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MOZART, Wolfgang
Amadeus, 1756-1791
Fantasie und
Sonate c-Moll für Klavier, KV 475 + 457. Faksimile
nach dem Autograph in der
Bibliotheca Mozartiana Salzburg. Einführung von Wolfgang Plath und
Wolfgang Rehm. Compact
Disc: Fantasie und Sonate c-Moll gespielt von Alfred Brendel.
[Fantasy & sonata, piano,
K.475/457,
autogr.]
 detail
of page
Kassel, 1991. Oblong, 34 x 25 cm, 18, 12 pp.
Full-color halftone of the autograph in the
original loose bifolio format. “Re-discovered” in the vault of the
Eastern Baptist
Theological Seminary in the summer of 1990, this precious manuscript is
now at the Mozarteum
in Salzburg. Mozart originally conceived the close of the sonata-rondo
finale as a 3-bar
cadence following bar 300 before he opted for the longer, more striking
final version. This
and a number of other corrections suggest that the manuscript is a
“working” copy. A
comparison of this source with the printed version of 1785 offers a
whole host of
discrepancies, a gold mine for students of the composer’s compositional
process. Comes with
CD recording featuring pianist Alfred Brendel. Handsome portfolio with
green laid paper boards with pasted
and embossed label. Out of print
(view
other
volumes from this series)
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