Wrappers. $130 [item no.9157] MASCHERA, Florentio, c.1540-1584 [Canzoni, a4, winds, strings, book 1]] Libro primo de canzoni da sonare a quattro voci.Archivum Musicum: Strumentalismo Italiano, 69. Florence, 1988. 4 partbooks, 17 x 24 cm, x, 112 pp. Line-cut of the Brescia, 1584 edition. In partbook format (canto, alto, tenore, & basso), suggesting instrumental performance. Introduction by Dario Lo Cicero. Wrappers in decorative paper with slipcover. $41 [item no.1797] MASSE, Jean-Baptiste, 18th c. [Sonatas, 2 violoncelli, op.1] Sonates a deux violonchelles. Œuvre 1er.Performers’ Facsimiles, 6. New York, 1985. 28 x 36 cm, 28 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $18 [item no.1215] [Sonatas, 2 violoncelli, op.1] Sonates a deux violoncelles (Violoncelle et basse continue), 1736. Présentation: Maëlle Trouvé. [Bibl. Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 162 Courlay, 2005. 24 x 33 cm, ix, 27 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, c.1736. 6 sonatas that can also be played by 2 bassoons, violas or violins. Wrappers. $28 [item no.8560] [Sonatas, 2 violoncelli, op.2] Sonates a deux violonchelles. Œuvre IIe. Performers’ Facsimiles, 7. New York, 1986. 28 x 36 cm, c.28 pp. Line-cut of Paris, c.1736 edition. Wrappers. $18 [item no.1216] [Sonatas, 2 violoncelli, op.3] Sonates a deux violonchelles. Œuvre IIIe. Performers’ Facsimiles, 8. New York. 28 x 36 cm, c.28 pp. Line-cut of the Paris, c.1736 edition. Wrappers. $18 [item no.1217] MATTEI, Stanislao, 1750-1825 Bassi numerati per accompagnare. Ridotti ad intavolatura a due violini e viola. Opera postuma.Bibliotheca Musica Bononiensis, IV/202. Bologna, 1969. 17 x 25 cm, 206 pp. Line-cut of the Milan, 1850 edition. Mattei, pupil of Martini and professor of counterpoint at the Liceo from its foundation in 1804, was the teacher of Rossini, Donizetti and many others. Bassi numerati consists of 125 lovely musical miniatures: quartets, trios and duets notated in score with basso continuo accompaniment. Hardbound. $45 [item no.3985] MATTHESON, Johann, 1681-1764 Das neu-eröffnete Orchestre [oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommenen Begriff von der Hoheit und Würde der edlen Musik erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonnieren möge]. [Niedersächsische Landesbibl., Hannover].Hildesheim, 3/ 2002 9 x 15 cm, 364 pp. Line-cut of the Hamburg, 1713 edition. Linen. $93 [item no.2572] MATTHYSZ, Paulus, 1613-1684 [publisher] [Fantasies, 3 viols] XX Konincklycke Fantasien, om op 3 Fioolen de Gamba en ander Speel-tuigh te gebruycken gestelt door de Konstige engelse Speel-meesters, T. Lupo, I. Coprario, W. Daman, en noch IX Fantasien, om met 3 Fioolen de Gamba en ander Speel-tuyghte gebruycken. Introduction: Rudolf Rasch. [Universitetsbibl., Uppsala].Facsimile Series, I/B.15. Peer, 1987. 17 x 22 cm, 3 partbooks, 11, 152 pp. Line-cut of the Amsterdam, 1648 edition. Contains 29 fantasias for viola da gamba by Lupo, Gibbons, Coprario and Daman. Introduction in Eng. Wrappers with slipcover. $42 [item no.1582] MAYNARD, John, c.1577-c.1614 The XII Wonders of the World 1611. Edited by Ian Harwood.English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 32. London, 2/ 1978. 26 x 37 cm, iii, 48 pp. Line-cut. Wrappers. $34 [item no.3018] MENDELSSOHN-BARTHOLDY, Felix, 1809-1847 Octet for Strings, Opus 20. A Facsimile of the Holograph in the Whittall Foundation Collection. With an Introduction by Jon Newsom.Washington, D.C, 1976. 28 x 36 cm, 8, 81 pp. Halftone. Composed when Mendelssohn was 16 years old, this work was the first of its type in the literature. Quarter linen and decorative paper. [item no.411] MERCI, Luigi, 1685-1750 [Sonatas, bassoon/violoncello, bc, op.3] VI sonate a fagoto ò violoncello col’basso continue. Opera terza, c.1735. Présentation par Marc Vallon.Collection Dominantes. Courlay, 2006. Oblong, 33 x 24 cm, vii, 16 Line-cut of the Paris, c.1735 edition. Introduction in Fr-Eng-Ger. Wrappers. $19 [item no.8772] MERSENNE, Marin, 1588-1648 Harmonicorum libri XII. In quibus agitur de sonorum natura, causis, et effectibus: de consonantiis, dissonantiis, rationibus, generibus, modis, cantibus, compositione, orbisque totius harmonicis instrumentis.Geneva, 1973. 22 x 30 cm, 367 pp. Line-cut of the Paris, 1648 edition. Complements the Harmonie universelle. The copy used for this facsimile includes many manuscript notes and corrections in the author’s hand. Hardbound. $182 [item no.2754] MONTALBANO, Bartolomeo, c.1600-1651 [Sinfonie, 1-2 vln, 2 vln & trb; 4 viols] Sinfonie ad uno, e doi violini, a doi, e trombone, [con il partimento per ’’organo, con alcune à quattro viole]. Palermo 1629.Archivum Musicum: Strumentalismo Italiano, 80. Florence, 1997. 25 x 33 cm, 4 partbooks, v, 58 pp. Line-cut of the Palermo, 1629 edition, Four sinfonie for 1 violin, two for 2, two for 2 violins and trombone, and five for 4 viols. Wrappers with decorative paper and matching slipcase. $37 [item no.7595] MONTÉCLAIR, Michel Pinolet de, 1667-1737 [Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse, [1.-6. concert].Archivum Musicum: L’Art de la Flûte Traversière, 10. Florence, 1980. 20 x 29 cm, vii, 84 pp. Line-cut of the Paris, c.1724 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.796] [Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse. 1724. Présentation par Anne Prichard. La Musique Française Classique de 1650 à 1800, 152. Courlay, 2003. 4º, x, 86 pp. Line-cut of the Paris, 1724 edition. 6 sonatas. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.8238] [Serenade, melody instrument, bc or trio] Serenade ou concert, divisé en trois suites de pieces pour les violons, flûtes & hautbois composées d’airs de fanfares, d’airs de fanfares, d’airs tendres, & d’airs champêtres, propres à danser, 1697. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris. La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, 3 partbooks, xii, 104 pp. Line-cut of the Paris, 1697 edition. According to composer these pieces are suitable for dancing. Preface in Fr-Eng-Ger. Wrappers. $54 [item no.8240] MOREL, Jacques, fl.1700-1740 [Pièces, viol, bc, book 1] Ier livre de pièces de violle avec une chaconne en trio pour une flûte traversière, une violle, et la basse continuë.Viole de Gambe, VI. Geneva, 1980. Oblong, 30 x 22 cm, 49 pp. Line-cut of the Paris, c.1710 edition. 4 suites, preceded by a guide to playing & technique. Wrappers. $30 [item no.1220] MOULINIÉ, Etienne, c.1600-d.? [Airs de cour, viols] [Le Jeune:] Fantaisies pour les violes, 1612, [Moulinié: Cinquiesme livre d’airs de cour a quatre & cinq parties] 1639. Présentation par: Anne-Sophie Aliz. [Bibl. Sainte-Geneviève, Paris].La Musique Française Classique de 1650 à 1800, 167. Courlay, 2005. 24 x 33 cm, 9 partbooks, viii, 62 + 64 pp. Line-cut of the Paris, 1612 & 1639 editions. Two complementary sets of airs for viol ensembles (dessus/haut-contre/taille/5. voc./basse-contre; dessus/haute-contre/taille/basse-contre). Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8574] MOY, Louys de, 17th c. Le petit boucquet, de frise orientale, contenant quelques chansonnettes musicales pour toucher du luth join deux violes de gambas parmy les vois: et autres padvanes pour le luth et violons communs. Introduction: M. Jape [Universitätsbibl., Rostock].Facsimile Series, I/B.14. Peer, 1987. 14 x 21 cm, 142 pp. Line-cut of the 1631 edition. Contains French chansons for soprano, bass and lute, 1 Dutch polyphonic song and pavanes for descant and bass viol with lute accompaniment. Hardbound. $41 [item no.1581] MOZART, Wolfgang Amadeus, 1756-1791 [Duos, violin, viola, K.423-424] Two Duos for Violin and Viola, KV 423 and 424. Facsimile of the Handwritten Score of 1783 and Edition of the Parts According to the Original Text, Taking into Account the Variants in the First Edition by Artaria in 1792. Edited by Ulrich Drüner. [Ms. deposit, Pierpont Morgan Library, New York].Winterthur, 1980. 4º, iv, 16, 28 pp. Halftone of the autograph score, together with a new practical edition. Introduction in Ger-Eng. Wrappers. $30 [item no.2064] [Fantasia, quartet, K.Anh. A 60; arr.] Johann Jakob Froberger: Fantasia. Fassung für Streichquartett von Wolfgang Amadeus Mozart. Erstdruck (Otto Biba). Partitur, Stimmen und vollständige Wiedergabe von Mozarts Handschrift. Diletto Musicale, 1000. Vienna, 1991. Oblong, 4º (edition, upright), iii, 4, 12 pp. Duotone of Mozart’s transcription, together with new edition of score & performing parts. The original Froberger work first appeared in 1650 in Kircher’s Musurgia Universalis. André had given a 1782 date to this Mozart arrangement, but Wolfgang Plath has recently assigned a new date, 1785-86. For exactly whom Mozart intended the arrangement (voices or instruments) is unclear–the clefs he used, soprano, alto, tenor & bass, suggests a vocal ensemble, but there are no words. Wrappers. $32 [item no.3034] [Quartet, oboe, strgs, K.370 (368b)] Quatuor pour hautbois, violon, alto et violoncelle, K.370 (368b). Manuscrit autographe de 1781. Édition originale de 1800. Présentation par Michel Giboureau. Collection Dominantes. Courlay, 1997. Oblong & upright, 4º, 5 vols, 36, 34 pp. Line-cut of the autograph score (1781) and first edition published by J. André (Offenbach, 1800). Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.4406] [Quartet, piano, vln, vla & vc, K.478, G minor] Quartett in g für Klavier, Violine, Viola und Violoncello KV 478. Faksimile nach dem Autograph im Museum der Chopin-Gesellschaft in Warschau. Mit einer Einführung von Faye Ferguson. Kassel, 1991. Oblong, 34 x 25 cm, 14, 40 pp. Halftone of the autograph score dated 16 October 1785. The instrumental force called for here—cembalo (fortepiano), violin, viola, and violoncello—was practically a novelty at that time. The manuscript shows a visible alteration in the viola part from a treble clef to an alto clef at the beginning of the first, second and third movements, suggesting that Mozart first thought of scoring the work with two violins. In any case the viola voice adds a wonderful sonorous element that Mozart exploits. Preface in Ger-Pol-Eng. Handsome binding with green laid paper boards and embossed label. $129 (more info... ) [item no.4161] [Quartet, strings, K.155-160, “Milanese”] L’autografo dei quartetti “milanesi” KV 155 (134a) — 160 (159a) della Musikabteilung della Staatsbibliothek (Preußischer Kulturbesitz) di Berlino. (Segnatura: Mus. ms. autogr. W.A. Mozart 155-160). Das Autograph der “Mailänder Streichquartette KV 155 (134a) — 160 (159a) der Musikabteilung der Staatsbibliothek (Preußischer Kulturbesitz) von Berlin (Signatur: Mus. ms. autogr. W.A. Mozart 155-160). Edizione in facsimile a cura di Giacomo Fornari. Lucca, 2006. Oblong, 34 x 24 cm, 45, 111 pp. Color facsimile of the autograph manuscript issued on the occasion of the 250th anniversary of the composer’s birth. These 6 quartets known as the “Milanese Quartets”, were composed during Mozart’s third and last Italian journey (Oct. 1772 until March 1773) and coincide with the premiere of “Lucio Silla” in Milan. Hardbound, with coverboards that duplicate the original binding. $218 (more info... ) [item no.8621] [Quartet, strings, K.168, F major] Streichquartett F-Dur, KV 168. Faksimile nach dem Autograph, im Besitz der Staatsbibliothek Preussischer Kulturbesitz, Berlin. [Henle Music Facsimiles, 10]. Munich, 1991. Oblong, 25 x 20 cm, 24, vi pp. Beautiful 3-color halftone of the autograph score. The first of six quartets composed during Mozart’s stay in Vienna, Aug. and Sept., 1773, written on charming, small, format paper from the “Salzburg” period. Biblophile editon in laid paper; handsome brown laid paper boards with pasted label. $95 (more info... ) [item no.3909] [Quartets, strings, “Haydn”, first ed.] Sei quartetti per due violini, viola, e violoncello. Composti e dedicati al Signor Giuseppe Haydn. Opera X. Performers’ Facsimiles, 100. New York, [1991]. 4º, 4 partbooks. Line-cut of the Vienna, 1785 edition. Wrappers. $50 [item no.2889] [Quartets, strings, “Prussian”; quintet, strings, K.614] The Late Chamber Works for Strings. Facsimile of the Autograph Manuscripts in the British Library: Add. MS 37764, Add. MS 37765, Zweig MS 60. With an Introduction by Alan Tyson. British Library Music Facsimiles, V. London, 1987. Oblong, 38 x 29 cm, xiv, 152 pp. Beautifully printed duotone of the autograph scores. This rich composite of Mozart’s string music includes the 4 last string quartets of the composer, plus the Eb quintet K.614, his last piece for strings alone. The quartet K.499 is known as the “Hofmeister”, while K.575, 589 & 590 are called the “Prussian”, being written for Wilhelm II King of Prussia (they contain striking cello passages, the instrument that the King played). Dark blue buckram with gold lettering. $225 (more info... ) [item no.2065] [Serenade, strg orch, “Eine kleine Nachtmusik” K.525] Eine kleine Nachtmusik. Serenade in G-Dur KV 525. Faksimile der autographen Partitur. Einführung von Wolfgang Rehm. [Ms. Dr. Arthur Wilhelm Collection, Switzerland]. Leipzig, 1989. Oblong, 33 x 25 cm, xiii, 14 pp. (Rpt. of Cassel, 1955 edition). Halftone, with new introduction in Ger-Eng-Fr. Linen. $50 [item no.3901] [Serenade, strg orch, “Eine kleine Nachtmusik” K.525] Eine kleine Nachtmusik. Serenade in G-Dur KV 525. Faksimile der autographen Partitur. Einführung von Wolfgang Rehm. [Ms. Dr. Arthur Wilhelm Collection, Switzerland]. Documenta Musicologica, II/26. Kassel, 1989. Oblong, 33 x 25 cm, 14, 5 pp. (Rpt. of Cassel, 1955 edition). Halftone, with new introduction in Ger-Eng-Fr. Coverboards in paper. $75 [item no.3645] [Trio, piano, vln & vc, K.542, E major] Autograph des Klavier-Trios in E-Dur (Köchel-Verz. Nr. 542). [Formerly Preußische Staatsbibliothek, Berlin]. Munich, 1921. Oblong, 32 x 24 cm, 26 pp. Fine monochrome collotype of the autograph score. Beautiful deckle-edged paper, with original marbled coverboards (water stains on cover). Rare. $230 [item no.1600] [Trio, strings, K.Anh. 66] Streichtriosatz G-dur, KV Anhang 66. Ergänzt und herausgegeben von Franz Beyer. [Ms. Fitzwilliam Museum, Cambridge]. Winterthur, 1976. 4º, i, 3, 22 pp. Halftone of autograph fragment, together with edition and parts completed by Franz Beyer. Wrappers. $20 [item no.459] Skizzen und Entwürfe herausgegeben von Ulrich Konrad. Supplement zur Neuen Mozart Ausgabe, X/30/3. Kassel, 1997. Oblong, 4º, 192, c.145 pp. A rare opportunity to enter the “workshop” of Mozart. Virtually every sketch and draft that has survived—192 pages—has been assembled and collated in chronological order for this superb facsimile edition reproduced in full color. Like Band 44 of the Bachgesellschaft edition which contained only reproductions of Bach manuscripts, this publication marks the culmination of the Neue Mozart Edition. The facsimiles are accompanied by careful transcriptions and critical commentary (Ger), making them accessible to both layman and specialist. Deluxe edition with clamshell case covered in burgundy linen and titles in gold lettering. An indispensable resource for any Mozart enthusiast. $395 (more info... ) [item no.7487] NOORDT, Sybrand van, b.?-1705 [Sonatas, harpsichord, recorder/violin, op.1] Sonate per il cembalo appropriate al flauto & violino, opera prima.Amsterdam, 1978. 16 x 26 cm, 23, iv pp. Halftone of the Amsterdam, 1690 edition. Includes sonatas for alto recorder & continuo, viol & continuo, 2 viols & continuo, and harpsichord solo. Afterword in Du-Eng by Reine Verhagen. Wrappers. $26 [item no.2227] ORTIZ, Diego, c.1510-c.1570 [Treatise, ornamentation] El primo libro nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone.Archivum Musicum: Strumentalismo Italiano, 57. Florence, 1984. Oblong, 24 x 17 cm, vi, 121 pp. Line-cut of the Rome, 1553 edition. Rules on ornamentation with examples in mensural notation. Divided into two books, part I for the performer of consort music for viols; part II presents several different kinds of compositions for one viol and cimbalo. Total of 29 works. Introduction by Marco Di Pasquale. Wrappers. $27 [item no.2228] PAIXAO RIBEIRO, Manoel da, 18th c. Nova arte de viola que ensina a tocalla com fundamento sem mestre, dividida em duas partes, huma especulativa, e outra practica. Com estampas das posturas, ou pontos naturaes, e acidentaes; e com alguns minuettes, e modinhas por musica, e por cifra.Geneva, 1985. 4º, 76 pp. Line-cut of the Coimbra, 1789 edition. Wrappers. $45 [item no.3314] PAXTON, Stephen, 1735-1787 [Sonatas, violoncello, bc, op.1] Six Solos for the Violoncello. Opera Prima. [Private Library, Sidney Beck].Performers’ Facsimiles, 184. New York, [1996]. 25 x 32 cm, 35 pp. Line-cut of the London, [1772] edition. Wrappers. $18 [item no.7292] PESORI, Stefano, c.1613-d.? [Lo scrigno armonico, winds, strings, bc, op.2] Lo scrigno armonico. Opera seconda. Ove si rinchiudono vaghissime danze, & ariette al modo italiano, spagnolo, e francese, per suonare in concerto con basso, violino, manacordo, & altri instromenti.Archivum Musicum: Strumentalismo Italiano, 65. Florence, 1986. 34 x 24 cm, 60 pp. Line-cut. Wrappers in decorative paper. $27 [item no.1793] PHILIDOR, André Danican, 1681-1728 [Pièces, 2 viols] Pièces à deux basse de viole, basse de violon et basson.Viole de Gambe, XV. Geneva, 1987. Oblong, 26 x 22 cm, 34 pp. Line-cut of the author’s, Roussel & Foucault edition, Paris, 1700. 4 suites dedicated to Louis XIV. Wrappers. $40 [item no.1224] PICCHI, Giovanni, 1572-1643 [Canzoni, winds, strings, bc, part 1] Canzoni da sonar con ogni sorte d’istromenti. Prima parte. Venezia 1625.Archivum Musicum: Strumentalismo Italiano, 24. Florence, 1979. 17 x 24 cm, 9 partbooks, vi, c.240 pp. Line-cut of the A. Vincenti edition, Venice, 1625. Consists of 19 canzons and sonatas for 2, 3, 4, 6, & 8 instruments (vln, fl, bsn, trb, cornetti, etc). Introduction in It by Marcello Castellani. Wrappers. $41 [item no.1280] PIERRE, Constant, 1855-1918 Les facteurs d’instruments de musique. Les luthiers et la facture instrumentale. Précis historique.Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical instrument makers, covering the period from the 15th to the 19th century. Wrappers. $61 [item no.4262] PILKINGTON, Francis, c.1562-1638 The First Booke of Songs or Ayres 1605. Edited by David Greer.English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 34. London, 2/ 1978. 27 x 37 cm, iii, 48 pp. Line-cut. Wrappers. $36 [item no.3020] The First Booke of Songs or Ayres of 4. Parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba. [Folger Shakespeare Library, Washington, D.C.]. Performers’ Facsimiles, 95. New York, [1991]. 25 x 35 cm, 46 pp. Line-cut of the London, 1605 edition. Wrappers. $20 [item no.4207] PITTONI, Giovanni, 17th c. [Intabulations, theorbo, op.1-2] Intavolatura di tiorba. Opera prima e seconda, Bologna 1669. [Printed edition & Ms. G.289, Bibl. Estense di Modena].Archivum Musicum: Strumentalismo Italiano, 29. Florence, 1980. 25 x 34 cm, v, 122 pp. Line-cut. 12 sonatas in tablature. Together with a reproduction of a ms that transmits the violin part for sonatas a 3. Introduction in It by Orlando Cristoforetti. Wrappers in decorative paper. $32 [item no.1116] PIZZETTI, Ildebrando, 1880-1968 Quartetto in re per due violini, viola e violoncello.Milan, 1934. Oblong, 30 x 21 cm, 96 pp. Line-cut of the autograph fair copy (score), dated 3 December 1932. Coverboards in paper. $95 [item no.4465] PLATTI, Giovanni Benedetto, 1697-1763 [Sonata, violoncello, bc] Sonate à violoncello solo (et B.C.), 1725. Présentation par Frohmut Dangel-Hofmann. [Private collection, Duke of Schönborn-Wiesentheid]].Collection Dominantes. Courlay, 1995. Oblong, 33 x 24 cm, 26, 54 pp. Line-cut of a contemporary ms copy. Wrappers. $37 [item no.7222] PLAYFORD, John, 1623-1686 [publisher] Musicks Recreation: on the Lyra Viol. Playford 1652. RISM 1652(7). [British Library, London].Faksimile-Edition Rara, 34. Stuttgart, 2000. Oblong, 22 x 17 cm, 86 pp. Line-cut of the first edition, London, 1652. Hardbound with marbled paper boards. $55 [item no.8327] Musick’s Recreation on the Viol, Lyra-Way Hebden Bridge, 2002. Oblong, 8˚, 5xi, 96 pp. Line-cut of the second edition, London, 1682. Spiral binding. $32 [item no.8320] PLEYEL, Ignaz, 1757-1831 [Sonatas, keyboard, fl/vln/vc] Trois sonates pour clavecin ou forte-piano avec accompagnement de flûte (ou violon) et violoncelle, 1788. Présentation par Les étudiants du Ce.F.E. de M.-Ile-de-France. [Bibliothèque Nationale, Paris].La Musique Française Classique de 1650 à 1800, 157. Courlay, 2004. 4º, 3 partbooks, xii, 58 pp. Line-cut of the Paris, 1788 edition. Preface in Fr-Eng-Ger. Portfolio. $36 [item no.8418] PORTER, Walter, c.1588-1659 Madrigales and Ayres, of Two, Three, Foure and Five Voyces, with the Continued Base, with Toccatos, Sinfonias and Rittornellos to Them, after the Manner of Confort Musique, To be Performed with the Harpesechord, Lutes, Theorbos, Base Violl, Two Violins, or Two Viols.English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 35. London, 2/ 1981. 23 x 35 cm, 6 partbooks, ii, c.120 pp. Line-cut of the London, 1632 edition, in the original partbook format. 22 pieces. Wrappers. $75 [item no.3021] PRAETORIUS, Michael, 1571-1621 Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt.Kassel, 1929 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $95 [item no.8126] Syntagma musicum: Band II, De Organographia. Wolfenbüttel 1619. Faksimile-Nachdruck herausgegeben von Wilibald Gurlitt. Documenta Musicologica, I/14. Kassel, 6/ 1985. 17 x 24 cm, 311, iv pp. Line-cut. This volume, in German, describes the instruments known to the author and includes beautiful woodcut illustrations of them. Hardbound. $87 [item no.1889] Syntagma musicum: Musicae artis analecta / De Organographia / Termini musici. Reprint der Originalausgaben von 1614-15 und 1619. Herausgeben von Arno Forchert. Kassel, 2001. 8º, 1153 pp. Line-cut. Wrappers. $95 [item no.7972] PURCELL, Henry, 1659-1695 [Sonatas, 2 violins, bass, bc] Ten Sonata’s in Four Parts.Performers’ Facsimiles, 60. New York, [1988]. 23 x 35 cm, 4 partbooks, c.90 pp. Line-cut of the London, 1697 edition. Wrappers. $50 [item no.2694] [Theater music, strings, a4] A Collection of Ayres, Compos’d for the Theatre, and upon other Occasions. [Library of Congress, Washington, D.C.]. Performers’ Facsimiles, 110. New York, [1994]. 22 x 35 cm, 4 partbooks, 156 pp. Line-cut of the London, 1697 edition. Partbook format, for vln I, vln II, tenor & bass. Contents: 16 numbers from Dioclesian, 7 from Abdelazer, 7 from The Gordian Knut Untied, 8 from The Married Beau, and 7 from The Double Dealer. Wrappers. $65 [item no.4756] [Theater music, strings, a4] Recueil d’airs a 4 parties tirez des opera tragédies & comedies. Livre premier; Livre second [Music Library Sweden]. Alston, 1999. 21 x 29 cm, 8 volumes, i, c.120 pp. Line-cut of the E. Roger edition, Amsterdam, c.1700. The Dutch plagiarized version of A Collection of Ayres. Fortunately Roger had access to the errata sheet printed with the 1697 publication as the worst errors in the original printing are avoided. Introduction by Peter Holman. Ring binding. $58 [item no.7813] [Trio sonatas, 2 violins, bass, bc] Sonnata’s of III Parts: Two Viollins and Basse: to the Organ or Harpsecord. Performers’ Facsimiles, 10. New York, 1986. 23 x 30 cm, 4 partbooks, c.56 pp. Line-cut of the London, 1683 edition. Wrappers. $50 [item no.1228] QUENTIN, Jean Baptiste, b.?-c.1750 [Trios; quartets, strings/winds, bc, op. 11] Sonates en trio et quatre parties pour violons, flûtes traversières, viole et basse continue, Œuvre XI, c.1742. Présentation par les élèves du Ce. R.E. de M. Île-de-France. [Staatsbibl. zu Berlin].La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, 3 partbooks, x, 60 pp. Line-cut of the author’s edition, Paris, c.1742. Preface in Fr-Eng-Ger. Wrappers. $33 [item no.8141] RAMEAU, Jean-Philippe, 1683-1764 [Pièces, harpsichord, violin/flute, viol/violin] Pièces de clavecin en concerts, avec un violon ou une flute, et une viole ou un deuxième violon.Musique de Chambre, 3. Geneva, 1982. 22 x 30 cm, 43 + 13, i pp. Line-cut of the author’s edition, Boivin, Le Clair, Paris, 1741. Rameau’s only chamber work: 5 suites for harpsichord, violin or flute and viola da gamba, notated in score format. Wrappers. $35 [item no.913] [Pièces, harpsichord, violin/flute, viol/violin] Pièces de clavecin en concert. La Musique Française Classique de 1650 à 1800, 48. Courlay, 1989. 24 x 33 cm, 14, 55 pp. Line-cut of the score. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $33 [item no.3529] [Pièces, harpsichord, violin/flute, viol/violin, parts] Five Concertos for the Harpsicord Accompanied with a Violin or German Flute or Two Violins or Viola, with Some Select Pieces for the Harpsicord Alone. London: I. Walsh, [1750]. [Pièces de clavecin en concert]. Performers’ Facsimiles, 13. New York, 1987. 26 x 34 cm, 3 partbooks, 73 pp. Line-cut of the Walsh edition, London, [1750]. Wrappers. $45 [item no.2238] RAOUL, Jean-Marie, 18th c. [Method, violoncello] Méthode de violoncelle / [M. Corrette:] Méthode théorique et pratique pour apprendre en peu de temps le violoncelle dans sa perfection.Geneva, 1972. 4º, 180 pp. Line-cut of the Paris, 1741 & 1797 editions. Both methods treat bowing, fingering, ornaments and cadenzas. Corrette emphasizes the superiority of the instrument for the execution of throughbass. Raoul models himself on Tartini’s art of bowing. Wrappers. $61 [item no.1190] RAVENSCROFT, Thomas, c.1590-c.1633 Deuteromelia: or the Second Part of Musicks Melodie, or Melodius Musicke, of Pleasant Roundelaies, K.H. Mirth, or Freemens Songs, and Such Delightfull Catches. [Library of Congress, Washington, DC].Performers’ Facsimiles, 227. New York, [1998]. 17 x 24 cm, 46 pp. Line-cut of the William Adams edition, London, 1609. Wrappers. $18 [item no.7610] Melismata. Musicall Phansies, fitting the Court, Citie, and Countrey Humours, to 3.4. and 5. Voyces. [British Library, London]. Performers’ Facsimiles, 228. New York, [1998]. 17 x 24 cm, 45 pp. Line-cut of the William Stanley edition, London, 1611. Wrappers. $18 [item no.7611] Pammelia. Musicks Miscellanie, or, Mixed Varietie of Pleasant Boundelayes, and delightfull Catches, of 3.4.5.6.7.8.9.10 Parts in one. [British Library, London]. Performers’ Facsimiles, 226. New York, [1998]. 17 x 24 cm, 55 pp. Line-cut of the William Barley edition, London, 1609. Wrappers. $18 [item no.7612] REBEL, Jean-Féry, 1666-1747 Les caractères de la dance. Fantaisie (1715). Grand chœur / Petit chœur. Neuausgabe. Faksimile der Pisendel-Abschrift. Faksimile Erstdruck. Neuauflage 1727/1733. Herausgegeben von Stefan Fuchs.Magdeburger Faksimile Offizin. Magdeburg, 2007. 4º, 41 pp. Facsimile of Pisendel’s manuscript copy, plus the first edition (Le Clerc, 1727/1733), together with a new practical edition of the score. This fantasie, from 1715, is considered one of the great monuments of Baroque dance music (even performed by Handel in London), and can be performed ”petit choeur” (i.e. as a trio sonata) or “grand choeur” with extra inner voices. Wrappers. $54 [item no.8898] Les éléments. Simphonie nouvelle. Neuausgabe. Faksimile der Pisendel-Abschrift. Herausgegeben von Stefan Fuchs. Magdeburger Faksimile Offizin. Magdeburg, 2005. 4º. Facsimile of the of Paris, 1737 edition, together with modern edition. Wrappers. $52 [item no.9077] Fantaisie, 1729; Les plaisirs champêtres, 1734; [Les parodies nouvelles, et les vaudevilles inconnus, 1730]. Présentation par Catherine Cessac. [Nederlands Muziek Instituut, The Hague; Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 191. Courlay, 2006. 24 x 33 cm, vii, 26 pp. Line-cut of the 1729, 1734 & 1730 editions. The Fantaisie is also known as Pas de trois, with string/wind accompaniment. Les plaisirs champêtres is for 2 female and 4 male dancers (pas de six), with string/wind accompaniment. Preface in Fr-Eng-Ger. Wrappers. $23 [item no.8791] Recueil de douze sonates a II et III parties avec la basse chiffrée. 1712. Intégralité des sources. Présentation par Catherine Cessac. [Bibliothèque Municipale de Versailles; Bibliothèque Nationale, Paris]. La Musique Française Classique de 1650 à 1800, 193. Courlay, 2006. 24 x 33 cm, 7 vols, viii, 250 pp. Line-cut of the Paris, 1712 edition, along with material in manuscript. Contents: 7 sonatas (en trio): La Flore, La Vénus, L’Apollon, La Junon, La Pallas, L’Immortelle, Le Tombeau de Monsieur Lully; and 5 sonatas (violin & bc): Le Sincère, La Fidelle, L’Iris, La Brillante, La Toute belle (plua La Forcroy). Preface in Fr-Eng-Ger. Wrappers. $86 [item no.8792] Sonates a violon seul. Mellées de plusieurs recits pour la viole. Livre IIe. 1713. Présentation par Catherine Cessac. [British Library, London]. La Musique Française Classique de 1650 à 1800, 190. Courlay, 2006. 24 x 33 cm, vi, 75 pp. Line-cut of the Paris, 1713 edition. 12 sonatas, the first six in the style of the “sonate d’église”, the second six the “sonate de chambre”. Preface in Fr-Eng-Ger. Wrappers. $39 [item no.8793] REGER, Max, 1873-1916 [Trio, violin, viola, & cello] Trio Op.77b. Faksimile der Handschrift herausgegeben aus Anlaß des 100. Geburtstags Max Regers.Musikalische Veröffentlichung des Max Reger Instituts, 3. Wiesbaden, 1973. Oblong, 17 x 13 cm, i, 68 pp. Fine 3-color line-cut/halftone issued on the occasion of the composer’s 100th birthday. The use of different inks for the notes versus dynamic and articulation markings, as is the case here, is characteristic of Reger’s fair copies. Foreword by Ottmar Schreiber. Wrappers, with beautiful presentation folder. $75 [item no.520] REINAGLE, Alexander, 1756-1809 [Sonatas, violoncello] Six Favorite Solos for the Violoncello. [Library of Congress, Washington, DC].Performers’ Facsimiles, 274. New York, [2007]. 26 x 33 cm, 40 pp. Line-cut of the J. Bland edition, London, [178?]. Wrappers. $20 [item no.8835] RHAU Georg, 1488-1548 [publisher] Sacrorum hymnorum liber primus. Wittenberg. G. Rhaw, 1542. RISM 1542(12). [Vienna, Österreichische Nationalbibliothek].[Yellow Book Series, 9]. Højbjerg, 2009. Oblong, 21 x 15 cm, 6 partbooks: 602 pp. Line-cut of the Wittemberg, 1542 edition. Major collection of polyphonic settings of Latin hymns for 4-6 voices. The preface is dedicated to the mayor and council of Joachimstal, and credits Mathesius as having proposed and encouraged the work. Thomas Stoltzer is represent by 39 works. Wrappers, in slipcase. $205 [item no.9107] Tricinia tum veterum tum recentiorum in arte musica symphonistarum, Latina, Germanica, Brabantica & Gallica, ante hac typis nunct. excusa, observato in disponendo tonorum ordine, quo utentibus sint accommodatiora. RISM 1542(8). [Yellow Book Series, 4]. Højbjerg, 1991. Oblong, 21 x 15 cm, 3 partbooks: 384 pp. Line-cut of the Wittemberg, 1542 edition. Contains 90 three-part motets and secular pieces by many different composers. Texts are in Latin, French, German and Dutch. Wrappers. $124 [item no.4157] RICCIO, Giovanni Battista, fl.1609-1621 [Divine lodi, a1-4, winds, strings, bc, book 1] Il terzo libro delle divine lodi musicali, Venezia 1620.Archivum Musicum: Strumentalismo Italiano, 23. Florence, 1979. 17 x 24 cm, 5 partbooks, v, 237 pp. Line-cut of the Gardano edition, 1620 Venice. Partbooks (canto, tenore, alto, basso) and score. 46 compositions a1 to a4, for voices and/or instruments. Introduction in It by Marcello Castellani. Wrapper and slipcover in decorative paper. $41 [item no.1281] RODIO, Rocco (Rocco da Bari), 1532-c.1620 Regole di musica.Bibliotheca Musica Bononiensis, II/56. Bologna, 1981. Oblong, 22 x 16 cm, 102 pp. Line-cut of the Naples, 1609 edition. Cloth. $44 [item no.2500] ROGET, Clair-Nicolas, 18th c. [Sonatas, 2 viols, flutes/violins, op.1] Sonates pour deux pardessus de viole, flûtes ou violons. Œuvre 1er.Flûtistes Français du XVIIIe Siècle, VI. Geneva, 1985. 4º, 26 pp. Line-cut of the Paris, 1765 edition. Six sonatas in 2 movements. Wrappers. $30 [item no.3325] ROGNONI, Francesco, fl.1608-1624 Selva de vari passaggi per cantare, & sonare. [Bibl. del Conservatorio, Milan].Bibliotheca Musica Bononiensis, II/153. Bologna, 2/ 1983. 22 x 32 cm, xii, 130 pp. Line-cut of the Milan, 1620 edition. Introduction in It by Guglielmo Barblan. Cloth. $63 [item no.1282] ROGNONI, Riccardo, 17th c. Passaggi per potersi essercitare nel diminuire. Prefazione di / Preface and Translations by Bruce Dickey. [Zentral- & Landesbibliothek, Graues Kloster, GKI Str 102, Berlin].Bibliotheca Musica Bononiensis, II/154. Bologna, 2002. 22 x 31 cm, 43, 69 pp. Line-cut of the Venice, 1592 edition. Indispensable reference for any singer or instrumentalist on the correct method of improvising diminutions or passaggi. Introduction in Eng/It by Bruce Dickey. Wrappers. $59 [item no.8107] ROLLA, Alessandro, 1757-1841 [Duos concertants violin, viola, book 4] Trois duos concertants pour violon et alto - 4e livre.Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 56 pp. Line-cut of the Paris, [c.1809] edition. Wrappers. $18 [item no.8941] ROSENMÜLLER, Johann, c.1619-1684 [Studenten-Music, 3-5 strings/winds, bc] Studenten-Music. Darinnen zu befinden allerhand Sachen mit drey und fünff Violen/ oder auch andern Instrumenten zu speilen.Huntingdon, n.d. 4˚, 6 partbooks, 284 pp Xerographic reprint of the Leipzig, 1654 edition. 10 suites, systematically arranged in ascending order by key. Wrappers. $90 [item no.8313] ROSSETER, Philip, 1568-1623 A Booke of Ayres, 1601.English Lute Songs, 1597-1632: A Collection of Facsimile Reprints, 36. London, 2/ 1977. 23 x 35 cm, i, 48 pp. Line-cut. Songs by Thomas Campion arranged for voice, lute and bass viol in table-book format. Wrappers. $34 [item no.3022] A Booke of Ayres, Set Foorth to be Sung to the Lute, Orpherian, and Base Violl. Performers’ Facsimiles, 119. New York, [1992]. 24 x 36 cm, 48 pp. Line-cut of the London, 1601 edition. Wrappers. $20 [item no.4482] ROSSI, Salomone, 1570-c.1630 [Sinfonie, strings, winds, bc, books 1 & 2] Il primo libro delle sinfonie et gagliarde, Venezia 1607; Il secondo libro delle sinfonie et gagliarde, Venezia, 1608.Archivum Musicum: Strumentalismo Italiano, 31. Florence, 1980. 17 x 24 cm, 7 partbooks, vi, c.150 pp. Line-cut of the partbooks in their original format (Canto 1-2, alto & bass; canto 1-2 & basso). Introduction in It by Marcello Castellani. Wrapper and slipcase in decorative paper. $41 [item no.1283] ROUSSEAU, Jean, 1644-d.? [Method, viol] Traité de la viole.Amsterdam, 1965. 14 x 12 cm, 165 pp. Line-cut of the Paris, 1687 edition. Linen. $45 [item no.3706] [Method, viol] Traité de la viole. Avec une préface de François Lesure. Viole de Gambe, XXII. Geneva, 1975. 15 x 22 cm, vi, 165 pp. Line-cut of the Paris, 1687 edition. Basic work for studying the French viol and its technique. Wrappers. $40 [item no.1229] [Method, viol] Traité de la viole. Faksimile der Ausgabe Paris 1687. Mit Einführung, Übersetzung und ausfühlichem Kommentar von Albert Erhard. Musikwissenschaftliche Schriften, 6. Munich, 1980. 4º, 107 pp. Line-cut, together with commentary and translation into Ger. Wrappers. $53 [item no.1230] ROUSSEL, Albert, 1869-1937 Concertino pour violoncelle et orchestre. Réduction pour violoncelle et piano (1936). Introduction–Inleidung: Catherine Miller.Fontes Musicae Bibliothecae Regiae Belgicae, I/VIII. Brussels, 2001. 25 x 33 cm, 28 pp. Halftone of the autograph fair copy of the piano reduction (violoncello & piano) plus solo violoncello part. Both autographs contain numerous corrections and annotations in pencil. Wrappers. $25 [item no.8355] RUFFO, Vincenzo, c.1510-1587 [Capricci, a3, strings/winds] Capricci in musica a tre voci, Milano 1564.Archivum Musicum: Strumentalismo Italiano, 26. Florence, 1979. Oblong, 24 x 17 cm, 3 partbooks, c.102 pp. Line-cut of the Francesco Moscheni edition, Milan, 1564. 20 numbers in mensural notation. For 3 instruments in the cantus, tenor, and bass ranges. Wrappers and slipcover in decorative paper. $32 [item no.1284] RUHE, Johann Friedrich, 1699-1776 [Sonatas, viola da gamba, bc] Quattro suonate par viola da gamba et fondamento. Herausgegeben von Bernd Musil und dem Thüringischen Staatsarchiv Greiz.Magdeburg, 2001. 4º, 2 partbooks: 6, 48 pp. Halftone of the autograph parts. Wrappers. $36 [item no.7976] [Suite, viola da gamba, violoncello] Suite pour viole de gambe et violoncello. Herausgegeben von Bernd Musil und dem Thüringischen Staatsarchiv Greiz. Magdeburg, 2001. 4º, 4, 8 pp. Halftone of the autograph score. Wrappers. $18 [item no.7977] RUVO, Giulio de, 17-18th c. [Sonatas, violoncello, bc] Five Sonatas for Violoncello & Basso Continuo. [Biblioteca del Conservatorio, Milan, fondo Noseda O 46-12].Early Cello Series, 8. n.p., c.1985. Oblong, 31 x 23 cm, 33 pp. Line-cut of a contemporary ms copy, c.1703. Wrappers. $18 [item no.1651] SAGGIONE, Giuseppe Fedeli, 1680-1733 [Sonatas, 2 violoncelli/viols/bassoon] Six sonates à deux violoncelles, violes, ou bassons. Vm7 6348. Présentation par Paolo Tognon & Evolène Kiener. [Bibliothèque Nationale, Paris].Collection Dominantes. Courlay, 2009. 23 x 33 cm, x, 36 pp. Line-cut of author’s edition, Paris, 1733. Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.9154] SAINTE-COLOMBE (Dautrecourt), August, b.?-1691+ [Concerts, 2 viol] Concert à deux violes égales. Fac-similé du ms Rés. Vma.ms 866 de la Bibliothèque Nationale. Introduction et index de Jonathan Dunford.Manuscrits, 36. Geneva, nyp. c.500 pp. 67 concerts for 2 bass viols with descriptive titles such as “Le Tembleur”, “Le Retour”, “L’Estonne”, etc. Wrappers. [item no.7104] Recueil de pièces pour basse de viole seule, ca 1690. Manuscrit de Tournus. Fac-similé du manuscrit M.3 de la Bibliothèque Municipale de Tournus. Préface de Monsieur Henri Lévâque, introduction et index par François-Pierre Goy. Manuscrits, 34. Geneva, 1998. 4º, c.100 pp. This ms, in a beautiful calligraphic hand, seems to have been copied by the same person as the “Concerts à deux violes egales” conserved at the Bibl. Nationale in Paris. Contains 144 pieces, 136 of which are for the bass viol by the great French master. Wrappers. $101 [item no.7105] Recueil de pièces pour basse de viole seule (ca 1680). Fac-similés des manuscrits 9469 et 9468, National Library of Scotland, Edinburgh. Manuscrits Panmure. Introduction par François-Pierre Goy. Manuscrits, 35. Geneva, 2003. Oblong, 8º, 62, 121 pp. 108 pieces (probably mostly autograph) for the bass viol. Ms 9468 contains 29 diverse pieces and Ms 9469, 79 pieces. Wrappers. $197 [item no.7106] SAINT-GEORGE, Chevalier de, c.1739-1799 [Concerti & symphonies concertantes, violin, orchestra] Violin Concertos and Two Symphonies Concertantes. With an Introduction by Dominique-René de Lerma. With Performance Notes by Gabriel Banat.Masters of the Violin, 3. New York, 1981. 27 x 37 cm, 176 pp. Line-cut. For violin primo & secondo, alto viola, basso, oboe primo & secondo, corno primo & secondo. Wrappers, with protective box. $85 [item no.1195] SAMMARTINI, Giovanni Battista, c.1700-1775 [Sonatas, 2 violins, bc] Six Sonatas for Two Violins with Thorough Bass for the Harpsicord or Violoncello.Performers’ Facsimiles, 73. New York, [1990]. 24 x 32 cm, 3 partbooks, 31 pp. Line-cut of the Walsh edition, London, [1756]. Wrappers. $25 [item no.3756] SANGIORGIO DI MONACO, Pietro, 16-17th c. [Capricci, 2 voices] Il primo libro de capricci [a due voci]. [British Library, London].Faksimile-Edition Rara, 31. Stuttgart, 1999. 16 x 22 cm, 2 partbooks, 80 pp. Line-cut of the Venice, 1608 edition. 36 duos for unspecified treble instrument and bass. Wrappers, with portfolio in marbled paper. $39 [item no.7745] SANMARTINI, Pietro, 1636-1701 [Sinfonia, 2 violins, lute, viol, bc, op.2] Sinfonie a due violini, e liuto, e basso di viola, Firenze 1688.Archivum Musicum: Strumentalismo Italiano 55. Florence, 1984. 17 x 24 cm, 4 partbooks, vii, 159 pp. Line-cut. Contains 10 sinfonie a 4. Introduction in It by Orlando Cristoforetti. Wrappers and slipcover in decorative paper. $37 [item no.2248] SCHENCK, Johannes, c.1660-d.? [Le nymphe di Rheno, sonatas, 2 viols, op.8] Le nymphe di Rheno per due viole di gamba sole. Opera ottava. [The Chapter Library, The College, Dublin].Performers’ Facsimiles, 229. New York, [2002]. 4º, 2 parts, 58 pp. Line-cut of the Roger edition, Amsterdam, c.1710 edition. 12 sonatas. Wrappers. $30 [item no.8070] [Sonatas, bass viol, bc, op.2] Tyd en Konst-Oeffeningen . . . Opera seconda. [Bodleian Library, Oxford]. Facsimile Series, III/23. Peer, 2/ 1995. 21 x 27 cm, 2 partbooks: xii, 60 pp. Line-cut of the Amsterdam, 1688 edition. 15 sonatas for solo bass viol and bc which stand midway between the French suite and the Italian sonata. Introduction in Dut-Eng by Piet Stryckers. Wrappers in a slip folder. $28 [item no.1232] SCHOENEBECK, C.S., 17-18th c. Trois duos concertans pour deux violoncelles à l’usage des amateurs et commençants.Early Cello Series, 6. n.p., c.1985. 4º, 2 parts, 22 pp. Halftone of the Leipzig, c.1800 edition. Wrappers. $16 [item no.1660] SCHUBERT, Franz, 1797-1828 [Sonata, arpeggione & piano, D.821, A minor] Sonate pour arpeggione et pianoforte (manuscrit autographe). Présentation par Philippe Muller. [Bibliothèque Nationale, Paris, Ms.304].Collection Dominantes. Courlay, 1993. Oblong, 31 x 23 cm, 62, 26 pp. Line-cut of the autograph score dated November, 1824. Preface in Fr-Eng-Ger, with partial reprint of Vincent Schuster’s Anleitung zur Erlernung des von Herrn Georg Staufer neu erfundenen Guitare-Violoncells (Vienna, 1825). Wrappers. $43 [item no.4395] SHOSTAKOVICH, Dmitri, 1906-1975 Sonate für Viola und Klavier / Sonata for Viola and Piano, op.147. Facsimile Edition.[Hamburg], c.2000. 24 x 32 cm, 8, 68 pp. Color facsimile of the autograph fair copy issued on the occasion of the 25th anniversary of the composer’s death. The Sonata is his last work and received its premiere on October 1, 1975, after Shostakovich’s death. As is the case with other works of Shostakovich, quotations from his other compositions as well as quotations and reminiscences from works by other composers play an important role in the Viola Sonata. During the days of its composition the composer wrote an open letter to the musicians of the world: “By building bridges into the future we must take care not to burn the bridges connecting today’s culture to its immortal past”; the Viola Sonata demonstrates this living connection between times and cultures with hypnotic power. Preface in Ger-Eng-Rus by Manashir Jakubov. Hardbound. $104 (more info... ) [item no.7904] SIMPSON, Christopher, c.1605-1669 Divisions for Two Bass Viols. Introduction: Piet Stryckers. [Bodleian Library, Oxford].Facsimile Series, III/20. Peer, 1993. 4º, 2 partbooks, 28 pp. The main ms source for Simpson’s duo-divisions, together with three similar pieces by his fellow violist-composer, John Jenkins. Wrappers. $24 [item no.4501] The Division-Viol. Huntingdon, n.d. 4˚, 67 pp. Simpson’s famous manual for improvising on a bass melody. Xerographic reprint of the improved 2nd edition, London, 1665. Wrappers. $20 [item no.8308] The Division-Viol. Faksimile der 2. Aufl. London 1665. Übersetzt und kommentiert von Wolfgang Eggers. Mit einem Anhang: Aus Musick’s Monument von Thomas Mace und Übertragung aus dessen Tabulaturen. Musikwissenschaftliche Schriften, 20. Munich, 1983. 8º, 202 pp. Line-cut, in reduced format, of the 2nd edition (bilingual, Latin/English), with a translation (on facing pages) and commentary in Ger. Includes Mace’s essay on the viola. Wrappers. $52 [item no.1236] The Division-Violist: or An Introduction to the Playing upon a Ground. [private collection]. Performers’ Facsimiles, 215. New York, [1998]. 20 x 33 cm, 78 pp. Line-cut of the London, 1659 edition (in English only). Wrappers. $28 [item no.7581] The Seasons, for Two Bas-Violls and Treble with a Through-Bass for the Harpsichord or Organ. Fac-similé de Bruxelles, Conservatoire Royal de Musique Ms. Litt. X/Y et Oxford, Bodleian Library, Tenbury Ms. 296-299, XVIIe siècle. Introduction de Margaret Urquhart. Manuscrits, 20. Geneva, 1999. 20 x 29 cm, 4 partbooks, 95 pp. Line-cut. 4 fantasy suites on the Four Seasons. This facsimile combines two complementary parts, the main parts, in autograph (from Brussels), and the keyboard part (in Oxford). Wrappers. $141 [item no.3094] SOMIS, Giovanni Battista, 1686-1763 [Sonatas, violin, violoncello, bc, op.2] Sonata da camera a violino solo, e violoncello, ò cembalo.Performers’ Facsimiles, 11. New York, 1986. 26 x 33 cm, 47 pp. Line-cut of the Amsterdam, c.1717 edition. In score format. Wrappers. $20 [item no.1237] STANLEY, John, 1712-1786 [Concerti, strings, op.2] 6 Concertos, op.2 (1742).Huntingdon, c.1988. 4º. Xerographic reprint of the London, 1742 edition. Scored for solo, vln I, II, vc, kbd; ripieno vln I, II, vla, vc, & db. Wrappers. $59 [item no.7066] STRAVINSKY, Igor, 1882-1971 [3 Pieces, string quartet] Trois pièces pour quatuor à cordes. Skizzen, Fassungen, Dokumente, Essays. Festgabe für Albi Rosenthal zum 80. Geburtstag. Herausgegeben von Hermann Danuser in Verbindung mit Felix Meyer und Ulrich Mosch.Eine Veröffentlichung der Paul Sacher Stiftung. Winterthur, 1994. 25 x 38 cm, 174 pp. Beautiful full-color reproduction, documenting all the compositional stages of this important work: an early 4-hand version, various sketch-drafts, the complete fair copy (with first printed edition below), plus the first printed edition of the piano 4-hand version of 1914. Musicological contributions (in Ger & Fr) by Ernst Lichtenbahn, Richard Turuskin, Ulrich Mosch, Felix Meyer, Hermann Danuser, Niklaus Röthlin, & Robert Riencikowski. Dedicated to Albi Rosenthal on his 80th birthday. Hardbound. $254 (more info... ) [item no.7078] TARTINI, Giuseppe, 1692-1770 [Concerti, violin, orch, arr.] 6 Concerti a 4.Huntingdon, [1992]. 4º, 4 partbooks. Xerographic reprint. Arrangement for 2 violins, violoncello & keyboard of violin concerti D.36, 6, 120 Anh.vii, ?, & 64. Wrappers. $20 [item no.4870] TELEMANN, Georg Philipp, 1681-1767 [Canons, 2 flutes/viols/bass viols, TWV 40:118-123] XIIX canons mélodieux ou 6 sonates en duo (2 flûtes, 2 violes, 2 basses de vile). Présentation par Arlette Leroy-Biget. [Bibliothèque Nationale, Paris].Collection Dominantes. Courlay, 1999. 4º, 2 partbooks, xi, 31 pp. Wrappers. $26 [item no.7676] [Essercizii musici; sonatas/trio sonatas, vln/fl, bc, TWV 42] Essercizii musici overo dodeci soli e dodeci trii à diversi stromenti. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 140. New York, [1996]. 25 x 31 cm, 3 partbooks, 138 pp. Line-cut of the Hamburg, 1739-1740 edition. Telemann’s “pedagogical” sonatas, 2 for keyboard or lute (TWV 32:3 & 4), 2 for violin (TWV 41:F4 & A6), 2 for flute (TWV 41:D9 & G9), 2 for viola da gamba (TWV 41:a6 & e5), 2 for recorder (TWV 41:d4 & C5), 2 for oboe (TWV 41:B6 & e6), and the 12 trios: olo instrument and bc, and 12 trio sonatas (TWV 42..) for rec.+ob. (c2), vdg.+harps.obl. (G6), vln.+ob. (g5), fl.+harps.obl. (A6), rec.+vln. (a4), fl.+vdg. (h4), rec.+vdg. (F3), rec.+harps. obl. (B4), fl.+vln. (E4), vln.+vdg. (D9), fl.+ob. (d4) and ob.+harps.obl. (Eb3). Wrappers. $50 [item no.1765] Der getreue Music-Meister. Musica Repartita, 250. Utrecht, 1997. 21 x 28 cm, 105 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Printed boards with linen spine. $47 [item no.7663] Der Getreue Music-Meister (1728-1729). Présentation por Michel Giboureau. Collections Dominantes. Courlay, 2004. 4º, xvi, 108 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Includes: TWV 40:1, 107-111; TWV 41:C1, C2, d1, D1, D4, D5, D6, E2, E3, f1, F2, g4, g5, G6, a3, A2, B3, B4, h2; TWV 42:C1. Wrappers. $53 (more info... ) [item no.8520] [Getreuer Musikmeister, Sonata, violoncello, bc] Sonate in D-dur für Violoncello und Basso continuo aus “Der getreue Musikmeister”. Herausgegeben von Bernard Päuler. Continuo-Aussetzung von Willy Hess. Winterthur, 1987. 4º, ii, 3, 15 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $14 [item no.2101] [Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Pariser Quartette für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1730. Band I: Quartette 1-6. Münster, 1996. 4º, partbooks, c.130 pp. Line-cut of the Paris, [1730] edition. Wrappers. $72 [item no.7266] [Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violoncelle, et basse continuë [“Paris Quartets” Nos. 1-6]. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 223. New York, 1999. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $50 [item no.7696] [Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violncelle, et basse continue. Nouvell édition (ca.1740). Présentation par les élèves du C.E.F.E. de M. de Rueil-Malmaison. [Bibl. National, Paris]. Collection Dominantes. Courlay, 1999. 4º, 5 partbooks, 15, 97 pp. Line-cut of the ”nouvelle edition”, Paris c.1740. Wrappers. $51 [item no.7709] [Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] “Nouveaux quatuors”. “Pariser Quartette” 7-12. für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1736. Band II: Quartette 7-12. Münster, 1995. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, [1736] edition. Wrappers. $72 [item no.7199] [Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Nouveaux quatuors en six suites a une flûte traversiere, un violon, une basse de viole, où violoncel, et basse continuë [“Parisian Quartets” Nos. 7-12]. [Library of Congress, Washington, DC]. Performers’ Facsimiles, 224. New York, 1998. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $55 [item no.7633] [Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Noveaux quatuors en six suites à une flûte traversière, un violon, une basse de viole ou violoncelle, et basse continue. Paris, 1738. Présentation par les étudiants du Ce.F.E. de M. Île de France. [British Library, London]. Collection Dominantes. Courlay, 2006. 4º, 5 partbooks, xii, 152 pp. Line-cut of the Paris, [1738] edition. Wrappers. $61 [item no.8684] [Quartets, flute, violin, viola, bc, book 4] Quatrième livre de quatuors a flute, violon, alto viola et basse. [Library of Congress, Washington, D.C.]. Musica Musica, Q/4. Basel, c.1980. 21 x 30 cm, 4 partbooks, 52 pp. Line-cut of the Paris, [1752] edition. Wrappers. $58 [item no.2099] [Quartets, vln, fl, viol/vc, bc, “Hamburg”] Quadri à Violino, Flauto traversiere, Viola di Gamba ò Violoncello, e Fondamento; Ripartiti in 2. Concerti, 2. Balletti, 2. Sonate. Shumilov Facsimile Collection. Magdeburg, [2005]. 4º, 5 partbooks, 61 pp. Line-cut of the Hamburg, 1730 edition. This is the edition engraved by Telemann himself, comprising TWV 43:G1, 43:D1, 43:A1, 43:g1, 43:h1, 43:e1, later published in Paris and known as the “Paris Quartets”, nos. 1-6. Wrappers. $46 [item no.8548] [Sonata, bassoon/violoncello, bc, F minor] Sonate in f-moll für Fagott oder Violoncello und Basso continuo. Herausgegeben von Winfried Michel. Winterthur, 1977. 4º, i, 4, 17 pp. Halftone of the 18th-c. printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $14 [item no.2102] [Trio sonatas, various combinations, bc] Six trios, 1718. Violon, hautbois et BC – Violon, flûte à bec et BC – Violon, flûte traversière et BC – 2 violons et BC – Violon, basse de viole et BC – Violon, basson ou violoncelle et BC. Présentation par Michel Giboureau. [Musikbibl. der Stadt, Leipzig]. Collection Dominantes. Courlay, 1996. 24 x 33 cm, 3 partbooks, xi, 42 pp. Line-cut of the Frankfurt, 1718 edition. Introduction in Fr-Eng-Ger by Michel Giboureau. Wrappers. $33 [item no.7261] TERRASSON, Antoine, 18th c. Dissertation historique sur la vielle où l’on examine l’origine et les progrès de cet instrument. Avec une digression sur l’histoire de la musique ancienne et moderne dédiée à Mademoiselle de ***.Geneva, 1988. 10 x 17 cm, 117 pp. Line-cut of the Paris, 1741 edition. Wrappers. $35 [item no.3334] TODINI, Michele, 1636-d.? Dichiarazione della Galleria Armonica, Roma, 1676. Edizione a curae di Patrizio Barbieri.Musurgiana: Sources and Materials for the History and Theory of Music, 2. Lucca, 1988. 11 x 16 cm, xxii, 92 pp. Line-cut of the Rome, 1676 edition. Introduction, bibliography and index. Cloth. $21 [item no.2895] UCCELLINI, Marco, c.1603-1680 [Sonatas, correnti, a1-3, strings, bc, op.4] Sonate, correnti et arie da farsi con diversi stromenti sì da camera, come da chiesa, à uno à due, à trè. Opera quarta.Archivum Musicum: Strumentalismo Italiano, 59. Florence, 1984. 24 x 34 cm, 4 partbooks, i, c.162 pp. Line-cut of the Venice, 1645 partbooks (canto primo & secondo, terza parte & basso continuo). Contains 41 pieces for 1 to 3 instruments (ideally violins) & continuo. Introduction in It by Marcello Castellani. Wrappers and slip cover in decorative paper. $41 [item no.2263] VALENTINE, Robert, c.1680-c.1735 [Sonatas, recorder, bc, op.2; Sonatas, recorder, bc, op.3] Sonate di flauto a solo col basso per cimbalo ò violone. Opera seconda; Sonate di flauto a solo col basso. Opera terza.Archivum Musicum: Strumentalismo Italiano 64. Florence, 1985. Oblong, 34 x 24 cm, v, 85 pp. Line-cut of the Rome 1708 & 1710 editions. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.2264] VERACINI, Antonio, 1659-1733 [Sonatas, violin, violoncello/archlute, bc, op.3] Sonate da camera a due, a violino, violoncello o arcileuto, col basso per il cimbalo. Opera terza.Huntingdon, n.d. Oblong, 4˚, 3 partbooks, 146 pp. Xerographic reprint of the Modena, 1696 edition. Wrappers. $30 [item no.8314] VERACINI, Francesco Maria, 1690-1768 [Sonatas, violin, bc, op.1] Sonate a violino solo, e basso. Opera prima.Archivum Musicum: Strumentalismo Italiano, 71. Florence, 1989. Oblong, 34 x 24 cm, ii, 80 pp. Line-cut of the Dresden, 1721 edition. Introduction in It by Rossella Rossi. Wrappers in decorative paper. $32 [item no.3179] [Sonatas, violin, bc, op.1] Sonate a violino solo e basso. Opera prima, Dresde, 1721. Présentation par Nicolas Fromageot. [British Library, London]. Collection Dominantes. Courlay, 2005. Oblong, 4º, xi, 4, 81 pp. Line-cut of the Dresden, 1721 edition. Introduction in Fr-Eng-Ger. Wrappers. $44 [item no.8577] [Sonatas, violin, bc, op.2] Sonate accademiche a violino solo e basso, opera seconda. London–Firenze 1744. Archivum Musicum: Strumentalismo Italiano, 73. Florence, 1990. Oblong, 34 x 23 cm, vii, 95 pp. Line-cut of the author’s edition, London & Florence, 1744. Introduction in It by Rossella Rossi. Wrappers in decorative paper. $32 [item no.3861] [Sonatas, violin/recorder, bc] XII sonate a violino o flauto solo e basso. Ms. Dresden, 1716. Archivum Musicum: Strumentalismo Italiano, 72. Florence, 1990. Oblong, 34 x 23 cm, vii, 72 pp. Line-cut of a contemporary ms copy. Introduction in It by Rossella Rossi. Wrappers in decorative paper. $32 [item no.3862] VIRDUNG, Sebastian, 1465-c.1511 Musica getutscht 1511.Publikation Älterer Praktischer & Theoretischer Musik-Werke, XI. New York, 1966. Oblong, 25 x 20 cm, 111, v pp. (Rpt. of Berlin, 1882 edition). Line-cut of the Basel, 1511 edition. Written in the form of a dialogue, this is one of the earliest known works to describe musical instruments and instrumental practice in detail. In addition it teaches the student how to organ, lute, or flute. Laid paper. Modern index. Cloth. $75 [item no.4797] Musica getutscht 1511. Originalgetreuer Nachdruck nach dem Exemplar der Preußischer Staatsbibliothek Berlin mit einem Nachwort neu herausgegeben von Leo Schrade. Kassel, 1931. Oblong, 21 x 15 cm, 111, iv pp. Line-cut of the Basel, 1511 edition. Coverboards in laid paper. $102 [item no.3174] VIRGILIANO, Aurelio, 17-18th c. Il Dolcimelo. Variati passaggi e diminutioni cosi per voci. Riproduzione eseguita dall’esemplare del Civico Museo Bibliografico Musicale di Bologna.Archivum Musicum: Strumentalismo Italiano, 11. Florence, 1979. 24 x 34 cm, v, 113 pp. Halftone. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.1289] VIVALDI, Antonio, 1678-1741 [Concerti, RV 540, 552, 558, & Sinfonia, RV 149] Concerti con molti istromenti. Faksimiledruck nach der Musikhandschrift 2389-0-4 der Sächsischen Landesbibliothek Dresden. Mit einem Nachwort von Karl Heller.Leipzig, 1978. Oblong, 22 x 17 cm, 163, xi pp. Extremely clear halftone. Concerto RV 540 is scored for viola d’amore and lute, RV 552 for 4 violins, 558 for 2 violins and orchestra. Linen. $95 [item no.1761] [Concerti, RV 540, 552, 558, & Sinfonia, RV 149] Concerti con molti istromenti. Manoscritto Dresden, Sächische Landesbibliothek - Staats- und Landesbibliothek. Concerto in Do maggiore per 2 violini “in tromba marina”, 2 flauti [dritti], 2 mandolini, 2 chalumeaux, 2 tiorbe, violoncello, archi e basso continuo, RV 558; Concerto in La maggiore per violino principale. 3 violini in eco, archi e basso continuo, RV 552; Concerto in Re minore per viola d’amore, liuto, archi e basso continuo, RV 540; Sinfonia in Sol maggiore per archi e basso continuo, RV 149. A cura di Karl Heller. Archivum Musicum: Vivaldiana, 5. Florence, 2007. Oblong, 30 x 24 cm, 38, 158 pp. Halftone of a copyist MS (being the work of 2 scribes) which offers an interesting glimpse into a multi-work “concert program” rather than a single work. Introduction in It-Ger. Wrappers, in decorative paper. $78 [item no.8994] [Concerti, rec, ob/vln, bsn/vc, bc, etc., RV 87, 97, 103] Concerto pour flûte a bec, hautbois, deux violons et basse; Concerto pour viole d’amour, deux cors, deux hautbois, basson et basse; Concerto pour flûte a bec, hautbois et basson. Présentation par Michel Giboureau. [Bibl. Nazionale, Turin]. Collection Dominantes. Courlay, 1996. Oblong, 4º, 4 vols, 21, 62 pp. Line-cut of three autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.7598] [Concerti, viole d’amour, 2 hn, 2 ob, bsn, bc, etc., RV 97] Concerto pour flûte a bec, hautbois, deux violons et basse; Concerto pour viole d’amour, deux cors, deux hautbois, basson et basse; Concerto pour flûte a bec, hautbois et basson. Présentation par Michel Giboureau. [Bibl. Nazionale, Turin]. Collection Dominantes. Courlay, 1996. Oblong, 4º, 4 vols, 21, 62 pp. Line-cut of three autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.7598] [Sonata, rec, bsn, bc, RV 86], in Sonate pour flûte à bec, basson et basse continue; Concerto pour flûte à bec, violon et basson ou violoncelle et b.c.; Concerto pour flûte à bec, 2 violons et basse continue. Présentation par Susi Möhlmeier et Frédérique Thouvenot. Collection Dominantes. Courlay, 1996. 23 x 32 cm, 28, 42 pp. Line-cut of one sonata (RV 86) and 2 concerti (RV 92 & 108) from the Biblioteca Nazionale, Turin. Introduction in Fr-Eng-Ger. Wrappers. $36 [item no.7474] [Sonatas, violoncello, bc] VI sonates violoncello solo col basso. [British Library, London]. Performers’ Facsimiles, 125. New York, [1992]. 24 x 21 cm, 26 pp. Line-cut of the Paris, [1740] edition by Le Clerc le Cadet. Ryom (RV) numbers: 47, 41, 43, 45, 40, & 46. Wrappers. $18 [item no.4505] [Sonatas, violoncello, bc, integral edition] Sonates pour violoncelle et basse continue (intégrale des sources). Présentation par Philippe Muller. Collection Dominantes. Courlay, 1996. 23 x 32 cm, 15, 100 pp. Line-cut of the Paris, 1740 edition, together with reproductions of manuscripts: 6 sonatas from the Bibliothèque Nationale, Paris, believed to be the basis of the first edition, 3 sonatas in the possession of the Graf von Schönborn, Wiesentheid (RV 46 & 42, plus one sonata not by Vivaldi), and 3 sonatas in the Naples Conservatory (RV 47, 44, & 39). Introduction in Fr-Eng-Ger. Wrappers. $54 [item no.7335] [Sonatas, violoncello, bc, integral edition] IX sonate a violoncello e basso, RV 39-47. Manoscritti, Napoli, Biblioteca del Conservatorio “San Pietro a Majella”, Paris, Bibliothèque Nationale, Wiesentheid, Musikbibliothek des Grafen von Schönborn-Wiesentheid. Archivum Musicum, Vivaldiana, 2. Florence, 2003. 4º, oblong & upright, 2 vols, 153, 28 pp. Line-cut of autograph and copyist mss, plus line-cut reproduction of the Amsterdam, 1740 edition. Introduction in It-Eng by Bettina Hoffmann. Prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Wrappers, in portfolio. $86 [item no.8398] [Works, selections, viola da gamba & other instruments] Opere per viola all’inglese (viola da gamba). Recitativo e aria con “Concerto de’ Viole all’Inglese” da Juditha Triumphans, RV 644; Cantata in Scena con Viola all’Inglese de L’Incoronazione di Dario, RV 719; Concerto Funebre in Si bemolle maggiore, RV 579; Concerto con molti Istromenti in Do maggiore, RV 555. A Cura di Bettina Hoffmann. Archivum Musicum: Vivaldiana, 4. Florence, 2006. Oblong, 30 x 24 cm, 43, 83 pp. Halftone of 4 autograph scores that include music for viola da gamba. Introduction in It-Eng. Wrappers, in decorative paper. $86 [item no.8993] VIVIANI, Giovanni Bonaventura, 1638-1692 [Capricci armonici, violin, bc; tromba, bc, op.4] Capricci armonici da chiesa e da camera a violino solo et sonate per tromba sola. Opera quarta. Venezia 1678.Archivum Musicum: Strumentalismo Italiano, 84. Florence, 1999. 24 x 33 cm, 2 partbooks, 6, 60 pp. Line-cut of the Venice, 1678 edition. Contains sinfonie, toccate, sonate, introduttioni, alemande, corente, gagliarde, sarabande, gighe, balletti, e capricci for solo violin and bc, and one sonata for tromba. Preface in It by Luigi Lupo. Wrappers in decorative paper. $32 [item no.7780] WAGENSEIL, Georg Christoph, 1715-1777 [Concertos, harpsichord/organ, 2 vln, bc, nos.1-3] Six Concertos for the Harpsichord or Organ, with Accompanyments for Two Violins and a Bass.Biblioteca Classica, 151/1. Rotterdam, 1987. 4º, 17, 3 pp. Line-cut of the London, c.1765 edition. “Tutti” and “solo” sections indicated in the score. Wrappers. $14 [item no.4963] Sinfonia in G majore à 2 violini è basso, No. 2. Tutzing, [1965]. Oblong, 32 x 23 cm, 8 pp. Line-cut of the autograph score. Wrappers. $30 [item no.2108] WALTHER, Johann Jakob, c.1650-1717 [Scherzi, violin, bc] Scherzi da violino solo con il basso continuo per l’organo ò cimbalo, accompagnabile anche con une viola ò leuto.Musica Repartita, 58. Amsterdam, 1996. 4º, 49, iii pp. Line-cut of the Mainz, 1687 edition. Wrappers. $24 [item no.7250] WANNENMACHER (Vannius), Johannes, c.1485-1551 Bicinia sive duo germanica [ad aequales. Tütsche Psalmen unnd andre Lieder durch Joannum Vannium mit zweyen Stimmen zusammen gsetzt]. Bern: Apiarius, 1533. RISM 1553(11).Faksimile-Edition Rara, 21. Stuttgart, 1998. Oblong, 18 x 15 cm, 2 partbooks, 80 pp. Line-cut of the Bern, 1533 edition. 16 settings of psalms for two equal voices/instruments. Wrappers in handsome portfolio in marbled paper. $43 [item no.7703] WASSENAER, Unico Wilhelm, Graaf van, 1692-1766 [Concerti armonici, strings] 6 concerti armonici (1755).Huntingdon, c.1988. 4º. Xerographic reprint of the 1755 edition. Scored for vln I, II, III, IV, vla, vc, & bc. These works were formerly attributed to Pergolesi and Ricciotti. Wrappers. $49 [item no.7053] WECKER, Georg Caspar, 1632-1695 XVIII. geistliche Concerten [mit 2. bis 4. Vocal-Stimmen und 5. Instrumentis ad libitum, zu musicieren...]. Nürnberg, Moritz Endter 1695. [Bibl. Jagiellońska, Krakow].Faksimile-Edition Krakau, 8. Stuttgart, 2007. 20 x 26 cm, 19 partbooks, c.500 pp. Line-cut of the Nuremberg, 1695 edition. Wrappers, in marbled paper slipcase. $128 [item no.8829] WEELKES, Thomas, c.1576-1623 Ayeres or Phantasticke Spirites for Three Voices.Performers’ Facsimiles, 33. New York, [1988]. 17 x 24 cm, 3 partbooks, 90 pp. Line-cut of the London, 1608 edition. Wrappers, with folder. $35 [item no.2791] Madrigals to 3.4.5. & 6. Voyces. Performers’ Facsimiles, 90. New York, [1990]. 19 x 25 cm, 6 partbooks, c.120 pp. Line-cut of the London, 1597 edition. Wrappers, with folder. $45 [item no.3959] Madrigals of 5. and 6. Parts, Apt for the Viols and Voices. [British Library, London]. Performers’ Facsimiles, 190. New York, [1998]. 19 x 25 cm, 6 partbooks, c.140 pp. Line-cut of the London, 1600 edition. Wrappers, with folder. $48 [item no.7655] WEIGEL, Johann Christopf, 1661-1726 Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner.Documenta Musicologica, I/22. Kassel, 1/ 1961. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. Mattheson’s Das neu-eröffnete Orchestre (specifically the chapter “Von den musicalischen Instrumenten”) evidently served as a guide for its planning. The engravings date from c.1715-1725. Afterword in Ger-Eng-Fr. Coverboards and slipcase in decorative paper. $95 [item no.4622] Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner. Documenta Musicologica, I/22. Kassel, 2/ 1964. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. $77 [item no.2861] YOUNG, William, b.?-1671 [Sonatas, 2-4 violins, bc] Sonate à 3,4 e 5. con alcune allemand, dorrenti e balletti à 3.Huntingdon, [1992]. 4º, 5 partbooks, 88 pp. Xerographic reprint of the London, 1655 edition. Wrappers. $30 [item no.4854] ZACCONI, Lodovico, 1555-1627 Prattica di musica utile et necessaria si al compositore si anco al cantore.Bibliotheca Musica Bonon3iensis, II/1-2. Bologna, 1983. 17 x 25 cm, 2 vols: 477 pp. Line-cut of the Venice, 1596-1622 edition. An amazing treatment of practical concerns in music, with sections on emotional effect, music as science, the art and responsibility of the singer, director, and composer, mood, time, prolation, techniques of counterpoint, improvisation, and imitation. Includes whole sections of musical examples taken from the works of Tigrini, Cerreti, Zarlino, Banchieri, and Diruti. Wrappers. $120 [item no.2512] ZANETTI, Gasparo, 1626-1645 [Method, violin & other instruments] Il scolare per imparare a suonare di violino, et altri stromenti. Milano 1645.Archivum Musicum: Strumentalismo Italiano, 58. Florence, 1984. 24 x 34 cm, ii, 154 pp. Line-cut. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.2271] COMPOSITE & MISCELLANEOUS SOURCES Art du faiseur d’instruments de musique et lutherie extrait de l’Encyclopédie méthodique, Arts et métiers mécaniques.Geneva, 1972. 8º, 240 pp. Line-cut of the Paris, 1785 edition. Historical and technical articles on musical instruments with 38 original plates. Wrappers. $61 [item no.3236] [Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti, a quattro, cinque, & otto, con il suo basso generale per l’organo, novamente raccolte da diversi eccellentissimi musici. . . libro primo. Archivum Musicum: Strumentalismo Italiano, 74. Florence, 1992. 8º, 9 partbooks, ix, 300 pp. Line-cut of the Raverij edition, Venice, 1608. 36 instrumental canzoni a4, 5 & 8 in mensural notation by Gabrieli, Merulo, Guami, Maschera, Antegnati, Luzaschi, Frescobaldi, Grillo, Chilese, Lappi, Bartolini & Massaino. Preface in It by Dario Lo Cicero.Wrappers, in decorative paper. $46 [item no.4230] [Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti a quattro, cinque, & otto con il suo basso generale per l’organo novamente raccolta da diversi eccellentissimi musici, & date in luce. Libro primo. [Stadtbibliothek, Augsburg]. Faksimile-Edition Augsburg, 2. Stuttgart, 1998. 14 x 18 cm, 9 partbooks, c.300 pp. Line-cut of the Alessandro Raverij edition, Venice, 1608. Wrappers, with portfolio in marbled paper. $114 [item no.7577] Corona di dodici fiori armonici, tessiuta da altretanti ingegni sonori a trè strumenti. [Civico Museo Bibliografico Musicale, Bologna]. Bibliotheca Musica Bononiensis, IV/143. Bologna, 1974. 22 x 31 cm, 3 partbooks: viii, 80 pp. Line-cut of the Bologna, 1706 edition. 12 sonatas by Alberti, Prandi, Bettinozzi, Laurenti, Manfredini, Sandoni, Farnè, Vitali, Mazzolini and Torelli. Introduction in It by Alberto Colzani. Laid paper. Loose bifolios, with handsome cloth portfolio. $51 [item no.2429] Libro di leuto di Gioseppe Antonio Doni, ms. Perugia, sec. XVII. [Ms. VII-H-2, l’Archivio di Stato di Perugia]. Archivum Musicum: Strumentalismo Italiano, 70. Florence, 1988. 34 x 24 cm, x, 117 pp. Line-cut of the 17th-c. ms. Collection of 91 pieces (suonate, gagliarde, corrente, etc.), including works by the celebrated masters Falconieri, Kapsberger, & Baglioni. Introduction in It by Dinko Fabris. Wrappers in decorative paper. $37 [item no.2689] The Dow Partbooks, Christ Church, Oxford, MSS 984-988. Facsimile Edition. Introductory Study by John Milsom. Oxford, 2010. Oblong, 19.4 x 14.2 cm, 5 partbooks, c.954 pp + commentary. A full-color facsimile edition of Oxford, Christ Church, MSS 984-988, written in the beautiful calligraphic hand of Robert Dow, a 16th-c. fellow of All Souls, Oxford. These partbooks—discantus, medius, altus, tenor, bassus—are a major source of music by William Byrd, Robert White, Robert Parsons, Alfonso Ferrabosco, John Shepherd, Thomas Tallis, William Mundy, Christopher Tye, Orlandus Lassus, John Taverner, Richard Farrant, and Peter Phillips. Much of the best loved music by William Byrd, Robert Parsons, and Robert White in particular is found in this source, especially pieces such as Byrd's “Ne irascaris”, Parsons' “Ave Maria” and “O bone Jesu”, and White's Lamentations setting for five voices. Many of the works are equally appropriate for viol consort as for vocal ensemble, and the superb presentation of the text and condition of the books makes this an ideal source from which to play and sing. With comprehensive indices and concordance list. Wrappers, with slipcase. (more info... ) [item no.9140] Ecorcheville, Jules. Vingt suites d’orchestre du XVIIe siècle français. Publiées pour la première fois d’après un manuscrit de la Bibliothèque de Cassel. New York, [1970]. 4º, 2 vols, 448, with 47 pp. Study, edition, and line-cut (in reduced format) of a c.1660 ms transmitting orchestral suites for the “vingt-quatre violons” orchestra of Louis XIV. 2 vols, cloth. $195 [item no.711] Frühe Lautentabulaturen im Faksimile / Early Lute Tablatures in Facsimile. Herausgegeben von Crawford Young und Martin Kimbauer. Redaktion: Thomas Drescher. Pratica Musicale. Veröffentlichungen der Schola Cantorum Basiliensis, 6. Winterthur, 2003. 4º, 285 pp. Facsimiles of some of the earliest lute tablatures (hitherto unpublished) from the late 15th c. up until ca.1525 from Italian and German regions: Ms. Pesaro 1144 (produced in full color); and B/W reproductions of Ms Freibourg CU Cap. Res. 527 (olin Falk Z 105), Ms Vienna Mus.Hs. 41950 (Blindhamers Lautentabulatur), and Ms D-Mu, 4˚ cod. ms. 718 (Das Mathematik- & Tabulaturbuch des Jorg Wiltzell). The Pesaro source is a splendid manuscript in cordiform shape (extremely rare in music history) and transmits Italian poetry and music for lute and lira da braccio. Preface and commentary in Ger-Eng. Binding in leatherette, with handsome dust jacket with picture of an opening from the Pesaro MS; slipcase. $285 (more info... ) [item no.8471] The Goëss Lute Manuscripts, II (c1660-70). Introduction and Concordances by Tim Crawford. [Ms., Ebenthal Castle]. Munich, 1993. Oblong, 22 x 15 cm, 22, 183 pp. Line-cut. 43 pieces for baroque solo lute, including compositions by Mercure, the Gautiers, Dufaut, and Dubut. 48 pieces for solo viol (also in tablature), including pieces by Hotman, Young, Herwich, and Betkofsky. With introduction to the manuscript and listing of concordances compiled with the assistance of Claude Chauvel, Gordon Dodd, and François-Pierre Goy. Linen. $105 [item no.3936] Goëss A. Pieces for Viol. Munich, 1999. 21 x 30 cm, 20, 160 pp. Line-cut. Introduction by Tim Crawford, index by Francois-Pierre Goy. 134 pieces in tablature for solo viol by Stöeffken, Jenkins, Wolff, Young and others. Ring binder. $105 [item no.7718] [Goëss, MS B] The Ebenthal Tablature Mss. Goëss B (1668). Pieces for Viol. Munich, 1997. Oblong, 30 x 21 cm, 18, 173 pp. Line-cut. Introduction by Tim Crawford. 93 pieces in tablature for solo viol by Coleman, Jenkins, Hotman, Young, Gautier, Stöeffken (autograph) and others. Cloth. $105 [item no.7565] [Hantaï, Jérôme] Viole de gambe. 1er cycle, volume 1. Proposé par Jérôme Hantaï. Fac-Similés Enseignement. Courlay, 2003. Oblong, 4˚, iii, 12 pp. Line-cut reproduction of a selection of movements by Hume, Marais, and Caix d’Hervelois. selected for teaching-didactic purposes. Wrappers. $14 [item no.8208] [Hantaï, Jérôme] Viole de gambe. 2e cycle, volume 1. Proposé par Jérôme Hantaï. Fac-Similés Enseignement. Courlay, 2003. Oblong, 4˚, iii, 12 pp. Line-cut reproduction of a selection of movements by Ortiz, Simpson, Marais, Kühnel, Caix d’Hervelois, selected for teaching-didactic purposes. Wrappers. $14 [item no.8209] [Hantaï, Jérôme] Viole de gambe. 2e cycle, volume 2. Proposé par Jérôme Hantaï. Fac-Similés Enseignement. Courlay, 2004. Oblong, 4˚, iii, 12 pp. Line-cut reproduction of a selection of movements by Ortiz, Telemann, Marais, Caix d’Hervelois & F. Couperin, selected for teaching-didactic purposes. Wrappers. $14 [item no.8527] [Hantaï, Jérôme] Viole de gambe. 3e cycle, volume 1. Proposé par Jérôme Hantaï. Fac-Similés Enseignement. Courlay, 2004. 4˚, iii, 12 pp. Line-cut reproduction of a selection of movements by Simpson, Telemann, Schenck, Dollé and F. Couperin, selected for teaching-didactic purposes. Wrappers. $14 [item no.8528] Harmonia Anglicana. The Musick of the English Stage Containing Six Sets of Ayers and Tunes in 4 Parts made for the Operas, Tragedys and Comedyes of the Theater Royal. Sets 1 and 2. [Durham Cathedral Libary, Durham]. Alston, 2000. Oblong, 29 x 21 cm, 8 volumes, i, c.104 pp. Line-cut of the Walsh edition, London, 1700-01. Incidental music (overture followed by 7 or 8 dances) from the London theater, suitable for English violin consort (two violins, viola and large bass violin tuned in B flat, or alternatively, oboe band, recorder consort). Music by Paisible, Croft, Finger, Lenton, D. Purcell, Eccles, and Orme. Introduction by Peter Holman. Ring binding. $48 [item no.7814] Lutherie. Encyclopédie sciences et arts liberaux. Bibliotheca Musica Bononiensis, II/101. Bologna, 1981. 25 x 35 cm, 46, with 34 illus pp. Line-cut of the Livorno, 1774 edition. Beautiful full-page illustrations of instruments. Cloth. $48 [item no.4008] The Manchester Gamba Book. With an Introduction by Paul Furnas. [Manchester Public Library, Manchester]. Hebden Bridge, 2003. Oblong, 4˚, xvii, 214 pp. Line-cut of a fascinating 17th-c. ms transmitting the largest collection of lyra viol music, with 246 pieces in tablature and another 12 in staff notation in twenty-two different tunings. Includes examples of lyra viol ornamentation and a table of graces. Spiral binding. $66 [item no.8321] [Methods, viola, France, 1800-1860, part 1] Alto. Méthodes -Traités - Dictionnaires et Encyclopédies. Ouvrages généraux. Volume I: Alday, Baudiot, Bruni, Castil-Blaze, Choron, Kastner, Reiche. Volume réalisé par Jean-Philippe Vasseur. Méthodes et Traités, II. Courlay, 2003. 4º, 155 pp. Line-cut of 7 treatises or contributions pertaining to the viola published between 1813 and 1838. Wrappers. $63 [item no.8334] [Methods, viola, France, 1800-1860, part 2] Alto. Méthodes -Traités - Dictionnaires et Encyclopédies. Ouvrages généraux. Volume II: Berlioz (1-2), Martinn (1-2), Panseron, Vimeux. Volume réalisé par Jean-Philippe Vasseur. Méthodes et Traités, II. Courlay, 2003. 4º, 129 pp. Line-cut of 6 treatises or contributions pertaining to the viola published between 1826 and 1865. Wrappers. $54 [item no.8335] [Methods, viola, France, 1800-1860, part 3] Alto. Méthodes -Traités - Dictionnaires et Encyclopédies. Ouvrages généraux. Volume III: Adhémar, Garaudé, Gebauer, Roger. Volume réalisé par Ulrich Drüner. Méthodes et Traités, II. Courlay, 2003. 4º, 178 pp. Line-cut of 4 treatises or contributions pertaining to the viola published between c.1805 and c.1850. Wrappers. $66 [item no.8336] [Methods, viol (par-dessus), France, 1600-1800] Alto par-dessus de viole – Méthodes et traités – Dictionnaires. Ancelet, Béthisy, Brijon, Michel Corrette, Cupis, Encyclopédie, Encyclopédie méthodique, Garsault, Laborde, Mersenne, Woldemar. Méthodes et Traités, I. Courlay, 2000. 4º, 5, 135 pp. Complete theoretical writings for alto par-dessus de viole. Hardbound. $44 [item no.7117] [Methods, viola da gamba, France, 1600-1800] Viole de gambe – Méthodes et traités – Dictionnaires – Préfaces des Œuvres – Correspondances. Réalisée par Philippe de Jean Saint-Arroman. Méthodes et Traités, I. Courlay, 1997. 4º, 4, 220 pp. The complete theoretical writings on the viola da gamba. Contents: Caix d’Hervelois, M. Corrette, Danoville, Demachy, Encyclopédie, Encyclopédie méthodique, A. Forqueray, J.B.A. Forqueray, Furetière, Heudeline, H. Le Blanc, Laborde, Loulié, M. Marais, R. Marais, Mersenne, Morel, J. Rousseau, J.J. Rouseau, Trévoux, Trichet. Index. Wrappers. $73 [item no.7432] [Methods, viol, Italy, 1600-1800, part 1] Viole de gambe. Méthodes – Traités – Dictionnaires et Encyclopédies – Ouvrages généraux. Volume I: Alfonso della Viola – Da Leno – Dalla Casa – Ganassi (1-2) – Lanfranco – Ortiz. Méthodes et Traités, IV. Courlay, 2004. 4º, 249 pp. Line-cut of 7 original articles or treatises on the violin, from Da Leno (15th c.) to Casa (1584). Wrappers. $93 [item no.8414] [Methods, viol, Italy, 1600-1800, part 2] Viole de gambe. Méthodes – Traités – Dictionnaires et Encyclopédies – Ouvrages généraux. Volume II: Anonyme (1) – Banchieri (1-2) – Cerone – Cerreto – Doni (1-2) – Marinati – Rognoni (1) – Virgiliano – Zacconi. Méthodes et Traités, IV. Courlay, 2004. 4º, 286 pp. Line-cut of 11 original articles or treatises on the viol, from Marinati (1587) to Doni (1640). Wrappers. $91 [item no.8415] [Methods, viol, Italy, 1600-1800, part 3] Viole de gambe. Méthodes – Traités – Dictionnaires et Encyclopédies – Ouvrages généraux. Volume III: Anonyme (2) – Doni (3) – Kircher – Rognoni (2). Méthodes et Traités, IV. Courlay, 2004. 4º, 215 pp. Line-cut of 4 original articles or treatises on the viol, from Rognoni (1620) to an anonymous treatis (18th c.). Wrappers. $79 [item no.8416] [Methods, violoncello, France, 1600-1800] Violoncelle – Méthodes et traités – Dictionnaires – Préfaces des Œuvres. Réalisée par Philippe Lescat et Jean Saint-Arroman. Méthodes et Traités, I. Courlay, 1998. 4º, 4, 256 pp. The complete theoretical writings on the violoncello. Includes writings on or exercises for instrument by Ancelet, Azais, Brossard, Corrette, Cupis, Framery, Ginguené, Laborde, Lepin, Raoul, & Tillière. Wrappers. $79 [item no.7601] [Methods, violoncello, France, 1800-1860, parts 1-7] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 7 vols, 1,792 pp. Line-cut, arranged chronologically, of 18 treatises on the violoncello by Bideau, Aubert, Breval, Baillot, Levasseur, Catel & Baudiot, Duport, Muntz Berger, Stiastny, Depas, Dotzauer, Hus-Desforges, Miné, Romberg, Berlioz, Anspach & Chevillard. Wrappers. $474 [item no.8709] [Methods, violoncello, France, 1800-1860, part 1] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 224 pp. Line-cut of treatises on the violoncello: Bideau, Grande et nouvelle méthode raisonnée (c.1802), & Aubert, Méthode ou nouvelles études. Wrappers. $80 [item no.8710] [Methods, violoncello, France, 1800-1860, part 2] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 304 pp. Line-cut of treatises on the violoncello: Breval, Traité du violoncelle, & Baillot, Levasseur, Catel & Baudiot, Méthode violoncelle. Wrappers. $93 [item no.8711] [Methods, violoncello, France, 1800-1860, part 3] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 280 pp. Line-cut of Duport, Essai sur le doigté du violoncelle (c.1806). Wrappers. $85 [item no.8712] [Methods, violoncello, France, 1800-1860, part 4] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 200 pp. Line-cut of treatises on the violoncello: Muntz Berger (Nouvelle méthode pour le violoncelle (c.1820), & Baudiot, Méthode de violoncelle, 1. partie (1826). Wrappers. $71 [item no.8713] [Methods, violoncello, France, 1800-1860, part 5] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 312 pp. Line-cut of treatises on the violoncello: Baudiot, Études pour le violoncelle (c.1826) & Méthod de violoncelle, 2. partie (1827). Wrappers. $94 [item no.8714] [Methods, violoncello, France, 1800-1860, part 6] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 216 pp. Line-cut of treatises on the violoncello: Stiastny, Méthode pour le violoncelle (1832), Depas, Méthode élémentaire pour violoncelle (n.d.), & Dotzauer, Méthode de violoncelle (1838). Wrappers. $78 [item no.8715] [Methods, violoncello, France, 1800-1860, part 7] Violoncelle. France 1800-1860. Méthodes, études, ouvrages généraux. Sept volumes réalisés par Philippe Muller. Méthodes et Traités, II. Courlay, 2006. 4º, 256 pp. Line-cut of treatises on the violoncello: Hus-Desforges, Méthode de violoncelle (c.1838), Miné, Méthode de basse ou violoncelle (c.1840), Romberg, Méthode de violoncelle (c.1840), Berlioz, Grand traité d’instrumentation (1844), Anspach/Miné, Méthode élémentaire et facile, & Chevillard, Méthode complète de violoncelle (c.1850). Wrappers. $90 [item no.8716] Narcissus Marsh’s Lyra Viol Book. [Archbishop’s Marsh’s Library, MS Z3.5.13., Dublin]. Musical Sources, 10. Aberystwyth, 1978. Oblong, 22 x 17 cm, viii, 80 pp. Halftone of a 1666 ms. Music in tablature for lyra viol by Lawes, Jenkins, Ives and others. Introduced by R. Rastall. Wrappers. $45 [item no.8412] [Oxford, Christ Church, MSS 984-988] The Dow Partbooks, Christ Church, Oxford, MSS 984-988. Facsimile Edition. Introductory Study by John Milsom. Oxford, 2010. Oblong, 19.4 x 14.2 cm, 5 partbooks, 960 pp; 150 pp. A full-color facsimile edition of Oxford, Christ Church, MSS 984-988, written in the beautiful calligraphic hand of Robert Dow, a 16th-c. fellow of All Souls, Oxford. These partbooks—discantus, medius, altus, tenor, bassus—are a major source of music by William Byrd, Robert White, Robert Parsons, Alfonso Ferrabosco, John Shepherd, Thomas Tallis, William Mundy, Christopher Tye, Orlandus Lassus, John Taverner, Richard Farrant, and Peter Phillips. Much of the best loved music by William Byrd, Robert Parsons, and Robert White in particular is found in this source, especially pieces such as Byrd's “Ne irascaris”, Parsons' “Ave Maria” and “O bone Jesu”, and White's Lamentations setting for five voices. Many of the works are equally appropriate for viol consort as for vocal ensemble, and the superb presentation of the text and condition of the books makes this an ideal source from which to play and sing. With comprehensive indices and concordance list. Wrappers, with slipcase. (more info... ) [item no.9140] Recueil de pièces basse de viole seule en tablature, ca.1674. Fac-similé du ms Rés.111 de la Bibliothèque Nationale. Introduction et index de Jonathan Dunford. Manuscrits, 37. Geneva, nyp. 16º, c.560 pp. Charming collection in “pocket-book” format of pieces for solo bass viol from England, France and Germany. 270 works, mostly in French lute tablature, in 17 scordatura tunings by Coleman, Duetekom, Dubuisson, Farrant, Ford, Hotman, Hudson, Hume, Ives, Ives Jr., Jenkins, Stoeffken, Verdufen, Young and others. Wrappers. [item no.7103] Recueil de pièces de basse de viole, dit manuscrit de Cracovie. Warsaw, Biblioteka Warszawskiego Towarzystwa Muzycznego MS In. 377/No.221 –WTM Sygn.R 221/inv.377. Introduction, tables et concordances par Commander Gordon J. Dodd. Manuscrits, 17. Geneva, 1995. Oblong, 20 x 12 cm, 26, 186 pp. Line-cut of a 17. 140 pieces Dubuisson, Hotman and Young for solo bass viol. Wrappers. $146 [item no.3110] Recueil de pièces de viole en musique et en tablature, 1666. Fac-similé du ms M2.1.T2.17C. Case, Washington, Library of Congress. Introduction, index par Stuart Cheney. Manuscrits, 28. Geneva, 1998. 16º, 36, 91 pp. Line-cut. The earliest dated French ms containing unaccompanied solo viol music. Contains four suites for 6-string bass viol by Dubuisson, a selection of dance pieces for treble instrument, and 25 signals for hunting horn. Concludes with a page of instructions on bowing and basic fingering technique for the viol. Preface in Eng-Fr. Wrappers. $66 [item no.1241] Recueil de pièces pour deux violes de gambe, XVIIIe siècle (Fac-similé du ms. de la Bibliothèque Nationale, Paris, Rés. Vmc. ms. 85). Introduction et index de Hazelle Miloradovitch. Manuscrits, 19. Geneva, 1995. Oblong, 28 x 20 cm, 24, 139 pp. Line-cut. Pieces by Marin and Roland Marais, Caix d’Hervelois, Le Clerc, Couperin, Forqueray, Boismortier, for two treble and two bass viols. Wrappers. $157 [item no.4792] [”Rost” ms] Manuscrit Rost. Œuvres anonymes et de Abel, Bertali, Cazzatti, Eberlin, Fuchs, Heller, Kerll, Krieger, Majer, Milschewski, Nicolai, Richardo, Rosenmüller, Rosier, Schmelzer, Stoss, Valentini, Vitali, Zamboni. Premier volume 1: Œuvres pour violon, alto, ou viole d’amour, ou viole de gambe, et basse continue. Présentation par Catherine Puig. Collection Dominantes. Courlay, 2008. 23 x 33 cm, 144 pp. Anthology string music by Italian and German masters. Introduction in Fr-Eng-Ger. Wrappers. $56 [item no.8967] The St. Petersburg “Swan” Manuscript. A Facsimile of Manuscript O No 124, Library of the St. Petersburg Academy of Sciences. With an Introduction, Inventory and Index by Tim Crawford and François-Pierre Goy. Monuments of the Lutenist Art, II. Columbus, 1994. Oblong, 26 x 20 cm, 72, 209, 80 pp. Halftone. This ms, written c.1620-1660 probably in Germany, contains 198 pieces for lute, baryton, viol and keyboard, plus two songs in tablature. Composers include Ballard, Gaultier (“le Vieux”?), Guédron, Gumprecht, Lespine, Pinel, Schop, and many others. Wrappers. $108 [item no.4839] [Sinfonias, recorder, bc] Sinfonie di varii autori per flauto e basso continuo, ms. Parma. [Biblioteca Palatina]. Archivum Musicum: Strumentalismo Italiano, 48. Florence, 1982. Oblong, 29 x 21 cm, vii, 187 pp. Line-cut of a contemporary ms copy. Includes works by Albinoni, Bottigoni, Canuti, Colombani, Corelli, Drejer, Ferronati, Pellegrini, Rosa, Sarri, Somis and Valentini. Introduction in It by Marco Di Pasquale. Wrappers in decorative paper. $32 [item no.802] Sonate à violino e violoncello di vari autori. [Civico Museo Bibliografico Musicale, Bologna]. Bibliotheca Musica Bononiensis, IV/[142]. Bologna, 1974. Oblong, 31 x 22 cm, 2 partbooks: vii, 21 pp. Line-cut of c.1705 edition. Works by Corelli, Torelli, Montanari, Perdieri, Mazolini, Iachini and Rozzi. Introduction in It by Alberto Colzam. Laid paper. Handsome portfolio in cloth. $41 [item no.1238] Sonate per camera a violino e’ violoncello di vari autori. [Civico Museo Bibliografico Musicale, Bologna, mus. ms. DD.32]. Bibliotheca Musica Bononiensis, IV/144. Bologna, 1974. Oblong, 31 x 22 cm, v, 26 pp. Line-cut of the Bologna, c.1705 edition. Beautifully engraved by Carlo Buffagnotti, with ingenious integration of borders and musical text. Works by Perti, Aldrovandini & Torelli. Introduction in It by Alberto Colzani. Loose sheets, with handsome portfolio in cloth. $44 [item no.1239] [Sonatas, violin, bc] [V] sonate a violino solo e basso. MS Bergamo. [Biblioteca Civia “Angelo Mai”, sign. Mayr 356/23, Bergamo]. Archivum Musicum: Strumentalismo Italiano, 85. Florence, 1999. Oblong, 30 x 23 cm, 11, 22 pp. Line-cut of a contemporary ms copy. Contains four sonatas for solo violin and bc, respectively by Antonio Vivaldi (D maj.), Antonio Galeazzi (C maj.), Giovanni Battista Somis (Bb min.) and Diogenio Bigaglia (D maj.). Introduction in It by Marcello Eynard. Wrappers in decorative paper. $22 [item no.7781] Tänze für 2 Violen. Schermar-Bibliothek, Stadtbibliothek, Ulm, Sign. misc 130]. Faksimile-Edition Schermar-Bibliothek Ulm, 13. Stuttgart, 1997. Oblong, 20 x 15 cm, 2 partbooks, c.296 pp. Line-cut of a ms from Ulm(?) from c.1615-1620, containing 60 dance numbers for two gambas. Wrappers, with slipcase in marble paper. $76 [item no.7463] Textes sur les instruments de musique au XVIIIe siècle. Geneva, 1972. 8º, 242 pp. Line-cut of the Paris, 1756-1782 editions. Large number of little-known documents concerning musical instruments. Authors of booklets include P.-J. Roussier, M. de Laborde, Trouflaut, C. Moucherel, G. de Cryseul, & J.-B. Domenjoud. Hardbound. $71 [item no.3338] [Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 236] 2 Ms: Brieg 1565-70/Süddeutschland 1570-75. Faksimile-Edition Schermar-Bibliothek, Ulm, 36. Stuttgart, 1998. Oblong, 18 x 12 cm, 4 partbooks, c.550 pp. Line-cut of the two contemporary mss containing 140 southern German lieder and dance pieces. The second ms is copied on the empty folios of the first, proceeding back to front. Hardbound with slipcase. $152 [item no.7637] [Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 236] 2 Ms: Brieg 1565-70/Süddeutschland 1570-75. Faksimile-Edition Schermar-Bibliothek Ulm, 36. Stuttgart, 1998. Oblong, 18 x 12 cm, 4 partbooks, c.550 pp. Line-cut of the two contemporary mss containing 140 southern German lieder and dance pieces. The second ms is copied on the empty folios of the first, proceeding back to front. Wrappers. $89 [item no.7638] [Ulm, Stadtbibliothek, Schermar-Bibl. Sign. 237] Ms. Motetten, Lieder, Chanson. Brügge(?) um 1515-1538. Faksimile-Edition Schermar-Bibliothek Ulm, 37. Stuttgart, 1998. Oblong, 15 x 10 cm, 4 partbooks, c.675 pp. Line-cut of an early 16th-c. manuscript in partbook format (discantus, altus, tenor, bassus) believed to be of Flemish provenance. Hardbound in vellum paper, with matching slipcase. $124 [item no.7664] MODERN EDITIONS Bottesini, Giovanni. Concerto [per contrabasso] in si minore; Concertino [per contrabasso] in do minore. Edizione critica a cura di Flavio Arpini.Lucca, 1999. 4º, 93 pp. New critical edition. Wrappers. $42 [item no.6251] Brahms, Johannes (new critical edition) Doppelkonzert A-Moll Opus 102. Herausgegeben von Michael Struck. Neue Ausgabe sämtlicher Werke, I/10. Munich, 2000. 4º, xxvii, 260 pp. Cloth. $264 [item no.6298] Cadenze e passaggi diversi intavolati per tiorba dal manoscritto estense G 239 (sec. XVII) a cura di Tiziano Bagnnati. Società Italiana del Liuto, 1. Bologna, 1995. 4º, x, 33 pp. Critical edition of an important ms that demonstrates ornamentation and cadential formulae for the tiorba. Wrappers. $36 [item no.6487] Collected English Lutenist Partsongs: I. Edited by David Greer. Musica Britannica, LIII. London, 1987. 4º, xxv, 237 pp. Modern critical edition with staff and tablature notation. Works by Cavendish (14. Ayres in Tabletorie, 1598), Jones (First Booke of Songes, 1600 & Ultimum Vale, 1605), Pilkington (First Booke of Songs, 1605), Bartlet (A Book of Ayres, 1606). Wrappers. $164 [item no.7160] Collected English Lutenist Partsongs: II. Edited by David Greer. Musica Britannica, LIV. London, 1989. 4º, xxii, 246 pp. Modern critical edition with staff and tablature notation. Works by Danyel (Songs for the Lute, Viol & Voice, 1606), Ford (Musicke of Sundrie Kindes, 1607), Jones (Musicall Dreame, 1609), Campion (Discription of a Maske, 1607, First Booke of Ayres, c.1613, & Second Booke of Ayres, c.1613). Attey (f1First Booke of Ayres, 1622). Wrappers. $164 [item no.7161] Couperin, Louis. Pièces de clavecin. Publiées par Paul Brunold. Nouvelle révision par Davitt Moroney. Monaco, 2/ 2004. 4º, 224 pp. A critical edition of the complete works for clavecin (120), plus 7 works for organ and 4 for viole. Wrappers. $111 [item no.5541] Dieupart, Charles. Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert. Monaco, 1990. 4º, 64, 2 partbooks: 32 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542] Dowland, John. Ayres for Four Voices Newly Edited by David Greer. Musica Britannica, VI. London, 2000. 4º, xxxvii, 215 pp. Modern critical edition with staff and tablature notation. Anthology of four voice works from Dowland’s First Booke of Songes or Ayres, 1597, Second Booke of Songs or Ayres, 1600, Third and Last Booke of Songs and Aires, 1603, & A Pilgrimes Solace, 1612, 65 compositions in all. Cloth. $167 [item no.6281] Ferrabosco, A. Consort Music of Five and Six Parts. Transcribed and Edited by Christopher Field and David Pinto. Musica Britannica, XL. London, 2003. 4º, liii, 251 pp. Critical edition. The rich store of music in this volume includes the In Nomine 'Through All Parts', the 'Dovehouse Pavan', the 4- and 5-part hexachord compositions with their radical and exploratory modulations, Ben Jonson's A Hymn to God the Father in a four-note ostinato setting, tuneful almains, and the 4-part version of 'On the Hexachord'. Buckram. $183 [item no.6491] Ferrabosco, A. Fantasias for Viols in Four Parts. Edited by Andrew Ashbee and Bruce Bellingham. Musica Britannica, LXII. London, 1992. Modern edition. The first of three volumes presenting the surviving instrumental music of Alfonso Ferrabosco the Younger. Contrapuntally sophisticated, his fantasias were admired throughout Europe and laid the foundations for the development of 17th-c. English consort music. Wrappers. $149 [item no.6511] 50 Renaissance & Baroque Standards – English Version. With Variants, Examples & Advice for Playing & Improvising on Any Instrument. Courlay, 2007. 21 x 30 cm, 144 pp. Here, brought together for the first time, are 50 renaissance and baroque ostinato basses, songs and dances upon which composers wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time. Wrappers. $24 [item no.8893] 50 Standards, Renaissance & Baroque. Avec variantes examples & conseils pour jouer & improviser sur tout instruments. Courlay, 2007. 21 x 30 cm, 144 pp. Same as above, but French version. $24 [item no.8899] Geoffroy, Jean-Nicolas. Paris, Bibliothèque Nationale de France, Ms. Rés. 475, Works by Jean Nicolas Geoffroy Edited by Mary Tilton. The Art of the Keyboard, 9. New York, 2007. 4˚, 2 vols, 197, 217 pp. This ms is the largest collection of 17th century French harpischord music devoted to music by a single composer. 213 distinct pieces, including suites for harpsichord, string trios for 3 viols, quartets for harpsichord & 3 viols, & organ music. Wrappers. $100 [item no.6677] Hsu, John. A Handbook of French Baroque Viol Technique. New York, 1981. 4˚, iv, 51 pp. Wrappers. $25 [item no.6882] Jenkins, John. Fantasia-Suites I. Transcribed and Edited by Andrew Ashbee. Musica Britannica, LXXVIII. London, 2001. 4º, xxxiv, 151 pp. Modern critical edition. 10 fantasia-suites, for 2 treble viols, bass viol and organ, written early in the composer’s career, and 15 fantasia-air sets, probably late productions, add to the significant corpus of music for viol consort by this outstanding 17th-c. composer who inherited and expanded the tradition of instrumental fantasias handed down from Coprario and Lawes. Buckram. $164 [item no.6358] Mace, Thomas. Musick’s Monument, volume II: Commentaire par Jean Jacquot. Transcriptions par André Souris. Paris, 1966. 21 x 27 cm, lxxx, 108 pp. (Commentary and transcription vol. to above). Wrappers. $35 [item no.380] Marais, Marin (new edition of instr. works) Pièces à une et deux violes (1686-89). Edited by John Hsu. Marin Marais, The Instrumental Works, 1. New York. $150 [item no.5967] Marais, Marin (new edition of instr. works) Pièces de violes, second livre (1701). Edited by John Hsu. Marin Marais, The Instrumental Works, 2. New York. $150 [item no.5968] Marais, Marin (new edition of instr. works) Pièces de violes, troisième livre (1711). Edited by John Hsu. Marin Marais, The Instrumental Works, 3. New York. $150 [item no.5969] Marais, Marin (new edition of instr. works) Pièces à une et à trois violes. Quatrième livre (1717). Edited by John Hsu. Marin Marais, The Instrumental Works, 4. New York, 1998. 4º, xxi, 197 pp. Cloth. $150 [item no.6287] Marais, Marin (new edition of instr. works) Pièces de viole. Cinquième livre (1725). Edited by John Hsu. Marin Marais, The Instrumental Works, 5. New York, 2000. 4º, xxii, 199 pp. Cloth. $150 [item no.6061] Marais, Marin (new edition of instr. works) Pièces en trio pour les flûtes, violon & dessus de viole (1692). Edited by John Hsu. Marin Marais, The Instrumental Works, 6. New York, 2001. 4º, xvii, 153 pp. Cloth. $150 [item no.6319] Marais, Marin (new edition of instr. works) La gamme et autres morceaux de simphonie pour le violon, la viole et le claveçin (1723). Unpublished Pieces from the Panmure Manuscripts. Edited by John Hsu. Marin Marais, The Instrumental Works, 7. New York, 2002. 4º, xxii, 154 pp. Cloth. $150 [item no.6391] Ortiz, Diego. Tratado de glosas. Edited by Annette Otterstedt. Translated by Hans Reiners. Kassel, 2003. Oblong, 25 x 16 cm, 126 pp. Complete edition in modern notation with a selection of line-cut reproductions. Introduction and translation in Ger-Sp-It-Eng. Hardbound. $58 [item no.8362] Rameau, Jean-Philippe (opera omnia) Pièces de clavecin en concerts. Édition de Denis Herlin et Davitt Moroney. Rameau Opera Omnia, ser.1, v.2, Musica Gallica. Paris, 1996. 4º, li, 137, 3 parts pp. New critical edition. Cloth, plus 3 partbooks in wrappers. $259 [item no.5974] Uccellini, Marco (opera omnia) Sonate over canzoni da farsi a violino solo e basso continuo, opera quinta. A cura di/Edited by Piotr Wilk. Opera Omnia Marco Uccellini, 4. Lucca, 2002. 4º, xliii, 72 pp. Critical edition. Wrappers. $48 [item no.6384] Ward, John. Consort Music of Four Parts. Transcribed and Edited by Ian Payne. Musica Britannica, LXXXIII. London, 2005. 4°. xxxviii, 106 pp. Modern edition. John Ward's music for 4 viols shows less consistency of style than his work for 5- or 6-part consort. The smooth madrigalian lines of the 6 Oxford fantasias most clearly approach the accomplishment of his characteristic pieces for larger ensembles. The Paris fantasias, which with the In nomines also included in the collection feature uniquely in a single source in the Bibliothèque Nationale de France, are more variable in texture and idiom. The volume also includes 6 ayres for two bass viols and organ, brief, tuneful compositions in dance-like rhythm redolent of the almain. Buckram. $143 [item no.6563] Weill, Kurt (collected edition) Chamber Music. Edited by Wolfgang Rathert and Jürgen Selk. The Kurt Weill Edition, II/1. New York, 2004. 30 x 39 cm, 2 vols, 192, 107 pp. The first volume of Weill’s chamber works edited in critical edition. Contents: String Quartet in B Minor, String Quartet op.8, Sonata for Violin and Piano, Frauentanz: Sieben Gedichte des Mittelalter, op.10 (voice, fl, vla, cl, hn, bsn), Ick sitze da_un esse Klops (voice, 2 pic, bsn). Cloth. (Subscribers to the series receive a substantial savings). $335 (more info... ) [item no.6527] MONOGRAPHS Appel, Bernhard & Johannes Boer. Viola da Gamba, Baryton, Arpeggione. Proceedings of the Symposium in Honour of Alfred Lessing, Düsseldorf 2000.Utrecht, 2003. 8º, 162 pp. Contributions by Lothar Stolte, Dieter Gutknecht, Johannes Boer, Reinmar Emans, Robert, Rawson, Fred Flassig, Matthias Wendt, Johannes Loescher, Bettina Hoffmann and Pierre Jacquier. Wrappers. $36 [item no.6516] Berck, Heinz. Viola d’amore Bibliographie. Verzeichnis gedruckter und ungedruckter Werke mit Viola d’amore als Soloinstrument, in Duos, Trios, Quartetten, Quintetten usw., als Soloinstrument in Konzerten, in Werken mit Singstimmen sowie Schul- und Studienwerke; dazu eine Bibliographie des Musikschrifttums zur Viola d’amore. Neue, erweiterte Ausgabe. Hofheim, 1994. 8º, 339 pp. Wrappers. $71 [item no.5743] Bianchi, Sergio, Giuliano Bellorini & Paolo Beschi. Le suites per violoncello solo di Johann Sebastian Bach. Analisi, storia, stile e prassi esecutiva. Lucca, 2008. 18 x 26 cm, xx, 184 pp. Wrappers. $59 [item no.6729] Bruni, Antonio Bartolomeo. Un inventaire sous la Terreur. Etat des instruments de musique relevé chez les émigrés et condamnés. Introduction, notices biographiques et notes par J. Gallay. Geneva, 1984. 8º, 280 pp. Line-cut of the Paris, 1890 edition. Inventories harpsichords, fortepianos, violins, violas, flutes, guitars, harps, etc. seized from the homes of emigrants in an official report in 1794. Includes names of makers and sometimes the date of the instruments. Wrappers. $76 [item no.4247] Chouquet, Gustave. Le Musée du Conservatoire avec les Ier, IIe et IIIe suppléments par Léon Pillaut. Introduction et index par Florence Gétreau. [Par] Gustave Chouquet. Geneva, 1993. 8º, 20, 475, 36 pp. Line-cut of the Paris, 1884, 1894, 1899, & 1903 editions. The only surviving descriptive catalog of this magnificent instrument collection. Wrappers. New index. $136 [item no.5607] Coin, Christophe & Susan Orlando. A Viola da Gamba Miscellanea sous la dir. de C. Coin et S. Orlando. Limoges, 2005. 8º, 244 pp. Contents: Le mystère Sainte Colombe: l'état actuel des recherches (J. Dunford) ; Ditrich Stöeffken: A Brief Introduction (J. Dunford); Hotman et Dubuisson (S. Cheney); Handel and the Viol (R. King); Une dispute aux Tuileries (P. Jaquier); Italian Influence on Seventeenth-Century English Music (D. Pinto); The Descant Viol in Germany (A. Otterstedt); Les sept planètes: un consort de violes anglais (P. Jaquier); Restaurer: le travail d'un atelier (I. Muthesius); The Restoration of Two English Viols by Henry Jaye and Richard Meares (D. Kessler); De la restauration d'une basse de viole de Nicolas Bertrand (C. Riché); Restoration Matters - An Interview with John Topham (M. Soubeyran). Wrappers. $59 [item no.8867] Coin, Christophe & Susan Orlando. The Italian Viola da Gamba. Proceedings of the International Symposium on the Italian Viola da Gamba. Christophe Coin et Susan Orlando, directors. Magnano, Italy, 29 April - 1 May 2000. Limoges, 2002. 8º, 223 pp. Contents: Early Evidence of the Viola da Gamba in Italy (Renato Meucci); “Wherein the most complete Harmony was heard”: The Viola da Gamba in Cromatic and Enharmonic Music in Seventeeth-Century Rome (Martin Kirnbauer); Monteverdi, the Viola Bastarda Player (James Bates); An Eighteenth-Century Italian Treatise and Other Clues to the History of the Viola da Gamba in Italy (Vittorio Ghielmi); The Viola da Gamba in Cremona (Carlo Chiesa); Problems of Authenticity in Sixteenth-Century Italian Viols and the Brussels Collection (Karel Moens); The Viola Bastarda and the Art of Improvising (Paolo Pandolfo); Italian Instruments in a List of Extant Viols Made before 1900 (Thomas G. MacCracken); Violin Traits in Italian Viol Building, Rule or Exception? (Myrna Herzog); Real Gut Strings: Some New Experiments in Historical Stringing (Oliver Webber); The System and Proportions of Baring on Viols (Luc Breton); A Study of Three Viols Attributed to Antonio Ciciliano (Simone Zopf); The “Antonio Ciciliano à Venetia” Viol in the Accademia Filarmonica of Bologna (Marco Tiella). Introduction in Eng-It-Fr (articles all in Eng). Wrappers. $66 [item no.8868] Dell’Antonio, Andrew. Syntax, Form and Genre in Sonatas and Canzonas 1621-1635. Quaderni di Musica/Realtà, 38. Lucca, 1997. 8º, 308 pp. Wrappers. $30 [item no.5996] Focht, Josef. Spieltechnik und Aufführungspraxis. Musik und Instrumente. Tübinger Beiträge zur Musikwissenschaft, 20. Tutzing, 1999. 8˚, 338 pp. Seminal work on the Viennese contrabass school. Linen. $85 [item no.6530] Fustier, Paul. Pratique de la vielle a roue, epoque baroque. Béziers, 2002. 4˚, 90 pp. New history of the hurdy-gurdy. Wrappers $32 [item no.6392] Hoffmann, Bettina. Catalogo della musica solistica e cammeristica per viola da gamba / Catalog of Solo and Chamber Music for Viola da Gamba. Lucca, 2001. 8º, 254 pp. New comprehensive index of music written for viola da gamba. Wrappers. $36 [item no.6315] La lutherie lorraine et français depuis ses origines jusqa’à nos jours, d’après les archives locales. Vie Musicale dans les Provinces Françaises, 5. Geneva, 1985. 17 x 24 cm, 387 pp. (Rpt. of Paris, 1912 edition). Largely original work based on research in the Mirecourt and Nancya archives. Illustrations of instruments, violin labels, maker’s marks, portraits, etc. Wrappers. $126 [item no.4257] Meier, Adolf. Konzertante Musik für Kontrabaß in der Wiener Klassik. Mit Beiträgen zur Geschichte des Kontrabaßbaues in Österreich. Zweite, erweiterte Auflage. Schriften zur Musik, 4. Munich, 2/ 1979 8˚, 241 pp. Wrappers. $68 [item no.6484] Otterstedt, Annnette. The Viol. Kassel, 2001. 8º, 254 pp. Comprehensive study on the viola da gamba. Hardbound $49 [item no.6380] Regazzi, Roberto. The Complete Luthiers Library. A Useful International Critical Bibliography for the Maker and Connoisseur of Stringed and Plucked Instruments Collected and Compiled by Roberto Regazzi. With a Foreword by Charles Beare. Revision of the English Text by Jane Helen Johnson. Bologna, 1990 8˚, xviii, 556 pp Limited edition of 600 copies. $225 [item no.6507] Salvetti, Guido. Le sonate per pianoforte e violoncello di Johannes Brahms. Contest, testo, interpretazione. Repertori Musicali; Storia, Analisi, Interpretazione, [1]. Lucca, 2005. 8º, 159 pp. Wrappers. $32 [item no.6592] Savart, Félix. Mémoire sur la construction des instruments à cordes et à archet. Lu à l’Académie des Sciences, le 31 mai 1819. Suivi du rapport qui en a été fait aux deux Académies des Sciences et des Beaux-Arts, par MM Haüy, Charles, de Prony, Cherubini, Catel, Berton, Le Sueur, Biot rapporteur. Geneva, 1972. 8º, 128 pp. Line-cut of the Paris, 1819 edition. Wrappers. $40 [item no.3327] Sibire, Sébastien-André. La chélonomie, ou le parfait luthier. Geneva, 1984. 16º, 164 pp. Line-cut of the Paris, 1823 edition. Wrappers. $40 [item no.3329] Spanhove, Bart. The Finishing Touch of Ensemble Playing. With a Historical Chapter by David Lasocki. A Flanders Recorder Quartet Guide for Recorder Players and Teachers. Peer, 2000. 4º, 85 pp. Wrappers. $28 [item no.6304] |