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 CHOPIN,
Frédéric,
                                  1810-1849
 
 Piano Concerto
                                  in F Minor, op.21. Facsimile Edition
                                  of the Manuscript Held in the National
                                  Library in Warsaw (Mus. 215 Cim.)
 
 [Concerto, piano & orch,
                          op.21/Kob.258]
 
 
 
  
                      
                        
                          | detail of
                                  piano part
 
 Works
                                  by Chopin—Facsimile Edition, A XII/21.
                                  Warsaw, 2005. Oblong, 35 x 29 cm, 2
                                  vols, 172, 76 pp. Full-color halftone
                                  of the fair copy (autograph + copyist
                                  MS). First volume of a new project of
                                  the Fryderyk Chopin Institute to
                                  reproduce Chopin’s entire œuvre in
                                  facsimile. This precious manuscript
                                  shows Chopin (responsible for the
                                  piano solo part) working together with
                                  a professional copyist who provided
                                  the orchestration. It is difficult to
                                  establish exactly the successive
                                  stages by which the two musicians
                                  prepared this score. It is certain
                                  that the copyist, having the
                                  "original" score as an exemplar, first
                                  set down the bar lines; this is
                                  confimed by the basic convergence
                                  between the layout of the lines and
                                  the density of the musical signs
                                  contained within them. As with other
                                  examples of fair copies from the
                                  period there are also traces of ‘trial
                                  runs’. The frequent, albeit minor,
                                  differences in dynamics, slurring and
                                  articulation between the autograph and
                                  copyist's part testifies to the
                                  heterogeneous origins of the fair copy
                                  score as a source document.
                                  Furthermore the copyist failed to add
                                  to the orchestra part the corrections
                                  and improvements made by Chopin in the
                                  piano part. Commentary
                                  (Pol-Eng-Ger-Sp-Fr-Jp) by Jan Ekier.
                                  Bound in blue linen with matching
                                  portfolio. $162 
                                  (view
other
volumes
                                      from this series)
 
 
 
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