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Keyboard
 

Wednesday, 19 July 2017
Manuscript facsimiles (autographs & copyist manuscripts), facsimiles
of first editions & primary source materials, together with a selection of
modern editions & studies. For ordering information go to Contact OMI



Our keyboard catalog now gives you 5 different viewing options—just click the instrument(s) you want :
harpsichord, spinnet, virginal  •  piano, forte-piano, clavichord  •  keyboard theoretical works  •  all keyboard  •  organ



ALBERTI, Domenico, c.1710-1740

[Sonatas, harpsichord] VIII Sonate for Harpsichord Opera Prima.
Hebden Bridge, 2006. 4º, 27 pp. Line-cut of the John Walsh edition, London, 1748. Wrappers. $24 [item no.8748]


ALBRECHTSBERGER, Johann Georg, 1736-1809

[Fugues, keyboard, op.1] Douze fugues pour le clavecin ou l’orgue. Œuvre Premier. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 172. New York, [1997]. 26 x 33 cm, 27 pp. Line-cut of the J.J. Hummer edition, Berlin & Amsterdam, n.d. Wrappers. $18 [item no.7387]


Fundament zum Orgel und Fliegelspielen. Auth: Albrechtsberger. Ad usum. Ms. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 21. Stuttgart, 2012. Oblong, 22 x 19 cm, 28 pp. Line-cut of a contemporary manuscript. Distilled into 6 sections (Absätze) this useful and practical manual instructs the user, “according to current convention”, on 1) clefs, 2) the notation of tempi, notes & pauses, 3) the execution of ornaments & “manieren”, 4) right & left hand fingerings 5) chordal fingering, 6) tonality. Wrappers. $17 [item no.9307]


ARNE, Thomas A., 1710-1778

[Sonatas, harpsichord] Eight Keyboard Sonatas. A Facsimile Reproduction of the First Edition, with an Introductory Note by Gwilym Beechey & Thurston Dart.
London, 1969. Oblong, 30 x 23 cm, 32 facs, i pp. Line-cut of the Walsh edition, London, [1756]. Copy reproduced here includes a substantial number of carefully executed pen and ink additions, mostly of accidentals, possibly by the composer himself. Wrappers. $20 [item no.1707]


ARNOLD, Samuel, 1740-1802

[Overtures, harpsichord/piano, op.8, arr.] Six Overtures for the Harpsichord or Piano Forte, Opera VIII. [Colonial Williamsburg Foundation, Williamsburg].
Performers’ Facsimiles, 121. New York, [1992]. 26 x 33 cm, 26 pp. Line-cut of the London, c.1775 edition. Wrappers. $18 [item no.4480]


ATTAINGNANT, Pierre, c.1494-1552 [publisher]

[Magnificats, keyboard] Magnificat sur les huit tons avec te deum laudamus et deux préludes. Le tout mys en la tabulature des orgues, espinettes & manicordions. Présentation par Marcel Degrutère. [Bayerische Staatsbibl., Munich].
Collection Dominantes. Courlay, 1998. Oblong, 17 x 12 cm, 41, 80 pp. Line-cut of the Paris, 1531 edition. 38 compositions for solo keyboard. Preface in Fr-Eng-Ger. Wrappers. $33 [item no.7590]


Tabulature pour le jeu dorgues, espinettes et manichordions sur le plain chant de Cunctipotens et Kyrie fons. Avec leurs Et in terra. Patrem. Sanctus et Agnus dei. Paris, 1531. Présentation par Marcel Degrutère. [Bayerische. Staatsbibl., Munich].
Collection Dominantes. Courlay, 2000. Oblong, 18 x 13 cm, li, 79 pp. Line-cut of the Paris, 1531. 77 numbers for keyboard solo. One of three publications of sacred keyboard works very likely edited by Pierre Mouton. Preface in Fr-Eng-Ger. Hardbound. $29 [item no.7801]


BABELL, William, c.1690-1723

[Ladys Entertainment, book 3, harpsichord] The 3d. Book of the Ladys Entertainment or Banquet of Musick being a Choice Collection of the Most Celebrated Aires & Duets in the Opera’s of Pyrrhus & Clotilda Curiously Set and Fitted to the Harpsichord or Spinnet: with their Symphonys Introduc’d in a Compleat Manner. [Nederlands Musiek Instituut, The Hague].
Performers’ Facsimiles, 206. New York, [2001]. 24 x 33 cm, 24 pp. Line-cut of the Walsh edition, London. Wrappers. $18 [item no.7974]


[Ladys Entertainment, book 4, harpsichord] The 4th Book of the Ladys Entertainment or Banquet of Musick being a Choice Collection of the Most Celebrated Aires & Duets in the Opera’s of Pyrrhus & Clotilda Curiously Set and Fitted to the Harpsichord or Spinnet: with their Symphonys Introduc’d in a Compleat Manner. [Nederlands Musiek Instituut, The Hague].
Performers’ Facsimiles, 207. New York, [2001]. 24 x 33 cm, 33 pp. Line-cut of the Walsh edition, London. Wrappers. $18 [item no.7975]


[Suites of Lessons, harpsichord] Suits of the Most Celebrated Lessons Collected and Fitted to the Harpsichord or Spinnet with a Variety of Passages by the Author. [King’s College, Cambridge].
Alston, 1999. 21 x 29 cm, ii, 79 pp. Line-cut of the Walsh edition, London, 1717. Arranged by key into four suites, each prefaced by an original prelude. Introduction by Peter Holman. Ring binding. $32 [item no.7806]


[Suites of Lessons, harpsichord] Suits of the Most Celebrated Lessons Collected and Fitted to the Harpsicord or Spinnet. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 208. New York, [2001]. 24 x 33 cm, 79 pp. Line-cut of the Walsh edition, London, 1717. Wrappers. $25 [item no.7973]


BACH, Carl Philipp Emanuel, 1714-1788

[Cadenzas, keyboard, H.264/Wq.120] 75 Cadenzas (H.264/W.120) for Keyboard. Facsimile Edition with an Introduction by E. Eugene Helm. [Royal Conservatory, Brussels, ms. 5871].
Utrecht, 1997, 4º, viii, 23 pp. Halftone of a contemporary ms copy of cadenzas principally for concertos by CPE Bach. Wrappers. $18 [item no.8385]


[Kurze & leichte Clavierstücke, keyboard, Wq.113-114] Pièces courtes et faciles pour le clavier, 1766 et 1768. Kurze und leichte Clavierstücke mit veränderten Reprisen und beygefügter Fingersetzung für Anfänger. Berlin, 1766 – Zweyte Sammlung, Berlin, 1768. Présentation par Yasuko et Michel Bouvard. [Österrischische Nationalbibl., Vienna].
Collection Dominantes. Courlay, 1996. 24 x 32 cm, 26, 31 pp. Line-cut of the Berlin, 1766-68 editions. Preface in Fr-Eng-Ger-Jap. Wrappers. $28 [item no.7333]


[Kurze & leichte Clavierstücke, keyboard, Wq.113-114] Pièces courtes et faciles pour le clavier, 1766 et 1768.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 40 pp. Line-cut of the Berlin, 1766-68. Wrappers. $15 [item no.8940]


[Method, keyboard] Versuch über die wahre Art, das Klavier zu spielen. Erster und zweiter Teil. Faksimile-Nachdruck der 1. Auflage, Berlin 1753 und 1762, herausgegeben von Lothar Hoffmann-Erbrecht.
Leipzig, 6/ 1986. 18 x 22 cm, 501 facs, 16 pp. Line-cut of the first printed edition. “Versuch” was, in the German-speaking countries, the most important treatise of the period on playing keyboard instruments. Linen. $32 [item no.19]


[Method, keyboard] Versuch über die wahre Art, das Klavier zu spielen. Erster und zweiter Teil Reprint der 1. Auflage Berlin 1753 und 1762. Herausgegeben und mit modern geschlüsselten Notenbeispielen und einem ausführlichen Register versehen von Wolfgang Horn.
Kassel, 1994. 12˚, 592 pp. Line-cut of the first printed edition. “Versuch” was, in the German-speaking countries, the most important treatise of the period on playing keyboard instruments. Linen. $31 [item no.8324]


[Sonata, keyboard/harp, H.386] Sonate pour le clavecin, forte piano, orgue ou harpe qui représent le bataille de Bergen - 1776.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the Paris, [1776] edition. Programmatic music (falsely attributed to CPE Bach according to recent scholarship) depicting the beginning of a battle, the fire of the canons and musketry, the cavalry attack, and the wailing of the wounded. Wrappers. $15 [item no.8934]


[Sonatas, keyboard, H.24-29; Wq.48, “Prussian”] Sei Sonate per cembalo che all’ Augusta Maestà di Federico II, Rè di Prussia, D.D.D. l’Autore. [The “Prussian” Sonatas].
Performers’ Facsimiles, 2. New York, 1986. 21 x 31 cm, 36 pp. Line-cut of the Nuremberg, 1742 edition. Wrappers. $18 [item no.18]


[Sonatas, keyboard, H.30-34, 36, Wq.49, “Württemberg”] Sei Sonate per cembalo dedicate all’Altezza Serenissima di Carlo Eugenio, Duca di Wirtemberg e Teckh. Opera IIda. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 284. New York, [2009]. Oblong, 39 x 26 cm, 44 pp. Line-cut of the Nuremberg, 1742 edition. Wrappers. $28 [item no.9101]


[Sonatas, keyboard, H.136-140; Wq.50] Sechs Sonaten fürs Clavier mit veränderten Reprisen, 1760. Présentation par Philippe Lescat. [Bibl. Municipale, Lyon].
Collection Dominantes. Courlay, 1992. Oblong, 32 x 24 cm, 40, 37 pp. Line-cut of the G.L. Winter edition, Berlin 1760. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $43 [item no.4391]


[Sonatas, keyboard, H.150-51, 127-28, 141, 62; Wq.51] Fortsetzung von sechs Sonaten fürs Clavier, 1761. Présentation par Philippe Lescat. [Bibl. Municipale, Lyon].
Collection Dominantes. Courlay, 1992. Oblong, 32 x 23 cm, 47, 34 pp. Line-cut of the G.L. Winter edition, Berlin 1761. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $38 [item no.4393]


[Sonatas, keyboard, H.50, 142, 158, 37, 161, 129; Wq.52] Zweite Fortsetzung von sechs Sonaten fürs Clavier. Berlin, 1763. Présentation par Philippe Lescat.
Collection Dominantes. Courlay, 1992. 24 x 32 cm, 64 pp. Line-cut of the G.L. Winter edition, Berlin 1763. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 [item no.4394]


[Sonatas, keyboard, H.204-5, 184, 206, 185, 207; Wq.54] Sei Sonate per il clavicembalo solo all’uso delle donne [Wq 54]. [British Library, London].
Performers’ Facsimiles, 202. New York, [2000]. 25 x 31 cm, 36 pp. Line-cut of the Riga, 1773 edition. Wrappers. $18 [item no.7762]


[Sonatas, keyboard, H.204-5, 184, 206, 185, 207; Wq.54] Six sonates pour le clavecin à l’usage des dames. 1765-1766. Présentation par Miklos Spanyi. [Kunglika Musikaliska Akademiens Biblioteket, Stockholm].
Collection Dominantes. Courlay, 2006. 24 x 32 cm, xvii, 28 pp. Line-cut of the 1765-1766 edition. Corresponds to Helm nos. H204, 205, 184, 206, 185, 207. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.8773]


[Sonatas, keyboard, Wq.55-59 & 61] Clavier-Sonaten für Kenner & Liebhaber, nebst einigen Rondos und Fantasien. Erste bis sechste Sammlung, Leipzig, Autor, 1779-1787.
Archivum Musicum: Monumenta Musicae Revocata, 7. Florence, 1988. Oblong, 30 x 24 cm, xiv, 235 pp. Line-cut of the Leipzig edition, issued in six collections, respectively in 1779, 1780, 1781, 1785 & 1787. Contains 13 sonatas, 13 rondos, and 6 fantasies. Introduction in It-Eng by Laura Alvini. Wrappers with quarter linen portfolio. $79 (more info... ) [item no.2400]


[Sonatas, keyboard, Wq.63, 1-12] Exempel nebst 18 Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken. Facsimile Edition with an Introduction by Mark W. Knoll.
Carl Philipp Emanuel Bach: The Complete Works, VII, Supplement. Los Altos, 2009. 4°, xi, 35 pp. Beautiful halftone (in slightly reduced format) of the 12 sonatas published as a music supplement in C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” . The original print—hand engraved—are from Tuft’s University Library and the Sibley Music Library. In contrast to “typeset” music of the time this source has a wonderful human quality and is exceptional in its execution. Wrappers. $21 [item no.9144]


BACH, Johann Christian, 1735-1782

[Fuge über die Buchstaben seines Namens, keyboard] Fuge für das Pianoforte oder die Orgel über die Buchstaben seines Names BACH.
Biblioteca Classica, 2. Rotterdam, 1986. 4º, 8 pp. Line-cut of the A. Kühnel edition, Leipzig, c.1810. Plastic ring binding. $10 [item no.4895]


[Method, keyboard] Méthode ou recueil de connaissances élémentaires pour le forte-piano ou clavecin. Œuvre melé de theorie et de pratique divisé en deux parties pour le Conservatoire de Naple.
Geneva, 1974. Oblong, 30 x 22 cm, 91 pp. Line-cut of the Paris, 1876 edition. Examines basic musical concepts, notational symbols, shades of expression, musical forms, and rules for performance. A second section provides 118 examples, mostly whole pieces. Wrappers. $37 [item no.3238]


[Sonatas, keyboard, op.5 & 17, W A1-6; A7-12] Sonates pour le clavecin ou le piano-forte, Opus V – Opus XVII. Présentation par Jeanne Roudet. [Bibl. Nationale, Paris & British Library, London].
Collection Dominantes. Courlay, 1992. Oblong, 32 x 24 cm, 53, 77 pp. Line-cut of the London, c.1768 & 1779 editions. Introduction in Fr-Eng-Ger. Wrappers. $54 [item no.4522]


BACH, Johann Christoph, 1642-1703

[variations, keyboard, on a them by D. Eberlin] Aria Eberliniana pro dormente camillo variata (1690). Faksimile der Handschrift im Bachhaus Eisenach mit einem Nachwort von Claus Oefner.
Leipzig, 1992. Oblong, 21 x 17 cm, 16, iv pp. Beautiful full-color halftone of the autograph issued on the 350th anniversary of the birth of Johann Christoph Bach (Johann Sebastian Bach’s great uncle). Aria with 15 variations based on a theme by the composer Daniel Eberlin (1647-1714). Wrappers. $35 (more info... ) [item no.7645]


BACH, Johann Sebastian, 1685-1750

[Art of Fugue, BWV 1080] Die Kunst der Fuge / L’arte della fuga BWV 1080. Studio introduttivo a cura di Sergio Vartolo.
Archivum Musicum: Monumenta Musicae Revocata, 37. Florence, 2008. 24 x 34 cm, 4 vols, 99, 40, 72, 20 pp. Line-cut of the autograph score and the beautifully engraved first edition issued 1751/1752. Introduction in It by Sergio Vartolo, with abstract in English. Wrappers, with portfolio in cloth and decorative paper. $155 (more info... ) [item no.9030]


[Art of Fugue, BWV 1080, 1st ed.] Die Kunst der Fuge [BWV 1080]. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 289. New York, [2009]. Oblong, 41 x 26 cm, 72 pp. Line-cut of the Leipzig, 1751/1752 edition. Wrappers. $30 [item no.9102]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. Handsome binding in brown linen with lettering in gold. $285 (more info... ) [item no.7619]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. “Sonder-Ausgabe” issued on the occasion of the 200th anniversary C-F. Peters for Bach-Jahr 2000. Bound in green buckram with gold lettering. $285 (more info... ) [item no.8986]


[Clavierbüchlein, for Anna Magdalena Bach] Klavierbüchlein für Anna Magdalena Bach 1725. Faksimile der Originalhandschrift mit einem Nachwort herausgegeben von Georg von Dadelsen. [Staatsbibliothek Preußischer Kulturbesitz, Berlin, Mus. ms. Bach P 225].
Documenta Musicologica, II/25. Kassel, 1988. Oblong, 28 x 21 cm, 146 facs. xxii pp. Superb 4-color halftone in the original format. Arias, minuets, polonaises, marches and other short pieces of “galanterie” by Bach, his children, and a few visitors in the Bach home. Pieces arranged chronologically (except for the last section) with the earliest compositions from 1725 and the latest from the late 1740s. Almost every member of Bach family has helped to copy the Buchlein–only Wilhelm Friedemann is absent. Afterword in Ger-Eng-Fr. Index with identification of the copyist of each piece. Handsome binding with green glossy paper boards and gold trim. $66 (more info... ) [item no.3047]


[Clavier-Übung, keyboard, part 1, BWV 825-830] [Erster Theil der] Clavir Ubung bestehend in Praeludien, Allemanden, Couranten, Sarabanden, Giguen, Menuetten, und andern Galanterien; denen Liebhabern zur Gemüths Ergoetzung. Opus 1. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 96. New York, [1991]. Oblong, 28 x 21 cm, 74 pp. Line-cut of the Leipzig, 1731 edition. Wrappers. $20 [item no.4055]


[Clavier-Übung, keyboard, part 2, BWV 971 & 831] Zweyter Theil der Clavier Ubung bestehend in einem Concerto nach Italiaenischen Gusto, und einer Overture nach Französischer Art, vor ein Clavicymbel mit zweyen Manualen. Denen Liebhabern zur Gemüths-Ergötzung. [Yale University Library, New Haven].
Performers’ Facsimiles, 97. New York, [1990]. 24 x 33 cm, 28 pp. Line-cut of the Leipzig, [1735] edition. Wrappers. $18 [item no.3913]


[Clavier-Übung, keyboard, part 2, BWV 971 & 831] Clavier-Übung–2º partie (Concerto italien–Ouverture à la française) (1735) / Einige canonische Veraenderungen (Variations canoniques) (1747). [British Library, London].
Collection Dominantes. Courlay, 1992. 4º, 33, 33 pp. Line-cut of the Leipzig, [1735] edition, based on Bach’s personal annotated copy. Introduction in Fr-Eng-Ger. Wrappers. $42 [item no.4385]


[Clavier-Übung, keyboard, part 4, BWV 988] [Vierter Theil der] Clavier Ubung bestehend in einer Aria mit verschiedenen Veraenderungen vors Clavicimbal mit 2 Manualen denen Liebhabern zur Gemüths-Ergetzung. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 99. New York, [1990]. 4º, 33 pp. Line-cut of the Nuremberg, [1741/42] edition. Wrappers. $18 [item no.3839]


[Clavier-Übung, keyboard, part 4, BWV 988] Clavier Übung 4e partie (Variations Goldberg), 1741. Présentation par Philippe Lescat. [Bibliothèque Nationale, Paris].
Collection Dominantes. Courlay, 1990. 4º, 10, 34 pp. Line-cut of the c.1741 edition, based on Bach’s personal annotated copy in the BN. The flyleaf contains—in Bach’s hand—14 canons on the Goldberg theme. Introduction in Fr-Eng-Ger. Wrappers. $35 (more info... ) [item no.3780]


[Fantasy, keyboard, BWV 906] Fantasia per il cembalo, BWV 906. Facsimile Edition with an Introduction by Robert L. Marshall. [Pierpont Morgan Library, on deposit; Sächsische Landesbibl. Dresden, Mus. 2405-T-52].
Leipzig, 1976. 25 x 40 cm, 8, with 7 plates pp. Halftone. Special edition for the members of the New Bach Society. Includes both the Bethlehem and Dresden mss. Text in Ger-Eng. Wrappers. $45 [item no.66]


[French Suite, keyboard, BWV 816] French Suite No. 5, BWV 816. Edited from Autograph and Manuscript Copies by Heinz-Christian Müller. Fingering by Hans Kann. [Ms. Deutsche Staatsbibl. Berlin].
Urtext Edition + Faksimile. Vienna, 1983. 4º, ii, 12, 14 pp. Halftone reproduction of autograph plus new authoritative edition. Preface in Ger-Eng-Fr. Wrappers. $23 [item no.69]


[Inventions & sinfonias, keyboard, BWV 772-801] XV inventions à 2 et XV sinfonies à 3 pour le clavecin. [Bibl. Musicale du Conservatoire National de Région, Toulouse].
Bourg-la-Reine, 2000. 24 x 34, iii, 35, ii pp. Beautiful color reproduction. Contemporary ms copy of German provenance (with the inventions and sinfonia paired by key on facing pages), in a careful and elegant hand, believed to date from c.1755. It was rediscovered in 1993 during a move of the Toulouse Conservatoire. Introduction in Fr-Eng and critical apparatus by Jean-Christophe Maillard. Wrappers. $39 (more info... ) [item no.8373]


[Inventions, keyboard, selections] 3 Two Part Inventions. C Major, E Major, F Major. BWV 772, 777, 779. Edited from Autographs and Manuscript Copies by Erwin Ratz and Karl Heinz Füssl. Fingering by Oswald Jonas. [Ms. Deutsche Staatsbibl. Berlin].
Urtext Edition + Faksimile. Vienna, 1973. 4º, iii, 6 facs, 6 pp. Halftone of the autograph plus a new authoritative edition. Preface in Ger-Eng-Fr. Wrappers. $12 [item no.73]


[WTC I, keyboard, BWV 846-869] The Well-Tempered Clavier. Part I, BWV 846-869. Facsimile of the Autograph Manuscript in the Staatsbibliothek zu Berlin—Preussischer Kulturbesitz. Commentary by Christoph Wolff and Martina Rebmann.
Documenta Musicologica, II/50. Kassel, 2015. 20 x 32 cm, xxx, 90 pp. Deluxe 4-color facsimile of the autograph score based on newly commissioned photographs. The preludes and fugues of The Well-Tempered Clavier embrace an entire cosmos of compositional devices and musical characters—the ne plus ultra of ‘unity through diversity’. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history. The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. Bach authority Christoph Wolff provides a commentary to the work’s genesis and the characteristics of Bach’s handwriting. Martina Rebmann (Staatsbibliothek Berlin) describes the subsequent history of the autograph. Afterword in Eng-Ger. Limited bibliophile edition, binding with leather spine, boards in decorative paper and pasted title etikette. A note on the MS and its facsimiles: Previous facsimile editions (1962-1989) exhibit on some pages a "screen" effect, the result of a silk chiffon overlay that curators applied to Bach's MS to prevent crumbling of the paper. Curators discovered that the chiffon was actually damaging the paper more, so in the early 80s the original MS was withdrawn from public view. To finally solve the problem of deterioration—much of it due to the corrosive quality of the ink—curators turned to a method called "paper splitting", where front and reverse side of each leaf is split, and an alkali-buffered paper laid in between; during the process imperfections in the leaves are repaired with the finest cellulose fibers. The leaf is also treated with a chemical to stop the process of corrosion; in the end the damaging silk chiffon could be completely removed. This new facsimile edition presents the MS—for the first time—in its post-restoration state, without silk chiffon, significantly improving the vividness of Bach's handwriting, a true joy for Bach lovers. $343 (more info... ) [item no.9413]


[WTC I, keyboard, BWV 846-869] Preludes and Fugues Book One. The Well-Tempered Clavier I. BWV 846-869. [Deutsche Staatsbibliothek Berlin, mus. ms. aut. P. 415].
Melbourne, 1986. 4º, 153, 90 pp. Halftone. Together with a new practical edition by Warren Thomson. Historical introduction and analysis. Wrappers. $47 (more info... ) [item no.2867]


[WTC I, keyboard, selections] Le clavecin bien tempere ou Preludes et fugues dans tous les tons et demitons. Prelude I, Fuga I.
Frankfurt, c.1985. Oblong, 31 x 21 cm, 4 facs, ii pp. Line-cut of the C.F. Peter’s printed edition from 1801. Text in Japanese. Laid paper with stiff wrappers. $17 [item no.3945]


[WTC I, keyboard, selections] The Welltempered Clavier I, Prelude 1, Fugue 1, C Major, BWV 846 Edited from the Autograph and Manuscript Copies by Walther Dehnhard; Fingering by Detlef Kraus. [Ms. Deutsche Staatsbibl. Berlin].
Urtext Edition + Faksimile. Vienna, 1977. 4º, 2 facs (oblong), 5 pp. Halftone of autograph plus new authoritative edition. Preface in Ger-Eng-Fr. Wrappers. $13 [item no.82]


[WTC I, piano, BWV 846-869, Richault edition, annotated by F. Chopin] Vingt-quatre préludes et fugues (Le clavier bien tempéré, livre I). Annoté par Fréderic Chopin. Commentaire de Jean-Jacques Eigeldinger.
Publications de la Société Française de Musicologie, I/28. Paris, 2010. Oblong, 28 x 21 cm, lxxii, 111 pp. Color facsimile of the Richault edition (one of the four first editions of the work), with autograph emendations by Fredéric Chopin. In his triple activity as composer, performer, and teacher, Chopin constantly turned to Bach as a supreme point of reference. The Well-Tempered Clavier is said to be the only score he took with him to Majorca in the winter of 1838-39, at the time he was completing his 24 Preludes op.28—in other words, at the heart of his career as a composer. Until now the important role played by the Well-Temperedocument published here for the first time confirms it with living proof of a different kind, a live record, so to speak, of his teaching. This precious score, held in a private collection, emanates directly from Pauline Chazaren, a pupil of Chopin and teacher of Cosima Liszt. The score was probably purchased in Lyons around 1843 prior to Pauline's Parisian sojourn and was d Clavier in Chopin's teaching has been known on the basis of literary sources. The brought or sent to Paris, where it was used in the lessons with Chopin. The score shows no trace of interventions that could be ascribed to Pauline or anyone else. Leafing through the pages of this copy of the Well-Tempered Clavier I, one cannot fail to be struck by the neatness with which the signs and words indicating tempo, metronome marks, phrasing, articulation, dynamics, left-hand octaves, and so on, have been notated. All of Czerny's indications (probably taken from the 1843 Veuve Launer edition), save fingerings, have been copied out by Chopin. The systematic copying stops after Prelude 7, as do the sporadic indications in ink. Commentary in Fr/Eng/Pol. Hardbound. (more info... ) [item no.9166]


[WTC II, keyboard, BWV 870-893] Preludes and Fugues Book Two. The Well-Tempered Clavier II. BWV 870-893. [British Library, Add. MS 35021].
Melbourne, 1986. 4º, 136, 34, 86 pp. Halftone. Together with a new practical edition by Warren Thomson. Historical introduction and analysis. Wrappers. $47 (more info... ) [item no.2868]


Wollny, Peter. Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe. Herausgegeben von Peter Wollny. Anhang: Aria “Alles mit Gott und nichts ohn’ ihn” BWV 1127. Herausgegeben von Michael Maul.
Neue Ausgabe Sämtlicher Werke, Supplement. Kassel, 2011. 22 x 30 cm, 250 pp (incl. 77 facsimiles). Comprehensive study of Bach’s basso continue practice, documented with full-color reproductions from autograph manuscripts and sketches. Consists of teaching documents in figured bass and counterpoint, and sketches & fragments found in autograph full scores, all accompanied by modern transcriptions. Linen. $334 (more info... ) [item no.9278]


BACH, Wilhelm Friedemann, 1710-1784

Sei sonate per il cembalo dedicate al Signore Illustrissimo il Signore George Ernesto Stahl Consigliere delle corte de Suo Maestá il Re di Prussia Elettore de Brandenburgo.
Performers’ Facsimiles, 52. New York, [1988]. Oblong, 28 x 20 cm, 18 pp. Line-cut of the Dresden, Leipzig, & Berlin, 1745 edition. (This publication in fact contains only one sonata). Wrappers. $13 [item no.2690]


BALBASTRE, Claude-Bénigne, 1729-1799

[Noëls, harpsichord/piano] Recueil de noëls [formant quatre suittes, avec des variations pour le clavecin et le forte piano]. [Private collection, Michel Chapuis].
La Musique Française Classique de 1650 à 1800, 73. Courlay, 1994. Oblong, 32 x 24 cm, 26, 38 pp. Line-cut of the Paris, [1770] edition. 4 suites, each containing 6 noëls. Introduction by Jean Saint-Arroman. Wrappers. $32 [item no.4763]


[Pièces, harpsichord, book 1] Pièces de clavecin (Premier livre). [Gemeente Museum, The Haag].
La Musique Française Classique de 1650 à 1800, 32. Courlay, 1990. 24 x 33 cm, xxi, 30 pp. Line-cut of the 1759 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $28 [item no.2914]


[Pièces, harpsichord, book 1] Pièces de clavecin, premier livre, dédié à Madame de Caze.
Performers’ Facsimiles, 24. New York, 1987. 24 x 33 cm, 30 pp. Line-cut of the Paris, 1759 edition. Wrappers. $18 [item no.2133]


[Pièces, harpsichord, book 1] Pièces de clavecin - Premier livre - 1759.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 36 pp. Line-cut of the Paris, 1759 edition. Wrappers. $14 [item no.8933]


BARRIÈRE, Jean, c.1705-1747

[Sonatas & pièces, harpsichord, book 6] Sonates et pièces pour le clavecin.
Clavecinistes Français du XVIIIe Siècle, XIII. Geneva, 1982. 4º, 39 pp. Line-cut of the Paris, c.1745 edition. One of the founders of the “French cello school” and the first to write sonatas for the harpsichord. 12 compositions. Wrappers. $30 [item no.814]


[Sonatas & pièces, harpsichord, book 6] Sonates et pièces pour le clavecin, livre VI. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 232. New York, [1999]. 26 x 33 cm, 39 pp. Line-cut of the Paris, 1734 edition. Wrappers. $20 [item no.7951]


BAUMGARTEN, Karl Friedrich, c.1740-1824

Five Celebrated Fuges or Voluntarys for the Harpsichord or Organ.
Performers’ Facsimiles, 72. New York, [1990]. 26 x 33 cm, 35 pp. Line-cut of the London, c.1784 edition. Wrappers. $18 [item no.3691]


BECK, Franz, 1723-1809

[Sonatas, harpsichord/piano, op.5] Sonates pour le clavecin ou le piano-forte. Œuvre V.
Musique pour le Piano-Forte, I. Geneva, 1983. 4º, 44 pp. Line-cut of the Paris, c.1773 edition. Wrappers. $30 [item no.815]


BECKWITH, John, 1750-1809

[Voluntaries, organ/harpsichord] Six Voluntaries for the Organ, Harpsichord, &c.
Musica Repartita, 61F. Utrecht, 1993. Oblong, 4º, 22 pp. Line-cut of the London, 1780 edition. Plastic ring binding. $20 [item no.4967]


BEMETZRIEDER, Anton, 1743-1817

Leçons de clavecin et principes d’harmonie. A Facsimile of the 1771 Paris Edition.
Monuments of Music and Music Literature in Facsimile, II/18. New York, 1966. 20 x 27 cm, 371 pp. Line-cut of the Paris, 1771 edition. Laid paper, clothbound. [item no.1779]


BILLINGTON, Elizabeth Weichsell, c.1765-1818

Six Progressive Lessons for the Harpsichord or Piano-Forte. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 194. New York, [1997]. 26 x 32 cm, 35 pp. Line-cut of the J. Bland edition, London, c.1793. Wrappers. $18 [item no.7353]


BIRNSTIEL, Friedrich Wilhelm, fl.1753-1782 [publisher]

Musikalisches Allerley von verschiedenen Tonkünstlern. 1ste, 2te, 3te, 4te, 5te, 6te, 7te, 8te, 9te Sammlung. Introduction: Greta Haenen. [Conservatoriumbibl., Brussels].
Facsimile Series, IV/2. Peer, 1992. 4º, 302 pp. Line-cut of the Berlin, 1761-63 edition. In 1728 Telemann began, with Geteuer Music-Meister, a trend in musical editions published by installments that catered to both professional and amateur musicians. Musikalisches Allerley is the leadingserial and one of the first of such from Berlin, offering the newest works for keyboard instruments and songs with keyboard accompaniment. Among the 30+ composers featured are CPE Bach, Kirnberger, Marpurg & Schale. Wrappers. $43 [item no.4197]


BLANCHET, Armand François Nicolas, 1763-1818

[Method, keyboard] Méthode abrégée pour accorder le clavecin et le forte-piano / [A. Louët:] Instructions théoriques et pratiques sur l’accord du piano-forte.
Geneva, 1976. 8º, 92 pp. Line-cut of the Paris, 1797 & 1800 editions. Two complementary treatises on the early piano. Hardbound. $51 [item no.2758]


BOCCHERINI, Luigi, 1743-1805

[Quartets, strings, op.26; arr.] Sei quartetti a due cembali. [Sächsische Landesbibliothek, Dresden, Mus 3490-P-10 a/b].
Associazione Clavicembalistica Bolognese, 6. Rome, 1988. Oblong, 30 x 21 cm, 2 parts, xx, 76 pp. Line-cut of a contemporary ms copy, a wonderful transcription for two harpsichoords from the original string version. Boccherini calls these works “opera piccola” on account of their two-movement structure. Preface in It-Eng by Maria Pia Jacoboni. Wrappers. $56 [item no.7076]


BOISMORTIER, J.B. Bodin de, 1691-1755

[Suites, harpsichord, op.59] Cinquante-neuvième œuvre contenant quatre suites de pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, XXIV. Geneva, 1986. 22 x 30 cm, 23 pp. Line-cut of the author’s edition, Boivin, Le Clerc, Paris, 1736. Descriptive pieces arranged as 4 suites, some of which include several couplets. Wrappers. $33 [item no.817]


[Suites, harpsichord, op.59] Les pièces de clavecin - Livre second.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the Paris, 1736 edition. Wrappers. $13 [item no.8932]


BON, Anna, 1740-1767?

[Sonatas, harpsichord, op.2] Sei sonate per il cembalo. Opera seconda. [Fürstlich Thurm und Taxissche Hofbibliothek, Regensburg].
Performers’ Facsimiles, 152. New York, [1998]. 26 x 33 cm, 26 pp. Line-cut of the Nuremberg, 1755 edition. Wrappers. $15 [item no.7557]


BOUTMY, Josse, 1697-1779

Premier livre de pièces de clavecin. Introduction: Henri Vanhulst.
Musica Bruxellensis, VI. Brussels, 2011. 4˚. Line-cut of the Paris, 1738 edition. The first of four publications for clavecin by Boutmy to be published in facsimile. Preface in Eng-Fr. Wrappers. $32 (more info... ) [item no.9257]


BOYCE, William, 1711-1779

[Trio sonatas, 2 vln/fl, bc] Twelve Sonatas for Two Violins; with a Bass for the Violoncello or Harpsicord. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 210. New York, [2000]. 27 x 35 cm, 3 partbooks, 100 pp. Line-cut of the London, 1747 edition. Wrappers. $45 [item no.7767]


[Voluntaries, organ/harpsichord] Ten Voluntaries for the Organ or Harpsichord. A Facsimile Reproduction of the Eighteenth-Century Edition with an Introduction by John Caldwell.
London, 1970. Oblong, 31 x 23 cm, 4, 26 pp. Line-cut of the London, c.1785 edition. Wrappers. $27 [item no.819]


BOYVIN, Jacques, c.1649-1706

[Method, keyboard accomp.] Traité abrégé de l’accompagnement pour l’orgue et pour le clavecin avec une explication / [C.-F. Clement:] Essai sur l’accompagnement du clavecin / Essai sur la basse fondamentale.
Geneva, 2001. Oblong, 26 x 20 cm, 78 pp. Line-cut of the Paris, 1705, 1758, & 1762 editions. Three complementary treatises on accompanying with the organ and harpsichord. Wrappers. $71 [item no.2764]


BREMNER, Robert, b.?-1789 [publisher]

The Harpsichord or Spinnet Miscellany by Robert Bremner. A Facsimile Reproduction of the Original Edition of about 1765, from a Copy Belonging to Colonial Williamsburg. With a Preface by by J.S. Darling.
Williamsburg, 1986. Oblong, 31 x 23 cm, vi, 26 pp. Line-cut of the London edition. A graded collection of pieces including numbers by Nicracci, Lully, Corelli, Larini, Pescatore, and others, together with some rules on playing by Robert Bremner. Wrappers in marbled paper. $15 [item no.686]


BURGESS, Henry, 18th c.

[Lessons, harpsichord] A Collection of Lessons for the Harpsichord Composed in an Easy and Familiar Style.
Performers’ Facsimiles, 61. New York, [1989]. 25 x 32 cm, 26 pp. Line-cut of the London, c.1725 edition. Wrappers. $18 [item no.3513]


BURKHARD, Willy, 1900-1955

[Toccata, cembalo] Kleine Toccata für Cembalo.
Willy-Burkhard-Gesellschaft, Jahresgabe 1972. Bern, 1972. 23 x 28 cm, 4 pp. Halftone of the autograph score composed in 1936 for the baptism of Christine Judermuhle. Special limited edition on laid paper. Wrappers. $25 [item no.2845]


BURY, Bernard de, 1720-1785

[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, XI. Geneva, 1982. 4º, 40 pp. Line-cut of the Boivin & Le Clerc edition, Paris, [1737]. 4 suites. Wrappers. $30 [item no.820]


BUSTYN, Pierre, c.1649-1729

[Suites, harpsichord] IX suittes pour le clavessin. Facsimile Edition (Brussels, Royal Library Albert I, Fétis 2956 B Mus). With an Introduction by Albert Clement.
Exempla Musica Zelandica, I. Middelburg, 1992. 4º, xvii, 41 pp. Line-cut of the Amsterdam, c.1712 edition. Wrappers. $31 [item no.4640]


BYRD, William, 1543-1623

My Ladye Nevells Book (British Library MS Mus. 1591). Edited by Oliver Neighbour.
Documenta Musicologica, II/44. Kassel, 2012 Oblong, 8°, 394, 7 pp Duo-tone facsimile of one of the most beautifully written music manuscripts to survive from the late 16th c. and is still preserved in its original ornate binding. It was painstakingly compiled by the Windsor-based scribe John Baldwin, who completed work on it on 11 September 1591. Baldwin seems to have worked under the direction of the composer of all the pieces in the book, William Byrd, and clearly thought highly of him, describing him elsewhere as one “whose greate skill and knowledge: dothe excelle all at this tyme: and farre to strange countries: abroade his skill dothe shyne”. By 1591 Byrd was mid-way through his career as composer of church music and secular vocal and instrumental music. The MS provides a snapshot of the keyboard music he had composed by that date and is an exceptionally important source for his music. It contains some of his best-known compositions for keyboard, including variations on the popular tunes 'Sellinger's Round' and 'All in a Garden Green'. It also includes music written by Byrd specially for the dedicatee of the MS, 'Ladye Nevell'. She has recently been identified as Elizabeth, wife of Sir Henry Nevill of Billingbere, Berkshire. Her family's coat of arms adorns a leaf at the front of the MS. The MS was accepted by HM Government in Lieu of Inheritance Tax and allocated to the British Library in April 2006, with additional funding from donors. (adapted from BL description). Commentary in Eng-Ger. Hardbound. $228 (more info... ) [item no.9297]


CARISSIMI, Gian Giacomo, 1605-1674

[Method, keyboard; method, singing & keyboard] Vermehrter und nun zum zweytenmal in Druck befördertet kurzer jedoch gründlicher Wegweiser vermittelst welchen man nicht nur allein aus dem Grund die Kunst, die Orgel recht zu schlagen, sowol was den General-Bass... / Ars cantandi. Richtiger und außführlicher Weg, die Jugend aus dem rechten Grund in der Sing-Kunst zu unterrichten.
Faksimile-Edition Theoretica, 4 Suttgart, 2010. Oblong, 22 x 17 cm, 48; 74 pp. Line-cut of the Augsburg 1692 and 1693 editions. Ars cantandi—after a brief introduction on fundamentals and solmisation—includes an appendix of keyboard pieces (preamboli, intermezzi, versetti, toccate, tastate, variazioni, fughe). Hardbound in decorative paper. $46 [item no.9194]


CHAMBONNIÈRES, Jacques Champion de, c.1602-1672

[Pièces, harpsichord, books 1 & 2] Pièces de clavessin.
Monuments of Music and Music Literature in Facsimile, I/3. New York, 1967. Oblong, 31 x 22 cm, 70 pp. Line-cut of the Paris, 1670 edition. The first two books of harpsichord music to be engraved in France. Laid paper, clothbound. [item no.823]


[Pièces, harpsichord, book 1] Pièces de clavecin (premier livre). Paris, 1670. [Bibl. Sainte-Geneviève, Paris, Vm 125].
La Musique Française Classique de 1650 à 1800, 47. Courlay, 1989. Oblong, 31 x 22 cm, 23, 70 pp. Line-cut of the Paris, 1670 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $44 [item no.3530]


[Pièces, harpsichord, book 1] Les pièces de clavessin, livre premier.
Performers’ Facsimiles, 56. New York, [1991]. Oblong, 27 x 21 cm, 70 pp. Line-cut of the Paris, 1670 edition. Wrappers. $20 [item no.4114]


[Pièces, harpsichord, book 2] Pièces de clavecin (livre second), Paris, 1670. [Bibl. Sainte-Geneviève, Paris, Vm 126].
La Musique Française Classique de 1650 à 1800, 55. Courlay, 1991. Oblong, 31 x 22 cm, 20, 60 pp. Line-cut of the Paris, [1670] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $41 [item no.4101]


[Pièces, harpsichord, book 2] Les pièces de clavessin, livre second.
Performers’ Facsimiles, 57. New York, [1990]. Oblong, 27 x 21 cm, 62 pp. Line-cut of the Paris, 1670 edition. Wrappers. $20 [item no.3911]


[Pièces, harpsichord, book 2] Les pièces de clavecin - Livre second.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 36 pp. Line-cut of the Paris, 1670 edition. Wrappers. $15 [item no.8931]


CHARRIÈRE, Isabelle de (Belle van Zuylen), 1740-1805

[Sonatas, harpsichord/piano, op.1-3] 9 sonates pour le clavecin ou piano forté. Œuvre I, II et III.
Musica Repartita, 27F. Utrecht, 1991. 4º, 41, iv pp. Line-cut of the Paris, c.1783 edition. Wrappers. $21 [item no.7246]


CHERUBINI, Luigi, 1760-1842

[Sonatas, keyboard, op.1] Sei sonate per cimbalo. Présentation par Emer Buckley. [Bibliothèque Nationale, Paris].
Collection Dominantes. Courlay, 1994. Oblong, 32 x 23 cm, 18, 38 pp. Line-cut of the Poggiali edition, Florence, c.1783. The only keyboard sonatas by Cherubini. Preface in Fr-Eng-Ger. Wrappers. $28 [item no.4800]


CIAJA, Azzolino Bernardino della, 1671-1755

[Sonatas, harpsichord] Sonate per cembalo.
Archivum Musicum: Strumentalismo Italiano, 27. Florence, 1979. Oblong, 34 x 24 cm, iv, 77 pp. Line-cut of the Rome, 1727 edition. 6 sonata-toccatas, together with a “Saggi per organo”, a ricercare, and a short mass setting. Introduction in It by Laura Alvini. Wrappers in decorative paper. $34 [item no.838]


CLARKE, Jeremiah, c,1674-1707

[Lessons, harpsichord/virginal] Choice Lessons for the Harpsichord or Spinett.
Performers’ Facsimiles, 92. New York, [1990]. Oblong, 27 x 19 cm, 36 pp. Line-cut of the London, 1711 edition. Wrappers. $20 [item no.3837]


CLÉMENT, Charles-François, 1720-d.?

[Method, keyboard, accomp.] Essai sur l’accompagnement du clavecin / Essai sur la basse fondamentale / [J. Boyvin:] Traité abrégé de l’accompagnement pour l’orgue et pour le clavecin avec une explication.
Geneva, 2001. Oblong, 26 x 20 cm, 78 pp. Line-cut of the Paris, 1705, 1758, & 1762 editions. Three complementary treatises on accompanying with the organ and harpsichord. Wrappers. $71 [item no.2764]


CLÉRAMBAULT, Louis Nicolas, 1676-1749

[Livre d’orgue, book 1] Premier livre d’orgue contenant deux suites du Ire et du IIe ton.
Performers’ Facsimiles, 82. New York, [1990]. Oblong, 27 x 20 cm, 30 pp. Line-cut of the Paris, c.1714 edition. Wrappers. $18 [item no.3836]


[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, II. Geneva, 1982. Oblong, 25 x 19 cm, 19 pp. Line-cut of the author’s & Foucault edition, Paris, 1704. Slightly augmented version of the 1702 edition. Wrappers. $30 [item no.824]


[Pièces, harpsichord, book 1] Ier livre de pièces de claveçin.
Performers’ Facsimiles, 22. New York, [1987]. Oblong, 28 x 21 cm, 19 pp. Line-cut of the Paris, 1704 edition. Wrappers. $13 [item no.2156]


[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 58. Courlay, 1991. Oblong, 31 x 22 cm, 28, 19 pp. Line-cut of the Paris, 1704 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $28 [item no.4102]


CORELLI, Arcangelo, 1653-1713

[Concerti grossi, op.6; arr.] Corelli’s Celebrated Twelve Concertos . . . Adapted for the Organ, Harpsichord or Piano Forte, by Thomas Billington, Opera IX.
Performers’ Facsimiles, 94. New York, [1991]. 25 x 35 cm, 58 pp. Line-cut of the G. Walker edition, London, 1605. Wrappers. $18 [item no.4206]


[Trio sonatas, violins, bc, op.3-4; selections; arr.] Six sonatas, Opera III., Adapted for the Organ; Six Sonatas, Opera IV., Adapted for the Piano Forte or Harpsichord by Edward Miller.
Biblioteca Classica, 14/3-4. Rotterdam, 1993. 4º, 44 pp. Line-cut of the Longman & Broderip edition, London, c.1785. Wrappers. $22 [item no.4908]


CORRETTE, Michel, 1709-1795

[Method, keyboard, accomp.] Le maître de clavecin pour l’accompagnement.
Bibliotheca Musica Bononiensis, II/135. Bologna, 2/[1997]. 8º, 94 pp. Line-cut of the Paris, 1753 edition. Wrappers. $44 [item no.828]


[Method, keyboard, accomp.] Le maître de clavecin pour l’accompagnement. A Facsimile of the Paris, 1753 Edition.
Monuments of Music and Music Literature in Facsimile, II/13. New York, 1976. 22 x 30 cm, i, 98 pp. Line-cut of the Paris, 1753 edition. This work was produced at various times with plates that were either corrected or added to. This edition attempts to present the “latest” state of Le maître. Laid paper, cloth. [item no.1782]


[Method, keyboard, accomp.] La maître de clavecin pour l’accompagnement. Méthode théorétique et pratique.
Hildesheim, 1975. vi, 90 pp. Line-cut reproduction of the Paris, 1753 edition. A tutor based on Campion’s octave rule and Rameau’s treatise on fundamental bass. $51 [item no.827]


[Method, keyboard] Les Amusements du Parnasse [Methode courte et facile pour apprendre à toucher la clavecin avec les plus jolis airs a la mode où les doigts sont chiffés pour les commençans]. Livre 1er. 1749. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 34 pp. Line-cut of the Paris, 1749 edition. Wrappers. $18 [item no.8802]


[Method, keyboard; Sonatas, violin, flute, viol] Le maître de clavecin pour l’accompagnement / Prototipes contenant des leçons d’accompagnement.
Geneva, 1976. 4º, 130 pp. Line-cut of the Paris, 1753 & 1775 editions. Prototipes contains lessons in questions and answer form, and illustrative sonatas for the vln, fl, and descant viol. $76 [item no.829]


[Noëls, keyboard, carillon] Nouveau livre de noëls avec un carillon, pour le clavecin ou l’orgue. [British Library].
Performers’ Facsimiles, 212. New York, [2003]. Oblong, 27 x 21 cm, 55 pp. Line-cut of the author’s edition, Paris, [1753]. Arranged into 4 suites. Wrappers. $20 [item no.8228]


[Pièces, harpsichord, book 1, op.12] Premier livre de pièces de clavecin. 1734. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 29 pp. Line-cut of the author’s, Boivin, & LeClerc edition, Paris, 1734. 4 suites with an explanation of passages to be fingered. Wrappers. $13 [item no.8801]


[Pièces, harpsichord, book 1, op.12] Premier livre de pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, VIII. Geneva, 1982. 21 x 28 cm, 28 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, 1734. Includes 4 suites with an explanation of passages to be fingered. Wrappers. $30 [item no.831]


[Pièces, harpsichord, book 1, op.12] Premier livre de pièces de clavecin, œuvre XIIe.
Performers’ Facsimiles, 12. New York, 1985. 26 x 34 cm, 28 pp. Line-cut of the author’s, Boivin, & LeClerc edition, Paris, 1734. 4 suites with an explanation of passages to be fingered. Wrappers. $18 [item no.830]


COUPERIN, Armand-Louis, 1727-1789

[Pièces, harpsichord] Pièces de clavecin.
Performers’ Facsimiles, 41. New York, [1988]. 27 x 34 cm, 47 pp. Line-cut of the Paris, 1751 edition. Wrappers. $20 [item no.2691]


COUPERIN, François, 1668-1733

[Method, keyboard] L’art de toucher le clavecin.
Geneva, 1986. 22 x 28 cm, 77 pp. Line-cut of the Couperin, Boivin, & Le Clerc edition, Paris, 1717. Deals with fingering, ornamentation, agréments and accompaniment. Develops a whole code of ethics for playing the instrument. With 8 preludes. Wrappers. $66 [item no.832]


[Method, keyboard] L’art de toucher le clavecin. A Facsimile of the Paris 1717 Edition.
Monuments of Music and Music Literature in Facsimile, II/23. New York, 1969. 26 x 34 cm, 76 pp. Line-cut of another surviving print of the Paris, 1717 edition (this print is possibly earlier than no. 832, with slight differences in the addresses on the title page, a different “Privilege Général” and no “Prix des ouvrages”). Laid paper with handsome binding in cloth. [item no.1781]


[Method, keyboard] L’art de toucher le clavecin. Édition de 1717. Règles pour l’accompagnement (manuscrit). [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 95. Courlay, 1996. 4º, 15, 82 pp. Line-cut of the Paris, 1717 edition, along with two manuscript versions of Règles pour l’accompagnement, one by an unidentified copyist, the other in the hand of Sébastien de Brossard. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $50 [item no.7330]


[Pièces, harpsichord, books 1-4] Pièces de clavecin. A Facsimile of the Paris, 1713-1730 Edition.
Monuments of Music and Music Literature in Facsimile, I/9. New York, 1973. 4º, 317 pp. Line-cut of the Paris, 1713-1730 edition. Laid paper, linen. [item no.833]


[Pièces, harpsichord, book 1] Pièces de clavecin (Premier livre).
La Musique Française Classique de 1650 à 1800, 22. Courlay, 1988. 22 x 31 cm, xxxv, 78 pp. Line-cut of the Paris, 1713 edition. 41 pieces. Introduction by Jean Saint-Arroman. Wrappers. $51 [item no.2159]


[Pièces, harpsichord, book 1] Pièces de clavecin premier livre. [private collection].
Performers’ Facsimiles, 296. New York, [2010]. 27 x 37 cm, 86 pp. Line-cut of the Paris, 1713 edition. Wrappers. $30 [item no.9200]


[Pièces, harpsichord, book 2] Pièces de clavecin (Second livre). [Bibl. Inguimbertine, Carpentras].
La Musique Française Classique de 1650 à 1800, 42. Courlay, 1990. 22 x 21 cm, 30, 86 pp. Line-cut of the Paris, 1717 edition. Introduction by Jean Saint-Arroman. Wrappers. $54 [item no.2160]


[Pièces, harpsichord, book 2] Second livre de pièces de clavecin. [Yale University Music Library, New Haven].
Performers’ Facsimiles, 297. New York, [2009]. 27 x 37 cm, 95 pp. Line-cut of the Paris, 1717 edition, based on the exemplar formerly owned by Ralph Kirkpatrick. Wrappers. $30 [item no.9179]


[Pièces, harpsichord, book 3] Pièces de clavecin (troisième livre).
La Musique Française Classique de 1650 à 1800, 23. Courlay, 1988. 22 x 31 cm, xxxv, 72 pp. Line-cut of the Paris, 1722 edition. Introduction by Jean Saint-Arroman. Wrappers. $50 [item no.2161]


[Pièces, harpsichord, book 3; Concerts royaux] Troisième livre de Pièces de clavecin; Concerts royaux. [private collection].
Performers’ Facsimiles, 298. New York, [2009]. 27 x 37 cm, 75, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $30 [item no.9079]


[Pièces, harpsichord, book 4] Quatrième livre de pièces de clavecin.
La Musique Française Classique de 1650 à 1800, 10. Courlay, 1987. 22 x 31 cm, xxviii, 81 pp. Line-cut of the Paris, 1730 edition. Introduction by Jean Saint-Arroman. Wrappers. $50 [item no.2162]


[Pièces, harpsichord, book 4] Quatrième livre de pièces de clavecin. [Yale University Music Library, New Haven].
Performers’ Facsimiles, 299. New York, [2009]. 27 x 37 cm, 83 pp. Line-cut of the Paris, 1730 edition, based on the exemplar formerly owned by Ralph Kirkpatrick. Wrappers. $30 [item no.9080]


[Preludes, harpsichord, from L’art de toucher le clavecin] Eight Preludes and Allemande from L’art de toucher le Clavecin. Introduced by R. Peter Wolf.
Performers’ Editions. New York, 1991 23 x 31 cm, v, 14 pp. Line-cut. Wrappers. $13 [item no.9134]


COUPERIN, Marc Roger Normand, 1663-1734 [Couperin de Turin]

Livre de tablature de clavescin de Monsieur de Druent, écrit par Couperin c.1695. Introduction de Davitt Moroney.
Manuscrits, 39. Geneva, 1998. Oblong, 22 x 17 cm, 35, 172 pp. Line-cut of a newly discovered ms containing French harpsichord music. The 51 pieces, arranged by key and copied in a beautiful orthographic hand, are by (or are arrangements by) the first cousin of François Couperin, organist and harpsichodist at the Turin court of Vittorio Amedeo II of Sardinia. Wrappers. [item no.7620]


DANDRIEU, Jean François, 1682-1738

[Livre de pièces / Les caractères, harpsichord] Livre de pièces de clavecin / Les caractères de la guerre, ou suite de symphonies, ajoutée à l’opera (version orchestrale).
La Musique Française Classique de 1650 à 1800, 34. Courlay, 1989. 24 x 33 cm, 34, 87 pp. Line-cut of the Paris, 1724 & 1718 editions. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $54 [item no.2912]


[Pièces, harpsichord, book 1] Pièces de clavecin, premier livre, contenant plusieurs divertissemens dont les principaux sont les caractères de la guerre, ceux de la chasse et la fête de vilage. [Bibl. Nationale, Paris].
Performers’ Facsimiles, 165. New York, [1999]. 27 x 35 cm, 71 pp. Line-cut of the Paris, 1724 edition. Wrappers. $23 [item no.7689]


[Pièces, harpsichord, book 1] Pièces de clavecin, livre I.
Clavecinistes Français du XVIIIe Siècle, XXIX/1. Geneva, 2004. 4º, 80 pp. Line-cut of the Paris, c.1705 edition. Wrappers. $81 [item no.3084]


[Pièces, harpsichord, book 2] Second livre de pièces de clavecin. [Bibl. Nationale, Paris].
Performers’ Facsimiles, 166. New York, [1999]. 27 x 35 cm, 42 pp. Line-cut of the Paris, 1728 edition. Wrappers. $20 [item no.4674]


[Pièces, harpsichord, book 2] Second livre de pièce de clavecin
Clavecinistes Français du XVIIIe Siècle, XXIX/2. Geneva, 2002 4º, 46 pp. Line-cut of the Paris, 1728 edition. Wrappers. $61 [item no.3085]


[Pièces, harpsichord, book 3] Troisième livre de pièces de clavecin. [British Library, London].
Performers’ Facsimiles, 167. New York, [2000]. 27 x 35 cm, 43 pp. Line-cut of the Paris, 1734 edition. Wrappers. $18 [item no.7766]


[Pièces, harpsichord, book 3] Pièces de clavecin, livre III.
Clavecinistes Français du XVIIIe Siècle, XXIX/3. Geneva, 2002. 4º, 44 pp. Line-cut of the Paris, 1734 edition. Wrappers. $40 [item no.3086]


DANDRIEU, Pierre, 1665-1733

[Noëls, organ or harpsichord] Noëls. O Filii, chansons de St-Jacques, Stabat Mater et carillon. Paris (ca 1729) / [Jean-François Dandrieu:] Noëls. O Filii, chansons de St-Jacques, et carillons. Paris (1759).
La Musique Française Classique de 1650 à 1800, 130. Courlay, 2000. Oblong, 4º, 2 volumes, xxi, 194 pp. Line-cut of the Paris, 1729 and 1759 editions. Preface, in Fr-Eng-Ger by Philippe Lescat & Jean Saint-Arroman, compares the relationship of the noël settings by Pierre and Jean-François Dandrieu. Hardbound, in slipcase. $95 [item no.7800]


DAQUIN, Louis-Claude, 1694-1772

[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
Performers’ Facsimiles, 32. New York, [1987]. 4°, 52 pp. Line-cut of the Paris, [1757] edition. Wrappers. $20 [item no.1688]


[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
La Musique Française Classique de 1650 à 1800, 27. Courlay, 1989. 22 x 31 cm, xi, 52 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $32 [item no.2170]


[Pièces, harpsichord, book 1] Ier livre de pièces de clavecin dedié à S.A. Mademoiselle de Soubise.
La Musique Française Classique de 1650 à 1800, 40. Courlay, 1989. 24 x 33 cm, xii, 53 pp. Line-cut of the Paris, c.1735 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $33 [item no.3211]


[Pièces, harpsichord, book 1] Ier livre de pièces de clavecin dedié à S.A. Mademoiselle de Soubise.
Performers’ Facsimiles, 42. New York, [1987]. Line-cut of the Paris, c.1735 edition. Wrappers. $20 [item no.1689]


[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin dedié à S.A. Mademoiselle de Soubise.
Clavecinistes Français du XVIIIe Siècle, IX. Geneva, 1982. 4º, 53 pp. Line-cut of the author’s, Boivin, & Le Clerc edition, Paris, 1735. Wrappers. $40 [item no.836]


DIEUPART, Charles, c.1670-c.1740

Select Lessons for the Harpsichord or Spinnet as Allemands, Sarabands, Corants, Gavots, Minuets, and Jigs, Plac’d on Five Lines in ye English Cliff, Engraven in a Fair Carecter. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 122. New York, [1993]. Oblong, 31 x 22 cm, 11 pp. Line-cut of the John Walsh edition, London, [c.1705]. Contains 13 movements from Suittes de clavecin (1701). Wrappers. $15 [item no.4648]


[Suites, harpsichord] Six suittes de clavessin divisées en ouvertures, allemandes, courantes, sarabandes, gavottes, menuets, rondeaux & gigues. Pour un violon & flûte avec une basse de viole & un archilut.
Münster, 1999. 4º, i, 49 pp. Line-cut of the Roger cembalo version, Amsterdam, 1711. Preface in Ger by Winfried Michel. Wrappers. $28 [item no.7871]


DOLES, Johann Friedrich, 1746-1796

Sei sonate per il clavicembalo solo.
Clavecinistes Européens du XVIIIe Siècle, XIII. Geneva, 1986. 4º, 48 pp. Line-cut of the Riga, 1773 edition. Wrappers. $51 [item no.2744]


DORNEL, Louis Antoine, c.1685-1765

[Pièces, harpsichord] Pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, V. Geneva, 1982. 22 x 30 cm, 43 pp. Line-cut of the author’s edition, Paris, 1731. 6 suites arranged according to key, the last being a Concert calotin. Wrappers. $30 [item no.843]


DU PHLY, Jacques, 1715-1789

[Pièces, harpsichord, book 1] Pièces de clavecin dédiées à Mgr. Le Duc d’Agen. (Premier Livre).
La Musique Française Classique de 1650 à 1800, 26. Courlay, 1990. 24 x 32 cm, xiii, 26 pp. Line-cut of the Paris, [1744] edition. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $25 [item no.2181]


[Pièces, harpsichord, book 1] Pièces de clavecin [premier livre].
Performers’ Facsimiles, 65. New York, [1990]. 25 x 33 cm, 26 pp. Line-cut of the Paris, 1744 edition. Wrappers. $18 [item no.4058]


[Pièces, harpsichord, book 2] Pièces de clavecin, second livre.
La Musique Française Classique de 1650 à 1800, 25. Courlay, 1990. 4º, 14, 29 pp. Line-cut of the Paris, 1748 edition. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $26 [item no.2182]


[Pièces, harpsichord, book 2] Second livre de pièces de clavecin.
Performers’ Facsimiles, 66. New York, [1990]. Oblong, 27 x 21 cm, 62 pp. Line-cut of the Paris, 1748 edition. Wrappers. $18 [item no.3912]


[Pièces, harpsichord, book 4] Pièces de clavecin, quatrième livre. Paris (s.d. = 1768). [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 80. Courlay, 1994. 24 x 32 cm, 17, 14 pp. Line-cut of the Paris, 1768 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Includes text of Du Phly’s principles of finger, according to Jean-Jacques Rameau (Dictionnaire de Musique, 1768). Wrappers. $25 [item no.4807]


[Pièces, harpsichord, book 4] Quatrième livre de pièces de clavecin. [Bibl. Nationale, Paris].
Performers’ Facsimiles, 68. New York, [1992]. 26 x 33 cm, 14 pp. Line-cut of the Paris, 1768 edition. Wrappers. $15 [item no.4419]


[Pièces, harpsichord, book 4] Quatrième livre de pièces de clavecin - Paris 1768.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 20 pp. Line-cut of the Paris, 1768 edition. Wrappers. $12 [item no.8938]


DURANTE, Francesco, 1684-1755

Sonate per cembalo divise in studii e divertimenti. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, IV/168. Bologna, 1975. Oblong, 35 x 25 cm, 25 pp. Line-cut of the De Grado edition, Naples, 1732. 6 studii & 6 divertimenti. Laid paper. Handsome portfolio in cloth. $33 [item no.844]


Sonate per cembalo divise in studii e divertimenti.
Clavecinistes Européens du XVIIIe Siècle, I. Geneva, 1986. Oblong, 30 x 22 cm, 24 pp. Line-cut reproduction of the F. de Grado edition, Naples, 1732. 6 studii and 6 divertimenti. Wrappers. $35 [item no.845]


Sonate per cembalo divise in studii e divertimenti. Napoli 1732 (?).
Essercizî di Musica, 2. Rome, 1987. Oblong, 31 x 23 cm, ix, 23 pp. Line-cut of the Naples, c.1732 edition. Introduction in It-Eng by Pinuccia Carrer. Wrappers. $19 [item no.1905]


FALLA, Manuel de, 1876-1946

El retablo de Maese Pedro. Edición facsímil de los manuscritos fundamentales del Archivo Manuel de Falla. Edición y estudio de Elena Torre.
Colección “Facsímiles”, Serie “Manuscritos”, 5. Granada, [2011]. 25 x 35 cm. 194 pp. Full-color reproduction of the autograph issued on the occasion of the 20th anniversary of the Archivo Manuel de Falla. Translated “Master Peter’s Puppet Show”, the work, in one act with prologue and epilogue, is based on an episode (chap. 26, part II) from Don Quixote by Miguel de Cervantes. Commentary in Sp. Limited edition of 500 copies. Cloth. $178 (more info... ) [item no.9273]


FASCH, Johann Friedrich, 1688-1758

Ariette pour le clavecin ou pianoforte avec quatorze variations.
Collection FacsiMusic. Courlay, 2008. Oblong, 30 x 21 cm, 20 pp. Line-cut of the Berlin & Amsterdam, 1782 edition (Grand Magasin de Musique). Wrappers. $14 [item no.9040]


FELTON, William, 1715-1769

[Lessons, harpsichord, op.3] Eight Suits of Easy Lessons for the Harpsichord [Vol.I]. Opera Terza.
Performers’ Facsimiles, 86. New York, [1990]. 25 x 32 cm, 59 pp. Line-cut of the London, 1750 edition. Wrappers. $20 [item no.3754]


[Lessons, harpsichord, op.6] Eight Suits of Easy Lessons for the Harpsichord, Vol. II. Opera Sesta.
Performers’ Facsimiles, 87. New York, [1990]. 25 x 32 cm, 49 pp. Line-cut of the London, 1758 edition. Wrappers. $20 [item no.3755]


FÉVRIER, Pierre, 1696-d.?

[Pièces, harpsichord, book 2] Second livre de pièces de clavecin (Paris, vers 1735). Introduction: Marie Cornaz.
Musica Bruxellensis, I. Brussels, 2000. 4˚, 416, 16 pp. Line-cut of the Paris, c.1735 edition. Preface in Eng-Fr. Wrappers. $24 (more info... ) [item no.8352]


FIOCCO, Joseph Hector, 1703-1741

Pièces de clavecin (Bruxelles, [1731]). Introduction by Henri Vanhulst. [Paris, Bibliothèque Nationale].
Musica Bruxellensis, IV. Brussels, 2009. 4˚. Line-cut of the Brussel, 1731 edition. Preface in Fr-Eng. Wrappers. $34 (more info... ) [item no.9146]


FIORILLO, Ignazio, 1715-1787

Sonate per cembalo.
Clavecinistes Européens du XVIIIe Siècle, VII. Geneva, 1986. Oblong, 30 x 22 cm, 18 pp. Line-cut of the J.G. Schmidt edition, Braunschweig, 1750. 6 short pièces in 1 movement. Wrappers. $30 [item no.849]


FISCHER, Johann Caspar Ferdinand, c.1670-1746

Musicalisches Blumen-Büschlein, oder Neu eingerichtes Schlag-Wercklein bestehend in unterschidlichen Galanterien: als Praeludien, Allemanden, Couranten, Sarabanden, Bouréen, Gavotten, Menueten, Chaconnen &c. Opus II. [Private collection].
Performers’ Facsimiles, 196. New York, [1997]. Oblong, 28 x 21 cm, 67 pp. Line-cut of the second edition, Augsburg, 1698. Wrappers. $20 [item no.7508]


Musicalischer-Parnassus, oder ganz neu unter dem Nahmen der IX Musen, gleicherweiss in IX Parthien bestehend und auff das Clavier eingerichtetes Schlag-Werck. [Staats- & Stadtbibliothek, Augsburg].
Performers’ Facsimiles, 198. New York, [2004]. Oblong, 34 x 26 cm, 68 pp. Line-cut of the Augsburg, 1738. 9 suites. Wrappers. $28 [item no.8494]


FODOR, Antoine, 1751-1828

[Sonatas, harpsichord/piano, op.2] Sonate pour le clavecin ou pinoforte, opus 2 no. 2 (1793). Edited in Facsimile with an Introduction by Dick Van Heuvel.
Dutch Music Facsimiles, 10. Utrecht, 1999. 4º, vii, 10 pp. Line-cut. Wrappers. $17 [item no.7857]


FORQUERAY, Antoine, 1672-1745

[Pièces, viol, bc; arr.] Pièces de viole mises en pièces de clavecin. Livre premier.
Clavecinistes Français du XVIIIe Siècle, XXVII. Geneva, 1988. 24 x 34 cm, 38 pp. Line-cut of the Paris, 1747 edition. Arrangement for harpsichord by the composer’s son, Jean-Baptiste. Wrappers. $40 [item no.3336]


[Pièces, viol, bc; arr.] Pièces de viole mise en pièces de clavecin. Livre premier. [Bibliothèque Nationale, Paris].
Performer’s Facsimiles, 104. New York, [1993]. 26 x 33 cm, 38 pp. Line-cut of the Paris, 1747 edition. Arrangement for harpsichord by the composer’s son, Jean-Baptiste. Wrappers. $18 [item no.4646]


[Pièces, viol, bc; arr.] Pièces de viole mises en pièces de clavecin. Paris, 1747.
La Musique Française Classique de 1650 à 1800, 93. Courlay, 1995. 24 x 33 cm, 16, 38 pp. Line-cut of the Paris, 1747 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 [item no.7226]


FOUCQUET, Pierre-Claude, 1694-1772

[Pièces, harpsichord, books 1-3] Pièces de clavecin, livres I et II; Pièces de clavecin, livre III.
Clavecinistes Français du XVIIIe Siècle, XV. Geneva, 1982. Oblong & upright, 22 x 30 cm, 2 vols, 72 pp. Line-cut of the Paris, 1751 edition. Wrappers, in 2 vols. $71 [item no.850]


FRANCK, George, 18th c.

Pièces choisies et partagées en différentes œuvres, accommodées dans le gout moderne pour l’orgue et le clavecin.
Clavecinistes Européens du XVIIIe Siècle, IV. Geneva, 1986. 22 x 28 cm, 31 pp. Line-cut of the Colmar edition, Munich, c.1740. 4 sonatas. Wrappers. $40 [item no.851]


FRESCOBALDI, Girolamo, 1583-1643

[Toccatas, etc., keyboard, book 1] Toccate d’intavolatura di cimbalo et organo. Partite di diverse, arie e corrente, balletti, ciaccone, passaghagli. Libro primo.
Archivum Musicum: Strumentalismo Italiano, 3. Florence, 1980. 24 x 34 cm, iii, 116 pp. Line-cut of the Rome, 1637 edition. Preface in It by Laura Alvini. Wrappers in decorative paper. $35 (more info... ) [item no.853]


[Toccatas, etc., keyboard, book 2] Il secondo libro di toccate, canzone, versi d’hinni magnificat, gagliarde, correnti, et altre partite d’intavolatura di cimbalo et organo.
Archivum Musicum: Strumentalismo Italiano, 4. Florence, 1980. 24 x 34 cm, i, 94 pp. Line-cut of the Rome, 1637 edition. Preface in It by Laura Alvini. Wrappers in decorative paper. $35 (more info... ) [item no.852]


FROBERGER, Johann Jacob, 1616-1667

[Partite musicali, keyboard] Partite musicali. Mainz, Ludwig Bourgeat 1696. [Bibl. Jagiellońska, Krakow].
Faksimile-Edition Krakau, 5. Stuttgart, 2006. Oblong, 32 x 20 cm, 28 pp. Halftone of the Amsterdam, 1696 edition. Hardbound in decorative paper. $30 [item no.8814]


[Partite musicali, keyboard] Diverse ingegnosissime, rarissime & non mai piu viste curiose partite di toccate, canzone, ricerate, alemande, correnti, sarabande e gique, di cimbali, organi e instromenti. [Princeton University Library].
Performers’ Facsimiles, 265. New York, [2008]. Oblong, 29 x 20 cm, 44 pp. Line-cut of the Mainz, 1693 edition. Wrappers. $20 [item no.8909]


[Partite musicali, keyboard] Partite musicali. Prima continuatione per uso è recreatione de gli amatori di cimbali, organi, instromenti e spinetti. [Staatliche Hochschule für Musik & Darstellende Kunst, Berlin].
Performers’ Facsimiles, 266. New York, [2008]. Oblong, 29 x 20 cm, ii, 28 pp. Line-cut of the Mainz, 1696 edition. Wrappers. $18 [item no.8980]


[Suites, keyboard] 10 suittes de clavessin.
Musica Repartita, 44F. Utrecht, 1994. 4º, 42 pp. Line-cut of the Amsterdam, c.1710 edition. Wrappers. $21 [item no.7247]


[Suites, keyboard] Suittes des clavessin. Amsterdam, E. Roger. [Bibl. Jagiellońska, Krakow].
Faksimile-Edition Krakau, 6. Stuttgart, 2006. Oblong, 25 x 18 cm, 40 pp. Halftone of the Amsterdam, 1710 edition. Hardbound in decorative paper. $35 [item no.8782]


[Suites, keyboard] 10 Suittes de clavessin. [King’s College Library, University of Cambridge].
Performers’ Facsimiles, 267. New York, [2010]. Oblong, 28 x 20 cm, ii, 40 pp. Line-cut of the Amsterdam, 1710 edition. Wrappers. $18 [item no.9160]


Toccatten, Suiten, Lamenti. The Manuscript SA 4450 from the Berlin Sing-Akademie zu Berlin. Facsimile and Transcription Edited by Peter Wollny and the Berlin Sing-Akademie zu Berlin.
Documenta Musicologica, II/31. Kassel, 2004. 25 x 35 cm, xxv, 75, 55 pp. Full-color reproduction of a contemporary ms copy, together with a new engraved edition. This ms resurfaced in 1999 and was returned to the archives of the Sing-Akademie in Berlin in 2001. It was probably prepared from autograph originals by the Hamburg organist Johann Kortkamp, ca.1665-1670 and contains a total of 21 authentic Froberger compositions (6 toccatas, 13 suites, 2 lamenti). Besides providing the first reliable readings for most of the works, it also contains titles, explanations (especially elucidating the piece with “26 numbered Passages”) and dedications that shed valuable light on Froberger’s life. Preface in Ger/Eng. Hardbound. $108 (more info... ) [item no.8447]


[Toccatas, keyboard] [Diverse ingegnosissime, rarissime & non maj piu viste curiose partite, di] toccate, [canzone, ricercate, alemande, correnti, sarabande e gique, cimbali, organi e instromenti]. Ludwig Bourgeat 1693. [Bibl. Jagiellońska, Krakow].
Faksimile-Edition Krakau, 7. Stuttgart, 2006. Oblong, 32 x 21 cm, 46 pp. Halftone of the Amsterdam, 1693 edition. Hardbound in decorative paper. $40 [item no.8815]


GABRIELI, Andrea, c.1510-1586

[Canzoni, keyboard] Canzoni alla francese per sonar sopra istromenti da tasti.
Monumenta Musica Bononiensis (= Bibliotheca Musica Bononiensis), IV/48. Bologna, 2/ 2006 Oblong, 25 x 18 cm, 88 pp. Line-cut of the Angelo Gardano edition, Venice 1605. Consists of 9 pieces. Laid paper. Cloth. $47 [item no.855]


[Ricercari, keyboard] Ricercari composti e tabulati per ogni sorte di stromento da tasti.
Bibliotheca Musica Bononiensis, IV/47. Bologna, 2/ 2007 Oblong, 17 x 25 cm, 88 pp. Line-cut of the 1595 edition. Contains 13 works arranged by key. Cloth. $47 [item no.856]


GARDANO, Angelo, b.?-1610 [publisher]

[Canzoni & ricercari, keyboard, book 5] Canzoni alla francese et ricercari ariosi [tabulate per sonar sopra istromenti da tasti. Libro quinto]. [Augsburg, Staats- & Stadtsbibliothek].
Faksimile-Edition Augsburg, 4. Stuttgart, 1997. Line-cut of the Venice, 1605 edition. 12 works in keyboard notation including works by Lasso, Crequillon and Jannequin. Hardbound in marbled paper. $54 [item no.7530]


GARDANO, Antonio, 1509-1569 [publisher]

Intabolatura nova di varie sorte de balli da sonare.
Bibliotheca Musica Bononiensis, IV/50a. Bologna, 1971. Oblong, 23 x 16 cm, 52 pp. Line-cut of the Venice, 1551 edition. 25 pieces in two-staff keyboard notation. Wrappers. $35 [item no.1035]


GEMINIANI, Francesco, c.1680-1762

[Pièces, harpsichord; Pieces, harpsichord, 2nd coll.] Pièces de clavecin tirées des differens ouvrages de Mr. F. Geminiani adaptées par luy même a cet instrument / The Second Collection of Pieces for the Harpsichord taken from Different Works of F. Geminiani and Adapted by Himself to that Instrument.
Bibliotheca Musica Bononiensis, IV/163. Bologna, 2/ 1999. 22 x 32 cm, xiv, 94 pp. Line-cut of the London, 1743 & 1762 editions. Introduction in It by Gabriella Sartini. Cloth. $59 [item no.859]


[Pièces, harpsichord, 1st coll.] Pièces de clavecin tirées des differens ouvrages de Mr. F. Geminiani adaptées par luy même a cet instrument. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 117. New York, [1993]. 27 x 34 cm, 35 pp. Line-cut of the London, 1743 edition. Wrappers. $20 [item no.4603]


[Pieces, harpsichord, 2nd coll.] The Second Collection of Pieces for the Harpsichord, Taken from different Works of F. Geminiani, and Adapted by Himself to that Instrument. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 118. New York, [1993]. 27 x 34 cm, 59 pp. Line-cut of the Walsh edition, London, 1762. Wrappers. $20 [item no.4620]


GERVAIS, Laurent, fl.1725-1745

[Method, keyboard, accomp.] Méthode pour l’accompagnement du clavecin, qui peut servir d’introduction à la composition, & apprendre à bien chiffrer les basses.
Bibliotheca Musica Bononiensis, II/142. Bologna, 1974. 23 x 32 cm, 33 pp. Line-cut of the Paris, 1734 edition. Cloth. $44 [item no.860]


[Method, keyboard, accomp.] Méthode pour l’accompagnement du clavecin, qui peut servir d’introduction à la composition, et apprendre à bien chiffrer les basses.
Geneva, 1995. 21 x 30 cm, 33 pp. Line-cut of the Paris, 1733 edition. Wrappers. $40 [item no.2766]


GILLIER, Mr., 18th c.

[Lessons, harpsichord] Six Setts of Lessons for the Harpsichord. [King’s College, Cambridge].
Alston, 1999. Oblong, 29 x 21 cm, i, 37 pp. Line-cut of the John Johnson edition, London, c.1757. Reflects the influence of contemporary Italian composers such as Domenico Scarlatti and Domenico Alberti. Introduction by Peter Holman. Ring binding. $22 [item no.7807]


GIORDANI, Tommaso, c.1730-1806

[Preludes, harpsichord/piano] Fourteen Preludes for Harpsichord or Piano Forte in all the Different Keys.
Biblioteca Classica, 26. Rotterdam, 1984. Oblong, 4º, 8 pp. Line-cut of the Preston edition, London, c.1790. Plastic ring binding. $8 [item no.4914]


GIUSTINI, Lodovico, 1685-1743

[Sonatas, harpsichord/piano] XII sonate da cimbalo di piano e forte. Firenze 1732.
Archivum Musicum: Strumentalismo Italiano, 49. Florence, 1982. Oblong, 32 x 23 cm, 73 pp. Line-cut of the Florence, 1732 edition. Wrappers in decorative paper. $27 [item no.862]


[Sonatas, harpsichord/piano] Sonate da cimbalo di piano e forte.
Utrecht, 1985. Oblong, 8º, 73 pp. Line-cut of the Florence, 1732 edition. Wrappers. $22 [item no.4544]


GRAAF, Christiaan Ernst, c.1726-d.?

[Sonatas, harpsichord/piano, violin, op.19] Sex Sonater – Six sonates pour le clavecin ou forte et piano avec un violon. Œuvre XIX.
Mantorp, c.1969. 4º, 2 parts, 36 pp. Line-cut of Hummel edition, Amsterdam, c.1780. Introduction in Dannish by Gustaf Ruuth. Wrappers. $55 [item no.7251]


GRAUPNER, Christoph, 1683-1760

Monatliche Clavir Früchte [bestehend in Praeludien, Allemanden, Courranten, Sarabanden, Menuetten, Giguen &c, meistentheils vor Anfänger] (1722). Présentation par Oswald Bill. [Yale University, New Haven, CT].
Collection Dominantes. Courlay, 2003. Oblong, 4˚, xii, 134 pp. Line-cut of the author’s edition, Darmstadt, 1722. Consists of 12 dance suites corresponding to the 12 months of the year. Introduction in Fr-Eng-Ger. Wrappers. $59 [item no.8344]


[Suites, harpsichord] 17 suites pour clavecin (manuscrit inédit). Présentation par Oswald Bill. [Hessische Landes- & Hochschulbibliothek, Darmstadt].
Collection Dominantes. Courlay, 1993. Oblong, 32 x 23 cm, 25, 199 pp. Line-cut of a manuscript believed to be in the hand of Samuel Endler (1694-1762), Graupner’s vice-Kapellmeister at the Court of Darmstadt. Introduction in Fr-Eng-Ger. Wrappers. $63 [item no.4599]


GREENE, Maurice, 1696-1755

[Lessons, harpsichord] A Collection of Lessons for the Harpsichord. Facsimile Reproduction of the Original Edition, with an Introduction by Davitt Moroney.
London, 1977. Oblong, 30 x 23 cm, vi, 73 pp. Line-cut of the John Johnson edition, London, 1750. Published at the height of Greene’s popularity. Wrappers. $33 [item no.864]


[Lessons, harpsichord] A Collection of Lessons for the Harpsicord Compos’d by Dr. Greene.
Hebden Bridge, 2006. Oblong, 4º, i, 24 pp. Line-cut of the London, c.1757 edition, published without the composer’s consent. This present set includes an added piece by Handel, the Sonata in C major (G 59). Ring binder. $28 [item no.8745]


[Overtures, orch, arr.] Six Overtures for the Harpsicord or Spinnet. [British Library, London].
Performers’ Facsimiles, 161. New York, [1997]. 24 x 31 cm, 33 pp. Line-cut of the Walsh edition, London, [1745], arranged for keyboard. Wrappers. $20 [item no.7389]


[Voluntaries, keyboard] Twelve Voluntarys of the Organ or Harpsichord or Spinnet. [British Library, London].
Performers’ Facsimiles, 192. New York, [1997]. 26 x 32 cm, 36 pp. Line-cut of the London, [1779] edition. Wrappers. $20 [item no.7509]


GUGLIELMI, Pietro Alessandro, 1728-1804

[Sonatas, harpsichord/piano, op.3] Sei sonate per il clavicembalo o forte piano.
Associazione Clavicembalistica Bolognese, 5. Rome, 1987. Oblong, 30 x 21 cm, vii, 27 pp. Line-cut of the London, c.1772 edition. Preface in It-Eng by Paola Bernardi. Wrappers. $16 [item no.7131]


GUNN, Barnabus, c.1680-d.?

[Lessons, harpsichord] Six Setts of Lessons for the Harpsichord. [King’s College, Cambridge].
Alston, 1998. Oblong, 29 x 21 cm, i, 51 pp. Line-cut of the John Johnson edition, London, c.1734. The lessons show elements of the suite, organ voluntary and the sonata. Ring binding. $32 [item no.7809]


HAFFNER, Johann Ulrich, b.?-c.1767

[Sonatas, harpsichord, op.1] Raccolta musicale di sonate per cembalo solo a cura di G.U. Haffner. Opera 1-3.
Bibliotheca Musica Bononiensis, IV/56. Bologna, 1970. Oblong, 31 x 22 cm, 88 pp. Line-cut of the Nuremberg, 18th c. edition. Collection of three sets of six sonatas, edited by Haffner. Composers include Galuppi, Pampani, Peroti, Pescetti, Rutini, Serini, Bertoni, Paganelli, Scarlatti, Krafft, Palladini and Sales. Laid paper. Hardbound. Last copy. $63 [item no.865]


HANDEL, George Frideric, 1685-1759

[Messiah, oratorio, HWV 56, selections] The Songs in Messiah an Oratorio. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 214. New York, [2003]. 4˚, 72 pp. Line-cut of the Walsh edition, London, c.1767-68(?). Wrappers. $25 [item no.8229]


[Concerto, oboe & orch, arr.] Handel’s Celebrated Oboe Concertos Adapted for the Organ, Harpsichord or Piano Forte.
Reproduktionen Historische Ausgaben, 7. Berlin, c.1990. 4°. 40 pp. Line-cut of the London, 1785 (first) edition, arranged for keyboard solo. Wrappers. $28 [item no.8600]


[Fugues & Voluntaries, keyboard, HWV 605-610] Six Fugues or Voluntarys for the Organ or Harpsicord. Troisieme Ovarage. [private collection].
Performers’ Facsimiles, 272. New York, [2008]. Oblong, 34 x 24 cm, 25 pp. Line-cut of the Walsh edition, London, 1735. Wrappers. $20 [item no.8997]


[Overtures, arr., HWV 456; 482, etc.] XXIV Ouvertures Fitted to the Harpsicord or Spinet.
Bibliotheca Musica Bononiensis, IV/60. Bologna, 1984. 22 x 31 cm, 96 pp. Line-cut of the Walsh, London, n.d. edition. Contains the overtures, arranged for harpsichord, to Partenope, Lotario, Tolomeo, Serse, Riccardo Primo, Admeto, Admeto 2, Alessandro, Scipione, Rodelinda, Tamerlano, Amadis, G. Cesare, Flavio, Acis & Galatea, Radamisto, The Water Musick, Teseo, Il pastor fido, Ottone, Muzio Scevola, Floridante & Rinaldo. Laid paper. Linen. $63 [item no.317]


[Water Music, harpsichord, arr.] Handel’s Celebrated Water Musick Compleat. Set for the Harpsichord, to which is Added, Two Favourite Minuets, with Variations for the Harpsicord, by Geminiani.
Performers’ Facsimiles, 14. New York, [1987]. 25 x 33 cm, 27 pp. Line-cut of the Walsh edition, London, [1743]. Wrappers. $18 [item no.2046]


HARST, Celestin, 1698-1776

[Pièces, harpsichord] Recueil de différentes pièces de clavecin.
Clavecinistes Français du XVIIIe Siècle, XXII. Geneva, 1983. Oblong, 28 x 21 cm, 80 pp. Line-cut of the Strasbourg, Sélestat, Paris edition, 1745. The 5th Ordre includes the popular programmatic piece “Le grand orage” (Grand Tempest). Wrappers. [item no.867]


HAVINGHA, Gerhardus, 1696-1753

[Suites, keyboard] VIII Suites voor de Clavecymbal off Spinet. Amsterdam, Michel Charles le Cène, 1725. Facsimile Edition with an Introduction by Clemens Romijn.
Utrecht, 1990. 22 x 31 cm, vi, 69 pp. Line-cut of the Amsterdam, 1725 edition. Wrappers. $24 [item no.4547]


HELMONT, Charles-Joseph van, 1715-1790

Pièces de clavecin, op.1 (Bruxelles, 1737). Introduction by Robert Wangermée. [Paris, Bibliothèque Nationale].
Musica Bruxellensis, III. Brussels, 2005 24 x 36 cm, 45 pp. Line-cut of the Brussel, 1737 edition. Preface in Fr. Wrappers. $34 (more info... ) [item no.8359]


Pièces de clavecin, 1737.
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 16 pp. Line-cut of the L. Krafft edition, Brussels, [1737]. Wrappers. $11 [item no.8860]


HENRY D’ANGLEBERT, Jean, 1635-1691

[Pièces, harpsichord, 1st ed.] Pièces de clavecin. Introduction de Denis Herlin. [Museo Civico, Belluno].
Clavecinistes Français du XVIIIe Siècle, XXX. Geneva, 2001. Oblong, 26 x 20 cm, xxxiv, 138 pp. Line-cut of the first edition, Paris, 1689 (containing a few manuscript corrections). Preface detailing various editions and their locations in Fr-Eng. Wrappers. $67 [item no.7989]


[Pièces, harpsichord, 2nd ed.] Pièces de clavecin. Facsimile of the 1689 Paris Edition.
Monuments of Music and Music Literature in Facsimile, I/4. New York, [1996]/1965. 4º, 128 pp. Line-cut of the Paris, second edition, “after 1691” according to D. Herlin. Laid paper, clothbound. [item no.835]


[Pièces, harpsichord, 1st ed. + MS] Pièces de clavecin. Édition originale – 1689 et Pièces manuscrites (Rés 89ter) (manuscrit intégral). [Gemeentemuseum, The Hague; Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 126. Courlay, 1999. 4º, 2 vols, 56, 134/180 pp. Line-cut of the Paris, [1689] edition (first impression), plus the MS Rés 89ter, which contains earlier (not as precisely ornamented) states of the printed versions, lute pieces transcribed for harpsichord, and unpublished works by D’Anglebert and Charbonnières. Wrappers. $112 [item no.2915]


[Pièces, harpsichord, Amsterdam ed.] Pièces de clavessin avec la maniere de les jouer diverses chacconnes, ouvertures & autres airs de Monsieur Lully mis sur cet instrument Avec quelques fugues pour l’orgue. [Yale University, New Haven].
Performers’ Facsimiles, 245. New York, [2002]. 24 x 31 cm, 72 pp. Line-cut of the Roger edition, Amsterdam, c.1704, in upright format. Includes the same music as the earlier (oblong) editions, but abbreviates the appendix of ornaments. Wrappers $20 [item no.8154]


HODERMAN, George Caspar, 18th c.

[Fugues, keyboard, op.1] Six fugues pour les orgues ou le clavecin, œuvre première (c.1780). Edited in Facsimile with an Introduction by Wil Dekker. [Toonkunst-Bibliothek, Amsterdam].
Dutch Music Facsimiles, 11. Utrecht, 2002. 4º, ix, 17 pp. Line-cut of the Siegfried Markordt edition, c.1780, Amsterdam. Part of a composite volume which contained 11 organ works. Wrappers. $32 [item no.8461]


HOFFMEISTER, Franz Anton, 1754-1812

[Variations, keyboard] Variazioni per il clavicembalo o piano forte.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 16 pp. Line-cut of the Vienna, [1799] edition. Wrappers. $10 [item no.8884]


HONAÜER, Leontzi, fl.1735-1778

[Sonatas, harpsichord, books 1 & 2] Six sonates pour le clavecin. Livre premier [-second]. Gravé par Mme. Oger.
Clavecinistes Européens du XVIIIe Siècle, X. Geneva, 1986. 4º, 96 pp. Line-cut of the Paris, 1761-64 edition. Sonatas in 3 movts. Wrappers. $81 [item no.2741]


HÜLLMANDEL, Nicolas Joseph, 1751-1823

[Divertissement, piano/harpsichord, op.7] Six divertissements ou IIe suite de petits airs pour le piano forte ou le clavier. Œuvre VIIe.
Biblioteca Classica, 27. Rotterdam, [1984]. Oblong, 30 x 21 cm, 26 pp. Line-cut of the author’s edition, Paris, c.1775-1783. Plastic ring binding. $20 [item no.4919]


JACQUET DE LA GUERRE, Élisabeth, 1659-1729

[Pièces, harpsichord, book 1] Les pièces de clavessin. Premier livre. Introduction de Carol Bates.
Clavecinistes Français du XVIIIe Siècle, XXVIII. Geneva, 1996. Oblong, 28 x 22 cm, x, 83 pp. Line-cut of the Paris, 1687 edition. Recently discovered book consisting of 34 pieces arranged as 4 suites. Wrappers. $76 [item no.3091]


[Pièces, harpsichord, book 1] Les pièces de clavecin. Premier livre. Paris (s.d. = 1687). [Biblioteca del Conservatorio B. Marcello, Venice].
La Musique Française Classique de 1650 à 1800, 104. Courlay, 1997. Oblong, 31 x 23 cm, 12, 83 pp. Line-cut of Paris, [1687] edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $48 [item no.7451]


[Pièces, harpsichord, book 1] Edited by Catherine Cessac and Arthur Lawrence. [private collection, Catherine Cessac].
Critical Facsimiles, 9. New York, 2009. Oblong, 26 x 20 cm, xii, 86, 28 pp. Line-cut of the Paris, [1687] edition. Includes apparatus listing all editorial emendations. Wrappers. $30 [item no.9111]


[Sonatas, harpsichord, violin] Pièces de clavecin qui peuvent se jouer sur le violon, 1707. Présentation par Catherine Cessac et Jean Saint-Arroman. [Bibl. Nationale de France, Paris].
La Musique Française Classique de 1650 à 1800, 114. Courlay, 2000. Oblong, 31 x 23 cm, xi, 29 pp. Line-cut of Paris, 1707 edition. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.7884]


JADIN, Louis-Emmanuel, 1768-1853

[Sonatas, harpsichord/piano, 4 hands, op.2] Trois sonates à quatre mains pour le clavecin ou forte-piano. Œuvre 2e.
Musique pour le Piano-Forte, IV. Geneva, 1983. Oblong, 30 x 22 cm, 30 pp. Line-cut of the Paris, c.1794 edition. Wrappers. $30 [item no.2725]


JOHNSEN, Hinrich Philip, 1717-1779

[Sonatas, harpsichord] Sei sonate per il cembalo. Faksimiltryck av kompositörens autograf i Kungl. Musikaliska Akademiens bibliotek i Stockholm.
Autographus Musicus, 16. Bandhagen, 1979. Oblong, 30 x 23 cm, ii, 24 pp. Halftone of the c.1754 autograph. Each sonata consists of one movt in two parts. Introduction in Eng by Eva Nordenfelt-Åberg. Wrappers. $18 [item no.873]


JOLLAGE, Charles Alexandre, b.?-1761

[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin. 1738. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 34 pp. Line-cut of the Paris, 1738 edition. Contains 22 pieces. Jollage was formerly organist of Notre Dame de Paris. Wrappers. $13 [item no.8806]


JONES, Richard, b.?-1744

Suits or Setts of Lessons for the Harpsicord or Spinnet. Consisting of Great Variety of Movements as Preludes Aires Toccats All’mands Jigges Corrents Borre’s Sarabands Gavots Minuets X& c.&c. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 242. New York, [2000]. 24 x 31 cm, 59 pp. Line-cut of the London, [1732] edition. Wrappers. $23 [item no.7777]


JUSTICE, Richard, 18th c.

[Lessons, harpsichord] Sex Sets of Lessons for the Harpsichord. [King’s College, Cambridge].
Alston, 1998. 21 x 29 cm, i, 41 pp. Line-cut of the John Johnson edition, London, c.1753. Ring binding. $27 [item no.7805]


KELWAY, Joseph, b.?-1782

[Sonatas, harpsichord] Six Sonatas for the Harpsicord.
Huntingdon, [1993]. Oblong, 37 x 26 cm, 45 pp. Line-cut of the Welcker edition, London, 1764. Wrappers. $17 [item no.4876]


[Sonatas, harpsichord] Six Sonatas for the Harpsicord. [Library of Congress, Washington, DC].
Alston, 2004. Oblong, 37 x 26 cm, ii, 45 pp. Line-cut of the Welcker edition, London, 1764. Preface by John R. Edmonds. Wrappers. $28 [item no.8422]


KIRNBERGER, Johann Philipp, 1721-1783

[Fuges, keyboard] Huit fugues pour les clavecin ou l’orgue - 1777.
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 16 pp. Line-cut of the Hummel edition, Berlin, [1777]. Wrappers. $10 [item no.8851]


KREBS, Johann Ludwig, 1713-1780

[Clavier-Übung, keyboard, part 1] Clavier-Übung. Préludes et chorals pour orgue (1e partie) - c.1744.
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 28 pp. Line-cut of the B. Schmid edition, Nuremberg, c.1744. Wrappers. $12 [item no.8852]


[Clavier-Übung, keyboard, part 2] Clavier-Übung (IIe partie - Suite pour clavecin), c. 1744.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 16 pp. Line-cut of the Haffner edition, Nuremberg, c.1744. Wrappers. $10 [item no.8853]


[Clavier-Übung, keyboard, part 3] Clavier-Übung (IIIe partie - 6 sonatines), c. 1744.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 16 pp. Line-cut of the Haffner edition, Nuremberg, c.1744. Wrappers. $10 [item no.8854]


KRIEGER, Johann Philipp, 1649-1725

Anmuthige Clavier-Ubung bestehend in unterschiedlichen Ricercarien, Praeludien, Fugen, einer Ciacona und einer auf das Pedal gerichteten Toccata. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 162. New York, [1997]. Oblong, 28 x 20 cm, 75 pp. Line-cut of the Wolfgang Moritz Endters edition, Nuremberg, 1699. Wrappers. $20 [item no.7388]


KÜHNAU, Johann, 1669-1722

Frische Clavier Früchte, oder sieben Suonaten [von guter Invention und Manier] auff dem Claviere zu spielen. Leipzig 1696.
Archivum Musicum: Monumenta Musicae Revocata, 17. Florence, 1995. Oblong, 25 x 17 cm, 22, 103 pp. Line-cut of the Leipzig, 1696 edition. Considered the first keyboard sonatas to be published in Germany. Preface in It-Eng by Laura Alvini. Quarter linen. [item no.7139]


Musikalische Vorstellung einiger biblischer Historien. Leipzig 1700.
Archivum Musicum: Monumenta Musicae Revocata, 26. Florence, 2000. Oblong, 25 x 17 cm, 22, 123 pp. Line-cut of the Leipzig, 1700 edition. Preface in It-Eng by Laura Alvini. Quarter linen. $49 [item no.7844]


Neuer Clavier Ubung. Erster Theil. Leipzig 1689.
Archivum Musicum: Monumenta Musicae Revocata, 19. Florence, 1996. Oblong, 25 x 17 cm, 22, 94 pp. Line-cut of the Leipzig, 1689 edition. Seven sonatas in suite form. Preface It-Eng by Laura Alvini. Quarter linen. $54 [item no.7376]


Neuer Clavier-Übung. Partie I, 1689. Présentation par Philippe Lescat. [British Library, London].
Collection Dominantes. Courlay, 2001. Oblong, 4º, xiv, 91 pp. Line-cut of the Leipzig, 1689 edition. Wrappers. $39 [item no.8055]


Neuer Clavier Ubung. Andrer Theil. Leipzig 1696.
Archivum Musicum: Monumenta Musicae Revocata, 20. Florence, 1996. Oblong, 25 x 17 cm, 89 pp. Line-cut of the Leipzig, 1696 edition. Seven sonatas in suite form and one in sonta form. Preface It-Eng by Laura Alvini. Quarter linen. $41 [item no.7377]


LA BORDE, Jean Benjamin de, 1734-1794

Le clavessin électrique; avec une novelle théorie du méchanisme et des phénomènes de l’électricité.
Geneva, 1997. 12 x 17 cm, 179 pp. Line-cut of the Paris, 1761 edition. Description of a harpsichord activated by a dead load and which must have produced a tremolo effect similar to an organ. Wrappers. $56 [item no.7095]


LA PORTE, Claude de, 1719-1779

[Method, keyboard, accomp.] Traité théorique et pratique de l’accompagnement du clavecin avec l’art de transposer dans tous les tons et sur tous les instruments / [Dubugrarre:] Méthode plus courte det plus facile que l’ancienne pour l’accompagnement du clavecin dediée aux Dames.
Geneva, 1972. 4º, 120 pp. Line-cut of the Paris, 1753 & 1754 editions. Wrappers. $56 [item no.2753]


LA ROUSSELIÈRE, Jean Baptiste Charles de, 17th c.

[Method, keyboard] Traitté des languettes impérialles pour la perfection du clavecin. Ouvrage dont la connaissance est très utile tant aux françois qu’aux estrangers qui sont amateurs de la simphonie, en ce qui regarde le clavecin ou épinettes, non seulement aux maistres qui enseignent à toucher ces nobles instruments de musique, mais encores à ceux qui l’apprennent.
Geneva, 2/ 1996. 11 x 15 cm, 188 pp. Line-cut of the Paris, 1679 edition. General observations on the manufacture and the art of playing the harpsichord, followed by a survey of the defects of ordinary-tongued jacks. Definition of the different sorts of “imperial” tongues and practical advice for the care of harpsichords and spinets. Wrappers. $45 [item no.877]


LEBÈGUE, Nicolas-Antoine, 1631-1702

[Pièces, harpsichord, book 1] Pièces de clavecin. Premier livre 1677. [Bibliothèque Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 87. Courlay, 1995. Oblong, 31 x 22 cm, 15, 92 pp. Line-cut of Paris, 1677 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $48 [item no.7145]


[Pièces, harpsichord, book 1] Les pièces de clavessin [Premier livre]. [Yale Music Library, New Haven].
Performers’ Facsimiles, 256. New York, [2007]. Oblong, 27 x 21 cm, 94 pp. Line-cut of the Paris, 1677 edition. Includes an unmeasured prelude for each key used (5 in all). Wrappers. $25 [item no.8838]


[Pièces, harpsichord, book 1] Les pieces de clavecin, Paris 1677. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 21. Stuttgart, 2010. Oblong, 27 x 21 cm, 94 pp. Line-cut of the Paris, 1677 edition. Laid paper, hardbound in decorative paper boards. $46 [item no.9195]


[Pièces, harpsichord, book 2] Second livre de clavessin. [British Library, London].
Performers’ Facsimiles, 257. New York, [2007]. Oblong, 27 x 21 cm, 100 pp. Line-cut of the Paris, 1687 edition. Wrappers. $25 [item no.8839]


[Pièces, harpsichord, book 2] Second livre de clavessin. Paris, Lesclop, s.d. (= 1687). Présentation par Marie Demeilliez. (British Library, London].
La Musique Française Classique de 1650 à 1800, 205. Courlay, 2010. Oblong, 30 x 22 cm, x, 96 pp. Line-cut of Paris, 1687 edition. Preface in Fr-Eng-Ger. Wrappers. $53 [item no.9164]


[Pièces, harpsichord, book 2] Second livre de clavecin, Amsterdam, E. Rogier o.D. [Biblioteka Jagiellońska, Krakow].
Faksimile-Edition Krakau, 22. Stuttgart, 2010. Oblong, 27 x 21 cm, 50 pp. Line-cut of the Amsterdam, [1698] edition. Laid paper, hardbound with decorative paper boards. $39 [item no.9196]


[Pièces, organ & harpsichord] Pieces d’orgue et de clavecin. Jahr-des Privilegs 1675. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 29. Stuttgart, 2014. Oblong, 28 x 21 cm, 90 pp. Line-cut of the Paris, 1675 edition. Beautiful marbled paper boards. $68 [item no.9357]


LE ROUX, Gaspard, c.1660-c.1707

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavecin.
Musica Repartita, 124F. Amsterdam, 1995. 4º, 90 pp. Line-cut of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $37 [item no.7248]


[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavessin avec la manière de les joüer. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 222. New York, [2001]. Oblong, 29 x 21 cm, 90 pp. Line-cut of another surviving print of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $25 [item no.7923]


LŒHLEIN, Georg Simon, 1725-1781

[Partitas, harpsichord, op.1 & 3] Sei partite per il clavicembalo. Opera prima e terza.
Clavecinistes Européens du XVIIIe Siècle, XII. Geneva, 1986. Oblong, 30 x 22 cm, 70 pp. Line-cut of the Breitkopf & Härtel edition, Leipzig 1766-1770. Wrappers. $71 [item no.2743]


LŒILLET, Jean-Baptiste (Lœillet de Gant), 1688-c.1720

[Lessons, harpsichord, c.1712] Lessons for the Harpsichord or Spinnet. Almands, Corants, Sarabands, Airs, Minuets, Jiggs. [Conservatoire Royal de Musique, Brussels].
Facsimile Series, III/4. Peer, 1989. Oblong, 35 x 23 cm, 16 pp. Line-cut of the D. Wright edition, London, c.1712. Wrappers. $18 [item no.2809]


[Lessons (suites), harpsichord, c.1723] Six Suites of Lessons for Harpsichord [or Spinnet in most of the Key’s with Variety of Passages and Variations Throughout the Work]. A Facsimile Edition with an Introduction by Gerald Gifford.
Cambridge, 1986. 4º, viii, 56 pp. Line-cut of the Walsh edition, London, c.1723. Wrappers. $20 [item no.1671]


[Lessons (suites), harpsichord, c.1723] Six Suits of Lessons for the Harpsicord or Spinnet in Most of the Key’s with Variety of Passages and Variations Throughout the Work. [Conservatoire Royal de Musique, Brussels].
Facsimile Series, III/5. Peer, 1989. 22 x 31 cm, 56 pp. Line-cut of the Walsh edition, London, c.1723. Wrappers. $18 [item no.2817]


[Lessons (suites), harpsichord, c.1723] Six Suits of Lessons for the Harpsichord or Spinnet in Most of the Key’s with Variety of Passages and Variations Throughout the Work. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 141. New York, [1994]. 25 x 32 cm, 55 pp. Line-cut of the London, 1723 edition. Wrappers. $23 [item no.4831]


LONG, Samuel, b.?-1764

[Lessons & voluntaries, keyboard] Four Lessons and Two Voluntarys for the Harpsichord or Organ. [Univ. of Illinois, Music Library, Urbana-Champaign].
Alston, 2004. Oblong, 4º, ii, 21 pp. Line-cut of the Thompson edition, London, c.1770. Preface by Peter Holman. Ring binder. $26 [item no.8410]


LOUËT, Alexandre, 1753-1817

[Method, keyboard] Instructions théoriques et pratiques sur l’accord du piano-forte / [A.F. Blanchet:] Méthode abrégée pour accorder le clavecin et le forte-piano.
Geneva, 1976. 8º, 92 pp. Line-cut of the Paris, 1797 & 1800 editions. Two complementary treatises on the early piano. Hardbound. $51 [item no.2758]


LÜBECK, Vincent, 1654-1740

Clavier Uebung bestehnd im Praeludio, Fuga, Allemande, Courante, Sarabande und Gigue. Edited by C. David Harris. [British Library, London].
Critical Facsimiles, 5. New York, 2000. 30 x 43 cm, iv, 11, iii pp. Line-cut of the author’s edition, Hamburg, 1728. A “corrected” facsimile, with critical apparatus listing emendations. Wrappers. $18 [item no.8400]


LUSTIG, Jacob Wilhelm, 1706-1796

[Sonatas, harpsichord] Sonates pour le clavecin.
Clavecinistes Européens du XVIIIe Siècle, V. Geneva, 1986. 22 x 30 cm, 64 pp. Line-cut of the Leclair, veuve Boivin, & Le Clerc edition, Paris, 1742. 6 sonatas (with doubles for some movts). Wrappers. $51 [item no.880]


MAICHELBECK, Franz Anton, 1702-1750

Die auf dem Clavier lehrende Caecilia op.2. Lotter, Augsburg 1738. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 10. Stuttgart, 2008. 33 x 21 cm, 100 pp. Line-cut of the Augsburg, 1738 edition. Maichelbeck’s most important work, directed towards the amateur keyboard player, presents both theoretical instruction and compositions for performance. One of the earliest examples in a printed work where the use of the thumb is designated in keyboard patterns. Hardbound, with handsome decorative paper boards. $115 [item no.8977]


MANTEL, John Christian, 1706-1761

[Lesson, harpsichord/organ] Six Setts of Lessons for the Harpsicord or Organ, op.1. [King’s College, Cambridge].
Alston, 2002. 4º, v, 44 pp. Line-cut of the London, 1743. Introduction by Helga Brück, David Galbraith, Robert Hallmann & John Edmonds. Ring binding. $36 [item no.8182]


MARCHAND, Louis, 1669-1732

[Pièces, harpsichord, books 1 & 2] Pièces de clavecin, premier et second livre.
Clavecinistes Français du XVIIIe Siècle, I. Geneva, 1982. Oblong, 25 x 17 cm, 30 pp. Line-cut of the Ballard edition, Paris, 1702-1703. Collection of pieces in the form of suites. Wrappers. $30 [item no.883]


[Pièces, harpsichord, book 1] Pièces de clavecin, livre 1er.
Performers’ Facsimiles, 17. New York, 1985. Oblong, 28 x 21 cm, 15 pp. Line-cut of the Paris, 1702 edition. Wrappers. $8 [item no.2211]


[Pièces, harpsichord, book 2] Pièces de clavecin, livre 2e.
Performers’ Facsimiles, 18. New York, 1985. Oblong, 28 x 21 cm, 15 pp. Line-cut of the Paris, 1702 edition. Wrappers. $8 [item no.2212]


MARPURG, Friedrich Wilhelm, 1718-1795

[Fughe e capricci, keyboard, op.1] Fughe e capriccj pel’clavicembalo ò per l’organo composti e dedicati al celebre signore C.P.E. Bach. Opera prima.
Performers’ Facsimiles, 142. New York, [1993]. 26 x 33 cm, 18 pp. Line-cut of the Hummel edition, Berlin & Amsterdam, [1777]. Wrappers. $18 [item no.4680]


[Fughe e capricci, keyboard, op.1] Fughe e capricci pel’clavicembalo ò per l’organo, 1777. Présentation par Philippe Lescat.
Collection Dominantes. Courlay, 1993. 24 x 33 cm, 13, 18 pp. Line-cut of the Hummel edition, Berlin & Amsterdam, [1777]. Introduction in Fr-Eng-Ger. Wrappers. $24 [item no.4729]


[Method, keyboard] Anleitung zum Clavierspielen (Berlin, 1765).
Monuments of Music and Music Literature in Facsimile, II/110. New York, 1969. 4º, 84 pp. Line-cut of the Berlin, 1765 edition. Laid paper, clothbound. [item no.1777]


[Method, keyboard] Neue methode allerley Arten von Temperaturen dem Claviere aufs bequemste mitzutheilen. [Universitätsbibl., Marburg].
Hildesheim, 1970. 15 x 21 cm, 50 pp. Line-cut of the Berlin, 1790 edition. Wrappers. $30 [item no.2567]


[Method, keyboard] Principes de clavecin.
Bibliotheca Musica Bononiensis, II/136. Bologna, 2/ 2000. 8º, 138 pp. Line-cut of the Berlin, 1756 edition. Laid paper. Wrappers. $48 [item no.884]


[Method, keyboard] Principes de clavecin.
Geneva, 1974. 8º, 136 pp. Line-cut of the Berlin, 1756 edition. $51 [item no.2736]


Raccolta delle piu nuove composizioni di clavicembalo di differenti maestre ed autori per l’anno 1756 [-1757], fatta stampare del sig. F.G. Marpurg.
Clavecinistes Européens du XVIIIe Siècle, IX. Geneva, 1986. Oblong, 35 x 24 cm, 118 pp. Line-cut of the Leipzig, 1756-57 edition. Anthology including works by Agricola, C.P.E. Bach, C.H. Graun, Kirnberger, F.W. Marpurg, Nichelmann, Rackemann, Sack, Schale, Seyfarth, Silbermann, Zacharia, Duphly, Février, Rameau, & P. Martini. Wrappers. $96 [item no.3320]


Versuch in figurirten Chorälen sowohl für die Orgel, als für das Clavichord.
Performers’ Facsimiles, 136. New York, [1993]. 26 x 33 cm, 21 pp. Line-cut of the Hummel edition, Berlin & Amsterdam, c.1792. 21 chorales variés for organ or harpsichord. Wrappers. $18 [item no.4678]


Versuch in figurierter Chorälen.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 24 pp. Line-cut of the J.J. Hummel edition, Berlin/Amsterdam, c.1789. 21 chorales variés for organ or harpsichord. Wrappers. $11 [item no.8885]


Zweiter Versuch in figurirten Chorälen und Fugen so wohl für die Orgel, als für das Clavichord.
Performers’ Facsimiles, 137. New York, [1993]. 26 x 33 cm, 18 pp. Line-cut of the Hummel edition, Berlin & Amsterdam, c.1792. 15 chorales variés and fugues for organ or harpsichord. Wrappers. $18 [item no.4679]


Zweyter Versuch in figurierter Chorälen und Fugen.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 24 pp. Line-cut of the J.J. Hummel edition, Berlin/Amsterdam, c.1793. 15 chorales variés and fugues for organ or harpsichord. Wrappers. $11 [item no.8886]


MARTINI, Giovannni Battista, 1706-1784

[Sonatas, keyboard] Sonate d’intavolatura per l’organo e’l cembalo. A Facsimile of the Amsterdam Edition c.1742(?).
Monuments of Music and Music Literature in Facsimile, I/19. New York, 1967. 26 x 34 cm, 107 pp. Line-cut of the Amsterdam, c.1742 edition. Laid paper, clothbound. [item no.397]


[Sonatas, keyboard] Sonate per l’organo e il cembalo. [Library of Congress, Washington, D.C. & Vassar College, Poughkeepsie].
Performers’ Facsimiles, 132. New York, [1993]. 4º, 26 pp. Line-cut of the Bologna, [1747] edition. The sonatas alternate between harpsichord and organ. Wrappers. $18 [item no.4606]


MASCHERA, Florentio, c.1540-1584

[Canzoni] Libro primo di canzoni a 4 voci (1584).
Thesaurus musicus, nova series, A/6. Brussels, 1979. Oblong, 31 x 23 cm, 52 pp. Line-cut of the only known printed copy. 44 compositions in score format. Cloth. $44 [item no.885]


MASSON, Charles, 17-18th c.

Nouveau traité des regles pour la composition de la musique par lequel on apprend à faire facilement un chant sur des paroles, à composer à 2, à 3 et à 4 parties, etc., et à chiffrer la basse-continue, suivant l’usage des meilleurs auteurs. Ouvrage très utile à ceux qui jouent de l’orgue, du clavecin, et du théorbe. Troisième édition.
Geneva, 2/ 1995. 13 x 21 cm, 135 pp. Line-cut of the third edition, Paris, 1705. Hardbound. $40 [item no.2746]


MATTHESON, Johann, 1681-1764

[Pièces, harpsichord] Pièces de clavecin. Facsimile of the 1714 London Edition. Volumes I-II.
Monuments of Music and Music Literature in Facsimile, I/5. New York, 1965. 4º, 47 pp. Line-cut of the London, 1714 edition. Laid paper, clothbound. [item no.887]


[Pièces, harpsichord] Pièces de clavecin en deux volumes.
Performers’ Facsimiles, 21. New York, [1986]. 26 x 38 cm, 47 pp. Line-cut of the London, 1714 edition. Wrappers. $25 [item no.888]


MÉHUL, Étienne-Nicolas, 1763-1817

[Sonatas, harpsichord/piano, op.1] Trois sonates pour le clavecin ou piano-forte, Op.1.
Musique pour le Piano-Forte, III. Geneva, 1983. 4º, 24 pp. Line-cut of the Paris, 1783 edition. Wrappers. $25 [item no.2724]


MONZA, Carlo Ignazio, 1696-1739

[Sonatas, harpsichord] Pièces modernes pour le clavecin. A cura di Mariangela Donà e Lorenzo Ghielmi. Riproduzione in facsimile dell’originale. [Civico Museo Bibliografico Musicale, Bologna].
Quaderni di San Maurizio, 1 – La Musica a Milano. Milan, 1986. Oblong, 32 x 24 cm, 34, 36 pp. Line-cut of the Turin(?), n.d., edition, an elegant example of copper plate engraving. Four suites for harpsichord plus prelude & fugue, all in a distinctive French-Italian style. With a new biographical note in It-Eng. Monza’s real identity had escaped Fétis, Eitner, as well as the author of the New Grove. Includes new work list. Wrappers with beautiful image of angel figure playing a gamba. $64 (more info... ) [item no.4201]


MOYREAU, Christophe, 18th c.

[Pièces, harpsichord, op.1-5] Pièces de clavecin. Œuvre Ier à V.
Clavecinistes Français du XVIIIe Siècle, XVI. Geneva, 1982. 22 x 30 cm, 210; ii pp. Line-cut of the Paris, 1753 edition. These five books contain overtures, concertos, sonatas, dances and picturesque and descriptive pieces. Wrappers. $100 [item no.2747]


[Simphonies, piano, op.6] Six simphonies, pièces de clavecin dédiées a son altesse serenissime monseigneur Le Duc d’Orleans.
Musica Repartita, 26F. Amsterdam, 1990. 4º, i, 27 pp. Line-cut of the Paris, [1753] edition. Wrappers. $18 [item no.4969]


MOZART, Wolfgang Amadeus, 1756-1791

[Divertimenti, K.240, Bb maj., arr.] Sonatines faciles à 4 mains pour le pianoforte arrangées d’après le manuscrit orginale de parties d’harmonie.
Biblioteca Classica, 67. Rotterdam, 1988. Oblong, 4º, 11 pp. Line-cut of the C.F. Peters edition, Leipzig, c.1815 (plate no. 1019). An arrangement for piano four hands from the Divertimenti, K.240, Sonata II in Bb major. Plastic ring binding. $14 [item no.4954]


[Fantasy keyboard, K.396, C minor] Fantasie pour le clavecin ou piano-forte composée et dédiée à Madame Constance Mozart.
Biblioteca Classica, 66. Rotterdam, 1985. 4º, 8 pp. Line-cut of the Jean Cappi edition, Vienna, 1803. The surviving autograph, for piano and violin, only goes as far as the first double bar of the first movement. Stadler finished the Adagio movement, for piano solo, and had it published. Plastic ring binding. $13 [item no.4928]


[Fantasy & sonata, piano, K.475/457, 1st ed.] Fantaisie et sonate pour le forte piano, opus XI, 1785. K.475–K.457. Présentation par Norbert Kaltz. [Bibl. de l’Université, Bâle].
Collection Dominantes. Courlay, 1991. Oblong, 32 x 23 cm, 60, 23 pp. Line-cut of the Vienna, [1785] edition, a publication supervised by the composer. Introduction in Fr-Eng-Ger. Wrappers. $47 (more info... ) [item no.4087]


[Sonata movts, keyboard, w/o Köchel no.] Unbekannte Werke Mozarts aus einem Salzburger Notenbuch. Vorgelegt von Ernst Hintermaier.
Denkmäler der Musik in Salzburg (Hauptreihe), 18. Munich, 2006. 24 x 32 cm, 40 pp. Halftone (and modern transcription) of a recently rediscovered MS containing some of Mozart’s earliest keyboard music: an Allegro and an Aria which is not contained in the Köchel listing. The 2 short pieces were probably composed in the period between 1763 and 1766—perhaps between K.1 and K.33g. Also included is a setting for piano in 3 movements (Allegro molto, Menuet and Trio) from the violin sonata K.7, which was published in Paris, together with K 6, and the first or late version of the second number from the "London Sketchbook 1764", K.Anh.109b (15b). Wrappers. $46 [item no.9064]


[Sonata movts, keyboard, w/o Köchel no.] Zwei “unbekannte” Klavierstücke von Wolfgang Amadé Mozart aus dem “Nannerl-Notenbuch”. Faksimile und Übertragung mit einer Einführung von Ulrich Leisinger.
Salzburg, 2009. Oblong, 32 x 24 cm, 24 pp. Color halftone. Contains two keyboard pieces attributed to Wolfgang, written in Leopold’s hand (=NMA no.50-51). Pref. in Ger/Eng/Fr, modern edition with critical commentary in Ger. Limited bibliophile edition. $23 (more info... ) [item no.9468]


[Sonata, piano, violin, K.6, 1st movt] Allegro in C-Dur für Klavier KV 6. Komponiert in Brüssel am 14. Oktober 1763. Faksimile der Handschrift Leopold Mozarts aus dem “Nannerl-Notenbuch” mit einem Vorwort von Geneviève Geffray. [Bibliothek der Internationalen Stiftung Mozarteum Salzburg].
Salzburg, 1997 Oblong, 34 x 27 cm, 8 pp. Color halftone of the first movement of K.6 in the hand of Leopold Mozart. The work was original composed in Brussels 14. Oct. 1763 and is the original version (keyboard alone) of the first movement of K.6 published in 1764 as "Sonates / Pour le Clavecin / Qui peuvent se jouer avec l'Accompagnement de Violon". Preface in Ger/Eng/Fr. Limited bibliophile edition. $22 (more info... ) [item no.9470]


[Sonata, piano, violin, K.6, 1st ed.] Sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon. Œuvre première.
Geneva, 1988. Oblong, 30 x 22 cm, iv, 22 pp. Line-cut of the Paris, [1764] edition. The first work of Mozart (at seven years of age) to be engraved. Facsimile based on the copy delivered by Leopold and Wolfgang to Madame Victoire, Louis XV’s daughter. Introduction in Fr-Eng by François Lesure. Wrappers. $40 [item no.3051]


[Sonata, piano, violin/flute (violoncello ad lib.), K.10-15, 1st ed.] Six sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon, ou flaute traversière [et d’un violoncelle]. Oeuvre III.
Biblioteca Classica, 65. Rotterdam, 1986. 4º, 2 parts, 42 pp. Line-cut of the London, 1765 edition (no autograph is known). Wrappers. $29 [item no.4927]


[Sonata, piano, K.284, K.333; piano & violin, K.454, 1st ed.] Trois sonates pour le clavecin ou le piano-forte. La troisième est accompagnée d’un violon obligé. K.333 – K.284 – K.454. Présentation par Norbert Kaltz. [British Library, London & Bibliothèque de l’Université, Basel].
Collection Dominantes. Courlay, 1993. Oblong, 32 x 24 cm, 83, 60 pp. Line-cut of the first edition by Christoph Torricelli, Vienna, [1784]. Introduction in Fr-Eng-Ger. Wrappers. $59 (more info... ) [item no.4405]


[Sonata, piano, K.310/300d] Piano Sonata A Minor, KV 300d (310). Edited from the Autograph and First Edition by Karl Heinz Füssl und Heinz Scholz. Fingering by Heinz Scholz. [Ms. Pierpont Morgan Library, New York].
Urtext Edition + Faksimile. Vienna, 1973. 4º, 11, 18 pp. Halftone, plus new authoritative edition. Preface in Ger-Eng-Fr. Wrappers. $23 [item no.451]


[Sonata, piano, K.333, autogr.] Analyse der Klaviersonate B-dur von W. A. Mozart (K.V. 333), mit dem Faksimiledruck der Handschrift. [Ms. Staatsbibl. Preußischer Kulturbesitz Berlin].
Studium musicale. Stuttgart, 1966. 8°. 35; 6 pp. 2-color halftone (in slightly reduced format) of the autograph. Wrappers, with plastic sleeve. (no commentary). $20 [item no.452]


[Sonata, piano, K.333, autogr.] Klaviersonate B-Dur KV 333. Faksimile nach dem Autograph in der Staatsbibliothek zu Berlin Preußischer Kulturbesitz. Mit einem Geleitwort von Mitsuko Uchida. Herausgegeben und mit einer Einführung von Claudia Maria Knispel.
Meisterwerke der Musik im Faksimile, 2. Laaber, 2005. 24 x 31 cm, 19, 6 pp. Full-color (and full-sized) facsimile of the autograph score issued on the occasion of “Mozart Year 2006”. Mozart’s notation is wonderfully fluid and free, yet almost completely free of corrections. An analysis of the autograph and first edition (Torricelli, 1784) reveal interesting differences in dynamics, articulations, including a few altered pitches. Introduction in Ger-Eng. Coverboard in decorative paper. $89 (more info... ) [item no.7830]


[Variations, piano, on Dutch songs, K.24-25] “Dutch” Keyboard Variations. “Laat ons juichen, Batavieren!” K.24; “Willem van Nassau” K.25. Edited in Facsimile with an Introduction by Paul van Reijen.
Dutch Music Facsimiles, 9. Utrecht, 1996. 4º, xiii, 9 pp. Line-cut of the Hummel editions, Amsterdam & The Hague, 1766. Written during the Mozart family’s stay in The Hague (September, 1765 to March, 1766). K.24 is based on a patriotic song “Let us shout with joy, Batavians”, K.25 on a well-known air, also known as the “Prince’s March”. Wrappers. $27 [item no.7385]


[Variations, piano, on arias; K.180, 189, 354, 398, & 460] VI Variazioni su “Mio caro Adone”; XII Variations sur “Je suis Lindor”; VI Variazioni su “Salve tu, Domine”; VIII Variazioni su “Come un agnelio”; Trois Airs variés pour le clavecin ou forte piano.
Archivum Musicum: L’Arte del Fortepiano, 1. Florence, 1984. Oblong, 32 x 23 cm, 4 booklets, v, 55 pp. Line-cut of the early printed editions. Variations based on operatic numbers by Salieri, Baudron, Paisiello, and Sarti. Introduction in It by Laura Alvini. Wrappers with slipcover. $30 [item no.453]


[Variations, piano, “Ah, vous dirai-je Maman”, K.265] Zwölf Variationen in C für Klavier über das französische Lied “Ah, vous dirai-je Maman” KV 265 (300e). Faksimile nach den autographen Fragmenten und Reproduktion des Erstdrucks. Im Auftrag der Deutschen Mozart-Gesellschaft herausgegeben und kommentiert von Ulrich Konrad.
[Henle Music Facsimiles, 14]. Munich, 2001. Oblong, 34 x 25 cm, 22, 4 + 8 pp. Full-color halftone of the composer’s c.1781-82 autograph (variations no. 8 & 10 are now missing), plus halftone of the first printed edition by Christoph Torricelli, reconstructed from two incomplete sources. These variations, based on the French tune “Ah, vous dirai-je Maman” (”Twinkle, Twinkle Little Star”), were, even during Mozart’s lifetime, immensely popular. Introduction in Ger-Eng. Handsome portfolio with red paper boards, white lettering & cloth ties. $66 (more info... ) [item no.7932]


[Variations, piano, “Ah, vous dirai-je Maman”, K.265] Variationen für Klavier in C-Dur KV 265 über das Lied “Ah, vous dirai-je, Maman”. Faksimile des ersten Teils des Autographs, Thema und Variationen 1 bis 7. Komponiert vermutlich in Wien um 1781/82.
Salzburg, 2008 Oblong, 34 x 27 cm, 7 pp. Color halftone of the autograph—acquired by the Salzburg Mozarteum in 2008—containing the theme and the first 7 (of 12) variations.* The catchy theme, commonly known since about 1840 in Germany as the Christmas carol "Morgen kommt der Weihnachtsmann" and in English as "Twinkle, twinkle litte star", might have attracted Mozart's attention while he was in Paris, where where it was used in theme & variation form since 1761 and became popular in 1774 under the title "Les Amours de Silvandre". Commentary in Ger/Eng/Fr by Ulrich Leisinger. Limited bibliophile edition. $22 (more info... ) [item no.9472]


MUFFAT, Gottlieb, 1690-1770

Componimenti musicali. A Facsimile of the Vienna Edition c.1739 (?).
Monuments of Music and Music Literature in Facsimile, I/8. New York, 1967. Oblong, 35 x 26 cm, 112 pp. Line-cut of the Vienna, c.1739 edition. Laid paper, clothbound. [item no.893]


XII kleine Fugen sammt 2 Toccaten.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the H. Löschenkohl edition, Vienna, n.d. Wrappers. $9 [item no.8888]


12 Toccaten und 72 Versetl. A Facsimile of the 1726 Vienna Edition.
Monuments of Music and Music Literature in Facsimile, I/18. New York, 1967. Oblong, 30 x 25 cm, 93 pp. Line-cut of the Vienna, 1726 edition. Laid paper, clothbound. [item no.894]


72 Versetl sammt 12 Toccaten besonders zum Kirchen-Dienst bey Choral-Aemtern und Versperen dienlich.
Performers’ Facsimiles, 262. New York, [2008]. Oblong, 29 x 21 cm, 93 pp. Line-cut of the Vienna, 1726 edition. Wrappers. $25 [item no.8978]


NAUMANN, Johann Gottlieb, 1741-1801

[Concerto, 2 harpsichords] Concerto di Naumann accomodato per due cembali. Facsimile from a Handwriting in the Sächsische Landesbibliothek in Dresden. Modern Edition by Eva Nordenfelt-Åberg.
Autographus Musicus, 17. Bandhagen, 1979. 3 fascicles, ii, 37, 15 pp. Halftone of a contemporary ms copy. Written as separate parts; together with practical edition of the score. Introduction in Eng. Wrappers. $32 [item no.898]


NEEFE, Christian Gottlob, 1748-1798

Fantasia per il clavicembalo, c. 1778.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 20 pp. Line-cut of the Simrock edition, Bonn, c.1798. Wrappers. $11 [item no.8856]


NICHELMANN, Christoph, 1717-1762

[Sonatas, harpsichord, op.1 & 2] Sei brevi sonate da cembalo massime all’uso delle dame [Op. 1-2].
Clavecinistes Européens du XVIIIe Siècle, VI. Geneva, 1986. 4º, 60 pp. Line-cut of the B. Schmid edition, Nuremberg, c.1750. Wrappers. $51 [item no.2738]


NIVERS, Guillaume Gabriel, 1632-1714

[method, keyboard] L’art d’accompagner sur la basse continue pour l’orgue & clavecin. Préface par Denis Herlin.
Geneva, 2000. Oblong, 21 x 17 cm, ii, 24 pp. Line-cut of the Paris, 1689 edition (pp.149-170 of “Motets à voix seule”). Introduction by in Fr-Eng. Wrappers. $35 [item no.7798]


PACHELBEL, Johann, 1653-1706

[Hexahcordum apollinis, organ/harpsichord] Hexachordum apollinis, sex arias exhibens, organo pneumatico, vel clavato cymbalo modulandas. [Bayerische Staatsbibliothek, Munich].
Early Keyboard Music in Facsimile, 3. Innsbruck, 1994. Oblong, 23 x 18 cm, 51, iv pp. Line-cut of the Nuremberg, 1699 edition. Cycle of 6 arias with variations. Afterword in Ger-Eng by Rupert Gottfried Freiberger. Wrappers. $42 [item no.7170]


[Hexahcordum apollinis, organ/harpsichord] Hexachordum Apollinis, 1699. Présentation par Philippe Lescat. [British Library, London].
Collection Dominantes. Courlay, 1996. Oblong, 31 x 22 cm, xiii, 51 pp. Line-cut of the Nuremberg, 1699 edition. Preface in Fr-Eng-Ger by Philippe Lescat. Wrappers. $32 [item no.7294]


[Hexahcordum apollinis, organ/harpsichord] Hexachordum Apollinis, sex arias exhibens organo pneumatico, vel clavato cymbalo, modulandas, quarum singulis suae sunt subjectae variationes. [British Library, London].
Performers’ Facsimiles, 182. New York, [1998]. Oblong, 26 x 20 cm, 51 pp. Line-cut of the Nuremberg, 1699 edition. Wrappers. $20 [item no.7558]


PAGANELLI, Giuseppe Antonio, 1710-c.1763

[Arias, organ/harpsichord] XXX ariae pro organo et cembalo, non solum in templis, sed etiam in musaeis musicis publicis et privatis speciatim, sub elevatione producendae, styloque tam gravi quam suavi elaboratae.
Clavecinistes Européens du XVIIIe Siècle, VIII. Geneva, 1986. 4º, 40 pp. Line-cut of the Augsburg, 1756 edition. Wrappers. $40 [item no.2739]


PASQUINI, Bernardo, 1637-1710

[Keyboard compositions] L’Œuvre pour clavier. Sonate per gravecembalo composte dal Sig. Bernardo Pasquini e scritte di sua mano in questo libro, .D. 1702 Aprile. Manuscrit autographe L.215 (Berlin). Première [& deuxième] partie. Présentation par Emer Buckley.
Collection Dominantes. Courlay, 2005. Oblong, 4º, 500 pp + audio CD. Line-cut of the autograph manuscript. Together with a CD recording by Emer Buckley. Wrappers. $157 [item no.8636]


PERI, Jacopo, 1561-1633

Le varie musiche a una, due, e tre voci con alcune spirituali in ultimo. Per cantare nel clavicembolo, e chitarrone, & ancora la maggior parte di esse per sonare semplicemente nel organo.
Performers’ Facsimiles, 235. New York, [2000]. 25 x 35 cm, 32 pp. Line-cut of the Florence, 1609 edition. 20 monodies for 1 to 3 voices and basso continuo. Wrappers. $20 [item no.7797]


PESCETTI, Giovanni Battista, c.1704-c.1766

[Sonatas, harpsichord] Sonate per gravicembalo. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, IV/165. Bologna, 1977. Oblong, 31 x 21 cm, 58 pp. Line-cut of the London, 1739 edition. Laid paper. Cloth. $47 [item no.904]


PESENTI, Martino, c.1600-c.1648

Il primo libro delle correnti alla francese per sonar nel clavicimbalo et altri stromenti. Nuovamente ristampate con una agionta di alcune correnti et un baletto a tre.
Bibliotheca Musica Bononiensis, IV/33. Bologna, 1983. 22 x 32 cm, 28 pp. Line-cut of the Allessandro Vincenti edition, Venice 1635. 30 compositions. Laid paper. Cloth. $27 [item no.905]


PICCHI, Giovanni, 1572-1643

[Intavolatura di balli, harpsichord/virginal] Intavolatura di balli d’arpicordo.
Bibliotheca Musica Bononiensis, IV/36. Bologna, 1968. Oblong, 21 x 16 cm, 61 pp. Line-cut of the Venice, 1621 edition. Hardbound. $30 [item no.906]


PLAYFORD, John, 1623-1686 [publisher]

Musicks Hand-maide. Presenting new and pleasant Lessons for the Virginals or Harpsycon. [British Library, London].
Faksimile-Edition Rara, 36. Stuttgart, 2000. Oblong, 20 x 17 cm, 60 pp. Line-cut of the John Playford edition, London, 1663. Works by Ben Sandley, William Lawes, Ben Rogers, Matthew Locke, & John Moyse, together with anonymous numbers, Hardbound, in marbled paper. $44 [item no.7786]


[Musick’s Hand-maid, keyboard, part 1] Musicks Hand-maid: New Lessons and Instructions for the Virginals or Harpychord. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 101. New York, [1994]. Oblong, 23 x 15 cm, 82 pp. Line-cut of the London, 1678 edition. Pieces by Bryan, Jackson, Lawes, Locke, Mell, Moss, Pratt, Rogers, Sandley, and others. Wrappers. $20 [item no.7006]


[Musick’s Hand-maid, keyboard, part 2] The Second Part of Musick’s Hand-maid: Containing the Newest Lessons, Grounds, Sarabands, Minuets, and Jiggs, Set for the Virginals, Harpsichord, and Spinet. [British Library, London].
Performers’ Facsimiles, 102. New York, [1995]. Oblong, 23 x 15 cm, 70 pp. Line-cut of the London, 1689 edition. Pieces by Blow, Motley, Purcell, Snow, Turner, and others. Wrappers. $20 [item no.7127]


POGLIETTI, Alessandro, b.?-1683

Compendium [oder kurtzer Begriff, und Einführung zur Musica], Ms. 1676. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 5. Stuttgart, 2007. 26 x 31 cm, 134 pp. Color reproduction of a contemporary ms copy. Offers guidance to students of 17th-c. keyboard practice and an introduction to the art of composition. Includes 12 ricercares, models of the strict style, important compositions that stand in the tradition of Frescobaldi’s Fiori musicali and Bach’s Die Kunst der Fuge. The compendium also includes many themes “all manner of capriccios”, variously imitating on an instrument the songs of birds and other sounds (nightingale, canary, cuckoo, cock and hen) and of the sounds of bells, work and war. Hardbound, with cloth spine. $135 [item no.8913]


Pièces pour le clavecin ou l’orgue (Rossignolo).
Early Keyboard Music in Facsimile, 5. Innsbruck, nyp. Halftone of the undate print, second half of the 17th c. [item no.7172]


Rossignolo, pièces pour le clavecin ou l’orgue Présentation: Peter Waldner. [Österreichische Nationalbibliothek, Vienna].
Collections Dominantes. Courlay, 2004. 4º, x, 199. Line-cut of the autograph score and a contemporary manuscript copy. Wrappers. $79 [item no.8519]


PURCELL, Henry, 1659-1695

[Lessons, harpsichord/virginal] A Choice Collection of Lessons for the Harpsichord or Spinnet.
Monuments of Music and Music Literature in Facsimile, I/26. New York, 1978. Oblong, 25 x 17 cm, 69 pp. Line-cut of the London, 1696 edition. Laid paper, beautifully bound in white linen. [item no.908]


[Lessons, harpsichord/virginal] A Choice Collection of Lessons for the Harpsichord or Spinnet.
Performers’ Facsimiles, 134. New York, [1993]. Oblong, 25 x 17 cm, 69 pp. Line-cut of the London, 1696 edition. Wrappers. $20 [item no.4621]


RAMEAU, Jean-Philippe, 1683-1764

Nouvelles suites de pièces de clavecin avec remarques sur les différents types de musique.
Monuments of Music and Music Literature in Facsimile, I/13. New York, 1967. Line-cut of the Paris, c.1728 edition. Laid paper, clothbound. [item no.910]


Nouvelles suites de pièces de clavecin avec des remarques sur les différents types de musique.
La Musique Française Classique de 1650 à 1800, 20. Courlay, 1987. 22 x 31 cm, xxi, 31 pp. Line-cut of the Paris, [1728] edition. Introduction by Jean Saint-Arroman. Wrappers. $31 [item no.2239]


[Pièces, harpsichord] Pièces de clavessin.
Monuments of Music and Music Literature in Facsimile, I/7. New York, 1967. Line-cut of the Paris, 1724 edition. Laid paper, clothbound. [item no.911]


[Pièces, harpsichord] Pièces de clavessin avec une méthode pour la mechanique des doigts, où l’on enseigne les moyens de se procurer une parfaite éxecution sur cet instrument.
Performers’ Facsimiles, 156. New York, [1996]. Oblong 29 x 22 cm, 41 pp. Line-cut of the Paris, 1724 edition. Wrappers. $20 [item no.7323]


[Pièces, harpsichord] Pièces de clavecin avec une table pour les agréments.
La Musique Française Classique de 1650 à 1800, 21. Courlay, 1988. Oblong, 31 x 22 cm, xxv, 35 pp. Line-cut of the Paris, 1736 edition (a re-issue of the 1724 collection). Introduction by Jean Saint-Arroman. Wrappers. $31 [item no.2241]


[Pièces, harpsichord, book 1] Premier livre de pièces de clavecin. Edited by R. Peter Wolf.
Critical Facsimiles, 1. New York, 1986. Oblong, 28 x 21 cm, v, 15, iii pp. Line-cut of the Paris, 1706 edition (contains introduction and apparatus listing editorial emendations). Wrappers. $15 [item no.2240]


[Pièces, harpsichord, book 1, 1741 ed.] La Dauphine (manuscrit autographe); Les petits marteaux (manuscrit); Pièces de clavecin. Œuvre premier (Édition de 1741). [Bibliothèque National, Paris & Bibliothèque Municipale, Bordeaux].
La Musique Française Classique de 1650 à 1800, 71. Courlay, 1993. Oblong, 31 x 22 cm, 25, 20 pp. Line-cut of the Paris, 1741 edition of Pièces de clavecin, plus the autograph of “La Dauphine” and a manuscript copy of “Les petits marteaux”. Introduction in Fr-Eng-Ger by Jean Saint-Arroman & Philippe Lescat. Wrappers. $31 [item no.4764]


REICHARDT, Johann Friedrich, 1752-1814

[Sonatas, keyboard] Sei sonate per il clavicembalo, tomo II. 1778.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 32 pp. Line-cut of the A. Mylius edition, Berlin, 1778. Wrappers. $13 [item no.8858]


RENOTTE, Hubert, 1694-1745

Pièces de clavecin composée par Monsieur Renotte Organiste de l’Eglise Cathedrale de Liege.
Musica Repartita, 182. Utrecht, 1997. 21 x 30 cm, 106, vi pp. Line-cut of a comtemporary ms copy in the hand of J.G. Delarge. Afterword in Dut-Fr by J.H. van Krevelen. Wrappers. $46 [item no.8616]


RIGEL, Henri-Joseph, 1741-1799

[Sonatas, harpsichord, op.1] Six sonates pour le clavecin. Œuvre I. Gravée par Mme. Bérault.
Clavecinistes Européens du XVIIIe Siècle, XI. Geneva, 1986. 4º, 48 pp. Line-cut of the Paris, 1767 edition engraved by Françoise Bérault. Wrappers. $51 [item no.2742]


ROBSON, Jean-Jacques, 1723-1785

Piesce de claveçin, opus 1 (Liège, B. Andrez, 1749). Introduction: Olivia Wahnon de Oliveira.
Musica Bruxellensis, II. Brussels, 2003. 4˚, 16, 46 pp. Line-cut of the Liège, 1749 edition. Preface in Eng-Fr. Wrappers. $32 (more info... ) [item no.8353]


ROMAN, Johan Helmich, 1694-1758

[Sonata, harpsichord, C major] Sonata C-dur - Cembalo. Faksimiltryck av kompositörens autograf 1728 i Kungliga Musikaliska Akademiens bibliotek i Stockholm.
Autographus Musicus, 5. Bandhagen, 1976. Oblong, 37 x 25 cm, 7 pp. Line-cut of the autograph. Wrappers. $15 [item no.526]


[Sonata, harpsichord, D minor] Sonata nr 9 i d. Cembalo. Faksimiltryck av kompositörens autograf i Kungl. Musikaliska Akademiens bibliotek i Stockholm.
Autographus Musicus, 6. Bandhagen, 1976. 21 x 32 cm, 6 pp. Line-cut of the autograph. Wrappers. $15 [item no.527]


ROSEINGRAVE, Thomas, 1690-1766

[Fugues, organ/harpsichord] 6 Double Fugues for the Organ or Harpsichord to which is Added, Sigr. Domenico Scarlatti’s Celebrated Lesson for the Harpsichord, with Several Additions by Mr. Roseingrave. [Yale University, New Haven].
Performers’ Facsimiles, 105. New York, [1993]. Oblong, 31 x 22 cm, 25 pp. Line-cut of the Walsh edition, London, c.1750. The Roseingrave pieces are concluded by Scarlatti’s K.37. Wrappers. $18 [item no.4647]


[Suites, harpsichord/virginal] Eight Suits of Lessons for the Harpsichord or Spinnet.
Monuments of Music and Music Literature in Facsimile, I/27. New York, 1967. Line-cut of the London, 1728 edition. Laid paper, clothbound. [item no.914]


[Suites, harpsichord/virginal] Eight Suits of Lessons for the Harpsicord or Spinnet in Most of the Keys; with Variety of Passages & Variations Throughout the Work.
Performers’ Facsimiles, 19. New York, 1986. 25 x 33 cm, 40 pp. Line-cut of the London, 1728 edition. Wrappers. $18 [item no.915]


[Voluntaries & fuges, organ/harpsichord] Voluntarys and Fugues Made on Purpose for the Organ or Harpsicord.
Performers’ Facsimiles, 5. New York, 1985. 25 x 34 cm, 30 pp. Line-cut of the Walsh & Hare edition, London, c.1730. Wrappers. $18 [item no.916]


ROYER, Pancrace, c.1705-1755

[Pièces, harpsichord, book 1] Pièces de clavecin, premier livre.
Clavecinistes Français du XVIIIe Siècle, XIV. Geneva, 1981. 4º, 27 pp. Line-cut of the Paris, 1746 edition. Wrappers. $30 [item no.918]


[Pièces, harpsichord, book 1] Pièces de clavecin, premier livre. [Bibliothèque Nationale, Paris].
Performers’ Facsimiles, 112. New York, [1994]. 25 x 33 cm, 28 pp. Line-cut of the Paris, 1746 edition. Wrappers. $18 [item no.4830]


[Pièces, harpsichord, book 1] Pièces de clavecin, premier livre. 1746. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 98. Courlay, 1996. 22 x 31 cm, 29, 28 pp. Line-cut of the Paris, 1746 edition. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $31 [item no.7332]


RUTINI, Giovanni Maria Placido, 1723-1797

[Sonata, harpsichord, F major] Sonata per cembalo. Manoscritti della biblioteca del Conservatorio Musicale Nicolò Paganini di Genova.
Collana Anastatica a cura di L. Gamberini. Genova, 1972. 33 x 25 cm, 5 pp. Line-cut of a contemporary ms copy. Wrappers. $32 [item no.919]


[Sonatas, harpsichord, op.6] Sei sonate per cimbalo dedicate al nobile, ed eccelso signor marchese Francesco Albergati Capacelli. Opera sesta.
Biblioteca Classica, 130. Rotterdam, 1985. Oblong, 30 x 21 cm, 27 pp. Line-cut of the Lelio dalla Volpe edition, Bologna, 1765. These sonatas were one of Nannerl Mozart’s favorite. Plastic ring binding. $18 [item no.4932]


[Sonatas, harpsichord, op.8] Sei sonate per cimbalo. Opera VIII.
Bibliotheca Musica Bononiensis, IV/162. Bologna, 1969. Oblong, 31 x 22 cm, 39 pp. Line-cut of the Florence, 1775 edition. 6 sonatas in major keys (F, C, D, Eb, A & G); interestingly the last movement of the last sonata has text underlay “Clori amabile ti...” Hardbound. $33 [item no.920]


SBORGI, Gaetano, 1762-d.?

[Sonatas, harpsichord, op.1] Sei sonate da cembalo, opera prima.
Clavecinistes Européens du XVIIIe Siècle, XIV. Geneva, 1986. 4º, 48 pp. Line-cut of the Florence, c.1775 edition. Wrappers. $51 [item no.2745]


SCARLATTI, Alessandro, 1660-1725

[Lessons, harpsichord] Lezzioni, toccate d’intavolatura per sonare il cembalo. Riproduzione del manoscritto della Biblioteca Estense di Modena. Introduzione di Luigi Ferdinando Tagliavini.
Bibliotheca Musica Bononiensis, IV/79. Bologna, 1999. Oblong, 4º, 11, 108 pp. Line-cut of the 1737 ms. Preface in It. Wrappers. $51 (more info... ) [item no.925]


[Toccatas, keyboard, books 1 & 2] Primo e secondo libro di toccate. Napoli, s.d. [Biblioteca del Conservatorio, Naples, Ms. 34.6.31].
Archivum Musicum: Strumentalismo Italiano, 40. Florence, 1981. Oblong, 24 x 22 cm, vii, 108 pp. Line-cut of an 18th-c. ms transmitting 10 toccatas. Introduction in It by Laura Alvini. Wrappers in decorative paper. $31 [item no.926]


SCARLATTI, Domenico, 1685-1757

[Essercizi, harpsichord] Essercizi per gravicembalo.
Archivum Musicum: Strumentalismo Italiano, 63. Florence, 1985. Oblong, 30 x 21 cm, i, 116 pp. Line-cut of the Fortier edition, London, 1738. 30 sonatas—the only pieces whose publication was supervised by Scarlatti himself—corresponding to Kirkpatrick nos. 1-30. Preface in It by Laura Alvini. Wrappers in decorative paper. $36 [item no.2079]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo del Sigr. Dn. Domco. Scarlatti, 1749. [Biblioteca Nazionale Marciana di Venezia, ms. 9771].
Archivum Musicum: Monumenta Musicae Revocata, 1/II. Florence, 1986. Oblong, 31 x 25 cm, ii, 169 pp. Line-cut of the second of the Venice mss. Contains 41 sonatas corresponding to K.99-138. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.2081]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo, libro I, año de 1752. [Biblioteca Nazionale Marciana di Venezia, ms. 9772].
Archivum Musicum: Monumenta Musicae Revocata, 1/III. Florence, 1987. Oblong, 31 x 25 cm, iv, 123 pp. Line-cut of the third of the Venice mss, containing 30 sonatas corresponding to K.148-176. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.2399]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo, libro II, año de 1752. [Biblioteca Nazionale Marciana di Venezia, ms. 9773].
Archivum Musicum: Monumenta Musicae Revocata, 1/IV. Florence, 1989. Oblong, 31 x 25 cm, viii, 118 pp. Line-cut of the fourth of the Venice mss, containing 30 sonatas corresponding to K.177-206. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.3178]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro III, año de 1753, ms. 9774. [Biblioteca Nazionale Marciana di Venezia, ms. 9774].
Archivum Musicum: Monumenta Musicae Revocata, 1/V. Florence, 1991. Oblong, 31 x 25 cm, iv, 118 pp. Line-cut of the fifth of the Venice mss, containing 30 sonatas corresponding to K.206-235. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4175]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro IV, año de 1753. [Biblioteca Nazionale Marciana di Venezia, ms. 9775].
Archivum Musicum: Monumenta Musicae Revocata, 1/VI. Florence, 1991. Oblong, 31 x 25 cm, iv, 122 pp. Line-cut of the sixth of the Venice mss, containing 30 sonatas corresponding to K.236-265. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4228]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro V, año de 1753. [Biblioteca Nazionale Marciana di Venezia, ms. 9776].
Archivum Musicum: Monumenta Musicae Revocata, 1/VII. Florence, 1992. Oblong, 31 x 25 cm, iv, 123 pp. Line-cut of the seventh of the Venice mss, containing 30 sonatas corresponding to K.266-295. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4431]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro VI, año de 1753. [Biblioteca Nazionale Marciana di Venezia, ms. 9777].
Archivum Musicum: Monumenta Musicae Revocata, 1/VIII. Florence, 1992. Oblong, 31 x 25 cm, iv, 125 pp. Line-cut of the eighth of the Venice mss, containing 30 sonatas corresponding to K.296-325. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4432]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro VII, año de 1754. [Biblioteca Nazionale Marciana di Venezia, ms. 9778].
Archivum Musicum: Monumenta Musicae Revocata, 1/IX. Florence, 1992. Oblong, 31 x 25 cm, iv, 123 pp. Line-cut of the ninth of the Venice mss, containing 30 sonatas corresponding to K.326-355. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4433]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro VIII, año de 1754. [Biblioteca Nazionale Marciana di Venezia, ms. 9779].
Archivum Musicum: Monumenta Musicae Revocata, 1/X. Florence, 1992. Oblong, 31 x 25 cm, iv, 123 pp. Line-cut of the tenth of the Venice mss, containing 30 sonatas corresponding to K.358-387. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4434]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro IX, año de 1754. [Biblioteca Nazionale Marciana di Venezia, ms. 9780].
Archivum Musicum: Monumenta Musicae Revocata, 1/XI. Florence, 1992. Oblong, 31 x 25 cm, iv, 131 pp. Line-cut of the eleventh of the Venice mss, containing 30 sonatas. corresponding to K.388-417. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4566]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro X, año de 1755. [Biblioteca Nazionale Marciana di Venezia, ms. 9781].
Archivum Musicum: Monumenta Musicae Revocata, 1/XII. Florence, 1992. Oblong, 31 x 25 cm, iv, 136 pp. Line-cut of the twelfth of the Venice mss, containing 34 sonatas corresponding to K.418-451. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4567]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro XI, año de 1756. [Biblioteca Nazionale Marciana di Venezia, ms. 9782].
Archivum Musicum: Monumenta Musicae Revocata, 1/XIII. Florence, 1992. Oblong, 31 x 25 cm, iv, 125 pp. Line-cut of the thirteenth of the Venice mss, containing 30 sonatas corresponding to K.454-483. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4568]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro XII, año de 1756. [Biblioteca Nazionale Marciana di Venezia, ms. 9783].
Archivum Musicum: Monumenta Musicae Revocata, 1/XIV. Florence, 1992. Oblong, 31 x 25 cm, iv, 133 pp. Line-cut of the fourteenth of the Venice mss, containing 30 sonatas corresponding to K.484-513. Preface in It-Eng by Laura Alvini. Hardbound. $75 (more info... ) [item no.4569]


[Sonatas, harpsichord, complete, Venice sources] Sonate per cembalo. Libro XIII, año de 1757. [Biblioteca Nazionale Marciana di Venezia, ms. 9784].
Archivum Musicum: Monumenta Musicae Revocata, 1/XV. Florence, 1992. Oblong, 31 x 25 cm, iv, 123 pp. Line-cut of the fifteenth of the Venice mss, containing 30 sonatas corresponding to K.514-543. Preface in It-Eng by Laura Alvini. Quarter linen. $75 (more info... ) [item no.4570]


[Sonatas, keyboard] Six Sonatas for the Harpsichord. Vol. III. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 252. New York, [2006]. Oblong, 4º, 27 pp. Line-cut of the John Johnson edition, London, n.d. Wrappers. $18 [item no.8676]


[Sonatas, keyboard, ed. Clementi] Chefs-d-œuvre. Twelve Sonatas for Harpsichord or Fortepiano. Edited by Muzio Clementi. A Facsimile of the Original [1791] Edition, with an Introduction by Gerald Gifford.
Hebden Bridge, 2003. Oblong, 38 x 26 cm, vii, 30 pp. Line-cut of the London, [1791] edition. Corresponds to Kirkpatrick nos. 378, ?, 380, 490, 400, 475, 381, 206, 531, 462, 463; the 12th sonata is by Antonio Soler. Spiral binding. $32 [item no.8318]


[Suites, harpsichord, Roseingrave ed.] XLII Suites de pièces pour le clavecin. En deux volumes. Vol.I. [private collection].
Performers’ Facsimiles, 236. New York, [2003]. Oblong, 30 x 22 cm, 70 pp. Line-cut of the Thomas Roseingrave edition, London 1739. Wrappers. $23 [item no.8368]


[Suites, harpsichord, Roseingrave ed.] XLII Suites de pièces pour le clavecin. En deux volumes. Vol.II. [private collection].
Performers’ Facsimiles, 237. New York, [2003]. Oblong, 30 x 22 cm, 70 pp. Line-cut of the Thomas Roseingrave edition, London 1739. Wrappers. $23 [item no.8369]


SCHOBERT, Johann, 1735-1767

[Sonatas, harpsichord, violin, op.17] IV sonates pour le clavecin (avec violon ad lib.) - Opus XVII.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 40 pp. Line-cut of the Paris, n.d. edition. Wrappers. $15 [item no.8936]


SCHRŒTER, Johann Samuel, c.1752-1788

[Concertos, harpsichord/piano, op.5, nos.1-3] Six Concertos for the Harpsichord of Pianoforte. Op.5, nos.1-3.
Biblioteca Classica, 144/1. Rotterdam, 1984. 4º, 36 pp. Line-cut of the London, 1774 edition. Wrappers. $20 [item no.4959]


[Concertos, harpsichord/piano, op.5, nos.4-6] Six Concertos for the Harpsichord of Pianoforte. Op.5, nos.4-6.
Biblioteca Classica, 144/2. Rotterdam, 1984. 4º, 40 pp. Line-cut of the London, 1774 edition. Wrappers. $20 [item no.4960]


SIRET, Nicolas, 1663-1754

[Pièces, harpsichord, books 1-2] Pièces de clavecin. Premier [-2e] livre.
Clavecinistes Français du XVIIIe Siècle, IV. Geneva, 1982. Oblong, 4º, 96 pp. Line-cut of the author’s & Foucault edition, Paris, c.1710 and 1719. 5 suites preceded by overtures or preludes. Wrappers. $41 [item no.932]


SMITH, John Christopher, 1712-1795

[Lessons, harpsichord, op.3] Six Suits of Lessons for the Harpsicord. Opera terza. [Private Collection of John H. Burkhalter & Eugene Roan].
Morecambe, 2005. Oblong, 28 x 22 cm, iii, 43 pp. Line-cut of the J. Walsh edition, London, 1755. Introduction by Peter Holman. Ring binding. $33 [item no.8568]


[ Lessons, harpsichord, op.4] A Collection of Lessons for the Harpsichord. Opera IV. [Private Collection of John H. Burkhalter & Eugene Roan].
Morecambe, 2005. Oblong, 28 x 22 cm, iii, 41 pp. Line-cut of the J. Walsh edition, London, 1757. Introduction by Peter Holman. Ring binding. $33 [item no.8569]


[Suites, harpsichord, books 1-2] Suites de pièces pour le clavecin. Premier - Second Volumes.
Clavecinistes Européens du XVIIIe Siècle, III. Geneva, 1986. Oblong, 28 x 22 cm, 160 pp. Line-cut of the author’s & J. Walsh edition, London, c.1732-1737. 2 sets of 6 suites, including airs with doubles. Wrappers. $101 [item no.933]


SMITH, Theodore, c.1740-c.1810

Six Sonatinas for the Harpsichord or Piano Forte. [Colonial Williamsburg Foundation, Williamsburg].
Performers’ Facsimiles, 126. New York, [1992]. 26 x 32 cm, 13 pp. Line-cut of the London, c.1785 edition. Wrappers. $13 [item no.4504]


SOLER, Antonio, 1729-1783

[Sonatas, harpsichord] XXXVII sonatas para clave. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 294. New York, [2010]. Oblong, 34 x 24 cm, ii, 95 pp. Line-cut of the Robert Birchall edition, London, c.1795. Wrappers. $30 [item no.9199]


STANLEY, John, 1712-1786

[Concerti, harpsichord/organ, op.2] Six Concertos Set for the Harpsichord or Organ.
Biblioteca Classica, 96. Rotterdam, 1984. 4º, 33, i pp. Line-cut of the Walsh edition, London, 1774. Wrappers. $23 [item no.4961]


[Concerti, keyboard, op.10] Six Concertos for Organ, Harpsichord or Fortepiano [Opus X]. A Facsimile Edition with an Introduction by Gerald Gifford.
Oxford, 1986. 4º, xii, 39, iv pp. Line-cut of the Estienne Roger edition, Amsterdam, 1775. Unlike earlier works by Stanley, these concerti reflect a distinct classical spirit. Includes an appendix of transcriptions where the original is written in the C clef. Wrappers. $20 [item no.1673]


STERKEL, Johann Franz Xaver, 1750-1817

[Pieces, harpsichord/piano, op.10] Twelve Pieces for Harpsichord or Piano Forte. Opera X.
Musica Repartita, 76. Amsterdam, 1994. 4º, 16 pp. Line-cut of the Longman and Broderip edition, London, c.1782. Wrappers. $12 [item no.4970]


[Recueil de pièces, harpsichord/piano] Recueil des six pièces pour le clavecin ou piano forte.
Musica Repartita, 77. Amsterdam, 1994. Oblong, 4º, 17 pp. Line-cut of the Schott edition, Mainz, c.1785. Plastic ring binding. $12 [item no.4971]


[Sonatas, harpsichord/piano, 4 hands, op.23] Sonate à 4. mains pour le clavecin ou piano forte. Œuvre 23.
Musica Repartita, 79. Amsterdam, 1994. Oblong, 4º, 21 pp. Line-cut of the Schott edition, Mainz, c.1786. Ring binder. $15 [item no.4972]


[Works, selections, harpsichord/piano] Werke von Johann Franz Xaver Sterkel [aus] Neue Blumenlese für Klavierliebhaber. Eine musikalische Wochenschrift, erster und zweiter Theil. 1784. Speier bei Rath Bossler.
Musica Repartita, 159E. Amsterdam, 1994. 4º, 16 pp. Line-cut of the Speier, 1784 edition. 13 pieces. Wrappers. $12 [item no.4973]


[Works, selections, harpsichord/piano] Werke von Johann Franz Xaver Sterkel [aus] Blumenlese für Klavierliebhaber 1785/1787, Speier bei Rath Bossler.
Musica Repartita, 160-161E. Amsterdam, 1994. Oblong, 4º, i, 9 pp. Line-cut of the Speier, 1785 & 1787 editions. Contains 2 pieces for voice and piano and 4 for piano alone. Plastic ring binding. $9 [item no.4974]


STROZZI, Gregorio, c.1615-d.?

[Capricci da sonare, harpsichord/organ] Capricci da sonare cimbali et organi, Napoli 1687.
Archivum Musicum: Strumentalismo Italiano, 14. Florence, 1979. 24 x 34 cm, iii, 123 pp. Line-cut. 30 compositions a4 in score. Introduction in It by Laura Alvini. Wrappers in decorative paper. $31 [item no.936]


SYMONDS, Henry, b.?-1740

[Lessons, harpsichord] Six Sets of Lessons for the Harpsichord. [King’s College, Cambridge].
Alston, 1997. Oblong, 29 x 21 cm, i, 57 pp. Line-cut of the William Smith edition, London, c.1734. Shows a similarity with Chilcot’s Lessons of the same year. Ring binding. $31 [item no.7808]


TAPRAY, Jean-François, 1738-1800

Les sauvages avec de variations pour le clavecin.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 12 pp. Line-cut of the Paris, [1770] edition. Wrappers. $9 [item no.8891]


TELEMANN, Georg Philipp, 1681-1767

[Fugues légères & petits, harpsichord, TWV 30:21-26] Fugues légères & petits jeux à clavessin seul.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 24 pp. Line-cut of the Hamburg, n.d. edition. Wrappers. $16 [item no.9042]


TOMKINS, Thomas, c.1575-1656

Pièces pour virginal 1646-1654. Fac-similé du manuscrit de la Bibliothèque nationale, Paris, Rés. 1122. Introduction de François Lesure. Index.
Manuscrits, 30. Geneva, 1982. 22 x 30 cm, vi, 192, ii pp. Line-cut of the autograph “working copy”. Tomkins has copied 70 of his works, and some by Bryd and Bull. Includes notes on the pieces and casual remarks on the Tomkins family circle. Wrappers. $182 [item no.939]


TORRES, Joseph de, c.1665-1738

[Method, keyboard/harp, accomp.] Reglas generales de acompañar, en órgano, clavicordio y harpa.
Música Facsímil, 28G. Madrid, 1983. Oblong, 17 x 12 cm, x, 288 pp. Line-cut of the Madrid 1702 & 1736 edition. Basso continuo treatises. Hardbound. $44 [item no.2258]


TRABACI, Giovanni Maria, c.1575-1647

[Ricercate, canzone, a1-4, keyboard, books 1 & 2] Ricercate, canzone franzese, capricci. Opere tutte da sonare, a quattro voci. Libro primo, Napoli 1603; Il secondo libro de ricercate et altri varij capricci. Libro secondo, Napoli 1615.
Archivum Musicum: Strumentalismo Italiano, 56. Florence, 1984. 24 x 34 cm, 2 books, v, 258 pp. Line-cut. Over 150 compositions, all notated in score. Introduction in It by Laura Alvini. Wrappers and slip cover in decorative paper. $53 [item no.940]


TÜRK, Daniel Gottlob, 1756-1813

120 leichte und angenehme Handstücke für Anfänger im Clavier Spiel. 1ère édition: c.1780; 2ème édition: 1792-1795 (deux parties). Présentation par Emer Buckley. [Library of Congress, Washington, DC; British Library, London].
Collection Dominantes Courlay, 2006. Oblong, 31 x 23 cm. xi, 117 pp. Line-cut of the Linz and Leipzig editions. Introduction in Fr-Eng-Ger. Wrappers. $52 [item no.8673]


VERAS, Philippe-François, fl.1740

[Pièces, harpsichord, book 1] Pièces de clavecin. Premier livre.
Clavecinistes Français du XVIIIe Siècle, XII. Geneva, 1982. 21 x 28 cm, 25 pp. Line-cut of the Paris edition. 4 ordres in the Italian style. Wrappers. [item no.945]


WALOND, William, c.1725-1770

Six Voluntaries for Organ or Harpsichord.
Brewood, 2007. Oblong, 4°. 21 pp. Line-cut of the London, 1752 edition. Little is known of William Walond; he took his BMus at Oxford in the late 1750s and published two sets of voluntaries. The title pages of both these volumes describe him as Organist in Oxford. Ring binder. $29 [item no.8820]


WEELKES, Thomas, c.1576-1623

Keyboard Music in Facsimile from BL Add. MS 30485, NYPL Drexel MS 5612, RCM (London) MS 2093) with Introduction and Transcriptions by Desmond Hunter. Reproduced Under the Direction of Leslie Hewitt.
Musical Sources, 24. Kilkenny, 1985. 22 x 33 cm, x, 16, 11 pp. Halftone of Weelkes’ known surviving keyboard music, consisting of 2 voluntaries, a pavan and an unrelated galliard. Transcriptions and discussion of performance by D. Hunter. A 3rd voluntary, possibly by Weelkes, is added. Linen. $54 [item no.946]


WISE, Samuel, c.1730-d.?

[Lessons, harpsichord] Six Lessons for the Harpsichord Composed by Mr. Samuel Wise.
Hebden Bridge, 2006. 4º, 29 pp. Line-cut of the London, n.d. edition. Wise’s Lessons proved to be very popula with over 200 subscribers including William Boyce and the instrument makers Kirckman and Snezler. Wrappers. $24 [item no.8747]


WORGAN, John, 1724-1790

[Sonatas, harpsichord] Six Sonatas for the Harpsicord.
Huntingdon, [1992]. 37 x 26 cm, 30 pp. Reprint of the author’s edition, London, 1769. Wrappers. $16 [item no.4877]


YOUNG, Anthony, c.1685-1739

Suits of Lessons for the Harpsicord or Spinnet in most of the Keyes with Variety of Passages and Variations Throughout the Work. [British Library, London].
Alston, 1998. 4º, i, 30 pp. Line-cut of the London, [1719] edition. Preface by Peter Holman. Ring binder. $22 [item no.7835]


COMPOSITE & MISCELLANEOUS SOURCES

[“Bauyn Ms.”] Manuscrit Bauyn. Première partie, après 1658. Pièces de clavecin de Jacques Champion de Chambonnières. Présentation par Bertrand Porot. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 183. Courlay, 2006. 23 x 31 cm, xvii, 136 pp. Line-cut of the portion of the MS that transmits works by Chambonnières. Introduction in Fr-Eng-Ger. Wrappers. $75 [item no.8718]


[“Bauyn Ms.”] Manuscrit Bauyn. Deuxière partie, après 1658. Pièces de clavecin de Louis Couperin. Présentation par Bertrand Porot. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 184. Courlay, 2006. 23 x 31 cm, ix, 150 pp. Line-cut of the portion of the MS that transits works by Louis Couperin. Introduction in Fr-Eng-Ger. Wrappers. $71 [item no.8719]


[“Bauyn Ms.”] Manuscrit Bauyn. Troisième partie, après 1658. Pièces de clavecin de divers auteurs. Anonymes, Louis Couperin, d’Anglebert, Du Mont, Frescobaldi, Froberger, Gautier, Hardel, de la Barre, Lebègue, Lorency, Mézangeau, Mico, Monnard, Richard, Rossi, Vincent. Présentation par Bertrand Porot. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 1845 Courlay, 2006. 23 x 31 cm, ix, 124 pp. Line-cut of the portion of the MS that consists of an anthology of composers. Introduction in Fr-Eng-Ger. Wrappers. $65 [item no.8720]


[Buckley, Emer] Clavecin. Volume 1, 1er cycle. Réalisé par Emer Buckley.
Fac-Similés Enseignement. Courlay, 2003. 4˚, iii, 11 pp. Line-cut of a selection of pieces by Corrette, Rameau, Despreaux, JC Bach, Viguerie and Dreux, selected for teaching-didactic purposes. Wrappers. $14 [item no.8212]


[Buckley, Emer] Clavecin. Volume 1, 2e cycle. Réalisé par Emer Buckley.
Fac-Similés Enseignement. Courlay, 2003. 4˚, iii, 11 pp. Line-cut of a selection of pieces by Couperin, Corrette, Boismortier, Duphly and CPE Bach, selected for teaching-didactic purposes. Wrappers. $14 [item no.8213]


A Choice Collection of Ayres for the Harpsichord or Spinett. With very Plain & Easey Directions for Young Beginners. [British Library, London].
Performers’ Facsimiles, 201. New York, [1998]. Oblong, 26 x 20 cm, 24 pp. Line-cut of the London, 1700 edition. Pieces by Blow, Piggot, J. Clarke, Barrett, Croft and others. Also contains Clarke’s “Prince of Denmark’s March”, also known as “Trumpet Voluntary”, erroneously attributed to Purcell. Wrappers. $18 [item no.7559]


A Choice Collection of Ayres for the Harpsichord or Spinett, with very Plain and Easey Directions for Young Beginners. [British Library, London].
Faksimile-Edition Rara, 29. Stuttgart, 1999. Oblong, 23 x 18 cm, 24 pp. Line-cut of the John Young edition, London, 1700. Hardbound, in marbled paper. $31 [item no.7744]


A Collection of Favourite Lessons for Young Practitioners of the Harpsichord Composed by Different Authors. A Facsimile of the Eighteenth-Century Edition with an Introduction by Gwilym Beechey.
London, 1981. Oblong, 26 x 18 cm, 4, 25 pp. Line-cut of a collection that came to light in 1969. From the only known copy published by A. Hummel in London c.1760-70. 22 pieces, all anonymous and unique. Wrappers. $16 [item no.826]


Edgeworth, Elisabeth (compiler). Livre de clavecin, XVIIe siècle. [Bibl. Conservatoire Royal de musique, Brussels, mus. ms. 15418].
Thesaurus musicus, nova series, A/9. Brussels, 1980. Oblong, 31 x 23 cm, 146 pp. Line-cut. Ms of English origin from the late 17th c. Curiously written from head to tail for 53 pages, then the other direction for 144 pages. Some works attributed to Froberger, Kaspar, Fischer and Frescobaldi. Cloth. $58 [item no.847]


[Faenza, Bibl. Comunale, 117] The Codex Faenza 117. Instrumental Polyphony in Late Medieval Italy Vol. I: Introductory Study; Vol. II: Facsimile Edition. Edited by Pedro Memelsdorff.
Ars Nova, Nuova Serie, 3. Lucca, 2012. 18 x 25 cm, 2 vols, 258; 212 pp. Deluxe full-color reproduction. A small unadorned parchment booklet, MS 117 of the Biblioteca Comunale Manfrediana in Faenza deals with a stunning quantity and unique quality of information on 14th- and 15th-c. Italian musical culture. The Codex is composed of two distinct and independent copying layers. The older one contains 50 non-texted intabulated diminutions generally assumed to be instrumental and dated within the first two decades of the 15th century. They comprise diminished versions of Italian and French songs by some of the major composers of the 14th and early 15th c., Jacopo da Bologna, Bartolino da Padova, Francesco Landini, Antonio Zacara da Teramo, Guillaume de Machaut, and Pierre des Molins, as well as polyphonic estampies and diminutions on dance-related and liturgical tenors, including the 3 earliest alternatim mass-pairs that have come down to us. The younger layer is an autograph by the Carmelite friar Johannes Bonadies, who in 1473 and 1474 used empty folios to add 16 music theory treatises, summaries or tables, and 22 mid- or late-fifteenth-century polyphonic settings, mostly composed by John Hothby, Bernardus Ycart, and Johannes de Erfordia, aside with some anonymous settings and a short Kyrie by Bonadies himself. Hardbound. $585 (more info... ) [item no.9299]


Haffner, Johann Ulrich, ed. Raccolta musicale di sonate per cembalo solo a cura di G.U. Haffner. Opera 1-3.
Bibliotheca Musica Bononiensis, IV/56. Bologna, 1970. Oblong, 31 x 22 cm, 88 pp. Line-cut of the Nuremberg, 18th c. edition. Collection of three sets of six sonatas, edited by Haffner. Composers include Galuppi, Pampani, Peroti, Pescetti, Rutini, Serini, Bertoni, Paganelli, Scarlatti, Krafft, Palladini and Sales. Laid paper. Hardbound. Last copy. $63 [item no.865]


[“Harpsichord Master”, parts II-III] The Second Book of the Harpsicord Master (1700) and the Third Book of the Harpsicord Master (1702). Reprinted Under the Direction of Leslie Hewitt.
Musical Sources, 15. Kilkenny, 1980. Oblong, 22 x 19 cm, x, 60 & 48 pp. Halftone of the rare printed editions. Master II has 26 harpsichord or spinet lessons by Blow, Courteville, Clarke, Barrett and Croft, printed on a 6-line staff. Includes rules for learners attributed to Purcell. Master III, a sequel, contains 24 pieces by Clarke, Wood, Barrett, Croft and anonymous composers. Printed on a 5-line staff. Introduction by R. Rastall. Cloth. $59 [item no.866]


A Jefferson Music Book: Keyboard Pieces, Some with Violin Accompaniment. Facsimile Reproductions from Eighteenth-Century Editions in the Music Collection of the Colonial Williamsburg Foundation. With a Preface and Notes by J.S. Darling, Organist and Choirmaster of Bruton Parish Church, Williamsburg.
Williamsburg, 1986. Oblong, 31 x 23 cm, x, 42 pp. Line-cut. Contains works by Dr. Samuel Arnold, J.C. Bach, C.F. Abel, Wenzel Wodiczka, G.F. Handel, and J. Snow. Wrappers. $15 [item no.1692]


[Ladys Entertainment, book 1] The 1st Book of the Ladys Entertainment or Banquet of Musick Being a Choice Collection of the Newest and Most Airy Lessons for the Harpsicord or Spinnet. [Nederlands Musiek Instituut, The Hague].
Performers’ Facsimiles, 204. New York, [2001]. 22 x 32 cm, 26 pp. Line-cut of the Walsh edition, London, n.d. Works by Amadori, Simonelli and others (title page note: lessons can also be preformed on the lute or harp). Wrappers. $18 [item no.7943]


[Ladys Entertainment, book 2] The 1st Book of the Ladys Entertainment or Banquet of Musick Being a Choice Collection of the Newest and Most Airy Lessons for the Harpsicord or Spinnet. [Nederlands Musiek Instituut, The Hague].
Performers’ Facsimiles, 205. New York, [2001]. 22 x 32 cm, 26 pp. Line-cut of the Walsh edition, London, n.d. Works by Fontana, D. Purcell, H. Hall, Richardson and others (title page note: lessons can also be performed on the lute or harp). Wrappers. $18 [item no.7944]


[Lessons, harpsichord] Eight Lessons for the Harpsichord Composed by Various English Masters of the 18th Century.
Hebden Bridge, 2006. 4°, 57 pp. Line-cut. Includes works by Symonds, Nares, Gunn, Smith, Gladwin, Kelway, Long, and Wise. Wrappers. $34 [item no.8746]


Livre d’orgue de Limoges (manuscrit inédit – vers 1710-1725. Présentation par Guy Marissal. [Bibl. Municipale, Limoges].
La Musique Française Classique de 1650 à 1800, 90. Courlay, 1996. 4º, xvi, 50 pp. Line-cut of a contemporary ms containing works by A. Raison, G. Julien and G. Corette. Wrappers. $32 [item no.7258]


Morabito, Laure & Aline Zylberajch. Clavecin. Cahier 1; Cahier 2. Volume réalisé par Laure Morabito et Aline Zylberajch.
Premiers Fac-similés. Courlay, 2001. 4º, oblong & upright, 2 vols, iv, 18; v, 23 pp. Selection of easy to play facsimiles taken from first and early editions. Works by Dandrieu, F. Couperin, Du Phly, Marpurg, Balbastre, Daquin, Rameau, Muffat, J.C. Bach, Graupner, Eckard, Cherubini, Jacquet de La Guerre, Marchand. Preface in Fr. Wrappers. $19 [item no.7921]


Musikalisches Allerley von verschiedenen Tonkünstlern. 1ste, 2te, 3te, 4te, 5te, 6te, 7te, 8te, 9te Sammlung. Introduction: Greta Haenen. [Conservatoriumbibl., Brussels].
Facsimile Series, IV/2. Peer, 1992. 4º, 302 pp. Line-cut of the Birnstiel edition, Berlin, 1761-63. In 1728 Telemann began, with Getreuer Music-Meister, a trend in musical editions published by installments that caterend to both professional and amateur musicians. Musikalisches Allerley is the leading serial and one of the first of such from Berlin, offering the newest works for keyboard instruments and songs with keyboard accompaniment. Among the 30+ composers featured are CPE Bach, Kirnberger, Marpurg & Schale. Wrappers. $62 [item no.4197]


Musikalisches Vielerley, herausgegeben von Herrn Carl Philip Emanuel Bach. Introduction: Greta Haenen. [Royal Conservatory of Music, Brussels, Wq 6314].
Facsimile Series, IV/9. Peer, 1993. 4º, i, 207 facs, iv pp. Line-cut of the Michael Christian Bock edition, Hamburg, 1770. Edited by Emmanuel Bach, this volume contains music by the composer’s Berlin friends such as Fasch, Kirnberger, Graun, and some relatives, J.C. Friedrich and J.E. Baron. Works for keyboard and various combinations for strings, flute, and voice. With new work and composer indices. Wrappers. $38 [item no.4499]


New Instructions for Playing the Harpsichord, Piano-Forte or Spinnet. A Facsimile of the London Edition c.1790(?).
Monuments of Music and Music Literature in Facsimile, I/15. New York, 1967. Oblong, 27 x 21 cm, 38 pp. Line-cut. Explains the Italian manner of fingering and rules for playing continuo. Laid paper. Beautifully bound in white linen. [item no.899]


Parthenia or the Maydenhead of the First Musicke that ever was Printed for the Virginalls. A Facsimile of the London, [1612/3?] Edition. [Unique copy, Huntington Library, San Marino].
Monuments of Music and Music Literature in Facsimile, I/11. New York, 1972. 22 x 32 cm, 30 pp. Line-cut. Laid paper, clothbound. [item no.901]


Parthenia or The Maydenhead of the First Musicke that Ever Was Printed for the Virginals.
Performers’ Facsimiles, 1. New York, 1985. 21 x 31 cm, 30 pp. Line-cut. Wrappers. $18 [item no.902]


Pièces de clavecin, ca.1670-1685. Fac-similé du manuscrit Bibliothèque Conservatoire Royal/Koninklijk Conservatorium, Bruxelles, Ms 27220. Introduction de David Fuller.
Manuscrits, 49. Geneva, 2003. Oblong, 22 x 18 cm. 50, 212 pp. Line-cut. Anthology of 115 compositions, including arrangements of Lully and pieces by Chambonnières, Pinel, Richard & Mommard. 9 unique unmeasured preludes. Introduction in EngFr. Wrappers. [item no.8231]


Raccolta delle piu nuove composizioni di clavicembalo di differenti maestre ed autori per l’anno 1756 [-1757], fatta stampare del sig. F.G. Marpurg.
Clavecinistes Européens du XVIIIe Siècle, IX. Geneva, 1986. Oblong, 35 x 24 cm, 118 pp. Line-cut of the Breitkopf & Härtel edition, Leipzig 1756-57. Anthology with works by Agricola, C.P.E. Bach, C.H. Graun, Kirnberger, F.W. Marpurg, Nichelmann, Rackemann, Sack, Schale, Seyfurth, Silbermann, Zachariä, Duphly, Févier, Rameau, and P. Martini. Wrappers. $96 [item no.3320]


The Preceptor for the Piano-Forte, Organ or Harpsichord. A Facsimile of the London Edition c.1785(?).
Monuments of Music and Music Literature in Facsimile, I/16. New York, 1967. Oblong, 27 x 21 cm, 35 pp. Line-cut. Explains the proper mode of fingering. Includes airs, a collection of progressive lessons and 2 celebrated lessons by James Hook. Laid paper. Cloth. [item no.907]


[Sonatas, keyboard] VII. sonate per cembalo e organo di diversi autori.
Biblioteca Classica, 162. Rotterdam, 1984. Oblong, 4º, 20 pp. Line-cut of a contemporary ms copy of Italian provenance, c.1790. Contains works by A. Botti, G. Riggoli, N. Moriani, V. Ciullini. Plastic ring binding. $18 [item no.4943]


Tilney, Colin. The Art of the Unmeasured Prelude for Harpsichord. France 1660-1720.
London, 1991. 4º, 3 vols, 117, 109, 54 pp. Detailed study of the unmeasured prelude. One volume of facsimiles, and a volume each of transcriptions and commentary. Wrappers, with slipcase. $115 [item no.7596]


Volentarys & Fugues Made on Purpose for the Organ or Harpsichord.
Performers’ Facsimiles, 64. New York, [1991]. 4º, 28 pp. Line-cut of the London, 1710 edition. Works by Bassani, Colonna, Giustiniani, Monari, Pasquini, Francesco, Pollaroli and Ziani. Wrappers. $18 [item no.4060]


MODERN EDITIONS

[“Bauyn” manuscript] Paris, Bibliothèque Nationale de France, Ms. Rés. Vm7 674-675: The Bauyn Manuscript. Edited by Bruce Gustafson with R. Peter Wolf.
The Art of the Keyboard, 10. New York, 2014. 4˚, 4 vols. Wrappers. $150 [item no.6784]


Buxtehude, Dietrich. Keyboard Works, Part 3. Preludes, Toccatas, Fugues, and Canzonas for Organ (manualiter), Harpsichord, or Clavichord. Editions by Christoph Wolff.
Dietrich Buxtehude, The Collected Works, 17. New York, 2016. 4˚, xxvi, 128 pp. Hardbound. $125 [item no.6799]


Buxtehude, Dietrich. Keyboard Works, Part 4. Suites and Variations for Harpsichord or Clavichord. Edited by Christoph Wolff.
Dietrich Buxtehude, The Collected Works, 18. New York, 2016. 4˚, xxxviii, 260 pp. Hardbound. $125 [item no.6800]


Cabezón, Antonio de. Tientos. Edited by Charles Jacobs.
The Collected Works of Antonio de Cabezón, II. New York, 1972. Oblong, 4˚, xxxiii, 75 pp. Cloth. $38 [item no.6910]


Cabezón, Antonio de. Versos & Fugas. Edited by Charles Jacobs.
The Collected Works of Antonio de Cabezón, III. New York, 1976. Oblong, 4˚, iv, 40 pp. Cloth. $38 [item no.6911]


Cabezón, Antonio de. Hymnen & cantus firmus-Bearbeitungen und Fabordones. Edited by Charles Jacobs.
The Collected Works of Antonio de Cabezón, IV. New York, 1986. Oblong, 4˚, xxii, 83 pp. Cloth. $38 [item no.6912]


Cabezón, Antonio de. Intabulationen und Opera incerta / Intabulations and Opera incerta. Edited by Charles Jacobs.
The Collected Works of Antonio de Cabezón, V. New York, 1986. Oblong, 4˚, xxii, 64 pp. Cloth. $38 [item no.6913]


Cabezón, Antonio de. Selected Works for Keyboard. Edited by Gerhard Doderer & Miguel Bernal Ripoll.
Kassel, 1967. 4°. Modern edition. Wrappers. $156 [item no.6933]


Chambonnières, J.C. de. Pavane “l’Entretien des dieux”. Edited by Davitt Moroney.
Monaco, 198?. 4º, 4 pp. Wrappers. $10 [item no.5540]


Chambonnières, Jacques Champion de. The Collected Works. Edited by Bruce Gustafson & Denis Herlin.
The Art of the Keyboard, 11. New York, [in prep]. 4˚, 2 vols. Wrappers. [item no.6917]


Chilcot, Thomas. Six Suites of Lessons for the Harpsichord (1734) éditées par Davitt Moroney.
Le Pupitre, 60 Paris. 4˚. Wrappers. $79 [item no.6666]


[Chilesotti, Oscar] Danze del secolo XVI trascritte in notazione moderna [a cura di] Oscar Chilesotti.
Bibliotheca Musica Bononiensis, IV/22. Bologna, 2/ 1979. 8º, 66 pp. (Rpt. of Ricordi, c.1890 edition). Modern edition of 45 of the most popular dance numbers from the 16th c., including works from Caroso’s Nobiltà di dame and Negri’s Le gratie d’amore. Cloth. $21 [item no.5368]


Composizioni inedite dall’intavolatura d’organo tedesca di Torino. A cura / Edited by di D. Felici.
Bibliotheca Musica Bononiensis, IV/104. Bologna, 2011. Oblong, 4°, xl, 153 pp. Transcription of toccatas and ricercari, to a large extent unpublished, taken from German tablatures for keyboard in the Foà Giordano holdings, preserved in the National Library of Turin. The manuscript contains works by Italian, German and anonymous composers which, despite the variety of styles presented, testify to the rich fabric of exchanges and mutual influences that occurred between northern and southern Europe in the first 30 years of the 17th c.. Introduction in Eng-It. Wrappers. $69 [item no.6923]


Couperin, François (collected works edition) Pièces de clavecin – 1. Publiées par Maurice Cauchie et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, II/1. Monaco, 1980. 4º, 168 pp. Wrappers. $80 [item no.5452]


Couperin, François (collected works edition) Pièces de clavecin – 2. Publiées par Maurice Cauchie et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, II/2. Monaco, 1981. 4º, 162 pp. Wrappers. $80 [item no.5453]


Couperin, François (collected works edition) Pièces de clavecin – 3. Publiées par Maurice Cauchie et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, II/3. Monaco, 1982. 4º, 132 pp. Wrappers. $80 [item no.5454]


Couperin, François (collected works edition) Pièces de clavecin – 4. Publiées par Maurice Cauchie et revues d’après les sources par by Kenneth Gilbert.
François Couperin: Œuvres Complètes, II/4. Monaco, 1982. 4º, 152 pp. Wrappers. $80 [item no.5455]


Couperin, François (collected works edition) Pièces de clavecin – 1-4. Publiées par Maurice Cauchie et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, II/1-4. Monaco, 1980-82. 4º, 614 pp. Wrappers. $276 [item no.5456]


Couperin, François. Anthology of Harpsichord Works, taken from the “Pièces de Clavecin”.
Monaco, 198?. 4º, 48 pp. 20 pieces graded in order of difficulty and including a preface. Wrappers. $28 [item no.5543]


Couperin, François. 8 préludes, allemande (“L’art de toucher le clavecin”).
Monaco, 1988. 4º, 16 pp. Wrappers. $17 [item no.5544]


Couperin, Louis. Pièces de clavecin, volume I. Éditées par Alan Curtis.
Le Pupitre, 18.1. Paris. 4˚. Wrappers. $78 [item no.6661]


Couperin, Louis. Pièces de clavecin, volume II. Éditées par Alan Curtis.
Le Pupitre, 18.2. Paris. 4˚. Wrappers. $78 [item no.6662]


Dieupart, Charles. Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert.
Monaco, 1990. 4º, 64, 2 partbooks: 32 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542]


Doles, Johann Friedrich, Jr. The Collected Works for Keyboard. Edited by C. David Harris.
The Art of the Keyboard, 5. New York, 1999. 4˚, xviii, 83 pp. Wrappers. $30 [item no.6669]


Duphly, Jacques. Pièces de clavecin avec violon (1756). Publiées par Olivier Baumont.
Le Grand Clavier, III. Monaco, 1990. 4º, x, 63 pp. Wrappers. $55 [item no.5532]


English Keyboard Music c.1600-1625. Edited by Alan Brown
Musica Britannica, XCVI. London, 2014. 4º. Modern critical edition. This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organized by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music. Buckram. $175 [item no.6782]


Fiocco, Joseph-Hector. Werken voor Clavecimbel. Edited by Jos. Watelet, with a Short Biography by Christiane Stellfeld.
New York, 1971. 4˚, xvi, 58 pp. (rpt. of the Berchem-Antwerp, 1936 edition). Wrappers. $25 [item no.6670]


Frescobaldi, Girolamo. Partite di Girolamo Frescobaldi trascrizione in notazione moderna di Oscar Chilesotti.
Bibliotheca Musica Bononiensis, IV/27. Bologna, 1969. 8º, 45 pp. (Rpt. of Ricordi, c.1890 edition). Modern edition for keyboard of Frescobaldi’s Partite sopra l’aria della romanesca, Partite sopra la monicha, Partite sopra Ruggiero, and Partita sopra la follia. Hardbound. $21 [item no.5373]


Froberger, Johann Jakob. Œuvres complètes pour clavecin. Livre de 1649. Édition par Howard Schott.
Le Pupitre, 57/1. Paris, 2/ 1998. 4º, xvi, 104 pp. Wrappers. $98 [item no.6198]


Froberger, Johann Jakob. Œuvres complètes pour clavecin. Livres de 1656 et 1658. Édition par Howard Schott.
Le Pupitre, 57/2. Paris, 2/ 1993. 4º, xvi, 142 pp. Wrappers. $93 [item no.6199]


Froberger, Johann Jakob. Œuvres complètes pour clavecin. Édition par Howard Schott.
Le Pupitre, 58/1. Paris. 4º. Wrappers. $105 [item no.6200]


Froberger, Johann Jakob. Œuvres complètes pour clavecin. Suites et pièces diverses. Édition par Howard Schott.
Le Pupitre, 58/2. Paris, 2/ 1992. 4º, xiii, 97 pp. Wrappers. $82 [item no.6201]


Geoffroy, Jean-Nicolas. Paris, Bibliothèque Nationale de France, Ms. Rés. 475, Works by Jean Nicolas Geoffroy Edited by Mary Tilton.
The Art of the Keyboard, 9. New York, 2007. 4˚, 2 vols, 197, 217 pp. This ms is the largest collection of 17th century French harpsichord music devoted to music by a single composer. 213 distinct pieces, including suites for harpsichord, string trios for 3 viols, quartets for harpsichord & 3 viols, & organ music. Wrappers. $100 [item no.6677]


Greco, Gaetano. 15 toccate. A cura di Friedrich Lippmann.
Musiche Italiane del Settecentro, [10]. Lucca, 2012. 4º, xxxi, 58 pp. Critical edition. Wrappers. $37 [item no.6971]


Hardel, Jacques. The Collected Works. Edited by Bruce Gustafson.
The Art of the Keyboard, 1. New York, 1991. 4˚, xviii, 38 pp. Wrappers. $25 [item no.6673]


Hardel, Jacques. Pièces de clavecin. Publiées par Denis Herlin.
Le Grand Clavier, 5. Monaco, 1991. 4º, xvi, 20 pp. Wrappers. $44 [item no.5550]


[Henry] D’Anglebert, Jean. Pièces de clavecin. Édition par Kenneth Gilbert. [vol. 1].
Le Pupitre, 54/1. Paris, 2/ 1998. 4º, xv, c.104 pp. Wrappers. $79 [item no.6887]


[Henry] D’Anglebert, Jean. Pièces de clavecin. Édition par Kenneth Gilbert. [vol. 2].
Le Pupitre, 54/2. Paris, 2/ 1998. 4º, xvi, c.104 pp. Wrappers. $58 [item no.6888]


Henry d’Anglebert, Jean. The Collected Works. Edited by C. David Harris.
The Art of the Keyboard, 7. New York, 2009. 4˚, 2 vols. Wrappers. $100 [item no.6916]


Jacquet de la Guerre, Elisabeth. Pièces de clavecin, éditées par Carol Henry Bates.
Le Pupitre, 66 Paris, 1986. 4˚, xxxiii, 98 pp. Wrappers. $86 [item no.6663]


The Mulliner Book (I). Edited by John Caldwell.
Musica Britannica, I London, 2010. 4º, xxxii, 159 pp. Modern critical edition. The Mulliner Book is published in a completely new edition on the occasion of the 60th anniversary of Musica Britannica. A major source of 16th-c. keyboard music, it is also a compilation of music for cittern and gittern, plus a short vocal piece by Mulliner himself, available for the first time complete in one volume with a detailed commentary. The collection is also of importance for the light it sheds on musical tastes and attitudes at a time when the Reformation and its consequences were becoming embedded in the national psyche. Buckram. $168 [item no.6909]


Jones, Richard. Six Suites of Lessons for the Harpsichord (1734) éditées par Davitt Moroney.
Le Pupitre, 49 Paris. 4˚. Wrappers. $79 [item no.6667]


Kerll, Johann Caspar. The Collected Works for Keyboard. Edited by C. David Harris.
The Art of the Keyboard, 2. New York, 1995. 4˚, 115 pp. 2 vols, 359 pp. Wrappers. $100 [item no.6671]


Kleber, Leonhard. Die Orgeltabulatur des Leonhard Kleber. Erster Teil. Herausgegeben von Karin Berg-Kotterba. Mit einem Konkordanzenverzeichnis von Martin Staehelin.
Das Erber Deutscher Musik, 91. Frankfurt, 1987. 4º, xii, 116 pp. Modern edition in staff notation. Leonhard Kleber (c.1495-1556), possibly a pupil of Arnolt Schlick, produced this set of 112 tablatures—playable on organ, lute or keyboard—between 1521 and 1524; composers represented in the collection include Paul Hofhaimer, Hayne van Ghizeghem, Heinrich Isaac, Josquin des Prez, Jacob Obrecht, Antoine Brumel, Heinrich Finck, Ludwig Senfl, Hans Buchner. Linen. $164 [item no.6914]


Kuhnau, Johann. The Collected Works for Keyboard. Edited by C. David Harris
The Art of the Keyboard, 6. New York, 2003. 4˚, 2 vols. Wrappers. $100 [item no.6672]


La Barre, J. Chabanceau de. Harpsichord Music Associated with the Name La Barre. Edited by Bruce Gustafson and R. Peter Wolf.
The Art of the Keyboard, 4. New York, 1999. 4˚, xix, 104 pp. Courants, allemandes, sarabandes, and other pieces for harpsichord, probably by members of the Chabanceau de La Barre family of Paris. Wrappers. $30 [item no.6676]


Lebègue, Nicolas-Antoine. Œuvres de clavecin. Publiées par Norbert Dufourcq.
Monaco, 1956. 4º, 100 pp. Wrappers. $39 [item no.5417]


Lœillet, Jean-Baptiste. Pièces pour clavecin, éditées par Eiji Hashimoto.
Le Pupitre, 67 Paris. 4˚. Wrappers. $79 [item no.6668]


Chambonnières, Jacques Champion de. Œuvres complètes. Edited by Paul Brunold and André Tessier. English Translation and New Preface by Denise Restout.
New York, 1967. 27 x 36 cm, xxxv, 139 pp. Cloth. $75 [item no.6930]


Marais, Marin. Pièces de clavecin tirées d’Alcide (1693). Édition établie par Laurence Boulay. Avec une introduction en anglais de Bruce Gustafson.
Monaco, 2005. 4º, xviii, 45 pp. Wrappers. $47 [item no.6596]


Marchand, Louis. Pièces de clavecin. Publiées par Thurston Dart et revues d’après les sources par Davitt Moroney.
Monaco, 1987. 4º, 40 pp. Wrappers. $36 [item no.5418]


Rameau, Jean-Philippe. Pièces de clavecin, éditées par Kenneth Gilbert.
Le Pupitre, 59 Paris. 2/1999 4˚, xviii, 163 pp. Wrappers. $108 [item no.6664]


Richard, Etienne. The Collected Works. Edited by Bruce Gustafson.
The Art of the Keyboard, 3. New York, 1994. 4˚, xix, 49 pp. For unspecified keyboard instrument. Works commonly attributed to Etienne Richard; other atributions include Pierre Richard (d.1642) and/or Charles Richard (1620-1652). Wrappers. $25 [item no.6674]


Roberts, John. The Collected Works. Edited by Candice Bailey.
The Art of the Keyboard, 8. New York, 2003. 4˚. xviii, 53 pp. Wrappers. $25 [item no.6675]


Roseingrave, Thomas. Complete Keyboard Music. Edited by H. Diack Johnstone and Richard Platt.
Musica Britannica, LXXXIV. London, 2006. 4°. xliii, 130 pp. Modern edition. Consists of 15 voluntarys and fuges from 1728, 6 double fugues from 1750, 8 setts from 1728, and 4 miscellaneous pieces. While studying in Italy Thomas Roseingrave became a disciple of Domenico Scarlatti, but in his own keyboard music he developed a personal gift for bold harmonies and modulations into a style that confounded his contemporaries and retains its novelty to this day. He was the first organist of St George’s, Hanover Square, until mental illness overshadowed his professional life. His keyboard music remains among the most intriguing œuvres of any 18th-century British composer. Buckram. $157 [item no.6619]


Royer, Pancrace. Pièces de clavecin. Édition par Lisa Goode Crawford.
Le Pupitre, 71. Paris. 1990. 4˚, xxv, 38 pp. Wrappers. $58 [item no.6742]


St. Gallen Orgelbuch. Die Orgeltabulatur des Fridolin Sicher (St. Gallen, Codex 530). Herausgegeben von / édité por / Edited by Hans Joachim Marz in Zusammenarbeit mit / en collaboration / in Collaboration with Thomas Warburton. Tabulaturen des XVI Jahrhunderts, Teil 3.
Schweizerische Musikdenkmäler, 8. Winterthur, 1992. 4º, 366 pp. Modern edition in staff notation. Fridolin Sicher’s (1490-1546) compilation of organ tablatures are principally arrangements of sacred vocal compositions. $375 [item no.6928]


Scarlatti, Alessandro. Toccate per organo o clavicembalo (Biblioteca del Conservatorio di Napoli ms. 9478). A cura di Andrea Macinanti e Francesco Tasini. Urtext.
Opera Omnia per Strumento a Tastiera / Complete Works for Keyboard, 1. Bologna, 2000. 4˚, xvi, 124 pp. New critical edition. 10 toccatas. Introduction in It-Eng. Wrappers. $77 [item no.6470]


Scarlatti, Alessandro. Toccate e composizioni varie (Biblioteca Nazionale di Torino, Foà-Giordano mss. 394 e 401). A cura di Andrea Macinanti e Francesco Tasini. Urtext.
Opera Omnia per Strumento a Tastiera / Complete Works for Keyboard, 2. Bologna, 2003. 4˚, xv, 98 pp. New critical edition. Introduction in It-Eng. Wrappers. $74 [item no.6471]


Scarlatti, Alessandro. Neuf toccatas pour clavier éditées par Luciano Sgrizzi.
Le Pupitre, 72 Paris. 4˚. Wrappers. $81 [item no.6665]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 1.
Milan, 1978. 4º, xv, 205 pp. Comprises sonatas K.1-50. Wrappers. $60 [item no.5788]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 2.
Milan, 1980. 4º, xv, 209 pp. Comprises sonatas K.51-97. Wrappers. $60 [item no.5789]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 3.
Milan, 2/ 1987. 4º, xv, 202 pp. Comprises sonatas K.98-153. Wrappers. $60 [item no.5790]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 4.
Milan, 2/ 1988. 4º, xv, 270 pp. Comprises sonatas K.154-213. Wrappers. $68 [item no.5791]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 5.
Milan, 2/ 1992. 4º, xv, 244 pp. Comprises sonatas K.214-273. Wrappers. $60 [item no.5792]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 6.
Milan, 1986. 4º, xv, 241 pp. Comprises sonatas K.274-333. Wrappers. $60 [item no.5793]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 7.
Milan, 1989. 4º, xv, 250 pp. Comprises sonatas K.334-397. Wrappers. $60 [item no.5794]


Scarlatti, Domenico. Sonate per clavicembalo. Edizione critica a cura di Emilia Fadini, 8.
Milan, 1995. 4º, xv, 258 pp. Comprises sonatas K.398 to 457. Wrappers. $60 [item no.5795]


Scarlatti, Domenico. Sonates (K.1-52). Éditées par Kenneth Gilbert.
Le Pupitre, 31. Paris. 4˚, xvii, 185 pp. Wrappers. $112 [item no.6408]


Scarlatti, Domenico. Sonates (K.53-103). Éditées par Kenneth Gilbert.
Le Pupitre, 32. Paris. 4˚, vii, 192 pp. Wrappers. $112 [item no.6409]


Scarlatti, Domenico. Sonates (K.104-155). Éditées par Kenneth Gilbert.
Le Pupitre, 33. Paris. 4˚, vii, 228 pp. Wrappers. $112 [item no.6410]


Scarlatti, Domenico. Sonates (K.156-205). Éditées par Kenneth Gilbert.
Le Pupitre, 34. Paris. 4˚, vii, 212 pp. Wrappers. $117 [item no.6411]


Scarlatti, Domenico. Sonates (K.206-255). Éditées par Kenneth Gilbert.
Le Pupitre, 35. Paris. 4˚. Wrappers. $145 [item no.6412]


Scarlatti, Domenico. Sonates (K.256-305). Éditées par Kenneth Gilbert.
Le Pupitre, 36. Paris. 4˚. Wrappers. $117 [item no.6413]


Scarlatti, Domenico. Sonates (K.306-357). Éditées par Kenneth Gilbert.
Le Pupitre, 37. Paris. 4˚. Wrappers. $92 [item no.6414]


Scarlatti, Domenico. Sonates (K.358-407). Éditées par Kenneth Gilbert.
Le Pupitre, 38. Paris. 4˚. Wrappers. $112 [item no.6415]


Scarlatti, Domenico. Sonates (K.408-457). Éditées par Kenneth Gilbert.
Le Pupitre, 39. Paris. 4˚. Wrappers. $79 [item no.6416]


Scarlatti, Domenico. Sonates (K.458-506). Éditées par Kenneth Gilbert.
Le Pupitre, 40. Paris. 4˚. Wrappers. $167 [item no.6417]


Scarlatti, Domenico. Sonates (K.507-555). Éditées par Kenneth Gilbert.
Le Pupitre, 41. Paris. 4˚. Wrappers. $151 [item no.6418]


Siret, Nicolas. Pièces de clavecin dediées à Monsieur Couperin (1707-1711). Second livre de clavecin (1719). Édition de Denis Herlin.
Paris, 2001. 4º, xxxv, 87 pp. Elegant modern edition with commentary in Fr-Eng. Wrappers. $36 [item no.6922]


MONOGRAPHS

Carchiolo, Salvatore. Una perfezione d’armonia meravigliosa. Prassi cembalo-organistica del basso continuo italiano dalle origini all’inizio del XVIII secolo.
Lucca, 2006. 8º, xii, 395 pp. Survey and analysis of basso continuo practice from the early baroque to the beginning of the 18th c. Wrappers. $56 [item no.6634]


Christensen, Jesper Bøke. 18th Century Continuo Playing. A Historical Guide to the Basics. Translated by J. Bradford Robinson.
Kassel, 2002. Oblong, 28 x 21 cm, 155 pp. A wonderful overview and tutor of continuo practice—1690 to 1735—based on the historical sources. Hardbound. $48 [item no.6620]


Henkel, Hubert. Besaitete Tasteninstrumente. Deutsches Museum, Kataloge der Sammlungen, Musikinstrumenten-Sammlung.
Das Musikinstrument, 57. Frankfurt, 1994. 23 x 30 cm, 319 pp. A meticulously detailed and illustrated study of 78 fine keyboard instruments now in the collection of the Deutsches Museum. Hardbound. $172 [item no.1770]


Illiano, Roberto, Luca Sala & Massimilliano Sala. Muzio Clementi. Studies and Prospects. Edited by Roberto Illiano, Luca Sala and Massimilliano Sala. Introduction by Leon Plantinga.
Muzio Clementi, Opera Omnia, 61 Bologna, 2002. 8˚, xxviii, 473 pp. A collection of the most recent research on Clementi by the leading experts. Wrappers. $144 [item no.6472]


Jeanneret, Christine. L’œuvre en filigrane. Une étude philologique des manuscrits de musique pour clavier à Rome au VIIIe siècle.
Historiae Musicae Cultores, 116. Florence, 2009. 8º, ix, 620 pp. Study of 74 17th-c. music manuscripts for keyboard from Frescobaldi’s circle in Rome. Besides being an important catalogue with a precise physical description, contents, concordances and analysis, it also contains the identification of several organists on the grounds of archival research. Among the so far unpublished volumes, 4 original manuscripts of Girolamo Frescobaldi were discovered; these offer a new perspective of the Roman organists’ musical world, at a crossroads between oral and written practices. Wrappers. $76 [item no.6885]


Lambrechts-Douillez, J. Colloquium Ruckers Klavecimbels en Copieén: Universele Instrumenten voor de Interpretatio van de Muziek uit Rubens Tild.
Keyboard Studies, 4. Buren, 1980?. 8º, 130 pp. Proceedings of the Antwerp, 1977 congress. Wrappers. $42 [item no.4999]


Méreaux, Amédée. Histoire du clavecin. Portraits et biographies des célèbres clavecinistes . . .
Bibliotheca Musica Bononiensis, III/41b. Bologna, 1969. 25 x 35 cm, 3 vols: 898 pp. (Musical edition to above). Line-cut of the Paris, 1867 edition. Ambitious anthology–one of the first presenting the older keyboard masters in modern edition–arranged in chronological order. Vol.I = Frescobaldi to Marcello, II = Scarlatti to Christian Bach, III = Clementi to Cramer. Hardbound. $312 [item no.4033]