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| The
Kurt Weill
Edition
Making
available to scholars and performers the œuvre of one of the most
frequently performed, fascinating, and provocative of twentieth-century
composers
To be published
in 35 volumes by European American Music in conjunction with
the Kurt Weill Foundation, New York. Format: 30 x 39
cm (scores); separate critical commentaries.
Hardbound in dark blue linen. Subscribers to the series receive a substantial savings. |
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| | There
has long
been a pressing need for a collected critical edition of Kurt Weill's
music. In the decades since the composer's death in 1959 his musical
legacy has been represented in print either by flawed editions or not
at all. Only two of his compositions for the stage have ever been
published in full score. Several major theatrical works were never
circulated in any form, and only a few orchestral and chamber
compositions have been generally available. The Kurt Weill Edition addresses this basic need. For the first time,
each of the composer's completed works will be presented in a form
realizing the highest editoral and scholarly standards, dedicated to
use by both scholars seeking authoritative texts and performes seeking
accurate editions.
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| Overview:
Series
I - Stage (23 volumes) including Aufstieg und
Fall der Stadt Mahagonny,
Die Dreigroschenoper, Der Silbersee, Die sieben Todsünden, Johanny
Johnny Johnson, Lady in the Dark, Street Scene, and Lost in the Stars.
Series II -
Concert (9 volumes), including the Concerto
for Violin and
Wind Instruments, String Quartet op.8, Das Berliner Requiem, Symphonies
1 & 2, Der Lindberghflug, Kleine Dreigroschenmusik.
Series III -
Film (1 volume) including compositions for
the films The
River is Blue, You and Me, and Where Do We Go From Here?
Series IV -
Miscellanea (c. 2 volumes) two facsimiles, one of
the
autograph full score of Die Dreigroschenoper, the other of popular
editions of songs from the stage
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Facsimile of
Sailor Jenny's song (Series IV, volume 1)click image to view critical
edition of the same music (Series I, volume 5)
| 
Photo,
Kurt Weill Foundation
OMI would be pleased
to serve as your subscription agent for this important series |
| Published
volumes: Series
I, Volume 0 Zaubernacht. Edited by Elmar
Juchem and
Andrew Kuster. (2009) $250 (subscription); $340
(non-subscription)
Series
I, Volume 1 Der Protagonist. Edited by
Gunther Diehl and Jürgen Selk. (2007) $325 (subscription); $475
(non-subscription) Series I, Volume 5 Die Dreigroschenoper. Edited by
Stephen Hinton and Edward Harsh (2000) $240 (subscription); $360
(non-subscription) Series I, Volume
18 The Firebrand of Florence.
Edited by Joel Galand (2002) $425 (subscription);
$600 (non-subscription)
| Series II, Volume
1
Chamber Music (String Quartet in B Minor, Sonata for Cello and Piano, String Quartet op.8,
Frauentanz, and "Ich sitze da un' esse
Klops"). Edited by Wolfgang Rathert and Jürgen Selk (2004) $225 (subscription); $335
(non-subscription) Series
IV, Volume 1 Die Dreigroschenoper / The
Threepenny Opera (full-color facsimile of the autograph full
score
printed by Stinehour Press). Edited by
Edward Harsh (1996) $150 (subscription); $225
(non-subscription) Series II, Volume
2 Popular Adaptations,
1927-1950. Edited by Charles
Hamm. (2009) $175 (subscription); $225
(non-subscription) |
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| Coming volumes: Series I, Volume 2
Der Zar lässt sich
photographieren. Edited by Nils
Grosch
Series I, Volume 3
Mahagonny Songspiel. Edited
by J. Bradford
Robinson
Series I, Volume 10
Die sieben Todsünden.
Edited by Kim H.
Kowalke and Jürgen
Selk
Series I, Volume 13
Johnny Johnson. Edited by
Tim Carter
Series I, Volume 16
Lady in the Dark. Edited by
bruce mcclung
| Series I, Volume
17
One Touch of Venus. Edited
by Jon Alan Conrad
Series I, Volume 20
Street Scene. Edited by Kim
H. Kowalke
Series I, Volume 21
Love Life. Edited by Stephen
Banfield
Series II, Volume 2
Music with Solo Violin
(including Concerto for
Violin and Wind
Instruments, op. 12, and Der neue
Orpheus, op. 16, text by Iwan Goll). Edited
by
Andreas Eichhorn
Series III, Volume 1
Film Music (including
compositions for the films
The River
is Blue, You and Me, and Where Do We
Go From Here?). Edited by Wayne Shirley
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| ______________________________________________________________________
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