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Winds
 

Wednesday, 1 November 2017
Music for recorder, flute, oboe, clarinet, bassoon, cornetto, trumpet & trombone (sackbutt). Includes
manuscript facsimiles—autographs & copyist manuscripts—, facsimiles of first and early editions,
together with a selection of modern editions & studies. For ordering information go to Contact OMI



Our winds catalog now gives you 5 different viewing options—just click the period(s) you want :
transverse flute  •  oboe & bassoon  •  clarinet, cornetto, sacbut, horn, etc.  •  all winds  •  recorder family



ABEL, Carl Friedrich, 1723-1787

[6 Easy Sonattas, kbd or vdg/vln/fl & bc] Six Easy Sonattas für Viola da Gamba und Basso Continuo oder andere Instrumente, WKO 141-146. Faksimile. Einführung von Leonore und Günter von Zadow. [Sächsische Landesbibl., Dresden].
Heidelberg, 2005. 4°, 2 partbooks, 4, 48 pp. Line-cut of the Amsterdam, 1771 edition. Preface in Ger-Eng. Wrappers. $46 [item no.8544]


[Sonatas, flute, bc, op.6] Sei sonate a solo per il flauto traversa e basso. Opera sesta. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 251. New York, [2006]. 4º, 26 pp. Line-cut of the London, n.d. edition. Wrappers. $18 [item no.8674]


[Sonatas, harpsichord, fl/vln, vc, op.5] Six sonates pour le clavecin. Avec l’accompagnement d’un violon, or flute traverière, et d’un violoncelle. Opera V.
Huntingdon, [1992]. 26 x 33 cm, 3 parts, 40 pp. Line-cut of the London, c.1764 edition. Wrappers. $25 [item no.4846]


[Trio sonatas, 2 vln, bc, or fl, vln, bc, op.3] Six Sonatas for Two Violins, or Flute and Violin and Continuo. Opus 3.
Chamber Music from Georgian England, 1. Huntingdon, c.1984. 4º, 4 partbooks, 45 pp. Line-cut of the London, c.1765 edition. Preface by Clifford Bartlett. Wrappers. $20 [item no.7020]


[Trio sonatas, vln, vla, bc, op.16] Six Trios for a Violin, Tenor, & Violoncello, op.XVI. [Library of Congress, Washington DC].
Performers’ Facsimiles, 180 New York, [2005]. 4º, 3 partbooks, 39 pp. Line-cut of the London, c.1783 edition. Wrappers. $33 [item no.8562]


AGRICOLA, Martin, 1486-1556

Musica figuralis deudsch (1532). Im Anhang: Musica instrumentalis deudsch (1529); Musica choralis deudsch (1533); Rudimenta musices (1539). [Bayerische Staatsbibl., Munich & Bibliothek des Alten Gymnasiums, Flenburg].
Hildesheim, 1985. 10 x 16 cm, 412 pp. Line-cut of 4 of Agricola’s most famous treatises written in German. Musica instrumentalis was the second of its type (following Virdung’s Musica getuscht, 1511). Rich with woodcut illustrations and examples in Gothic and German lute tablature. Linen. $89 [item no.2531]


ALCOCK, John, 1715-1806

Six Concerto’s in Seven Parts, 1750. Four Violins, a Tenor, a Violoncello: & a Thorough Bass for the Harpsicord. [Library of Congress, Washington, DC].
Alston, 2004. 4˚. 7 partbooks, ii. 127 pp. Line-cut of the London, 1750 edition. The 1st, 3rd, 4th and 6th concerto may be played with 2 German flutes and the 2nd and 5th with oboes and bassoons. Preface by Peter Holman. Ring binding. $64 [item no.8453]


AMON, Johannes Andreas, 1763-1825

An der Tod, mit begleitung einer obligaten Flöte und Piano-Forte oder Guittarre. Bonn s.d.
Archivum Musicum: L’Arte della Chitarra, 18. Florence, 1986. Oblong, 34 x 24 cm, 7 pp. Line-cut of the Simrock, early 19th-c. edition. Wrappers in decorative paper. $19 [item no.1818]


ARNE, Thomas A., 1710-1778

[Cantatas, voice, strgs/winds, bc] Six Cantatas for a Voice and Instruments Set to Musick.
Huntingdon, 1986. 4º. 70 pp. Xerographic reprint of the c.1755 edition. Contains “The School of Anacreon”, “Lydia from Sappho”, “Folick and Free”, “Bacchus and Ariadne”, “The Morning”, & “Delia”. Various scoring, including oboes, horns, flute, strings & bc. Wrappers. $24 [item no.7038]


[Comus, masque] The Songs, Duet & Trio in the Masque of Comus. Set for the Violin, German Flute and Harpsichord. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 5. Hebden Bridge, 2007. 21 x 30 cm, 23 pp. Line-cut of the London, n.d. edition. Wrappers. $20 [item no.8920]


[Thomas & Sally, selections] Overture with Songs in Thomas and Sally, as Performed at the Theatre Roal in Covent Garden. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 7. Hebden Bridge, 2007. 21 x 30 cm, 18 pp. Line-cut of the London, n.d. edition. Vocal score with flute or violin accompaniment. Wrappers. $17 [item no.8922]


[Trio sonatas, 2 vln, bc, op.3] 7 Trio Sonatas, op.3.
Chamber Music from Georgian England, 2. Huntingdon, [1990]. 4º. Xerographic reprint of the 18th-c. edition. Flute may substitute for vln I in sonatas nos. 2, 5, 6 & 7. Wrappers. $25 [item no.7025]


BABELL, William, c.1690-1723

[Solos, vln/ob/fl, bc, part 2] XII Solos for a Violin, Hoboy or German Flute with a Bass figur’d for the Harpsicord... Part the Second of his Posthumous Works. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 187. New York, [1996]. 24 x 31 cm, 52 pp. Line-cut of the Walsh edition, London, c.1725. The unaligned ornamental figures in this edition, almost impossible to transcribe, make the facsimile indispensable for performance practice. Wrappers. $20 [item no.7351]


[Solos, vln/ob/fl, bc, part 2] XII Solos, For a Violin or Hautboy with a Bass, figur’d for the Harpsicord with proper Graces adapted to each Adagio by the Author. Part the Second of His Posthumous Works. [British Library, London].
Alston, 1996/ 2000. 4º, i, 52 pp. Line-cut of the London, c.1725 edition. Preface by Peter Holman. Ring binder. $36 [item no.7864]


BACH, Carl Philipp Emanuel, 1714-1788

[Sonata, flute, H.562/Wq.132, A minor] Sonate für Querflöte solo a-moll / Sonata in A Minor for Flute Alone (Wq 132), nach dem Erstdruck herausgegeben von Hermien Teske.
Winterthur, 1978. 4º, iv, 5 facs, 6 pp. Halftone of the Berlin, 1763 edition (from the musical quarterly, Musikalisches Mancherley), together with a new practical edition. Preface in Ger-Eng. Wrappers. $15 [item no.2001]


[Sonata, flute, H.562/Wq.132, A minor] Sonate a-moll für Flöte solo (Wq 132), herausgegeben von Mirjam Nastasi.
Wiener Querflöten-Edition. Vienna, 1986. 4º, vi, 6, 6 pp. Line-cut of the L. Winter edition, Berlin, 1763. Together with new practical edition. Foreword in Ger-Eng-Fr. Wrappers. $10 [item no.1594]


[Trio sonatas, 2 vln, bc; fl, vln, bc, H.579-78/Wq.161/1-2] Zwey Trio, das erste für zwo Violinen und Bass, das zweyte für 1. Querflöte, 1. Violine und Bass; bey welchen beyden aber die eine von den Oberstimmen auch auf dem Flügel gespielet werden kan [Wq. 161].
Performers’ Facsimiles, 9. New York, 1986. 24 x 33 cm, 28 pp. Line-cut of the Nuremberg, 1751 edition, in score format. Contains the piece “Sanguineus et Melancholicus”, a musical “argument” between sanguine and melancholy temperaments personified by the two violin parts. The composer provides about 40 stagedirections throughout the piece. Wrappers. $18 [item no.20]


BACH, Johann Christian, 1735-1782

[Quartets, fl/vln, vla, vc, op.8, W B51-56] Six Quartettos for a German Flute, Violin, Tenor and Violoncello. Opera VIII. [Yale University Library, New Haven].
Performers’ Facsimiles, 283. New York, [2009]. 26 x 33 cm, 4 parts, 54 pp. Line-cut of the London, c.1775 edition. Wrappers. $35 [item no.9100]


[Quartets, winds/strings, op.19, W B61-64] Four Quartettos, Two for Two Flutes, a Tenor and Violoncello, One for Two Flutes a Violin and Violoncello, and One for a Flute, Hoboy, or Two Flutes, a Tenor, Violoncello. Opera XIX.
Huntingdon, n.d. 4º. 4 partbooks, 45 pp. Xerographic reprint of the London, 1784 edition. Nos. 1-2 for 2 fl, vla, vc; no.3 for 2 fl, vln, vc; no.4 for f/ob, fl, vla, vc. Wrappers. $24 [item no.8309]


[Quartets, fl, vln, vla, vc; 2 vln, vla, vc] Six Quartettos for a German Flute, Violin, Tenor and Bass, or Two Violins, a Tenor and Bass.
Huntingdon, n.d. 4º. 4 partbooks, 54 pp. Xerographic reprint of the London, 1776 edition. Works by J.C. Bach, Abel & Giardini. Wrappers. $24 [item no.8310]


[Sonatas, keyboard, vln/fl, op.10, W B2-6a] Six Sonatas for Harpsichord or Pianoforte & Violin. Op.X.
Biblioteca Classica, 3. Rotterdam, 1984. 4º, 38 pp. Line-cut of the London, 1773 edition. Plastic ring binding. $25 [item no.4896]


[Sonatas, keyboard, vln/fl; keyboard, vln, vc, op.15] Four Sonatas and Two Duetts for the Piano Forte or Harpsichord with Accompaniments. . . Opera 15.
Biblioteca Classica, 4/I. Rotterdam, 1985. 4º, 3 parts, 36 pp. Line-cut of the London, 1778 edition. Wrappers. $19 [item no.4897]


[Sonatas, keyboard, vln/fl, op.16, W B10-15a] Six Sonatas for the Harpsichord or Pianoforte with an Accompanyment for the Violin or German Flute. Opera XVI.
Wilhelmshaven, n.d. Oblong, 30 x 21 cm, 39 pp. Line-cut of the London, 1779 edition. Wrappers. $26 [item no.23]


BACH, Johann Christoph Friedrich, 1732-1795

[Sonata, flute/violin, bc] Sonata per il flauto, violino, e basso.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 28 pp. Line-cut of the Hamburg, 1770 edition (extracted from Musikalisches Vielerley). Wrappers. $15 [item no.9036]


BACH, Johann Sebastian, 1685-1750

[Cantata 79] Gott der Herr ist Sonn und Schild (BWV 79). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Kommentar von Hans-Joachim Schulze. [Mus. ms. Bach P. 89].
Leipzig, 1988. 23 x 37 cm, v, 28 pp. Halftone of the autograph in its original loose bifolio format. Scored for solo SAB, SATB chorus, flutes, oboes, horns, timpani, strings & continuo. The beginning chorale and aria of this cantata served as the model for the Gloria chorale and duet “Domine Deus” of the Mass in G major (BWV 236); the aria “Gott ist unser Sonn’ und Schild” appears again as “Quoniam tu solus” in the Mass in A major (BWV 234). Introduction in Ger. Portfolio in blue linen. $73 (more info... ) [item no.1746]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. Handsome binding in brown linen with lettering in gold. $285 (more info... ) [item no.7619]


[Brandenburg Concerti, BWV 1046-1051] Brandenburgische Konzerte. Faksimile des Autographen. Faksimileausgabe nach dem Autograph Staatsbibliothek zu Berlin – Preußische Kulturbesitz, Musikabteilung, Am.B.78.
Leipzig, 4/ 1996. Oblong, 33 x 26 cm, 170 pp. Halftone monochrome of the dedication autograph score—dated 24 March 1721—for Christian Ludwig, Margrave of Brandenburg. Bach's elegantly penned title "Concerts avec plusieurs instruments" (concertos with several instruments) is a somewhat modest description of the concertos to follow, in that many different combinations of instruments and sonorities are exploited, perhaps deliberately to get the Margrave's attention and approval, not unlike the way Mozart used his Gran Partita to introduce himself to the Viennese public. Sadly the autograph score was left unused in the Margrave's library until his death in 1734, the reason being (it is believed) that he lacked the musicians to perform the concertos. One of the great gems of Western music, this facsimile is a perfect gift for any wind or string player, harpsichordist, conductor or music lover. “Sonder-Ausgabe” issued on the occasion of the 200th anniversary C-F. Peters for Bach-Jahr 2000. Bound in green buckram with gold lettering. $285 (more info... ) [item no.8986]


[Partita, flute, BWV 1013, A minor] Partita in a-moll für Flöte solo (BWV 1013) herausgegeben von Hermien Teske. [Staatsbibliothek Preußischer Kulturbesitz, Berlin, mus. ms. Bach P. 968].
Winterthur, 1980. 4º, ii, 3 facs, 6 pp. Halftone of a contemporary ms copy (the only known source for this piece), together with a new practical edition. Preface in Ger-Eng. Wrappers. $15 (more info... ) [item no.2014]


[Sonata, flute, harpsichord, BWV 1030, B minor] Sonata in si minore à cembalo obbligato e travers. solo (BWV 1030). IV manoscritti Berlinesi del XVIII sec. [Deutsche Staatsbibl. Berlin, Mus. ms. Bach P. 975].
Archivum Musicum: Monumenta Musicae Revocata, 8. Florence, 1989. 25 x 34 cm, xii, 65 pp. Line-cut of the complete autograph score, supplemented by a copy of the solo flute part in the hand of Christoph Friedrich Penzel. Presents in addition three 18th-c. ms copies in the Staatsbibliothek Preußischer Kulturbesitz, Berlin: Am B. 53, Mus. ms. P 229 and Mus. mus. P 1009, scores in the hand of Johnann Philipp Kirnberger and Christoph Altnikol, and the obligato cembalo part (alone) by an unknown copyist. Introduction in It-Eng by Marcello Castellani. Quarter linen. $44 (more info... ) [item no.2950]


BALDINI, Giuseppe, 17-18th c.

[Trio sonatas, flute, bc] Tre seguite e tre sonate per flauto traversiere e basso continuo. Amsterdam, s.d.
Archivum Musicum: Flauto Traversiere, 38. Florence, 2003. 24 x 34 cm, xii, 26 pp. Line-cut of the Amsterdam, c.1729 edition. Introduction in Ger-It by Nikolaus Delius. Wrappers, in decorative paper. $34 [item no.8565]


BARON, Ernst Gottlieb, 1696-1760

[Sonata, flute, lute, G major] Sonate à 2 G Dur für Traversflöte und Barocklaute. Reproduktion nach einer Kopie aus der 2. Hälfte des 18. Jahrhunderts im Besitz der Stadt Leipzig Städtische Bibliothek Musikbibliothek (Signatur III.11.6a).
Lübeck, 1998. Oblong, 30 x 21 cm, 18 pp. Line-cut of a contemporary manuscript copy. (Lute part in French tablature). Ring binder. $21 [item no.7887]


BÂTON, Charles, b.?-1758

[Suites, 2 viols/musettes/flutes/recorder/oboes; Suites, treble inst, bc] Premier œuvre contenant trois suites pour deux viéles, muzettes, flûtes traversieres, flûtes a bec, hautbois, et trois suites avec la basse continüe. [Collection Paul Fustier].
Béziers, 2003. 20 x 29 cm, ii, 28 pp. Line-cut of the Paris, [1733]. Introduction in Fr by Paul Fustier. Wrappers. $26 [item no.8214]


BATTISHILL, Jonathan, 1738-1801

[Songs, voice, strings/winds, bc] A Collection of Favourite Songs Sung at the Publick Gardens, and Theatres.
Huntingdon, n.d.. 4º, 24 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7628]


BERBIGUIER, Antoine Tranquille, 1782-1838

[Cavatina, 3 flutes, op.110] An Original Cavatina as a Trio for Three Flutes. Op. 110.
Collection Dominantes. Courlay, 2007. 21 x 30 cm, 24 pp. Line-cut of the London, c.1830 edition. Preface in Fr-Eng-Ger. Wrappers. $19 [item no.8944]


[Duos, flutes, op.71 & op.85] Three Brillant Duets for Two Flutes; Trois grands duos concertans, op.71; Trois grands duos concertans, op.85.
Nashua, c.1996. 4º, Line-cut. Wrappers. $33 [item no.7734]


BERNIER, Nicolas, 1664-1734

[Cantatas, voice, bc, with & without instruments, book 3] Cantates françaises, ou musique de chambre a voix seulle et a deux avec symphonie et sans symphonie avec la basse continue, troisième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 43. Courlay, 1989. 22 x 31 cm, 12, 119 pp. Line-cut of the Paris, [1703] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $54 [item no.3526]


[Cantatas, voice, bc, book 3, selection] Le caffé (cantate extraite du IIIe livre) - 1703.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 32 pp. Line-cut of the Paris, [1703] edition. Wrappers. $14 [item no.8935]


[Cantatas, voice, bc, with & without instruments, book 6] Cantates françoises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse-continue, sixième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 49. Courlay, 1990. 22 x 31 cm, xii, 98 pp. Line-cut of the Paris, 1718 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $48 [item no.3824]


[Cantatas, voice, bc, with & without instruments, book 7] Cantates françaises, ou musique de chambre a voix seulle avec symphonie et sans symphonie avec la basse continue, septième livre, partition in folio.
La Musique Française Classique de 1650 à 1800, 44. Courlay, 1989. 22 x 31 cm, 9, 106 pp. Line-cut of the Paris, 1723 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $51 [item no.3527]


[Motets, 1-3 voices, bc, with & without instruments, op.1] Motets à une, deux et trois voix, avec symphonie et sans symphonie, au nombre de vingt six. Première œuvre.
La Musique Française Classique de 1650 à 1800, 17. Courlay, 1987. 22 x 31 cm, ix, 259 pp. Line-cut of the Paris, 1703 edition. Introduction by Jean Saint-Arroman. Wrappers. $88 [item no.2142]


[Motets, 1-3 voices, bc, with & without instruments, op.2] Motets à une, deux et trois voix, avec symphonie et sans symphonie. Second œuvre, 1713. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 127. Courlay, 1999. 22 x 31 cm, 17, 196 pp. Line-cut of the Paris, 1713 edition. Introduction by Jean Saint-Arroman. Wrappers. $78 [item no.7711]


BICKHAM, George (younger), c.1706-1771 [engraver]

The Musical Entertainer. A Facsimile of the 1740 London Edition.
Monuments of Music and Music Literature in Facsimile, I/6. New York, 1965. 4˚. 102 + 102 pp. Line-cut of the London, 1740 edition. Approximately 200 songs, each adorned with a beautiful engraving, by various composers, chiefly for high voice with figured bass; most have part for flute printed at end. Printed (as the original) on recto pages. Laid paper, clothbound. [item no.706]


BITTI, M. 17-18th c.

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]


BLAVET, Michel, 1700-1768

[Pièces, 2 flutes/violins/viols, collections 1-3] Premier recueil de pièces accomodé pour les flûtes traversières; Deuxième recueil de pièces accomodé pour les flûtes traversières; Troisième recueil de pièces accomodé pour les flûtes traversières. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 48. Florence, 1995. Oblong, 24 x 17 cm, viii, 245 pp. Line-cut of the Paris, c.1750-1755 editions. Introduction in It by Marcello Castellani. Wrappers. $49 (more info... ) [item no.7141]


[Pièces, 2 flutes/violins/viols, 1st collection] Ie recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.1589]


[Pièces, 2 flutes/violins/viols, 1st collection] 1er recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Olbong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8679]


[Pièces, 2 flutes/violins/viols, 1st collection] Ier. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 1. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Hardbound in marbled paper. $49 [item no.9375]


[Pièces, 2 flutes/violins/viols, 2nd collection] IIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Wrappers. $28 [item no.3830]


[Pièces, 2 flutes/violins/viols, 2nd collection] 2ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1744. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 180. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1744] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8680]


[Pièces, 2 flutes/violins/viols, 2nd collection] IIe. recueil de pieces... Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 2. Stuttgart, 2014. Oblong, 25 x 17 cm, 81 pp. Line-cut of the Paris printed edition. Hardbound in marbled paper. $49 [item no.9376]


[Pièces, 2 flutes/violins/viols, 3rd collection] IIIe recueil de pièces. Petits airs, brunettes, menuets, &c. avec des doubles et variations, accomodé pour les flutes travers, violons, pardessus de viole, &c.
Paris, n.d. Oblong, 25 x 16 cm, 82 pp. Line-cut of the Paris printed edition. Contains 69 pieces by M. Blavet and other Baroque masters. Wrappers. $28 [item no.3831]


[Pièces, 2 flutes/violins/viols, 3rd collection] 3ème recueil de pièces, petits airs, brunettes, menuets, etc., avec des doubles et variations, accomodé pour les flûtes traversières, violons, par-dessus de viole & c.. 1757. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 182. Courlay, 2006. Oblong, 23 x 31 cm, xi, 85 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger. Wrappers. $43 [item no.8681]


[Sonatas, flute, bc, op.2; Sonatas, flute, bc, book 3] Sonates mêlées de pièces pour la flûte traversière, avec la basse, œuvre II; Troisième livre de sonates pour la flûte-traversière, avec la basse.
Archivum Musicum: L’Art de la Flûte Traversière, 17. Florence, 1981. 20 x 29 cm, vii, 80 pp. Line-cut of the Paris, 1732 & 1740 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.748]


[Sonatas, flute, bc, op.2] Sonates mêlées de pièces pour la flûte traversière, avec la basse, œuvre II (1732). [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 66. Courlay, 1992. 4º, 36, 42 pp. Line-cut of the Paris, 1732 edition. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.4399]


[Sonatas, flute, bc, book 3] Troisième livre de sonates pour la flûte traversière avec la basse (1740). [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 67. Courlay, 1992. 4º, 25, 37 pp. Line-cut of the Paris, 1740 edition. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $32 [item no.4400]


[Sonatas, 2 flutes, op.1] Ier œuvre contenant six sonates à deux flûtes traversières sans baße. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 65. Courlay, 1992. 4º, 23, 31 pp. Line-cut of the 1741 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 [item no.4381]


BLOCHWITZ, Johann Martin, fl.1711-1740

[Pièces, flute, bc] Pièces pour la flûte traversière avec la basse continue. [Universitetsbibl., Lund].
Münster, 1990. Oblong, 4º, i, 9 facs, 22 pp. Line-cut of a contemporary ms copy, together with a transcription for alto recorder and harpsichord by Margret Sendelbach. Wrappers. $20 [item no.4348]


BÖDDECKER, Phillip Friedrich, 1607-1683

Jairi Todten-Post/Seuffzer/Trauerklang. [Staatsbibliothek zu Berlin, Preußischer Kulterbesitz, Berlin].
Faksimile-Edition Rara, 15. Stuttgart, 1998. 15 x 21 cm, 76 pp. Line-cut of the Stuttgart, 1661 edition. Contains two musical settings by Böddecker, one a4 & bc, the other a3 & bc. Bound together with Jairi Todten-Post und Christ Hertzen-Trost (Stuttgart, 1661) and Seuffzer und Thränen und klägliches Sehnen, for the funeral of Maria Agnes Müller. Hardbound in marbled paper. $20 [item no.7576]


BÖDDECKER, Phillip Jacob, 1607-1683

Höchst-schätzbares Seelen-Kleinod hangend an dem stets hell-leuchtenden geistlichen Morgenstern order Zwey schöne geistriche Lieder in einem doppelten (einfachen und fugirten) Contrapunkt. [Württembergischen Landesbibliothek, Stuttgart].
Faksimile-Edition Rara, 10. Stuttgart, 1997. 24 x 29 cm, 14 pp. Line-cut of the Stuttgart, n.d. edition. Written for soprano, alto, tenor, bass and continuo, only the continuo part for organ (reproduced here) survive. Hardbound in marbled paper. $17 [item no.7542]


Sacra Partitura. [Württembergischen Landesbibliothek, Stuttgart].
Faksimile-Edition Rara, 2. Stuttgart, 1997. 20 x 30 cm, 72 pp. Line-cut of the rare Strasbourg, 1651 print. 12 pieces for solo voice and bc in the style of Italian monody, including “O mira, ò magna” by Casati and “Ecce sacrum paratum” by Monteverdi; the collection ends with two very interesting instrumental sonatas by Böddecker: “Sonata. Violino solo” & “Sonate. sopra la Monica. Fagotto solo”, among the earliest known German examples of the genre. Hardbound. $44 [item no.7441]


BÖHM, Théobald, 1794-1881

[Method, flute] La flûte et son jeu dans ses aspects accoustique, techniques et artistique – 1871 & De la fabrication et des derniers perfectionnements des flûtes – 1847. Préface d’Alain Marion. Présentation de Philippe Allain-Dupré. Traduction, avertissement, Notice biographique et notes de Thierry Labat. 1ère Édition française intégrale.
Paris, 1994. 4º, 111 pp. Line-cut of plates of the original German edition, with a new French translation. Indispensable study on the design and construction of the Böhm flute. Cloth. $53 [item no.8387]


BOISMORTIER, J.B. Bodin de, 1691-1755

[Ballets, trios, 2 musettes/viols/rec/vln/ob/fl, bc, op.52] IV balets de village en trio pour les musettes, vieles, flutes à bec, violons, haubois, ou flutes traversières. Œuvres 54, 1734.
Les Plaisirs Champêtres. Paris, 1991. 4˚, 3 partbooks, ii, 36 pp. Line-cut of the Paris, 1752 edition. Preface in Fr-Eng by Jean-Christophe Maillard. Wrappers. $28 [item no.8726]


[Cantatas, voice, w/ various accomp., op.5] Les quatre saisons. Cantates françaises à voix seule, mêlées de symphonies. Œuvre cinquième. 1724. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 144. Courlay, 2002. 4º, xi, 104 pp. Line-cut of the author’s edition, Paris, 1724. Preface in Fr-Eng-Ger by Jean Saint-Arroman & Philippe Lescat. Wrappers. $60 [item no.8143]


[Concerti, 5 flutes, op.15] VI concertos pour 5 flûtes-traversières ou autres instruments sans Basse. On peut aussy les joüer avec une Basse. 1727. Présentation par Jean Saint-Arroman. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 194. Courlay, 2006. 24 x 33 cm, 3 vols, ix, 81 pp. Line-cut of the Paris, [1727] edition. 3 parts: flutes 1-2, flutes 3-4, flute 5. Preface in Fr-Eng-Ger. Wrappers. $41 [item no.8789]


[Concerti, 2 flutes, op.38] VI concerto pour deux flûtes traversières sans basse op.38. Paris 1732.
Archivum Musicum: L’Art de la Flûte Traversière, 59. Florence, 2000. 24 x 33 cm, v, 28 pp. Line-cut of the Paris, 1732 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $32 [item no.7907]


[Divers pièces, 2 flutes] Divers pièces pour une flûte-traversière seule avec des preludes sur tous les tons, et des seconds dessus adjoûté, 1728. Présentation par Pauline van Agt et Lara Reynaud (CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800, 195. Courlay, 2007. 21 x 30 cm, xiii, 24 pp. Line-cut of the Paris, 1728 edition. For 2 solo flutes. Preface in Fr-Eng-Ger. Wrappers. $34 [item no.8895]


Motets à voix seule mêlés de simphonies. Œuvre 23. 1728 [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, x, 27 pp. Line-cut of the author’s edition, Paris, 1728. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $24 [item no.8142]


[Sonatas, 2 flutes, op.1] Sonates a deux flûtes-traversières sans basse. Œuvre premier.
Performers’ Facsimiles, 75. New York, [1991]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.4059]


[Sonatas, 2 flutes, op.1] Sonates a deux flûtes traversieres sans basse. Œuvre premier, 1724. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1724 edition. Wrappers. $12 [item no.8799]


[Sonatas, 2 flutes, op.2] Sonates a deux flûtes-traversières sans baße. Œuvre IIe.
Performers’ Facsimiles, 76. New York, [1989]. 23 x 30 cm, 27 pp. Line-cut of the Paris, 1724 edition. Wrappers. $15 [item no.3678]


[Sonatas, 2 flutes, op.6] Sonates a deux flûtes-traversières sans baße. Œuvre sixième.
Performers’ Facsimiles, 77. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3679]


[Sonatas, 2 flutes, op.6] Sonates à deux flûtes traversières sans basse. Opus 6, 1725.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 28 pp. Line-cut of the author’s, Boivin & Leclerc edition, Paris, 1725. Wrappers. $12 [item no.8843]


[Sonatas, 2 flutes, op.8] Sonates a deux flûtes-traversières sans basse. Œuvre huitième.
Performers’ Facsimiles, 78. New York, [1989]. 23 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $15 [item no.3649]


[Sonatas, 2 flutes, op.8] Sonates a deux flûtes traversières sans opus 8.
La Musique Française Classique de 1650 à 1800, 200. Courlay, 2007. 4º, 40 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger. Wrappers. $26 [item no.8947]


[Sonatas, flute, bc, op.9] Sonates pour la flûte-traversiere avec la basse. Œuvre neuvième, 1725. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 26 pp. Line-cut of the Paris, 1725 edition. Wrappers. $12 [item no.8800]


[Sonatas, flute, bc, op.19] Sonates pour la flûte-traversière avec la baße, œuvre dixneuvième.
Archivum Musicum: L’Art de la Flûte Traversière, 16. Florence, 1981. 20 x 29 cm, vii, 26 pp. Line-cut of the Paris, 1727 edition. 6 sonatas. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.750]


[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière et un violon par accords, op.51. Paris 1734.
Archivum Musicum: L’Art de la Flûte Traversière, 61. Florence, 2001. 24 x 33 cm, iv, 26 pp. Line-cut of the Paris, 1734 edition. Preface in It by Marcello Castellani. Wrappers. $34 [item no.8088]


[Sonatas, flute, violin, op.51] VI sonates pour une flûte traversière, et un violon par accords, sans basse. 1734. Présentation par Marion Delorme et Pauline van Agt (etudiantes au CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800. Courlay, 2007. 21 x 30 cm, ix, 24 pp. Line-cut of the Paris, 1734 edition. Preface in Fr-Eng-Ger. Wrappers. $27 [item no.8894]


[Suites, flute, bc, op.35, no.1, E minor] Suite no. 1 en mi mineur pour flûte traversière (ou flûte à bec) et basse continue. Restitution de Jean-Claude Veilhan. Réalisation de la basse Danièle Salzer.
Archives de la Musique Ancienne. Paris, 1975. 4º, 22, with 3 pp. Line-cut of the Paris, 1731 edition, together with a new practical edition. Wrappers. $16 [item no.752]


[Trio sonatas, 3 flutes, op.7] Sonates en trio pour trois flûtes traversières sans basse. Œuvre septième, Paris, 1725.
La Musique Française Classique de 1650 à 1800, 99. Courlay, 1996. 4º, 4 vols, 7, 36 pp. Line-cut of the Paris, 1725 edition. Preface in Fr-Eng-Ger by Philippe Lescat. Wrappers. $31 [item no.7329]


[Trio sonatas, 3 flutes, op.7] Sonates en trio pour trois flûtes traversières, op.7. Paris 1725.
Archivum Musicum: L’Art de la Flûte Traversière, 51. Florence, 1997. 24 x 34 cm, 3 vols, iv, 40 pp. Line-cut of the Paris, 1725 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.7506]


[Trio sonatas, 2 ob/fl/vln, bc; bass/bassoon, bc, op.28/37] Six sonates en trio, opus 28 / Cinq sonates en trio, suivies d’un concerto, opus 37. Présentation par les élèves du Ce. F.E. de M. de Rueil-Malmaison.
La Musique Française Classique de 1650 à 1800, 134. Courlay, 2000. 4º, xv, 78 pp. Line-cut of the Paris, 1730 and 1722 editions. Preface in Fr-Eng-Ger by Nathalie Lechat, Karen Daniau, Céline Morandeau & Marie-Hélène Landreau. Wrappers, in slipcase. $57 [item no.8120]


[Trio sonatas, flute/violin, bass/bassoon, bc, op.37] XXXVIIe Œuvre contenans V sonates en trio pour un deßus & deux baßes; suivica d’un concerto à cinq parties pour une flûte, un violon, un haubois, un baßon, & la baße.
Huntingdon, [1994]. 4º, 3 parts, 32 pp. Line-cut of the Paris, [1732] edition. Wrappers. $20 [item no.4859]


BON, Anna, 1740-1767?

[Sonatas, flute, bc, op.1] VI sonate per il flauto traversiere violoncello o cembalo. Opera prima, Nürnberg 1756.
Archivum Musicum: Flauto Traversiere, 14. Florence, 1988. 24 x 34 cm, iv, 22 pp. Line-cut of the Nuremberg, 1756 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.2887]


[Sonatas, flute, bc, op.1] VI sonate da camera per il flauto traversiere, e violoncello o cembalo. Opera prima. [Fürstlich Thurn und Taxissche Hofbibliothek, Regensburg].
Performers’ Facsimiles, 191. New York, [1998]. 26 x 37 cm, 22 pp. Line-cut of the Nuremberg, 1756 edition. Wrappers. $15 [item no.7603]


[Sonatas, flute, bc, op.1] VI sonate da camera per il flauto traversiere, e violoncello o cembalo. Opera prima. [Fürstlich Thurn und Taxissche Hofbibliothek, Regensburg].
Faksimile-Edition Kammermusik des Barock, 6. Stuttgart, 2016 26 x 37 cm, 25 pp. Line-cut of the Nuremberg, 1756 edition. Wrappers. $24 [item no.9527]


BORDET, Toussaint, 18th c.

[Method, flute] Méthode raisonée pour apprendre la musique. . . suivi d’un recueil d’airs en duo, livre premier. Paris S.D. [1755].
Archivum Musicum: L’Art de la Flûte Traversière, 46. Florence, 1993. Oblong, 28 x 21 cm, vii, 85 pp. Line-cut of the Paris, c.1755 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.4577]


BOULEZ, Pierre, 1925

Le marteau sans maître. Fac-similé de l’épure et de la première mise au net de la partition / Facsimile of the Draft Score and the First Fair Copy of the Full Score. Édité par / Edited by Pascal Decroupet.
Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215 pp. Beautiful full-color facsimile edition of the autograph draft score and fair copy, produced on the occasion of the 80th birthday of the composer. Since its premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans maître”, with its novel scoring (contralto, alto flute, viola, guitar, vibraphone, xylorimba and unpitched percussion) and poetry by René Char in four of the nine interlocked movements, has been considered one of the most outstanding serial works of the postwar avantgarde. Commentators have pointed out its wonderful hypnotic soundworld, complex rhythmic structure, and sudden bursts of instrumental crossfire, creating such a demand on the performers that some fifty rehearsals were required before its premiere. This excellent facsimile offers an exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the pencil draft score, final ink version, as well as a selection of sketch pages. Handsome binding in red linen with slipcase. $254 (more info... ) [item no.8588]


BOYCE, William, 1711-1779

[Trio sonatas, 2 vln/fl, bc] Twelve Sonatas for Two Violins with a Bass, 1747.
Chamber Music from Georgian England, 4. Huntingdon, [1990]. 4º, 4 partbooks, 132 facs, [12] pp. Line-cut of the Walsh edition, London, 1747. Wrappers. $39 [item no.7468]


BROSSARD, Sébastien de, 1655-1730

Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois, les plus usitez dans la musique, seconde édition, 1705. Eingeleitet von Harald Heckmann.
Dictionarium Musicum, 1. Hilversum, 1965. 17 x 24 cm, xviii, 390 pp. Halftone of the second edition, Paris, 1705. Cloth (also available in wrappers). $116 [item no.2112]


BUONANNI, Filippo, 1638-1725

Descrizione degl’istromenti armonici d’ogni genere.
Leipzig, 1975. 20 x 28 cm, 256 pp. Line-cut of the Rome, 1726 edition. Extremely informative treatise on organology with altogether 140 extended descriptions provided in Italian and French. Bilingual indices. Accompanied by 142 superb woodcuts of scenes of musicians with their instruments. Linen. $175 [item no.2703]


BUTERNE, Charles, 17-18th c.

[Sonatas, winds/strings, bc, op.2] Six sonates pour la vielle, musette, violon, flutes, hautbois et pardessus de violles; quatre avec la basse continue, et deux en duo. Œuvre IIe. [Bibl. Municipale, Nimes].
Béziers, 1985. 29 x 21 cm, 29 pp. Line-cut of the 1745 edition. Sonatas for viel/mus/vln/fl/rec/ob/viol, bc, and 2 viel/mus/vln/fl/rec/ob/viol, without bc. Laid paper, with wrappers. $20 [item no.2149]


CAIX D’HERVELOIS, Louis de, 1670-1760

[Pièces, flute, bc, 1st-2nd collections] Pièces pour la flûte-traversière avec la basse continue.
Flûtistes Français du XVIIIe Siècle, II. Geneva, 1986. 4º, 55 pp. Line-cut of the author’s editions, Paris, 1726-1731. 7 suites. Wrappers. $56 [item no.757]


[Pièces, flute, bc, 1st collection] Pièces pour la flûte traversière. Premier recueil. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 54. Courlay, 1991. 24 x 33 cm, 9, 27 pp. Line-cut of the 1726 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $23 [item no.4099]


[Pièces, flute, bc, 1st collection] Pièces pour la flûte-traversière avec la basse continue, 1. recueil.
Performers’ Facsimiles, 36. New York, 1987. 25 x 33 cm, 28 pp. Line-cut of the Paris, 1729 edition. Wrappers. $18 [item no.2152]


[Pièces, flute, bc, 2nd collection] Deuxième recueil de pièces pour la flûte. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 52. Courlay, 1990. 24 x 33 cm, xv, 28 pp. Line-cut of the 1731 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $26 [item no.3955]


[Pièces, flute, bc, 2nd collection] Deuxième recueil de pièces pour la flûte-traversière avec la basse.
Performers’ Facsimiles, 37. New York, 1987. 24 x 33 cm, 28 pp. Line-cut of the Paris, 1731 edition. Wrappers. $18 [item no.2153]


[Suites, flute/viol, bc, 3rd collection, op.6] Sixième œuvre contenant quatre suites pour la flûte-traversière, avec la baße, qui conviennent aussi au pardessus de viole. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 57. Courlay, 1991. 24 x 33 cm, 12, 28 pp. Line-cut of the 1736 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $25 [item no.4103]


CAMBINI, Giuseppe Maria, 1746-1825

[Airs variés, flute, bc] [6] Airs variés; La Marseilloise et la Carmagnole pour flûte et basse. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 47. Florence, 1994. 24 x 34 cm, iii, 18 pp. Line-cut of the Paris, c.1793 editions. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $31 [item no.4759]


[Concerti, flute, orch, op.37] Deux concerto pour la flûte dont le premier a été executé au concert de la Reine par M. Rault, œuvre 37.
Archivum Musicum: L’Art de la Flûte Traversière, 36. Florence, 1986. 24 x 34 cm, 6 parts: vi, 43 pp. Line-cut of the Paris, 1783 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $50 [item no.1799]


[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


CAMPRA, André, 1660-1744

[Cantatas, voice, winds/strings, bc, book 2] Cantates françaises mêlées de symphonies et pour différents voix, avec un duo. Livre second, 1714. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 174. Courlay, 2006. Oblong, 4º, vvi, 156 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $67 [item no.8661]


[Cantatas, book 2, selections] Cantate Enee & Didon (extraite du Second livre de cantates), 1714. Œuvre au programme du Capes et de l’Agrégation. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 177. Courlay, 2004. Oblong, 4º, ix, 36 pp. Line-cut of the Paris, 1714 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.8419]


[Motets, a1-3, flutes/violins, bc, book 1] Motets à I, II et III voix, avec la basse continue. Livre premier.
La Musique Française Classique de 1650 à 1800, 1. Courlay, 1986. 22 x 31 cm, x, 116 pp. Line-cut of the Ballard edition, Paris, 1699. Introduction by Jean Saint-Arroman. Wrappers. $54 [item no.2033]


Motets a I, II, III voix. . . Livre premier. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 116 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $65 [item no.9410]


[Motets, a1-3, flutes/violins, bc, book 2] Motets à I, II et III voix, et instruments avec la basse continue. Livre second.
La Musique Française Classique de 1650 à 1800, 2. Courlay, 1986. 22 x 31 cm, xi, 139 fasc pp. Line-cut of the Ballard edition, Paris, 1700. Introduction by Jean Saint-Arroman. Wrappers. $63 [item no.2034]


Motets a I, II, III voix. . . Livre second. Paris / Christophe Ballard 1700. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Canto e Continuo, 7. Stuttgart, 2014. 22 x 35 cm, 140 pp. Line-cut of the Paris, 1700 edition. Hardbound, with boards in decorative paper. $62 [item no.9428]


CASA, Girolamo dalla, c.1543-c.1601

Il vero modo di diminuir, con tutte le sorti di stromenti.
Bibliotheca Musica Bononiensis, II/23. Bologna, 1980. 22 x 31 cm, iii, 104 pp. Line-cut of the Angelo Gardano edition, Venice, 1584. Introduction in It by Giuseppe Vecchi. Gives curious sidelight on how contemporary music was performed, including examples of brilliant and very difficult divisions on the individual voice parts of popular madrigals. Laid paper, wrappers. $63 (more info... ) [item no.1261]


CECERE, Carlo, 1706-1761

[Concerti, flute, strings, bc] Concerto per flauto traversiero con violini obbligati e basso, ms. Uppsala; Concerto a 5 stromenti, flauto traverso, violino primo, violino secondo, viola e basso, ms. Karlsruhe.
Archivum Musicum: Flauto Traversiere, 21. Florence, 1991. Oblong, 32 x 22 cm, 5 partbooks, vii, 73 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcase. $40 [item no.4176]


CERVETTO, Giacomo Basevi, c.1682-1783

[Sonatas, flute, bc] Eight Solos for a German Flute. London s.d. [British Library, London].
Archivum Musicum: Flauto Traversiere, 34. Florence, 2000. Oblong, 32 x 23 cm, v, 26 pp. Line-cut of the London, [1757] edition. Introduction in It by Francesca Bassi. Wrappers, in decorative paper. $31 [item no.8085]


CHARPENTIER, Marc-Antoine, 1643-1704

[Complete works, from autographs] Mélanges autographes. Volume 1. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/1. Geneva, 1990. 23 x 35 cm, 159 pp. Halftone of the autograph score. Cloth. $111 (more info... ) [item no.3052]


[Complete works, from autographs] Mélanges autographes. Volume 4. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/4. Geneva, 1996. 23 x 35 cm, 255 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3055]


[Complete works, from autographs] Mélanges autographes. Volume 10. Fac-similé du manuscrit Paris, Bibliothèque Nationale, Rés. Vm1 259.
Manuscrits, 3: Marc-Antoine Charpentier, Œuvres Complètes, I/10. Geneva, 1997. 23 x 35 cm, 177 pp. Halftone of the autograph. Cloth. $111 (more info... ) [item no.3061]


CHAUVON, François, fl.1712-1736

[Tibiades, flute/oboe, bc; Sonatas, violin, bc] Tibiades, nouveau genre de pièces pour la flûte, et le hautbois, avec quelques sonates pour le violon. Paris, 1717. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 92. Courlay, 1995. Oblong, 31 x 22 cm, 10, 72 pp. Line-cut of the Paris, 1717 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $47 [item no.7225]


CHÉDEVILLE, Nicolas, 1705-1782

[Sonatas, flute/oboe/violin, bc, op.7] Six sonates pour la flûte traversière, hautbois ou violon avec la basse.
Flûtistes Français du XVIIIe Siècle, V. Geneva, 1986. 4º, 32 pp. Line-cut of the author’s edition, Paris, 1739. Discusses transposition for the musette. Wrappers. $30 [item no.758]


[Sonatas, flute/oboe/violin, bc, op.7] Six sonates pour la flûte traversière, hautbois ou violon, avec la basse. Œuvre VIIe. Paris s.d. [c.1739].
Archivum Musicum: L’Art de la Flûte Traversière, 67. Florence, 2008. 24 x 34 cm, iv, 26 pp. Line-cut of the author’s edition, Paris, 1739. Discusses transposition for the musette. Wrappers. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $42 [item no.8991]


[Sonatas, musette/flute/oboe, bc] VIII sonate per musette, flûte traversière o hautbois e basso continuo. Paris s.d.
Archivum Musicum: Flauto traversiere, 33. Florence, 1998. 24 x 34 cm, vii, 48 pp. Line-cut of the Paris, c.1740 edition. Set of 8 sonatas with 35 movements arranged by Chédeville, 27 of which are from E.F. Dall’Abaco’s “Opera Quarta”. Introduction in It by Marcello Castellani. Wrappers. $31 [item no.7688]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe, Opera XIII. Réimpression de l’édition de Paris, Boivin, 1737. Source: München, Bayerische Staatsbibliothek, cote 4729/4. RISM: V. 2233. Catalogue: P. Ryom RV 54-59.
Collection Facsimiles, B1. Gland, 1991. 4º, 40, 8 pp. Line-cut of the Paris, 1737 edition. Together with an introduction in Fr-Eng by Peter Ryom entitled “An Authentic Case of Falsification” which reproduces a document from the Archives Nationales de France clearly identifying N. Chédeville as the composer/arranger of the six sonatas. Limited edition of 500 numbered copies. Linen slipcase. $40 [item no.4302]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido, sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Opera XIII. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 111. New York, [1992]. 24 x 31 cm, 41 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4481]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc] Il pastor fido (œuvre attribuée à Antonio Vivaldi), 1737. Présentation par Philippe Lescat. [Munich, Bayerische Staatsbibliothek].
La Musique Française Classique de 1650 à 1800, 78. Courlay, 1994. 24 x 33 cm, 21, 38 pp. Line-cut of the Paris, 1737 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4804]


CHÉRON, André, 1695-1766

[Sonatas, fl/vln, bc; Trio sonatas, fl, vln, bc, op.2] Sonates en duo et en trio pour la flûte traversière et le violon avec la basse, second œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 18. Florence, 1982. 20 x 28 cm, 3 partbooks, vii, 64 pp. Line-cut of the Paris, 1729 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $35 [item no.759]


[Trio sonatas, 2 fl/ob/vln, bc, op.1] Sonates en trio p. deux flûtes traversières avec la basse continue. Premier œuvre.
Collection FacsiMusic. Courlay, 2008. 21 x 30 cm, 3 parts, 84 pp. Line-cut of the Paris, 1727 edition. Wrappers. $43 [item no.9038]


CHILCOT, Thomas, c.1700-1766

[Songs, voice, strings/winds, bc] Twelve English Songs with Their Symphonies, the Words by Shakespeare and other Celebrated Poets.
Huntingdon, c.1988. 4º, 48 pp. Line-cut of the London, c.1744 edition. Wrappers. $20 [item no.7047]


CHINZER “DA FIRENZE”, Giovanni, c.1700-d?

Allettamenti armonici per due flauti traversieri senza basso, op. IV. Paris s.d.
Archivum Musicum: Flauto Traversiere, 37. Florence, 2002. 4º, 2 partbooks, iv, 26 pp. Line-cut of the Paris, 18th-c. edition. Prefare in It by Marcello Castelliani. Wrappers in decorative paper, with slipcover. $31 [item no.8156]


CLEMENTI, Muzio, 1752-1832

[Duets, piano 4-hands; sonatas, piano, vln/fl accomp, op.3] Three Duets for Two Performers on One Piano Forte or Harpsichord and Three Sonatas with an Accompanyment for a Flute or Violin. Opera terza. [Yale University, Music Library, New Haven].
Performers’ Facsimiles, 269. New York, [2008]. Oblong, 35 x 24 cm, 49 pp. Line-cut of the London [after.1786] edition. Wrappers. $23 [item no.8996]


[Sonatas, piano, vln/fl accomp., op.2] Six Sonatas for the Piano Forte or Harpsichord with an Accompanyment for a German Flute or Violin. Opera II. [Yale University, Music Library, New Haven].
Performers’ Facsimiles, 268. New York, [2008]. Oblong, 35 x 24 cm, 45 pp. Line-cut of the London, n.d. edition. Wrappers. $23 [item no.8995]


CLÉRAMBAULT, Louis Nicolas, 1676-1749

[Cantatas, voice, winds/strings, bc, book 1, selections] Médée.
La Cantate Française au XVIIIe Siècle, VI. Geneva, 1984. 4º, 36 pp. Line-cut of the author’s edition, Paris, 1710. Wrappers. $30 [item no.252]


[Cantatas, voice, winds/strings, bc, book 2, selections] Pirame et Tisbé.
La Cantate Française au XVIIIe Siècle, VII. Geneva, 1984. 4º, 32 pp. Line-cut of the author’s edition, Paris, 1713. Wrappers. $30 [item no.253]


[Cantatas, voice, winds/strings, bc, book 3] Cantates françaises mêlées de symphonies, livre troisième. Paris, 1716.
La Musique Française Classique de 1650 à 1800, 46. Courlay, 1989. 22 x 31 cm, 10, 79 pp. Line-cut of the Paris, 1716 edition. Contents: Apollon, Zephire et Flore, L’Isle de Délos, & La mort d’Hercule. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $43 [item no.3528]


[Cantatas, books 3 & 4; La muse & Abraham] Cantates françoises, livre IIIe; Cantates françoises, livre IVe; La muse de l’opéra, cantate à voix seule et simphonie; Le Bouclier de Minerve, cantate; Abraham, cantate à voix seule.
Basel, 1980. 24 x 34 cm, 201, i pp. Line-cut of the Paris, 1716, 1720, 1716, 1714 & 1715 editions. Wrappers. $33 [item no.3641]


[Cantatas, book 4, selection] Apollon et Doris.
Basel, 1980. 24 x 34 cm, 32 pp. Line-cut of the Paris, 1720 editions. For haute-contre, violin, bc. Ring binder. $20 [item no.9306]


[Cantatas, voice, winds/strings, bc, selection, 1715] Abraham. Cantate à voix seule, dessus et basse continue. [Bibliothèque Nationale, Paris].
Collection Facsimiles, D1. Gland, 1992. 21 x 31 cm, ii, 13 pp. Line-cut of the author’s & Foucault edition, Paris, 1715. Wrappers. $12 [item no.4642]


CLINTON, JOHN, 1810-1864

A Code of Instruction for the Fingering of the Equisonant Flute by the Inventor & Patentee. With an Introduction by Karl Ventzke.
The Flute Library, 14. Buren, 1990. 8º, xiii, 34 pp. Line-cut of the London, c.1860 edition. Hardbound. $62 [item no.4994]


CONFORTI, Giovanni Luca, c.1560-d.?

Breve et facile maniera d’essercitarsi . . . a far passaggi. A Facsimile of the Rome, 1593[?] Edition.
Monuments of Music and Music Literature in Facsimile, II/115. New York, 1978. Oblong, 20 x 14 cm, 40 pp. Line-cut of the Rome, c.1593 edition. Laid paper, cloth. [item no.1635]


Breve et facile maniera d’essercitarsi a far passaggi. Roma, 1593.
Prattica di Musica, A/1. Rome, 1986. 24 x 30 cm, iv, 10 pp. Halftone, reproduced 2 original pages per page. Introduction in It by Giancarlo Rostirolla. Bibliography. Wrappers. $18 [item no.3520]


The Joy of Ornamentation by Giovanni Luca Conforto, Being Conforto’s Treatise on Ornamentation (Rome, 1593) with a Preface by Sir Yehudi Menuhin and an Introduction by Denis Stevens.
White Plains, 1989. 16 x 23 cm, 40, with 21 pp. Line-cut, reproducing 2 original pages per page. Historical commentary, with bibliography. Wrappers. $12 [item no.4030]


Passaggi sopra tutti li salmi [che ordinariamente canta santa chiesa, ne i vesperi della dominica, & ne i giorni festiui di tutto l’anno. Con il basso sotto per sonare, & cantare con organo, ò con altri stromenti]. Venedig, Angelo Gardano & Fratelli 1607. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 30. Stuttgart, 2014. 16 x 22 cm, 56 pp. Line-cut of the Venice, 1607 edition. This fascinating ornamentation treatise—unlike Conforti’s Rome c.1593 edition—is printed entirely in movable type and addresses the sacred repertoire. Hardbound, in marbled paper. $32 [item no.9363]


CORBETT, William, c.1675-1748

[Trios, 2 flutes/violins, bc, op.1] XII Sonatae à tre. Due Violins & Violoncello col basso per l’organo. Opera I. [King’s College, Cambridge]
Alston, [2003]. 4º. 4 partbooks, iii, 80 pp. Line-cut of the London, c.1700 edition. Introduction by Peter Holman. No. 1 is scored for vln, bass viola da gamba obbligato & bc and no.12 is for tpt/vln, ob/vln, vc & bc. Ring binder. $32 [item no.8367]


CORELLI, Arcangelo, 1653-1713

[Sonatas, violin, bc, op.5; arr.] VI sonate per flauto traversiere e basso trascritte dall’opera V, parte 1. Paris s.d.
Archivum Musicum: Flauto Traversiere, 32. Florence, 1996. 24 x 33 cm, v, 39 pp. Line-cut of the Paris, c.1745-1754 edition. The first part of op.5, arranged for flute by an anonymous Frenchman. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $31 [item no.7374]


CORRETTE, Michel, 1709-1795

[Concerti, flute, bc, op.8] Six concertos comiques pour trois flûtes haut-bois ou violons avec la basse, Le premier dessus du 2e, 3e, 4e, et 6e. Se peut joüer sur la musett et viele. Œuvre VIII.
Huntingdon, [1992]. 4º, 5 parts, c.60 pp. Xerographic reprint of the Paris, edition. Wrappers. $30 [item no.4851]


[Method, flute] Méthode pour apprendre aisément à joüer de la flute traversiere. [British Library, London].
Hildesheim, 1975. 13 x 18 cm, 53 pp. Line-cut of the Paris, 1739 edition. Discussion of cadences, flattements, battements and agréments plus the technique of tonguing, fingering and transposition. Composition for fl, ob and clar given as one of the examples. Wrappers. $27 [item no.761]


[Method, flute] Méthode pour apprendre aisément à jouer de la flûte traversière. Paris (1740). With Introduction and Notes by Mirjam Nastasi.
Flute Library, 6. Buren, 1978. 8º, iii, 50 pp. Line-cut of the Paris, 1740 edition. Wrappers. $42 [item no.2157]


[Method, flute] Méthode pour apprendre aisément à jouer de la flûte traversière. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 49. Florence, 1995. 21 x 30 cm, x, 54 pp. Line-cut of the Paris, 1735 edition. Preface in It by Marcello Castellani. Wrappers. $35 [item no.7209]


[Méthode raisonnée, flute] Méthode raisonnée pour apprendre aisément à jouer de la flûte traversière.
Geneva, 2/ 2000. 17 x 25 cm, 70 pp. Line-cut of the Paris, 1773 edition. $51 [item no.762]


[Method, keyboard; Sonatas, violin, flute, viol] Le maître de clavecin pour l’accompagnement / Prototipes contenant des leçons d’accompagnement.
Geneva, 1976. 4º, 130 pp. Line-cut of the Paris, 1753 & 1775 editions. Prototipes contains lessons in questions and answer form, and illustrative sonatas for the vln, fl, and descant viol. $76 [item no.829]


[Trio sonatas, 2 flutes, bc, op.14] Sonates en trio pour deux flûte traversiere ou violon avec la basse continue. Opera XIV.
Huntingdon, [1992]. 4º, 4 partbooks, 52 pp. Line-cut of the Paris, [c.1736] edition. Wrappers. $25 [item no.4860]


COSTE, Napoléon, 1806-1883

[Works, v.8, ob/fl/vln, guitar, op.25, 36, 33b, 34a] Works for Oboe (Flute or Violin) & Guitar. Edited and Arranged by Simon Wynberg. [Op.25, 36, 33b, 34a].
The Guitar Works of Napoleon Coste, VIII. Heidelberg, 2/ 1986. 4º, v, 28 pp. New edition. Wrappers. $21 [item no.1007]


COUPERIN, François, 1668-1733

[Apothéose de Corelli & Lully, winds/strings] Apothéose de Corelli; Apothéose de Lully.
La Musique Française Classique de 1650 à 1800, 35. Courlay, 1989. 24 x 33 cm, x, 45 pp. Line-cut of the Paris, 1725 edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $31 (more info... ) [item no.2908]


[Apothéose de Lully, winds/strings] Concert instrumental sous le titre d’Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Lully. [Nederlands Muziek Instituut, The Hague].
Performers’ Facsimiles, 248. New York, [2001]. 26 x 34 cm, 29 pp. Line-cut of another surviving print of the Paris, 1725 edition. Wrappers. $20 [item no.7942]


[Concerts royaux; Goûts réunis, nos.1-14] Concerts royaux; Les goûts réunis ou nouveaux concerts à l’usage de toutes les sortes d’instrumens de musique.
La Musique Française Classique de 1650 à 1800, 36. Courlay, 1989. 24 x 33 cm, x, 91 pp. Line-cut of the Paris 1722 & 1724 editions. 14 concerts for unspecified intruments and basso continuo, notated in keyboard format. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $57 (more info... ) [item no.2909]


[Concerts royaux, nos.1-4] Concerts royaux. Supplement du troisième livre de pièces de clavecin. Introduction by Don Hulbert.
Performers’ Editions. New York, 1989. 27 x 36 cm, iii, 30 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3843]


[Concerts royaux, nos.1-4] Concerts royaux.
Música Facsímil, 18. Madrid, 1988. 21 x 30 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $16 [item no.1936]


[Concerts royaux, nos.1-4] Concerts royaux. [Rowe Music Library, King’s College, Cambridge].
Basel, c.1980. 25 x 35 cm, 29 pp. Line-cut of the Paris, 1722 edition. Wrappers. $18 [item no.3644]


[Goûts réunis, nos.5-14] Les goûts réunis du 5e au 14e concerts.
Paris, 1990. 4º, 64 pp. Line-cut of the author’s edition, Boivin, Paris, 1724. $64 [item no.4492]


[Goûts réunis, nos.5-14] Les goûts-réünis ou noveaux concerts à l’usage de toutes les sortes d’instruments de musique augmentés d’une grande sonade en trio intitulée Le Parnasse ou l’Apothéose de Corelli. [Nederlands Muziek Instituut, The Hague].
Performers’ Facsimiles, 249. New York, [2001]. 26 x 34 cm, 82 pp. Line-cut of another surviving print of the Paris, 1724 edition. Wrappers. $28 [item no.7922]


[Goûts réunis, nos.10, 12 & 13] 12e, 13e et 10e concerts extraits des “Goûts réunis ou Nouveaux concerts”.
Musique pour Viole de Gambe, 1 Paris, 1981. 4º, i, 13 pp. Line-cut of the Paris, 1724 edition. Preface in Fr by Jean-Louis Charbonnier. Wrappers. $23 [item no.3833]


[Motets, 1-2 voices, flute, violin, bc, 1703] Quatre versets d’un motet composé de l’ordre du Roy. On y a joint le verset qui dat nivem, du pseaume lauda Jerusalem, 1703. [British Library, London].
La Musique Française Classique de 1650 à 1800, 94. Courlay, 1996. Oblong, 31 x 22 cm, xiv, 34 pp. Line-cut of the Chr. Ballard edition, Paris, 1703. 5 verses of a motet (“Tabescere me fecit”, “Ignitum eloquium tuum”, “Adolescentulus sum ego”, “Justitia tua in aeternum”, “Qui dat nivem”). Set for voice(s), flutes, and continuo. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $28 [item no.7259]


[Motets, 1-2 voices, flute, oboe, bc, 1704] Sept versets du motet composé de l’ordre du Roy. Pseaume Benedixisti Domine terram tuam (Paris, 1704). [British Library, London].
La Musique Française Classique de 1650 à 1800, 105. Courlay, 1997. Oblong, 4º, xv, 40 pp. Line-cut of the Christophe Ballard edition, Paris, 1704. 7 verses of the motet “Benedixisti domine terram tuam” (“Converte nos Deus”, “Numquid in aeternum”, “Ostende nobis Domine”, ”Audiam quid loquatur”, “Misericordia & veritas”, “Veritas de terra”, “Etenim Dominus”). Set for voice(s), flutes, and continuo on psalm 84. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $31 [item no.7456]


[Motets, 1-2 voices, flute, oboe, bc, 1705] Sept versets du motet composé de l’ordre du Roy. Pseaume Qui Regis Israel, Intende, Paris, 1705. [British Library, London].
La Musique Française Classique de 1650 à 1800, 135. Courlay, 2000. Oblong, 4º, xvi, 56 pp. Line-cut of the Christophe Ballard edition, Paris, 1705. 7 verses from the motet “Qui regis Israël” (“Qui Regis Christi”, “Excita potentiam tuam”, “Veneam de Aegypto”, “Dux itineris fuisti”, “Operuit montes umbra ejus”, “Extendit palmitos suos”, “Deus virtutum convertere”). Set for voice(s), flutes, oboes, and continuo. Introduction in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Hardbound. $36 [item no.7878]


[Nations, 2 violins/flutes, bc] Les nations. Édition de 1726: La Françoise – L’Espagnole – La Piémontaise; Manuscrit de Lyon: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque – La Sultane – La Superbe; Manuscrit de Paris: La Pucelle – La Visionnaire – L’Astrée – La Steinkerque.
La Musique Française Classique de 1650 à 1800, 68. Courlay, 1993. 24 x 33 cm, 9 partbooks, 44, 296 pp. Line-cut of the engraved edition from the Bibl. Nationale in Paris and two non-autograph manuscripts (resp. Bibl. Nationale, Paris and Bibl. Municipale, Lyon); both of which pre-date the printed edition. Commentary by Jean Saint-Arroman and Philippe Lescat. Wrappers, in portfolio. $103 [item no.4682]


[Nations, 2 violins/flutes, bc] Musique de chambre – 3. Les Nations. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/3. Monaco, 1987. 4º, 224, 4 partbooks: 128 pp. Line-cut of the Paris, 1726 edition, together with newly revised critical edition. 2 vols, wrappers. $138 [item no.5548]


[Nations, 2 violins/flutes, bc] Les nations. Sonades; et suites de simphonies en trio.
Performers’ Facsimiles, 40. New York, [1988]. 22 x 28 cm, 4 partbooks, 129 pp. Line-cut of the Paris, 1726 edition. Wrappers, with folder. $45 [item no.1687]


[Sonatas, 2 melody inst, bc (Sonades inédites)] In, Musique de chambre – 4. Apothéose de Corelli; Apothéose de Lully; Pièces de violes; Sonades inédites. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/4. Monaco, 1992. 4º, 214, with 48 pp. Line-cut of the first three sonatas from “Six sonades inédites”, from Brossard’s score (Bibl. Nationale, Ms. Vm7 1156), with sonatas entitled “La Pucelle”, “La Visionaire” and “L’Astrée”. Together with practical edition of the Apothéoses and Pièces de violes. Critical notes. Wrappers. $124 [item no.5549]


CROFT, William, 1678-1727

[Sonatas, vln/fl, bc] Six Sonatas or Solos, Three for a Violin and Three for the Flute with Thorough Bass for ye Harpsicord, Theorboe or Bass-Viol. [The College, Durham].
Alston, 1999. 4º, 2 partbooks, ii, 26 pp. Line-cut of the London, 1700 edition. Three sonatas by Croft and three by an ”Anonymous Italian, possibly Gottfried Finger. Preface by Peter Holman. Ring binder. $25 [item no.7832]


DAQUIN, Louis-Claude, 1694-1772

[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
Performers’ Facsimiles, 32. New York, [1987]. 4°, 52 pp. Line-cut of the Paris, [1757] edition. Wrappers. $20 [item no.1688]


[Noëls, organ/harpsichord, vln, fl, ob, etc, op.2] Nouveau livre de noëls pour l’orgue et le clavecin, dont la plûpart peuvent s’éxécuter sur les violins, flutes, hautbois, &c, dédié à son altesse sérénissime Monseigneur Le Compte d’Eu, Prince Souverain de Dombes. Œuvre II.
La Musique Française Classique de 1650 à 1800, 27. Courlay, 1989. 22 x 31 cm, xi, 52 pp. Line-cut of the Paris, [1757] edition. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $32 [item no.2170]


DELUSSE, Charles, c.1720-d.?

[Method, flute] L’art de la flûte traversière (1760). With Introduction and Notes by Greta Moens-Haenen. [Library, University of Michigan].
Flute Library, 10. Buren, 1980. 15 x 21 cm, vi, 57 pp. Line-cut of the Paris, 1760 edition. Hardbound. $79 [item no.2172]


[Method, flute] L’art de la flûte traversière / [J.-M. Hotteterre:] Principes de la flûte traversière.
Geneva, 1973. 4º, 118 pp. Line-cut of the Paris, 1761 & 1721 editions. De Lusse’s treatise includes a collection of examples and tables. Wrappers. $86 [item no.778]


[Method, flute] L’art de la flûte traversière. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 52. Florence, 1997. 17 x 24 cm, vii, 58 pp. Line-cut of the Paris, 1761 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.7591]


[Sonatas, flute, bc, op.1; Sonatas, 2 flutes, op.2] Six sonates pour la flûte traversières avec une tablature des sons harmoniques, 1er œuvre; Six sonates pour deux flûtes traversière, IIe œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 28. Florence, 1983. 24 x 30 cm, 2 partbooks + score, vii, 51 pp. Line-cut of the Paris, c.1751 editions. Introduction in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $35 [item no.768]


DEVIENNE, François, 1759-1803

[Duos concertants, flute, viola, op.5] Six duos concertants pour flûte et alto, 1784. Présentation par les étudiants du CeFEdeM Île-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 161. Courlay, 2005. 23 x 31, 2 partbooks, xii, 28 pp. Line-cut of the Paris, 1784 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $28 [item no.8542]


[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


[Quartet; trios, strings/winds, bc] Sonate en quatuor pour le clavecin ou le forte-piano avec accompagnement de flûte, cor (ou violoncelle) et alto obligés / Six trios pour trois flûtes; Six trios pour deux flûtes et basse.
La Musique Française Classique de 1650 à 1800, 140. Courlay, 2001. 4º, 11 partbooks, xiii, 101 pp. Line-cut of the Paris, 1789, Paris, n.d., & London, n.d. editions. Preface in Fr-Eng-Ger. Wrappers. $57 [item no.7920]


[Quartets, fl, vln, vla, vc, op.66] Six quatuors concertants pour flûte, violon, alto et basse, 1799. Présentation par: Audry Jacques (CeFEdeM Île-de-France). [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 170. Courlay, 2005. 24 x 34 cm, 8 partbooks, xii, c.104 pp. Line-cut of the Paris, 1799 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $56 [item no.8575]


[Sonatas, keyboard, flute] Trois sonates pour le clavecin ou le piano-forte avec accompagnement de flüte obligé. Présentation par les étudiants du CeFEdeM Île-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 169. Courlay, 2005. 24 x 34 cm, 2 partbooks, ix, 39 pp. Line-cut of the Paris, 1785 edition. Introduction in Fr-Eng-Ger. Wrappers, in portfolio. $32 [item no.8576]


[Sonatas, flute, bc, op.68] Six sonates pour flûte avec accompagnement de basse, op.68, livre 4.
Archivum Musicum: L’Art de la Flûte Traversière, 35. Florence, 1985. 24 x 34 cm, vii, 61 pp. Line-cut of the Paris, c.1799 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $31 [item no.2175]


[Sonatas, flute, bc, op.68, book 4] Six sonates pour flûte avec accompagnement de basse, op.68, livre 4.
Flûtistes Français du XVIIIe Siècle, VIII. Geneva, 1990. 4º, 61 pp. Line-cut of the Paris, 1799 edition. Wrappers. $66 [item no.3827]


[Symphonie concertante, 1789] Quatrième symphonie concertante (pour flûte - hautbois - cor et basson) Présentation par les étudiants de la formation supérieure aux métiers de l’orchestre des musiques classiques et romantiques. Abbaye aux Dames - Saintes. [Universitätsbibl., Münster].
La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, xx, 12 parts, 41, 63 pp. Line-cut of the Paris, 1789, edition (parts), and newly edited full score. Scored for solo hn, fl, ob & bsn solo, plus vln I-II, vla, bass, ob I-II, hn I-II, Preface in Fr-Eng-Ger. Portfolio. $56 [item no.8366]


[Trios, flutes] Six trios pour trois flûtes. Paris s.d.
Archivum Musicum: L’Art de la Flûte Traversière, 58. Florence, 2000. 24 x 34 cm, 3 partbooks, v, 51 pp. Line-cut of the Paris, c.1800 edition. Preface in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.8087]


DORNEL, Louis Antoine, c.1685-1765

[Sonatas, violin; Suites, flute, bc, op.2] Sonates a violon seul et suites pour la flûte traversière avec la basse. Œuvre second, Paris 1711.
Archivum Musicum: L’Art de la Flûte Traversière, 12. Florence, 1981. 24 x 34 cm, i, 44 pp. Line-cut. 8 sonatas and 4 suites. Preface in It by Marcello Castellani. Wrappers. $33 [item no.1198]


DÔTHEL, Niccolò, 17-18th c.

[Studies, flute; Sonatas, flute, violoncello, op.2] Studi per il flauto in tutti i tuoni è modi / Sonates pour une flûte traversière et un violoncelle. . . IIe œuvre.
Archivum Musicum: Flauto Traversiere, 19. Florence, 1990. 24 x 34 cm, vi, 38 pp. Line-cut of the Paris, [c.1778 & c.1775] editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $35 [item no.3863]


DROUET, Louis, 1792-1873

[Method, flute] Method of Flute Playing Intended for Those Who Have Already Made Some Progess on the Instrument. With an Introduction by Stephen Preston and Rudolf Rasch.
Flute Library, 17. Buren, 1988. 8º, xxiv, 113 pp. Line-cut of the London, 1830 edition. Cloth. $100 [item no.3584]


[Method, flute] Drouët’s Method of Flute Playing, London, 1830. Facsimile Edition with Introduction by Janice Dockendorff Boland.
Historical Flute Tutor, 2. Marion, 1992. 4º, vi, 113 pp. Line-cut. $22 [item no.4627]


DVOŘÁK, Antonín, 1841-1904

[Largo, fl, vln, vla, triangle] Largo A dur. Pro flétnu, housle, violu a triangl. Faksimile partitury s revidovanými party / For Flute, Violin, Viola and Triangle. Facsimile of the Score with Revised Parts. [Ms. Museum Antonina Dvořáka, Prague, Signatur ČMH-MAD S 76/1563].
Prague, 2006. Oblong, 4°, 5, 4, 4 pp. Full-color facsimile of the autograph score, together with modern performance parts. The recently rediscovered bifolio begins with a sketch for a piece in four-part choral texture, without words; the Largo, spanning pages 2 through 4, consist of 64 bars in 3/4 time and was probably composed in 1867. We can easily imagine this Largo having been composed to provide variety in a musical soirée in someone’s home, with the composer himself playing the viola, colleagues of his the flute and violin, and one of the audience members the triangle. Dvořák’s annotation at the end—“mea culpa, mea maxima culpa”—suggests that the piece may have been intended as a joke. Preface in Czech-Eng-Ger-Fr-Jap. Wrappers. $28 [item no.8784]


ECCLES, John, c.1668-1735

A Collection of Songs. For One, Two and Three Voices Together with Such Symphonys for Violins or Flutes as Were by the Author Design’d for any of Them. And a Thorough-bass to Each Song Figur’d for an Organ. Harpsicord or Theorbo-Lute.
Huntingdon, c.1994. 4º. Line-cut of the London, 1704 edition. Wrappers. $49 [item no.8260]


FALLA, Manuel de, 1876-1946

[Concerto, harpsichord/piano, fl, ob, cl, vln, vc] Concerto per clavicembalo (ou pianoforte), flauto, oboe, clarinetto, violino, e violoncello. Edición crítica de la partitura y facsímil de los manuscritos fundamentales del Archivo Manuel de Falla y del Archivo de Valentín Fuiz-Aznar. Editión y estudio de Yvan Nommick.
Colección “Facsímiles”, Serie “Manuscritos”, 3. Granada, [2004]. 25 x 35 cm. lxxxviii, 193 pp. Full-color reproduction of the autograph sketches, composing copy and fair copy (including extensive revisions), plus new critical edition. The work was written in hommage to Wanda Landowsky for her indispensable role in the 20th century resurgence of the harpsichord. Commentary in Sp. Limited edition of 500 copies. Cloth. $187 (more info... ) [item no.8441]


FERRANDINI, Giovanni Battista, 1710-1791

[Sonatas, flute/oboe/violin, bc, op.2] VI sonate a flauto traversiere o oboé, o violino, basso continuo, opera seconda.
Archivum Musicum: Flauto Traversiere, 8. Florence, 1986. 21 x 30 cm, v, 32 pp. Line-cut of the Paris, c.1740 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.1805]


FERRARI, Giacomo Gotifredo, 1763-1842

[Sonatas, flute/violin, piano] Three Favourite Sonatas for the Pianoforte and Flute Obligato or Violin.
Archivum Musicum: Flauto Traversiere, 23. Florence, 1992. 24 x 34 cm, iv, 40 pp. Line-cut of the London, c.1790 edition. Introduction in It by Daniele Valersi. Wrappers. $31 [item no.4289]


FESCH, Willem de, 1687-1757

[Sonatas, flute/violin, op.9] VI Sonatas for Two German Flutes. Opera IX.
Huntingdon, c.1988. 4º, 24 pp. Line-cut of the London, 1739 edition. Wrappers. $11 [item no.7035]


[Tempest, songs, voice, strings/winds, selections] The Songs in the Tempest or the Enchanted Isteland as They were Perform’d at the Theatre Royal in Drury Land by Mrs. Clive and Mrs. Mozeen.
Huntingdon, n.d.. 4º, 20 pp. Line-cut of the London, c.1748 edition. Wrappers. $12 [item no.7627]


[Trio sonatas, 2 flutes/violins, bc, op.12] Twelve Sonatas for Two German Flutes or Two Violins with a Bass for the Violoncello or Harpsichord, opera XII (1748). Facsimile Edition Edited by Dick van den Hul.
Dutch Music Facsimiles, 1. Utrecht, 1987. 4º, ii, 3 partbooks, 75 pp. Line-cut of the Walsh edition, London, 1748. Introduction in Eng. Wrappers. $15 [item no.3658]


FESTING, Michael Christian, c.1680-1752

[Concerti, 2 solo vln/fl, strings, bc, op.3] Twelve Concerto’s in Seven Parts, the First Eight Concerto’s for Four Violins, One Tenor, One Violoncello, and a Thorough Bass. The Last Four Concerto’s for Two German Flutes, Two Violins, &c. [King’s College, Cambridge].
Alston, 2001. 4º, 7 partbooks, ii, 140 pp. Line-cut of the London, 1734 edition. Preface by Peter Holman. Ring binder. $74 [item no.7968]


FINGER, Godfrey, c.1660-1730

A Collection of Musick in Two Parts 1691 by Mr. G. Finger to which is Added a Sett of Ayres in Four Part by Mr. John Banister. (University College, Durham].
Alston, 2002. Oblong, 4º, 2 partbooks, viii, 47 pp. Line-cut of the London, 1691. Ayres, chaconnes, divisions and sonatas for recorders/flutes (with and without bc) and four-part strings & bc. Introduction by Peter Holman. $20 [item no.8181]


[Sonatas, flute, bc, op.3] Dix sonates à 1 flute & basse continue. Opera terza. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 169. New York, [1996]. 26 x 35 cm, 2 partbooks, 23 pp. Line-cut of Roger edition, Amsterdam, [1701]. Wrappers, in folder. $23 [item no.7256]


[Sonatas, 2 flutes, bc, op.4 & 6] XII suonate a due flauti e violoncello o basso continuo. Opera quarta e sexta. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 143. New York, [1994]. 24 x 30 cm, 3 partbooks, 50 pp. Line-cut of Roger edition, Amsterdam, [1703]. Wrappers, in folder. $28 [item no.7087]


[Sonatas, 2 recorders] Quatorse sonates a 2 flustes dont les 6 premier sont composés par Mr. Fingher, les 6 suivants par Mr. Courtivill et les 2 derniers par Mr. Paisible.
Performers’ Facsimiles, 29. New York, [1987]. Oblong, 24 x 18 cm, 2 partbooks, 58 pp. Line-cut of the Amsterdam, c.1698 edition. Wrappers in folder. $20 [item no.1691]


FISCHER, Johann Caspar Ferdinand, c.1670-1746

[Musicalisch Divertissement, rec/fl/ob/vln/bsn, bc] Musicalisch Divertissement (flûte à bec ou flûte traversière ou hautbois ou violon et basse).
Collection FacsiMusic. Courlay, 2007. 21 x 29 cm, 32 pp. Line-cut of the J. Riedeln edition, Dresden, 1699/1700. Wrappers. $13 [item no.8850]


FLORIO, Pietro Grassi, c.1740-1795

[Trio sonatas, fl, vln, vc, op.3] Six Trios for a German Flute, Violin and Violoncello Obbligato. London s.d.
Archivum Musicum: Flauto Traversiere, 40. Florence, 2006. 24 x 30 cm, 3 partbooks, xii, 37 pp. Line-cut of the London, [1781] edition. Introduction in It by Giovanni Battista Columbro. Wrappers, in decorative paper, in matching portfolio. $40 [item no.8768]


FOCKING, Hendrik, 18th c.

[Sonatas, flute, bc, op.1] VI. sonates pour le flute traverse solo, avec une basse continuo, œuvre première.
Amsterdam, 1986. 4º, 31, i pp. Line-cut of the Amsterdam, 1732 edition. Afterword in Dutch by Kess Otten. Wrappers. $30 [item no.2185]


GABREILSKI, Johann Wilhelm, 1791-1846

[Duos concertants, 2 fl, op.40] Trois duos concertants pour deux flutes, op.40.
Nashua, 1993. 4º, 2 parts, i, 42 pp. Line-cut of the Breitkopf & Härtel edition. Preface by Douglas Worthen. Wrappers. $9 [item no.4669]


[Duos concertants, 2 fl, op.85] Trois duos concertants pour deux flutes, op.85.
Nashua, 1993. 4º, 2 parts, i, 17 pp. Line-cut of the Breitkopf & Härtel edition. Introduction by Douglas Worthen. Wrappers. $10 [item no.4670]


GALLIARD, Johann Ernst, c.1680-1749

[Sonatas, flute, bc, op.1] Sonata a flauto solo e basso continuo. Opera prima. [private collection].
Performers’ Facsimiles, 278. New York, [2008]. 25 x 31 cm, 24 pp. Line-cut of the Amsterdam, n.d. edition. Wrappers. $18 [item no.8910]


GAUTIER, Pierre, 1642-1696

[Suites, 1-2 recorders/flutes/violins, bc] Symphonies divisée par suites de tons. Introduction de Marc Signorile.
Musique de Chambre, 22. Geneva, 2005. Oblong, 25 x 19 cm, 16, 108 pp. Line-cut of the Chr. Ballard edition, Paris, 1707. Brings together 4 suites en duo for recorder or flute or violin & continuo, and 5 suites en trio for recorders or flutes or violins (or mixed combinations thereof) & continuo, 40 pieces in all. Introduction in Fr-Eng. Wrappers. $71 [item no.8657]


GEMINIANI, Francesco, c.1680-1762

[Concerti grossi, strings, bc, op.2] Concerti grossi con due violini, violoncello, e viola de concertino obligati, e due altri violini, e basso di concerto grosso ad arbitrio. Il IV. V. e VI. si potranno suonare con due flauti traversieri, o due violini con violoncello. Opera secunda.
Huntingdon, n.d. 4º. 6 parts, c.108 pp. Xerographic reprint of the London, 1732 edition. Scored for solo vln I/II, vla, vc, kbd; ripieno vln I/II, vc, db. Wrappers. $69 [item no.8281]


[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.1-6.
Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by the Geminiani for trio sonata. Wrappers. $20 [item no.7055]


[Sonatas, violin, bc, op.1, arr.] Trio Sonata Versions of 12 Solos, op.1. Nos.7-12.
Huntingdon, c.1988. 4º, Xerographic reprint of the 18th-c. edition. Arranged by Barsanti for trio sonata. Wrappers. $20 [item no.7056]


GIORDANI, Tommaso, c.1730-1806

[Duets, flute/violin, op.7] Six Duets for German Flutes. Op.7.
Huntingdon, c.1988. 4º, 20 pp. Xerographic reprint of the London, 1775 edition. Wrappers. $10 [item no.7036]


GIULIANI, Mauro, 1781-1829

[Serenade, flute/violin, guitar] Serenade für Flöte oder Violine und Gitarre. Reprint der Originalausgabe.
Musik für Gitarre. Vienna, n.d. 4º, i, 16 pp. Line-cut of the Hofmeister edition, Leipzig, [1825]. Preface by Karl Scheit. Wrappers. $15 [item no.2880]


[Works, v.35, guitar & flute/violin] Ten Works for Guitar and Flute or Violin.
The Complete Works in Facsimiles of the Original Editions, 35. London, 1986. 4º, 2 vols. Line-cut. Wrappers. $62 [item no.7424]


[Works, v.36, guitar & flute/violin] Twelve Works for Guitar and Flute or Violin.
The Complete Works in Facsimiles of the Original Editions, 36. London, 1987. 4º. Line-cut. Wrappers. $130 [item no.7425]


GLUCK, Christoph Willibald, 1714-1787

[Sonatas, 2 violins/flutes, bc] Six Sonatas for the Two Violins & a Thorough Bass.
Performers’ Facsimiles, 53. New York, [1990]. 25 x 34 cm, 3 partbooks, 39 pp. Line-cut of the London, 1746 edition. Wrappers. $28 [item no.3793]


GRAUPNER, Christoph, 1683-1760

[Concerto, fl, 2 vln, vla, bc, & other works] Œuvres pour flûtes à bec: Concerto à flûte a bec, 2 violini, viola e cembalo; Ouverture à flûte a bec, 2 violini, viola e cembalo; Canon all’unissono a 2 flauti, violoncello o vero viola da gamba e cembalo. Présentation par H. Susi Möhlmeier et Frédérique Thouvenot. [Hessische Landes- & Hochschulbibl., Darmstadt].
Collection Dominantes. Courlay, 1995. 24 x 33 cm, 3 partbooks, 25, 46 pp. Line-cut of the autograph parts. Wrappers. $33 [item no.7219]


GREENE, Maurice, 1696-1755

[Overtures, orch] Six Overtures.
Huntingdon, n.d. 4˚. Xerographic reproduction of the London, 1745. Scored for 2 vln, vla, vc, db, 2 ob/fl, bsn, kbd (flutes in slow movts of nos. 3 & 5). Wrappers $60 [item no.8287]


GRONEMAN, Albertus, c.1710-1778

[Sonatas, 2 flutes/violins, bc, op.2] Sei sonate à due flauti traversieri o violini e basso. Op.2.
Musica Repartita, 53. Utrecht, 1994. 4º, 3 partbooks, 38 pp. Line-cut of the Amsterdam, [1757] edition. Wrappers. $24 [item no.7249]


GUILLEMAIN, Louis Gabriel, 1705-1770

[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuors, ou conversations galantes et amusantes entre une flûtte traversiere, un violon, une basse de viole et la basse continüe. Œuvre XIIe. [British Library, London].
Performers’ Facsimiles, 243. New York, [2000]. 4º, 4 partbooks, 80 pp. Line-cut of the Paris, 1743 edition. Wrappers. $43 [item no.7796]


[Sonatas, flute, violin, viol, bc, op.12] Six sonates en quatuor ou conversations galantes et amusantes, flûte traversière, violon, basse de viole, basse continue. Œuvre XII, 1743. Présentation par les étudiants du Ce.F.E. de M. d’Île-de-France.
La Musique Française Classique de 1650 à 1800, 149. Courlay, 2003. 22 x 33 cm, xvi, 88 pp. Line-cut of the Paris, 1743 edition. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.8241]


HANDEL, George Frideric, 1685-1759

[Acis & Galatea, masque, HWV 49, selections] The Songs & Symphony’s in the Masque of Acis & Galatea, Made and Perform’d for His Grace the Duke of Chandos. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 8. Hebden Bridge, 2007. 21 x 30 cm, 38 pp. Line-cut of the London, n.d. edition. Wrappers. $26 [item no.8923]


[Musick for the Royal Fireworks, fl/vln, bc] The Musick for the Royal Fireworks [and Other Works] Set for the German Flute, Violin or Harpsichord. [Curtis Institute of Music, Philadelphia].
Performers’ Facsimiles, 114. New York, [1993]. 25 x 33 cm, 22 pp. Line-cut of the Walsh edition, London, c.1749. Also contains transcriptions of numbers from Atalanta, Joshua, Occasional Oratorio, Joseph, Saul, Ode for St. Cecilia’s Day, Coronation Anthem, plus two unidentified airs. Wrappers. $18 [item no.4619]


[Musick for the Royal Fireworks, orch, HWV 351; Concerti, orch, HWV 335a & The Musick for the Royal Fireworks / Feuerwerksmusik, HWV 351. Concerti HWV 335a & 335b. British Library Manuscript R.M. 20.g.7. Facsimile. Introduction and Commentary by Christoher Hogwood / Eingeleitet und kommentiert von Christopher Hogwood.
Documenta Musicologica, II/32. Kassel, 2004. 4˚, 26, 70 pp. Handel's great outdoor piece for strings and wind band. Halftone of the 1749 autograph score, composed for the celebration of the Treaty of Aix-la-Chapelle. The overture is the longest single instrumental movement that Handel wrote and is scored for tpt 1-3 (x3), hn 1-3 (x3), ob 1-3 (x12, x8, x4), bsn 1-2 (x8, x4), timp (3 pairs), & bc. The manuscript also includes 2 concerti, HWV 335a and 335b, intended as interludes during oratorio performances, scored for strings, 2 ob, 2 tpt (only HWV 335a), 4 hn, bsn, timp, & bc (organ). This is a fascinating score, in Handel’s forceful script, showing his erasures by smudging, his clarifications by writing note letters over a correction, and his normal abbreviations for colla parte using custodes. The manuscript also bears evidence of arguments over scoring that went on with the civil servants organizing the spectacle. Preface in Ger/Eng. Hardbound. $65 (more info... ) [item no.8448]


[Musick for the Royal Fireworks, orch, HWV 351, 1st ed.] The Musick for the Royal Fireworks in all its Parts, viz. French Horns, Trumpets, Kettle Drums, Violin, Hoboys, Violoncello, & Bassoons with a Thorough Bass for the Harpsicord or Organ. [British Library, London].
Performers’ Facsimiles, 120. New York, [1993]. 4º, 11 partbooks: 37 pp. Line-cut of the original Walsh printed parts, London, [1749]. Scored for 2 vln, 3 ob, 3 hns, 3 tpt, timp, bsn & bc. Wrappers. $40 [item no.4530]


[Sonatas, flute/violin/oboe, bc, op.1, HWV 359b, 360-62, 363b, 364a, 365, Sonates pour un traversière, un violon ou hautbois con basso continuo. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 151. New York, [1996]. 24 x 30 cm, 62 pp. Line-cut of the Roger edition, Amsterdam, c.1722 featuring 12 sonatas in these keys: E minor, G minor; A major; A minor; G major; G minor; C major; G minor; B minor; A major; F major; E major. This is John Walsh’s pirated edition of op.1, published without the composer’s consent. Walsh later produced an official version of op.1, substituting some sonatas with different works, making the definitive identification of Handel’s violin sonatas quite difficult for scholars. Wrappers. $23 [item no.7254]


[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second ouvrage.
Huntingdon, [1990]. 4º, 4 partbooks, c.80 pp. Line-cut of the John Walsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $30 [item no.7019]


[Trio sonatas, 2 violins/oboes/flutes, bc, op.2, HWV 386b-391] VI sonates à deux violons, deux haubois ou deux flutes traversieres & basse continue. Second Ouvrage. [Miller Collection, Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 170. New York, [1997]. 4º, 3 partbooks, 71 pp. Line-cut of the Wdalsh edition, London, c.1733. 6 sonatas: B minor; G minor; Bb major; F major; G minor; G major. Wrappers. $38 [item no.7472]


[Trio sonatas, 2 violins/flutes, bc, op.5, HWV 396-402] Seven Sonatas or Trios for Two Violins or German Flutes with a Thorough Bass for the Harpsicord or Violoncello. Opera Quinta.
Performers’ Facsimiles, 20. New York, 1987. 24 x 31 cm, 3 partbooks, 80 pp. Line-cut of the London, [1739] edition. 7 sonatas: A major; D major; E minor; G major; G minor; F major; Bb major. Wrappers. $38 [item no.2048]


[Water Music, orchestra, HWV 348-350] The Celebrated Water Musick in Seven Parts, viz., Two French Horns, Two Violins or Hoboys, a Tenor, and a Thorough Bass for the Harpsichord or Bass Violin.
Performers’ Facsimiles, 70. New York, [1990]. 24 x 36 cm, 7 partbooks, 36 pp. Line-cut of the Walsh edition, London, [1733]. Wrappers. $40 [item no.3690]


HART, James, 1647-1718

Synopsis musicae or The Musical Inventory, Being a Collection of the Choicest and Newest Ayres, Jiggs, Borees, Alemands, Gavots, Entries, Round O’s Horn-pipes, Trumpet-Tunes and Scotch Tunes, for the Recorder or Flute. To which are Added Several New Songs and Catches Compos’d by the Most Able Masters.
Performers’ Facsimiles, 131. New York, [1994]. Oblong, 23 x 15 cm, 32 pp. Line-cut of the Thomas Cross edition, London, 1693, in the possession of the Library of Congress, Washington, D.C. 52 pieces for flute or recorder, plus 6 pieces for flute and voice. Wrappers. $15 [item no.7005]


HASSE, Johann Adolph, 1699-1783

[Sonatas, flute/violin, bc, op.2] Solos for a German Flute or Violin with a Through Bass for the Harpsicord or Violoncello. Opera Seconda. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 271. New York, [2007]. 25 x 31 cm, 31 pp. Line-cut of the London, [1740] edition. Wrappers. $20 [item no.8812]


HAYDN, Franz Joseph, 1732-1809

[Quartets, strings, op.76; arr. Arnold] Six Duets (Vol. 2, Nr. 4-6) Arranged for Two Flutes by Samuel Arnold (1740-1802).
Wiener Querflöten-Edition. Vienna, 1987. 4º, iii, 37 pp. Line-cut of the 18th-c. score. Preface in Ger-Eng-Fr. Wrappers. $26 [item no.1639]


HAYDN, Johann Michael, 1737-1806

Marcia turchese à più stromenti (1795). Faksimile der autographen Partitur aus dem Besitz der Erzabtei St. Peter Salzburg. Einführung von Gerhard Croll. [Sign. Hay 1890.I].
Denkmäler der Musik in Salzburg, Faksimile-Ausgaben, 9. Salzburg, 2001. Oblong, 31 x 22 cm, 8, vii pp. Beautiful halftone of the autograph score. Scored for 2 tpt, 2 hn, 2 fl, 2 ob, 2 cl, 2 bsn, Turkish piatelli & tamburo. Vienna, 1806 edition. Introduction in Ger. Wrappers. $26 [item no.8111]


HAYM, Nicola, c.1679-1729

[Sonatas, flute/oboe/violin, bc] VI sonate da camera a flauto traversa, haubois o violino solo. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 1. Florence, 1984. 22 x 31 cm, iv, 21 pp. Line-cut of the Amsterdam, c.1708-1712 edition. 4 sonatas by Haym and 2 by Bitti. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $27 [item no.774]


HEBDEN, John, 1712-1765

[Solos, flute, bc] Six Solos for a German Flute with a Thorough Bass for the Harpsicord. [University of Wales, Cardiff].
Alston, 1995. 4º, i, 41 pp. Line-cut of the London, c.1745 edition. Preface by Peter Holman. Ring binder. $15 [item no.7837]


HOOK, James, 1746-1827

[Sonatas, piano/harpsichord, flute/violin, op.54] Six Sonatas for the Piano Forte, or Harpsichord, with an Accompaniment for the German Flute or Violin, Op. LIV.
Performers’ Facsimiles, 85. New York, [1990]. 25 x 32 cm, 27 pp. Line-cut of the London, 1788 edition. Wrappers. $18 [item no.3792]


HOTTETERRE, Jacques Martin, 1674-1763

[L’art de préluder, flute/recorder/oboe] L’art de préluder sur la flûte traversière, sur la flûte à bec, sur le hautbois et autres instruments de dessus. Œuvre VIIe.
Geneva, 1978. Oblong, 24 x 17 cm, 67 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1719. Concerns the “improvised” or “true” prelude, its forms, cadences and transpositions. Wrappers. $45 [item no.775]


[L’art de préluder, flute/recorder/oboe] L’art de préluder sur la flûte traversière sur la flûte à bec, sur le hautbois et autres instrumens de dessus pour les flûtes traversières, flûtes a bec, haubois, & muzettes, œuvres VIII.
Archivum Musicum: L’Art de la Flûte Traversière, 55. Florence, 1999. Oblong, 29 x 21 cm, ix, 67 pp. Line-cut of the Paris 1719 edition. Preface in It by Marcello Castelliani. Wrappers in decorative paper. $37 [item no.7775]


[Method, flute, recorder, oboe] Principes de la flûte traversière de la flûte à bec et du haut-bois. Paris 1707.
Archivum Musicum: L’Art de la Flûte Traversière, 53. Florence, 1998. 21 x 30 cm, ii, 57 pp. Line-cut of the Paris 1707 Paris edition. Preface in It by Marcello Castellani. Wrappers. $35 [item no.7685]


[Method, flute, recorder, oboe] Principes de la flûte traversière ou flute d’allemagne, de la flûte à bec ou flûte douce, et du haut-bois par le Sieur Hotteterre-le Romain. Deutsche Übertragung von Hans Joachim Hellwig.
Documenta Musicologica, I/34. Kassel, 2/ 1965. 12 x 19 cm, 51, 48 & 5 foldouts pp. Line-cut of the Amsterdam, 1710 edition, together with a complete translation and afterword in German. Wrappers. $31 [item no.777]


[Method, flute, recorder, oboe] Principes de la flûte traversière / [Charles de Lusse:] L’art de la flûte traversière.
Geneva, 1973. 18 x 25 cm, 110 pp. Line-cut of the Paris, 1721 & 1761 editions. Hardbound. $86 [item no.778]


[Method, flute, recorder, oboe] Principes de la flûte. Reprint der Amsterdamer Ausgabe von 1728. Mit deutscher Übersetzung von Hans Joachim Hellwig und einer Einleitung von Vera Funk.
Kassel, 1998. 12 x 19 cm, xii, 55, 52 pp. Line-cut of the Amsterdam, 1728 edition, together with a complete translation and afterword in German. Wrappers. $16 [item no.8322]


[Pièces, flute, bc, op.2, book 1] Pièces pour la flûte traversière, livre premier. Première édition. Paris, 1708; Premier livre de pièces pour la flûte traversière. Nouvelle édition augmentée de plusieurs agréments. Paris, 1715. [British Library, London; Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 115. Courlay, 1999. Oblong, 31 x 22 cm, 2 vols, xviii, 126 pp. Line-cut of Paris, 1708 & Paris, 1715 editions. Introduction in Fr-Eng-Ger by Philippe Lescat. Hardbound, with slipcase. $54 [item no.7715]


[Pièces, flute, bc, op.2, book 1] Premier livre de pièces, Op. II.
Musica Musica, S/9. Basel, c.1980. 48 pp. Line-cut of the Paris, 1715 edition. Wrappers. $31 [item no.2189]


[Pièces, flute, bc, op.2, book 1] Premier livre de pièces pour la flûte-traversiere et autres instruments avec la basse. Œuvre second, nouvelle edition. [private collection].
Performers’ Facsimiles, 177. New York, [1998]. Oblong, 27 x 21 cm, 48 pp. Line-cut of the Paris, 1715 edition. Wrappers. $15 [item no.7554]


[Pièces, flute, bc, op.5, book 2] Deuxiéme livre de pièces pour la flûte-traversiere et autres instruments avec la basse. Œuvre Ve. [private collection].
Performers’ Facsimiles, 178. New York, [1998]. Oblong, 27 x 21 cm, 39 pp. Line-cut of the Paris, 1715 edition. Wrappers. $15 [item no.7555]


[Suite, 2 flutes/recorders/viols, op.4] Première suitte de pièces à deux dessus, sans basse continue. Pour les flûtes traversières, flûtes à bec, violes, etc. Paris, 1712. [Bibliothèque Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 86. Courlay, 1995. Oblong, 31 x 22 cm, 13, 18 pp. Line-cut of Paris, 1712 edition. Introduction in Fr-Eng-Ger by Philippe Lescat. Wrappers. $19 [item no.7146]


[Suite, 2 flutes/recorder/oboes/musettes, op.8] Troisième suitte de pièces à deux dessus pour flûtes traversières, flûtes à bec, haubois et muzettes. Œuvre VIIIe.
Musique de Chambre, 15. Geneva, 1991. Oblong, 25 x 17 cm, 13 pp. Line-cut of the edition published by the composer and Boivin, Paris, 1722. Wrappers. [item no.3105]


HOTTETERRE, Jean, b.?-1720

[Pièces, musette/flute/oboe, bc, op. post.] Pièces pour la muzette qui peuvent aussi se jouer sur la flûte, œuvre posthume. Paris 1722.
Archivum Musicum: L’Art de la Flûte Traversière, 66. Florence, 2007. Oblong, 29 x 21 cm, viii, 46 pp. Line-cut of the edition published by Jacques Martin Hotteterre and Boivin, Paris, 1722. The suite is by Jacques Martin Hotteterre. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $38 [item no.8987]


HOWARD, Samuel, 18th c.

A Cantata and English Songs. [private collection John H. Burkhalter III].
Britannia’s Invitation: A Treasury of 18th Century English Vocal Music, 6. Hebden Bridge, 2007. 21 x 30 cm, 13 pp. Line-cut of the London, n.d. edition. For voice and bc with accompaniment by flute or violin. Wrappers. $15 [item no.8921]


HUGL, Franz Anton, c.1693-d.?

[Partitas, harpsichord, nos.1-3] Parthia I-II-III für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition.
Musik aus Ostbayern, 3. Altötting, 1987. Oblong, 30 x 21 cm, 21, i pp. Line-cut of the Passau, 1738 edition. Hugl points out in the preface the possibility of doubling the melody line with a flute or violin. Afterword in Ger by Konrad Ruhland. Wrappers. $10 [item no.4372]


[Partitas, harpsichord, nos.4-6] Parthia IV-V-VI für Cembalo [aus Dreyssig Cammer- oder Galanterie-Stück vor das Clavier in VI Parthien vertheilet]. Passau 1738. Facsimile-Edition.
Musik aus Ostbayern, 13. Altötting, 1988. Oblong, 30 x 21 cm, i, 21 pp. Line-cut of the Passau, 1738 edition. Preface in Ger by Konrad Ruhland. Wrappers. $11 [item no.4373]


HUGOT, Antoine, 1761-1803

[Method, flute (completed by Jean-Georges Wunderlich)] Méthode de flûte.
Méthodes Instrumentales, V. Geneva, 1974. 4º, 169 pp. Line-cut of the Paris, 1804 edition. Hardbound. $131 [item no.3283]


JANOVKA, Tomas, 1669-1741

Clavis ad thesaurum magnae artis musicae. . . Prag 1701. [Bibliothèque Royale Albert II, Brussel].
Dictionarium Musicum, 2. Buren, 1973. 15 x 23 cm, 343 pp. Line-cut of the Prag, 1701 edition. Along with Brossard’s Dictionnaire de musique one of the first modern dictionaries of musical terms. Wrappers. $66 [item no.2115]


JOMMELLI, Niccolò, 1714-1774

[Trio sonatas, 2 flutes/violins, bc] Six Sonatas for Two German Flutes or Violins with a Thorough Bass for the Harpsichord or Violoncello.
Archivum Musicum: Flauto Traversiere, 18. Florence, 1989. 24 x 34 cm, 3 partbooks, ii, 32 pp. Line-cut of the London, [1753] edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper with matching slipcase. $35 [item no.3186]


KELLER, Godrey, b.?-1704

[Trio sonatas, tpt, ob (2 vln), bc; 2 fl, 2 ob (2 vln), bc] Six Sonatas. The First Three for a Trumpett, Houbois, or Violins, with Doubble Basses. The Other Three for Two Flutes, and Two Houbois, or Two Violins, with Doubble Basses. [British Library, London].
Alston, 2002. 4º, 7 partbooks, c.70 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $58 [item no.8078]


[Trio sonatas, 2 fl/vln, bc; 2 fl, vln/ob, bc] 8 Sonatas a 3 Pties. Dont 5 sont a 2 flûtes ou violons & 2 basse & 3 a 2 flûte 2 violon ou hautbois & 2 basse le 4me est de la composition de Mr. Robert Orme Ecuyer & les 7 autres de celle de Monsr. Godefroy Keller. [Library of Congress, Washington, DC].
Alston, 2002. 4º, 4 partbooks, c.35 pp. Line-cut of the Roger edition, Amsterdam, 1700. Preface by Peter Holman. Ring binder. $28 [item no.8079]


KELLY, Thomas Alexander Erskine, Earl of, 1732-1781.

[Trio sonatas, 2 violins, bc] 6 Trio Sonatas.
Chamber Music from Georgian England, 5. Huntingdon, c.1988. 4º, Xerographic reprint of the 1769 edition. Flute may substitute for vln I. Wrappers. $18 [item no.7058]


KRAKAMP, Emmanuele, 1813-1883

[Fantasies, flute] 5 fantaisies variées pour flûte seule. Napoli s.a.
Essercizî di Musica, 5. Rome, 1989. 24 x 33 cm, viii, 34 pp. Line-cut of the Naples, 1841-48 edition. Introduction in It-Eng by Maurizio Bignardelli. Wrappers. $19 [item no.3889]


KRASINSKY (Müller), Ernst Louis, 18th c.

[Duos concertants, flutes, op.5] Sex duo concertants pour deux fluttes. Œuvre Ve.
La Flûte Retrouvée, 1. Béziers, 1985. Oblong, 29 x 21 cm, 32 pp. Line-cut of the edition by De Roulède, Paris. 2 partbooks. Laid paper. Wrappers. $12 [item no.2195]


KROMMER, Franz, 1759-1831

[Quintet, fl, vln, 2 vla, vc, op.104] Seventh Quintet, op.104 for Flute, Violin, Two Violas and Cello.
Nashua, c.1996. 4º, 4 parts pp. Line-cut of the 1821 edition. Wrappers. $17 [item no.7732]


KUHLAU, Friedrich, 1786-1832

[Grande sonate brillante, flute, piano, op.64] Grande Sonate brillante pour pianoforte et flûte op.64. Hamburg s.d. [c.1825].
Archivum Musicum: Ottocento, 4. Florence, 2008. 24 x 34 cm, 2 parts, ix, 43 pp. Line-cut of the Hamburg, c.1825 edition. Preface in It by Marcello Castellani. Wrappers, in decorative paper with matching portfolio. $44 [item no.9058]


LA BARRE, Michel de, 1674-1744

[Pièces, flute, bc, op.4 (= Premier livre)] Pièces pour la flûte traversière avec la basse continue, œuvre quatrième.
Archivum Musicum: L’Art de la Flûte Traversière, 1. Florence, 1980. Oblong, 24 x 22 cm, vii, 85 pp. Line-cut of the Ballard edition (Paris, 1703) printed with movable type and diamond-shaped notes. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $33 [item no.766]


[Pièces, flute, bc, book 1 (= op.4)] Premier livre de pièces pour la flûte traversière avec la basse continue. [Bibliothèque Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 11. Courlay, 1987. Oblong, 24 x 17 cm, xxii, 52 pp. Line-cut of the author’s engraved edition, Paris, 1710. Introduction by Jean Saint-Arroman. Wrappers. $37 [item no.2135]


[Pièces, flute, bc, book 1 (= op.4)] Premier livre de pièces pour la flûte traversière, avec la basse-continue.
Performers’ Facsimiles, 47. New York, [1988]. Oblong, 25 x 21 cm, 53 pp. Line-cut of the Paris, 1710 edition. Beautifully engraved edition with distinctive diamond-shaped note heads. Wrappers. $18 [item no.2785]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte traversière avec la basse continue.
La Musique Française Classique de 1650 à 1800, 12. Courlay, 1987. Oblong, 24 x 17 cm, xvi, 55 pp. Line-cut of the Paris, 1710 edition. Introduction by Jean Saint-Arroman. Wrappers. $38 [item no.2137]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte.
Musica Musica, S/3. Basel, c.1980. Oblong, 4º, 55 pp. Line-cut of the printed score, Paris, 1710. Wrappers. $37 [item no.2136]


[Pièces, flute, bc, book 2] Deuxième livre de pièces pour la flûte traversière, avec la basse-continuë.
Performers’ Facsimiles, 48. New York, [1988]. Oblong, 25 x 21 cm, 55 pp. Line-cut of the Paris, 1710 edition. Wrappers. $18 [item no.2786]


[Suites, 2 flutes, books 1-6] Pièces à deux flûtes sans basse (première suite – deuxième suite – troisième suite – quatrième suite – cinquième livre – sixième livre). 1709-1714.
La Musique Française Classique de 1650 à 1800, 72. Courlay, 1993. Oblong, 24 x 17 cm, 21, 79 pp. Line-cut of the Paris, 1709-1714 editions. Introduction in Fr by Jean Saint-Arroman. Wrappers. $47 [item no.4727]


[Suites, 2 flutes, book 10] Deux suites à deux flûtes traversières sans bc, 10ème livre.
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 16 pp. Line-cut of the Boivin edition, Paris, 1722. Wrappers. $10 [item no.8848]


[Trios, violins/flutes/oboes, book 1] Premier livre des trio.
Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1694 & 1707] editions. Wrappers. $30 [item no.4861]


[Trios, violins/flutes/oboes, book 2] Pièces en trio, livre second.
Huntingdon, [1993]. 4º, Xerographic reprint of the Paris, [1700] edition. Wrappers. $30 [item no.4862]


[Trios, violins/flutes/oboes, book 3] Troisième livre des trio. Mêlez de sonates pour la flûte traversière.
Archivum Musicum: L’Art de la Flûte Traversière, 2. Florence, 1980. Oblong, 24 x 22 cm, 3 partbooks, vii, 152 pp. Line-cut of the Paris, 1707 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcase. $35 [item no.767]


LALANDE, Michel-Richard de, 1657-1726

[Noëls, 2 flutes/violins/oboes, bc, book 1] Noëls en trio avec un carillon, pour les flûtes, violins, et hautbois. Ier livre. [Bibl. Nationale de France, Paris].
Performers’ Facsimiles, 213. New York, [2001]. 4º, 3 partbooks, 33 pp. Line-cut of the Paris, n.d., edition. Wrappers. $25 [item no.4632]


LECLAIR, Jean-Marie, 1697-1764

[Concerti, violin, orch, op.7] Ier et IIme concerto a tre violino, alto, basso per organo, e violoncello. Œuvre VIIme.
Huntingdon, [1994]. 4º, 7 partbooks. Xerographic reprint of the Paris, 1737 edition. Partbooks: vln solo, vln I, vln II, vla, vc, db, kbd. Concerto no.3 can be played by flute/oboe. Wrappers. $78 [item no.4865]


[Concerti, violin, orch, op.7] Six concertos pour violon et orchestre – Opus VII, 1737. Présentation par Jean Saint-Arroman. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 178. Courlay, 2006. 24 x 33 cm, 5 partbooks, viii, 116 pp. Line-cut of the Paris, 1743 edition. Concerto no.3 can be played by flute/oboe. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $47 [item no.8677]


[“Recreations”, 2 violins, bc, op.6; 2 flutes/violins, op.8] Première récréation de musique, œuvre VIe; Deuxième récréation de musique, œuvre VIIIe (1737). [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 81. Courlay, 1994. 22 x 31 cm, 3 partbooks, 8, 51 pp. Line-cut of the Paris, 1737 edition. The “recreations” op.6 were engraved by Elisabeth-Catherine Ballard Boivin, Louise Catherine Leclair and Louise Anne Roussel. Preface in Fr-Eng-Ger by Jean Saint-Arroman and Philippe Lescat. Wrappers. $36 [item no.4808]


[“Recreations”, 2 flutes/violins, bc, op.8] Deuxième recreation de musique d’une execution facile composée pour deux fluttes ou pour deux violons et la basse continue, œuvre VIIIe. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 124. New York, [1993]. 26 x 32 cm, 3 partbooks, 28 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4614]


[Sonatas, violin/flute, bc, op.1] Premier livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre I]. [Yale University, New Haven, CT].
Performers’ Facsimiles, 285. New York, [2011]. 27 x 36 cm, 86 pp. Line-cut of the Paris, 1723 edition, containing 12 sonatas. Wrappers. $30 [item no.9223]


[Sonatas, violin/flute, bc, op.2] Sonates pour le violon et pour la flûte traversière avec la basse continue (Second livre).
La Musique Française Classique de 1650 à 1800, 6. Courlay, 1986. 22 x 31 cm, xiv, 86 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. No.8 is à trois (vln/fl, vdg, bc). Introduction by Jean Saint-Arroman. Wrappers. $46 [item no.2199]


[Sonatas, violin/flute, bc, op.2] Second livre de sonates pour le violon et pour la flute traversiere avec la basse continue [Œuvre II]. [Yale University, New Haven, CT].
Performers’ Facsimiles, 286. New York, [2010]. 27 x 36 cm, 90 pp. Line-cut of the Paris, [1728] edition, containing 12 sonatas. Wrappers. $30 [item no.9178]


[Sonatas, violin/flute, bc, op.9, no.2, E minor] Sonate op. 9, no. II pour flûte traversière ou violon et basse continue. Restitution de Jean-Claude Veilhan. Réalisation de la basse Danièle Salzer.
Archives de la Musique Ancienne. Paris, 1977. 4º, 36, with 6 pp. Line-cut of the early Paris edition with a new practical edition for flute. Wrappers. $31 [item no.781]


LE ROUX, Gaspard, c.1660-c.1707

[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavecin.
Musica Repartita, 124F. Amsterdam, 1995. 4º, 90 pp. Line-cut of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $37 [item no.7248]


[Pièces, harpsichord; trios, strings/winds, bc] Pièces de clavessin avec la manière de les joüer. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 222. New York, [2001]. Oblong, 29 x 21 cm, 90 pp. Line-cut of another surviving print of the Paris, 1705 edition. A unique feature of this publication is that most pieces are also given in trio form—two melody instruments with figured bass line. Wrappers. $25 [item no.7923]


LE SAC, André, 17th c.

[Pièces, flute, bc] Premier livre de pièces pour la flûte traversière avec la basse. Paris 1721.
Archivum Musicum: L’Art de la Flûte Traversière, 60. Florence, 2001. Oblong, 29 x 21 cm, vii, 56 pp. Line-cut of the Paris, 1721 edition. Preface in It by Luigi Lupo. Wrappers in decorative paper. $35 [item no.8089]


[Sonatas, flute, bc, op.3] Sonates pour la flûte traversière. Op. III. Paris 1727.
Archivum Musicum: L’Art de la Flûte Traversière, 64. Florence, 2006. 21 x 30 cm, x, 39 pp. Line-cut of the Paris, 1727 edition. Preface in It by Luigi Lupo. Wrappers in decorative paper. $31 [item no.8770]


LOCATELLI, Pietro, 1695-1764

[Sonatas, flute, bc, op.2] XII sonate à flauto traversiere solo è basso, opera seconda.
Archivum Musicum: Flauto Traversiere, 6. Florence, 1985. 23 x 32 cm, iii, 52 pp. Line-cut of the Amsterdam, n.d. edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $38 [item no.2207]


[Sonatas, flute, bc, op.2] XII sonate à flauto traversière solo e basso (opus 2). Présentation par Arlette Leroy-Biget. [Bibliothèque de l’Université, Leiden].
Collection Dominantes. Courlay, 1993. 4º, 42, 52 pp. Line-cut of the Amsterdam, 1732 edition. The exemplar used here bears Locatelli’s signature on the title page and this important autograph note on the last page: “I, the undersigned, having made some compositional changes, by removing and adding some details to this Opus 2, XII Sonatas for Flute and Bass, send another copy of the work to the Library of Leyden. 22 February 1737, Amsterdam, Pietro Locatelli”. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.4398]


[Sonatas, flute, bc, op.2] XII sonate à flauto traversière solo à basso. Opera seconda. [Yale University, New Haven, CT].
Performers’ Facsimiles, 291. New York, [2010]. 25 x 32 cm, ii, 51 pp. Line-cut of the Amsterdam, 1732 edition. Wrappers. $20 [item no.9162]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sonate à tre, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta.
Archivum Musicum: Flauto Traversiere, 25. Florence, 1992. 24 x 34 cm, 3 partbooks, iv, 48 pp. Line-cut of the Amsterdam, n.d. edition. Includes 1 sonata for two harpsichords. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $43 [item no.4493]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè, o due violini, o due flauti traversieri, è basso per il cembalo. Opera quinta. Présentation par Brian W. Pritchard. [British Library].
Collection Dominantes. Courlay, 1997. 4º, 3 partbooks, 46; 29 pp. Line-cut of author’s edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Includes critical apparatus. Wrappers. $39 [item no.7593]


[Trio sonatas, 2 violins/flutes, bc, op.5] Sei sonate à trè - Opus V.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm, 64 pp. Line-cut of the Paris, n.d. edition. Wrappers. $24 [item no.8929]


LŒILLET, John Baptiste (John “of London”), 1680-1730

[Solos, recorder/flute, bc, op.3] XII Solos, Six for a Common Flute and Six for a German Flute. Opera terza. London, Walsh, ca 1729. Présentation par Susi Möhlmeier, Frédérique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, xvi, 51 pp. Line-cut of the Walsh edition, c.1729. Introduction in Fr-Eng-Ger. Hardbound. $41 [item no.7714]


[Trio sonatas, recorder, oboe, bc; 2 flutes, bc, op.1] Sonata’s for Variety of Instruments. Opera prima. London, Walsh, 1722. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, 5 vols, xvi, 52 pp. Line-cut of the Walsh edition, 1722. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.7694]


[Trio sonatas, vln/fl/ob, bc, op.2] XII Sonatas in Three Parts. Opera Secunda. London, Walsh, ca 1725. Présentation par Susi Möhlmeier, Fréderique Thouvenot. [British Library, London].
Collection Dominantes. Courlay, 1999. 4º, 3 partbooks, xvii, 75 pp. Line-cut of the Walsh edition, c.1725. Introduction in Fr-Eng-Ger. Wrappers, with slipcase. $44 [item no.7713]


LORENZONI, Antonio, 1755-1840

[Method, flute] Saggio per ben sonare il flautotraverso.
Bibliotheca Musica Bononiensis, IV/203. Bologna, 2/ 1988. 15 x 21 cm, xi, 95 pp. Line-cut of the F. Modena edition, Vicenza, 1779. Introduction in It by F. Alberto Gallo. With 4 fold-out pages with musical examples. Wrappers. $33 [item no.784]


LOTTI, Antonio, 1667-1740

[Sonata, flute, viol, harpsichord, F maj.]] Sonata a flauto traversier, viola da gamba & cembalo, Ms (Wq 6829). Introduction: Piet Stryckers.
Facsimile Series, IV/11. Peer, 1995. 4º, i, 10 pp. Line-cut of a contemporary ms copy, a unique source for this sonata. Wrappers. $14 [item no.7153]


LULLY, Jean-Baptiste, 1632-1687

[Armide, instrumental pieces] Ouverture chaconne & tous les autres airs à jouer de l’opéra d’Armide [Amsterdam, c.1710]. [British Library, London].
Performers’ Facsimiles, 113. New York, [1995]. Oblong, 26 x 19 cm, 4 partbooks, 56 pp. Line-cut Roger Marchand edition, Amsterdam, [1710]. Dessus, second dessus, taille, & basse partbooks. Wrappers. $30 [item no.7126]


[Motets, 2 choirs, strings/winds, bc] Motets à deux chœurs pour la Chapelle du Roy: Motet dies irae. Partition: copie manuscrite (atelier de Philidor); Parties séparées: édition de Ballard (1684); Livret: édition de Ballard (1703).
La Musique Française Classique de 1650 à 1800, 125. Courlay, 1999. 4º, xlvii, 252 pp. Line-cut of the ms score from the Phildor atelier, the first edition of the instrumental and vocal parts, Paris, 1684 and the printed libretto, Paris, 1703. Preface in Fr-Eng-Ger by Philippe Lescat and Jean Saint-Arroman. Wrappers. $94 [item no.7671]


MAHAUT, Antoine, c.1720-c.1785

[Method, flute] Nouvelle méthode pour apprendre en peu de tems à jouër de la flute traversière à l’usage des commençans et des personnes plus avancées suivie de petits airs, menuets, brunettes, et accomodés pour deux flûtes, violons et pardessus de viole.
Geneva, 1972. Oblong, 4º, 55 pp. Line-cut of the Paris, 1759 edition. Describes many aspects of performance, including ornaments; includes fingerings and trill fingerings. With numerous examples. Wrappers. $45 [item no.3298]


MAJER, Joseph Friedrich Bernhard Caspar, 1689-1768

Neu-eröffneter theoretisch- und praktischer Music-Saal, das ist: Kurze, doch vollständige Methode, so wohl die Vocal- als Instrumental-Music gründlich zu erlernen.
Dokumentationen, Reprints, 23. Michaelstein, 1990. Oblong, 21 x 15 cm, 125 pp. Halftone of the Nuremberg, 1741 edition (second, vastly reset edition of Museum Musicum). Fascinating treatment of music theory, including 10 woodcuts of instruments and a glossary of musical terms taken from Greek, Latin, Italian and French. Wrappers. $24 [item no.4221]


MANCINELLI, Domencio, d.1802

[Nocturnes, flutes/violins] Six Notturnos for Two German Flutes or Violins.
Huntingdon, c.1988. 4º, 12 pp. Xerographic reprint of the c.1780 edition. Wrappers. $8 [item no.7037]


MARAIS, Marin, 1656-1728

[Trios, flutes/violins/viols, bc] Pièces en trio pour flûtes, violon & dessus de viole. Paris, 1692. [Bibl. Municipale, Grenoble].
La Musique Française Classique de 1650 à 1800, 118. Courlay, 1999. Oblong, 4º, 3 partbooks, xvi, 342 pp. Line-cut of the Paris, 1692 edition. Preface in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $118 [item no.8388]


[Trios, flutes/violins/viols, bc] Pièces en trio pour les flutes, violon, & dessus de viole. Edited by John Hsu.
Critical Facsimiles, 4. New York, 2003. Oblong, 21 x 13 cm, 3 partbooks, xiv, 342 pp. Line-cut of the Paris, 1692 edition. “Corrected” facsimile edition reflecting the views of the editor. With critical apparatus listing all errors and inconsistencies. Laid paper, wrappers. $50 [item no.8227]


MARCHAND, Jean-Noël, 1666-1710

[Cantiques spirituels, voices, vln/fl, bc] Cantiques spirituels. Présentation par Thierry Favier. [Bibl. Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 124. Courlay, 1999. Oblong, 32 x 23 cm, 4 vols, xi, 97 pp. Line-cut of a contemporary ms copy, plus the Paris, 1694 edition of the text. Introduction in Fr-Eng-Ger. Wrappers. $53 [item no.7697]


MATTHESON, Johann, 1681-1764

Das neu-eröffnete Orchestre [oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommenen Begriff von der Hoheit und Würde der edlen Musik erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonnieren möge]. [Niedersächsische Landesbibl., Hannover].
Hildesheim, 3/ 2002 9 x 15 cm, 364 pp. Line-cut of the Hamburg, 1713 edition. Linen. $93 [item no.2572]


[Sonatas, flute/violin, bc] Der brauchbare Virtuoso, welcher sich (nach beliebiger Uberlesung der Vorrede) mit zwölff neuen Kammer-Sonaten auf der Flute Trafersiere, der Violine und dem Claviere bey Gelegenheit hören lassen mag. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 221. New York, [1998]. 25 x 36 cm, 69 pp. Line-cut of the Hamburg, 1720 edition. Wrappers. $25 [item no.7604]


MERSENNE, Marin, 1588-1648

Harmonicorum libri XII. In quibus agitur de sonorum natura, causis, et effectibus: de consonantiis, dissonantiis, rationibus, generibus, modis, cantibus, compositione, orbisque totius harmonicis instrumentis.
Geneva, 1973. 22 x 30 cm, 367 pp. Line-cut of the Paris, 1648 edition. Complements the Harmonie universelle. The copy used for this facsimile includes many manuscript notes and corrections in the author’s hand. Hardbound. $182 [item no.2754]


MERTZ, Johann Kaspar, 1806-1856

Divertissement über Motive der Oper: Der Prophet (Meyerbeer), op.32. Flute (Violin), Viola, and Guitar. Edited by Brian Torosian.
n.p., 2008. 4°, 19, 13 pp. Line-cut of the Jos. Aibl edition, Munich, 1851, together with preface and new practical edition. Meyerbeer’s music was rarely used as a source for guitar arrangements and these works by Mertz provide a pleasing addition to the 19th-c. guitar repertoire. Wrappers. $20 [item no.9086]


MILLER, Edward, 1735-1807

[Solos, flute/violin/oboe, bc, op.1] Six Solos for a German Flute, with a Thorough Bass for the Harpsichord or Violoncello.
Alston, 1995. Oblong, 29 x 21 cm, i, 27 pp. Line-cut of the John Johnson edition, London, c.1761. Preceded by “Remarks on the German Flute”. Ring binding. $23 [item no.7804]


MINGUET Y YROL, Pablo, fl.1733-1775

Reglas y advertencias generales que enseñan el modo de tañer todos los instrumentos mejores, y mas usuales, como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa, psalterio, bandurria, violin, flauta traversera, flauta dulce, y la flautilla.
Geneva, 1982. 8º, 120 pp. Line-cut of the Madrid, 1754 edition. An instrumental encyclopedia by a pupil of Sanz. Includes examples of dances in the Castillian, Italian, Catalonian and French styles, notated either in the author’s alfabeto-like notation or mensural notation. Wrappers. $25 [item no.3308]


MONTÉCLAIR, Michel Pinolet de, 1667-1737

Brunetes ancienes et modernes apropriées à flûte traversière avec une basse d’accompagnement, c.1725. Présentation par Anne Pichard. [British Library, London].
La Musique Française Classique de 1650 à 1800, 204. Courlay, 2010. Oblong, 30 x 22 cm, x, 106 pp. Line-cut of the Paris, c.1725 edition. Preface in Fr-Eng-Ger. Wrappers. $61 [item no.9163]


[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule, et avec simphonie. Premier livre qui contient six cantates françoises et deux cantates italiènes.
Archivum Musicum: La Cantata Barocca, 8. Florence, 1981. 20 x 29 cm, vi, 99 pp. Line-cut of the Paris, n.d. edition. 8 compositions notated in score with violin and flute accompaniment. Contents: La fortune; Le triomfe de la Constance; La Badine; Le Dépit généreux, Godimento e pena in Amore; La mort de Didon; Amante di bella donna; Le retour de la paix. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.422]


[Cantatas, voice, flutes/violins, bc, book 1] Cantates à voix seule et avec symphonie. Premier livre. Après 1709. Présentation par Bertrand Porot. [Bibliothèque Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 172. Courlay, 2005. 4º, x, 102 pp. Line-cut of the Paris, c.1709 edition. Preface in Fr-Eng-Ger. Wrappers. $49 [item no.8648]


[Cantatas, 1-2 voices, flutes/violins, bc, book 2] Cantates à une et a deux voix et avec sinfonie. Second livre qui contient six cantates françoises et une cantate italiène.
Archivum Musicum: La Cantata Barocca, 9. Florence, 1981. 20 x 29 cm, vii, 105 pp. Line-cut of the Paris, n.d. edition. 7 compositions notated in score with violin, flute, & oboe accompaniment. Contents: L’amour vangé; Les syrènes; Le triomphe de l’amour, Pan et Sirinx; L’enlèvement d’Orithie; Pyrame et Thisbé; Il dispetto in amore. Introduction in It by Piero Mioli. Wrappers in decorative paper. $35 [item no.418]


[Cantatas, 1-2 voices, flutes/violins, bc, book 3] Cantates à une et a deux voix avec simphonie. Troisième livre qui contient huit cantates françoises, et une cantate italienne.
Archivum Musicum: La Cantata Barocca, 17. Florence, 1983. 24 x 34 cm, vii, 109 pp. Line-cut of the Paris, 1728 edition. 9 compositions notated in score with occasional violin and flute queues. Introduction in It by Piero Mioli. Wrappers in decorative paper. $37 [item no.419]


[Concerti, flute/violin/oboe,recorder, bc] Concerts pour la flûte traversière avec la basse. Paris 1724, 1725. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 11. Florence, 1981. 20 x 29 cm, v, 94 pp. Line-cut of the Boivin edition, Paris, 1724-1725. Preface in It by Marcello Castelliani. Wrappers, in decorative paper. $35 [item no.797]


[Concerti, flute/violin/oboe/recorder, bc] Concert pour la flûte traversière avec la basse chiffrée, 1724. Présentation par Anne Prichard.
La Musique Française Classique de 1650 à 1800, 151. Courlay, 2003. 4º, xiii, 98 pp. Line-cut of the Paris, 1724 edition. Preface in Fr-Eng-Ger. Wrappers. $52 [item no.8239]


[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse, [1.-6. concert].
Archivum Musicum: L’Art de la Flûte Traversière, 10. Florence, 1980. 20 x 29 cm, vii, 84 pp. Line-cut of the Paris, c.1724 edition. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $35 [item no.796]


[Concerti, 2 flutes/violins/viols] Concerts à deux flûtes traversières sans basse. 1724. Présentation par Anne Prichard.
La Musique Française Classique de 1650 à 1800, 152. Courlay, 2003. 4º, x, 86 pp. Line-cut of the Paris, 1724 edition. 6 sonatas. Preface in Fr-Eng-Ger. Wrappers. $44 [item no.8238]


[Serenade, melody instrument, bc or trio] Serenade ou concert, divisé en trois suites de pieces pour les violons, flûtes & hautbois composées d’airs de fanfares, d’airs de fanfares, d’airs tendres, & d’airs champêtres, propres à danser, 1697. Présentation: Département de Musique Ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris.
La Musique Française Classique de 1650 à 1800, 153. Courlay, 2003. 4º, 3 partbooks, xii, 104 pp. Line-cut of the Paris, 1697 edition. According to composer these pieces are suitable for dancing. Preface in Fr-Eng-Ger. Wrappers. $68 [item no.8240]


MONZANI, Tebaldo, 1762-1839

[method, flute] Instructions for the German Flute. London s.d.; New and Enlarged Edition of Monzani’s Instructions for the German Flute. London s.d.
Archivum Musicum: Ottocento, 2. Florence, 2008. 24 x 34 cm, 2 vols, x, 50, 72 pp. Line-cut of the London, [1801] and London, [1819] editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper with matching portfolio. $68 [item no.9056]


MOURET, Jean-Joseph, 1682-1738

Concert de chambre [à deux et trois parties, pour les violons, flutes, et hautbois]. Suivi u’une suite d’Airs à danser. Premier livre. 1737. Présentation: Département de musique ancienne du Conservatoire National Supérieur de Musique et de Danse de Paris.
La Musique Française Classique de 1650 à 1800, 158. Courlay, 2004. 24 x 33 cm, 4 vols, xix, 33 pp. Line-cut of the Paris, 1737. Introduction (with dance choreography) in Fr-Eng-Ger. Wrappers. $33 [item no.8467]


Divertissemens: Hippolyte et Aricie (parodie); Arlequin Mogol.
Béziers, 1987. Oblong, 20 x 14 cm, 44 pp. Line-cut of the first edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3197]


Divertissemens: Les surprises de la Haine; L’apologie du siècle ou Momus corrigé; Pygmalion; Les billets doux.
Béziers, 1989. Oblong, 20 x 14 cm, 44 pp. Line-cut of the original edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3198]


Divertissemens: Le déguisement; Les femmes Corsaires; Le Conte de fée; Vénus à Paphos.
Béziers, 1990. Oblong, 20 x 14 cm, 44 pp. Line-cut of the first edition. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.3852]


Divertissemens: Les indes chantantes; Les amours anonymes; Le retour de Mars.
Béziers, 1990. Oblong, 21 x 15 cm, 40 pp. Line-cut. Laid paper, with wrappers in hand-made marbled paper. $11 [item no.4123]


Divertissemens: Les fées; Les mascarades amoreuses; Les gaulois.
Béziers, 1992. Oblong, 21 x 15 cm, 38 pp. Line-cut. Laid paper, with wrappers in hand-made marbled paper. $12 [item no.4341]


[Sonatas, 2 flutes, book 1] Sonates a deux flutes-traversieres. Premier livre.
Performers’ Facsimiles, 144. New York, [1994]. 24 x 31 cm, 29 pp. Line-cut of the Paris, 1725 edition. Wrappers. $18 [item no.4755]


MOZART, Wolfgang Amadeus, 1756-1791

[Serenade, winds, K.361, Bb major] Gran Partita, K.361 by Wolfgang Amadeus Mozart. A Facsimile of the Holograph in the Whittall Foundation Collection. [Library of Congress, Washington, D.C.].
Chicago, 2008. Oblong, 35 x 27 cm, 11, 98 pp. “Reissue” of Library of Congress 1976 facsimile edition using new full-color digital photography. The autograph score dates from c.1780. Known as the “Great Wind Serenade” or “Serenade for 13 Wind Instruments”, this brilliant 7-movement piece is Mozart’s first major work composed in Vienna. Scored for 2 oboes, 2 clarinets, 2 basset horns, 2 pairs of horns, 2 bassoons and a contrabass, Mozart exploits all the possible mixtures of sonorities—no instrument is treated in true concertante fashion, but rather each instrument strives to distinguish itself, true to it own character. The beautifully crafted serenade—intimate, cheerful, witty and symphonic in style—was obviously written to impress and “open doors” in the composer’s new city. New (second) introduction by Richard Floyd. Handsome two-tone cloth binding. $85 (more info... ) [item no.9019]


[Sonata, piano, violin/flute (violoncello ad lib.), K.10-15, 1st ed.] Six sonates pour le clavecin qui peuvent se jouer avec l’accompagnement de violon, ou flaute traversière [et d’un violoncelle]. Oeuvre III.
Biblioteca Classica, 65. Rotterdam, 1986. 4º, 2 parts, 42 pp. Line-cut of the London, 1765 edition (no autograph is known). Wrappers. $29 [item no.4927]


[Symphony, no.40, K.550, arr. Clementi] Sinfonia in sol minore K 550. Adattamento per 4 strumenti di Muzio Clementi. Introduzione, facsimile dell’autografo e trascrizione a cura di Remo Giazotto. [Biblioteca dell’Accademia Nazionale di Santa Cecilia, Rome].
L’Arte Armonica, I/1. Lucca, 1991. Oblong, 33 x 27 cm, xxxiii, 23, 77 pp. Beautiful halftone in full color of Clementi’s autograph transcription of the G Minor Symphony for four instruments (piano, flute, violin & violoncello). This is a fascinating document showing the tradition common at the turn of the 18th century of arranging symphonic works for smaller chamber groups. Together with a new printed edition of the score and introduction in It-Eng. Wrappers, with slipcase. $80 (more info... ) [item no.4243]


Skizzen und Entwürfe herausgegeben von Ulrich Konrad.
Supplement zur Neuen Mozart Ausgabe, X/30/3. Kassel, 1997. Oblong, 4º, 192, c.145 pp. A rare opportunity to enter the “workshop” of Mozart. Virtually every sketch and draft that has survived—192 pages—has been assembled and collated in chronological order for this superb facsimile edition reproduced in full color. Like Band 44 of the Bachgesellschaft edition which contained only reproductions of Bach manuscripts, this publication marks the culmination of the Neue Mozart Edition. The facsimiles are accompanied by careful transcriptions and critical commentary (Ger), making them accessible to both layman and specialist. Deluxe edition with clamshell case covered in burgundy linen and titles in gold lettering. An indispensable resource for any Mozart enthusiast. $395 (more info... ) [item no.7487]


NARDINI, Pietro, 1722-1793

[Sonatas, flute, bc] Due sonate a flauto traverso solo e basso, ms. Genova.
Archivum Musicum: Flauto Traversiere, 12. Florence, 1987. Oblong, 33 x 24 cm, vii, 16 pp. Line-cut of a contemporary ms copy. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.1810]


NAUDOT, Jacques-Christophe, c.1690-1762

[Concerti, flute, strings, op.11] Six concertos à sept parties (flûte-traversière, trois violons, alto, basson, basse continue). Vers 1737. Présentation par Mi-Sung Kim et Emilie Stahl (etudiantes au CeFEdeM Île-de-France).
La Musique Française Classique de 1650 à 1800, 197. Courlay, 2007. 21 x 30 cm, 7 parts, 136 pp. Line-cut of the Paris, c.1737 edition. Preface in Fr-Eng-Ger. Wrappers. $51 [item no.8896]


[Sonatas, 2 flutes, op.3] Sonates pour deux flutes-traversières sans basse. Œuvre troisième.
Performers’ Facsimiles, 38. New York, [1987]. 24 x 29 cm, 26 pp. Line-cut of the Paris, 1727 edition. Wrappers. $18 [item no.1690]


[Trio sonatas, 2 flutes, bc, op.2] Sonates en trio pour 2 flûtes-traversières avec la baße, deuxième œuvre.
Archivum Musicum: L’Art de la Flûte Traversière, 19. Florence, 1981. 20 x 28 cm, 3 partbooks, vi, 123 pp. Line-cut of the Paris 1726 edition. Together with Boismortier’s Sonates en trio (1726) and Braun’s Six sonates en trio (1728). Preface in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. [item no..753]


PEPUSCH, John Christopher, 1667-1752

[Concerti, 2 flutes/recorders/oboes/violins, bc, op.8] VI concerts à 2 flûtes à bec, 2 flûtes traversières, hautbois ou violons et basse continue. Présentation per Susi Möhlmeier et Frédérique Thouvenot. [Universitetsbibliothek, Uppsala].
Collection Dominantes. Courlay, 1993. 4º, 5 partbooks, 32, 61 pp. Line-cut of a Roger edition, Amsterdam, n.d. Introduction in Fr-Eng-Ger. Wrappers. $46 [item no.4600]


PERAUT, Mathieu, 18-19th c.

[Method, flute] Méthode pour la flûte. Enrichie de plusieurs exemples démonstratifs et graduels, pour parvenir à bien jour de cet instrument. De douze airs, avec accompagement, de six duos, de six sonates le tout précédé de nombreux préludes, et d’instructions pour les coup de langue. Terminée six grands caprices . . . .
Archivum Musicum: L’Art de la Flûte Traversière, 37. Florence, 1987. 24 x 34 cm, ix, 100 pp. Line-cut of the Paris, c.1800 edition. Introduction in It by Marcello Castelliani. Wrappers in decorative paper. $35 [item no.1803]


PHILIDOR, André Danican, 1681-1728

[Pièces, fl/rec/ob/vln, bc] 1. livre de pièces pour la flûte traversiere, flûte a bec, violons et hautbois, avec la basse continue, 1712. [Bibliothèque Nationale, Paris].
Collection FacsiMusic. Courlay, 2007. Oblong, 29 x 21 cm, 25 pp. Line-cut of the author’s, Roussel & Foucault edition, Paris, 1712. Wrappers. $12 [item no.8807]


PHILIDOR, François Danican, 1689-c.1717

[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière. Paris 1716. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 6. Florence, 1980. Oblong, 24 x 22 cm, iii, 51 pp. Line-cut of the Ballard edition, Paris, 1716. The edition, printed with type, employs diamond shaped notes. Wrappers in decorative paper. $33 [item no.793]


[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière qui peuvent aussi se jouer sur le violon, premier livre. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 56. Courlay, 1991. Oblong, 31 x 22 cm, 18, 51 pp. Line-cut of the Paris, 1716 edition. Introduction by Jean Saint-Arroman and Philippe Lescat. Wrappers. $31 [item no.4100]


[Pièces, flute/violin, bc, book 1] Pièces pour la flûte traversière (ou le violon) - 1716.
Collection FacsiMusic. Courlay, 2007. Oblong, 30 x 21 cm, 32 pp. Line-cut of the Paris, 1716 edition. Wrappers. $14 [item no.8939]


[Quartets, ob/fl/vln, 2 vln, bc] L’art de la modulation; Quatuors pour un hautbois, deux violons et basse (la partie de hautbois peut se jouer sur la flûte ou le violon). 1755. Présentation par les élèves de l’I.F.E. de M. de Rueil-Malmaison.
La Musique Française Classique de 1650 à 1800, 108. Courlay, 1998. 4º, 4 partbooks, 13, 52 pp. Line-cut of the Paris, 1755 edition. Introduction in Fr-Eng-Ger. Wrappers. $45 [item no.7586]


PHILIDOR, Pierre Danican, 1681-1731

[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre.
Musica Musica, S/14. Basel, c.1980. 49 pp. Line-cut of the printed score. Wrappers. $34 [item no.2231]


[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.1] Premier œuvre contenant III. suittes a II. flûtes traversieres seules avec III. autres suittes dessus et basse, pour les hautbois, flûtes, violons, &c. [private collection].
Performers’ Facsimiles, 275. New York, [2007]. Oblong, 27 x 21 cm, 52 pp. Line-cut of the Paris, 1717 edition. Wrappers. $20 [item no.8902]


[Suites, 2 flutes; Suites, oboe/flute/violin, bc, op.2] Deuxiéme œuvre contenant II. suittes a 2. flûtes-traversieres seules avec II. autres suittes deßus et baßse, pour les hautbois, flûtes, violons, &c. [private collection].
Performers’ Facsimiles, 276. New York, [2007]. Oblong, 27 x 21 cm, 26 pp. Line-cut of the Paris, 1718 edition. Wrappers. $15 [item no.8903]


[Suite, 2 flutes; Suite, oboe/flute/violin, bc, op.3] Troisiéme œuvre contenant une suitte a deux flûtes-traversieres seules, et une autre suitte dessus et basse, pour les hautbois, flûtes, violons, &c. Avec une réduction de la chaße. [private collection].
Performers’ Facsimiles, 277. New York, [2007]. Oblong, 27 x 21 cm, 22 pp. Line-cut of the Paris, 1718 edition. Wrappers. $13 [item no.8904]


PIANI, Giovannni Antonio, 1678-c.1760

[Sonatas, violin/flute/recorder, bc, op.1] XII sonate a violino solo e violoncello col cimbalo, opera prima.
Archivum Musicum: Flauto Traversiere, 26. Florence, 1993. 23 x 33 cm, iv, 80 pp. Line-cut of the Paris, 1712 edition. Introduction by Giovanni Battista Columbro. Wrappers, in decorative paper. $39 [item no.4578]


PICHELMAIR, Georg, b?-1639

Sacra psalmodia [octonis vocibus concinenda]. Regensburg. Christoph Fischer 1637. [Stift Kremsmünster].
Faksimile-Edition Kremsmünster, 27. Stuttgart, 2013 21 x 25 cm, 9 partbooks, 208 pp. Line-cut of the Regensburg, 1637 partbooks. Wrappers, in marbled paper slipcase. $98 [item no.9339]


PIERRE, Constant, 1855-1918

Les facteurs d’instruments de musique. Les luthiers et la facture instrumentale. Précis historique.
Geneva, 1971. 8º, 460 pp. Line-cut of Paris, 1893 edition. Treats French musical instrument makers, covering the period from the 15th to the 19th century. Wrappers. $61 [item no.4262]


PLATTI, Giovanni Benedetto, 1697-1763

[Sonatas, flute, bc, op.3] Sei sonate à flauto traversiere solo con violoncello overo cembalo, opera terza. Nürnberg s.d.
Archivum Musicum: Flauto Traversiere, 10. Florence, 1986. Oblong, 30 x 21 cm, iv, 37 pp. Line-cut of the Nuremberg, c.1743 edition. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $32 [item no.1807]


[Sonatas, flute, bc, op.3] Sei sonate à flauto traversiere solo con violoncello overo cembalo, opera terza.
Shumilov Facsimile Collection. Magdeburg, [2005]. Oblong, 30 x 21 cm, 37 pp. Line-cut of the Nuremberg, c.1743 edition. Spiral bound. $24 [item no.8549]


PLAYFORD, Henry, 1657-c.1709

Apollo’s Banquet, Newly Reviv’d: Containing New and Easie Instructions for the Treble-Violin with Variety of the best and choicest Ayres, Tunes, Jiggs, Minuets, Sarabrands, Chacones and Cybells, that have been Perform’d at both Theatres, and other Publick Places. To which are added, The Newest French Dances, now in use at Court, and in Dancing-Schools.
Alston, 1999. Oblong, 4º, ii, 66 pp. Line-cut of the London, 1701 edition. A collection of choice tunes, many traceable to the suites of incidental music written for plays by Henry Purcell, John Eccles, William Croft, Thomas Tollett, Thomas Morgan and others. Novel new engraving font (“NewTy’d Character” or “new London character”, developed by the printer William Pearson. Preface by Peter Holoman. Ring binding. $29 [item no.7833]


PLEYEL, Ignaz, 1757-1831

[Sonatas, keyboard, fl/vln/vc] Trois sonates pour clavecin ou forte-piano avec accompagnement de flûte (ou violon) et violoncelle, 1788. Présentation par Les étudiants du Ce.F.E. de M.-Ile-de-France. [Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 157. Courlay, 2004. 4º, 3 partbooks, xii, 58 pp. Line-cut of the Paris, 1788 edition. Preface in Fr-Eng-Ger. Portfolio. $36 [item no.8418]


QUANTZ, Johann Joachim, 1697-1773

[Method, flute] Versuch einer Anweisung, die Flöte transversière zu spielen. Mit einem Vorwort von Hans-Peter Schmitz und einem Nachwort, Bemerkungen, Ergänzungen und Register von Horst Augsbach.
Kassel, 3/ 2000. 12°, 450 pp. Line-cut in reduced format of the Berlin, 1752 edition. Wrappers. $21 [item no.3942]


[Method, flute] Versuch einer Anweisung, die Flöte traversiere zu spielen. Faksimile der Ausgabe Berlin 1752. Mit einer Einführung von Barthold Kuijken.
Wiesbaden, 1988. 17 x 23 cm, xxii, 419 pp. Line-cut of the Berlin, 1752 edition. Introduction in Ger. Linen. $27 [item no.1892]


[Method, flute, French edition] Essai d’une méthode pour apprendre à jouer de la flûte traversière, avec plusieurs remarques pour servir au bon goût dans la musique le tout eclairci par des exemples et par XXIV. tailles douces.
Paris, 2/ 1990. 8º, 50, 382 pp. Line-cut of the French edition, Berlin, 1752. Wrappers. $107 [item no.3835]


[Sonatas, flute, bc, Wq 5584] 4 sonates pour flûte traversière, ave basse continue, Ms. (Wq 5584). Introduction: J. Dewinne.
Facsimile Series, IV/13. Peer, 1996. 4º, 4 vols, 36 pp. Line-cut of a contemporary ms copy. Wrappers. $26 [item no.7155]


[Sonatas, flute, cembalo, op.1, QV 1:152, 153, 16, 48, 77, 49 Sei sonate a flauto traversière solo, e cembalo – Opéra prima.
Collection FacsiMusic. Courlay, 2007. 21 x 30 cm,x 32 pp. Line-cut of the Dresden, [1734] edition. Wrappers. $16 [item no.8889]


[Sonatas, 2 flutes, op.2, QV 3:2.9, 12, 13, 1, 4 & 7] Sei duetti a due flauti traversi. Opera seconda.
Performers’ Facsimiles, 58. New York, [1988]. 28 x 39 cm, 32 pp. Line-cut of the G.L. Winter edition, Berlin, 1759. Wrappers. $20 [item no.2825]


[Sonatas, 2 flutes, op.2, QV 3:2.9, 12, 13, 1, 4 & 7] Sei duetti a due flauti traversi. Opera seconda.
Música Facsímil, 11. Madrid, 1983. 23 x 32 cm, vi, 28 pp. Line-cut of the G.L. Winter edition, Berlin, 1759. Introduction by Antonio Arias. Wrappers. $17 [item no.1891]


[Trio sonatas, 2 fl/vln, op.5, QV 3:2.10, 5, 3, 8, 11 & 6] Six Sonatas or Duets for Two German Flutes or Violins Compos’d by Sigr. Quantz. Opera Quinta.
London, 1986. 4º, ii, 22 pp. Line-cut of the Walsh edition, London, c.1750. Introduction by Jennifer Carr. Wrappers. $17 [item no.2237]


QUENTIN, Jean Baptiste, b.?-c.1750

[Trios; quartets, strings/winds, bc, op. 11] Sonates en trio et quatre parties pour violons, flûtes traversières, viole et basse continue, Œuvre XI, c.1742. Présentation par les élèves du Ce. R.E. de M. Île-de-France. [Staatsbibl. zu Berlin].
La Musique Française Classique de 1650 à 1800, 148. Courlay, 2002. 4º, 3 partbooks, x, 60 pp. Line-cut of the author’s edition, Paris, c.1742. Preface in Fr-Eng-Ger. Wrappers. $33 [item no.8141]


RAMEAU, Jean-Philippe, 1683-1764

Les Indes galantes. Ballet réduit à quatre grands concerts. 1735-1736. Présentation par Pascal Duc. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 166. Courlay, 2005. Oblong, 31 x 23 cm, xxxi, 230 pp. Line-cut of the Paris, 1735-1736 edition (short score). Introduction in Fr-Eng-Ger. Wrappers. $93 [item no.8572]


Les Indes galantes. Paris. [Bibliothèque d’étude et de conservation Besançon].
Faksimile-Edition Kammermusik des Barock, 5. Stuttgart, 2015. Oblong, 31 x 23 cm, 226 pp. Line-cut of the Paris, 1735-1736 edition (short score). Hardbound, with boards in decorative paper. $83 [item no.9427]


[Pièces, harpsichord, violin/flute, viol/violin] Pièces de clavecin en concert.
La Musique Française Classique de 1650 à 1800, 48. Courlay, 1989. 24 x 33 cm, 14, 55 pp. Line-cut of the score. Introduction in Fr-Eng-Ger by Jean Saint-Arroman. Wrappers. $37 [item no.3529]


[Pièces, harpsichord, violin/flute, viol/violin, parts] Five Concertos for the Harpsicord Accompanied with a Violin or German Flute or Two Violins or Viola, with Some Select Pieces for the Harpsicord Alone. London: I. Walsh, [1750]. [Pièces de clavecin en concert].
Performers’ Facsimiles, 13. New York, 1987. 26 x 34 cm, 3 partbooks, 73 pp. Line-cut of the Walsh edition, London, [1750]. Wrappers. $45 [item no.2238]


RANISH, John Frederick, 1693-1777

[Sonatas, flute, bc, op.1] VIII Sonatas or Solos for the German Flute with Thorough Bass for ye Harpsichord Dedicated to Jacob Astley Esqr. {king’s College, Cambridge].
Alston, 1995. 21 x 29 cm, i, 40 pp. Line-cut of the B. Cooke edition, London, c.1735. Ring binding. $30 [item no.7811]


[Sonatas, flute, bc, op.2] XII Solos for the German Flute with Through Bass for the Harpsichord. [King’s College, Cambridge].
Alston, 1995. 21 x 29 cm, i, 51 pp. Line-cut of the Walsh edition, London, 1744. Ring binding. $22 [item no.7812]


RAULT, Félix, 1736-d.?

[Sonatas, flute, bc, book 1] Trois sonates pour la flûte avec accompagnement de basse.
Archivum Musicum: L’Art de la Flûte Traversière, 32. Florence, 1984. 24 x 34 cm, v, 33 pp. Line-cut of the Paris, 1797 edition. Preface by Marcello Castellani. Wrappers in decorative paper. $31 [item no.800]


RAEHS, Martin, 1702-1766

[Sonatas, flute] VI sonate per flauto traversiere e basso. Ms. Schwerin 1748 / XI sonate per flauto traverso e basso. Mss. Copenhagen.
Archivum Musicum: Monumenta Musicae Revocata, 29. Florence, 2001. 24 x 33 cm, ix, 98, i pp. Line-cut of two contemporary ms copies. Preface in It/Dan. Quarter linen. $55 [item no.8092]


REBEL, Jean-Féry, 1666-1747

Les caractères de la dance. Fantaisie (1715). Grand chœur / Petit chœur. Neuausgabe. Faksimile der Pisendel-Abschrift. Faksimile Erstdruck. Neuauflage 1727/1733. Herausgegeben von Stefan Fuchs.
Magdeburger Faksimile Offizin. Magdeburg, 2007. 4º, 41 pp. Facsimile of Pisendel’s manuscript copy, plus the first edition (Le Clerc, 1727/1733), together with a new practical edition of the score. This fantasie, from 1715, is considered one of the great monuments of Baroque dance music (even performed by Handel in London), and can be performed ”petit choeur” (i.e. as a trio sonata) or “grand choeur” with extra inner voices. Wrappers. $46 [item no.8898]


Les caractères de la danse, 1715 / La Terpsichore, 1720. Présentation: Dona Borel, CeFEdeM Île-de-France.
La Musique Française Classique de 1650 à 1800, 206. Courlay, 2012. 22 x 30 cm, x, 16 pp. Line-cut of the Paris, 1715 & 1720 editions. Preface in Fr-Eng-Ger. Wrappers. $35 [item no.9275]


Les éléments. Simphonie nouvelle. Neuausgabe. Faksimile der Pisendel-Abschrift. Herausgegeben von Stefan Fuchs.
Magdeburger Faksimile Offizin. Magdeburg, 2005. 4º. Facsimile of the of Paris, 1737 edition, together with modern edition. Wrappers. $56 [item no.9077]


Fantaisie, 1729; Les plaisirs champêtres, 1734; [Les parodies nouvelles, et les vaudevilles inconnus, 1730]. Présentation par Catherine Cessac. [Nederlands Muziek Instituut, The Hague; Bibliothèque Nationale, Paris].
La Musique Française Classique de 1650 à 1800, 191. Courlay, 2006. 24 x 33 cm, vii, 26 pp. Line-cut of the 1729, 1734 & 1730 editions. The Fantaisie is also known as Pas de trois, with string/wind accompaniment. Les plaisirs champêtres is for 2 female and 4 male dancers (pas de six), with string/wind accompaniment. Preface in Fr-Eng-Ger. Wrappers. $23 [item no.9077]


REID, John, 1721-1807

[Solos, flute/violin, bc, books 1 & 2] 6 Solos for a German Flute, book 1; 6 Solos for a German Flute, book 2.
Nashua, c.1996. 4º. Line-cut of the London, 1756 & 1762 editions. Wrappers. $23 [item no.7733]


RENOTTE, Hubert, 1694-1745

[Sonatas, keyboard; flute/violin, keyboard, bc] Six sonates de clavecin egalement apropres pour un violon ou pour une flute traversiere avec la bass. Premier œuvre.
Musica Repartita, 181F. Utrecht, 1997. 21 x 30 cm,. 33, ii pp. Line-cut of the Liège, 1740 edition. Afterword in Dut-Eng by J.H. van Krevelen. Wrappers. $16 [item no.8615]


RIBOCK, Justus Johannes Heinrich, 1743-1785

[Method, flute] Bemerkungen über die Flöte und Versuch einer kurzen Anleitung zur bessern Einrichtung und Behandlung derselben (1782). Eingeleitet von Karl Ventzke in Deutsch und Englisch. [Bayerische Staatsbibliothek, Munich].
Flute Library, 13. Buren, 1980. 18 x 25 cm, xiii, 76 pp. Line-cut of the Stendal, 1782 edition. Cloth. $81 [item no.2243]


RIES, Ferdinand, 1784-1838

[Quartets, fl, vln, vla, vc, op.145] Three Quartets, op.145 for Flute, Violin, Viola, and Cello.
Nashua, 1993. 4º, 4 parts, i, 63 pp. Line-cut. Quartets in the key of C major, E minor and A minor. Wrappers. $28 [item no.4671]


ROGNONI, Francesco, fl.1608-1624

Selva de varii passaggi per cantare, & sonare. [Bibl. del Conservatorio, Milan].
Bibliotheca Musica Bononiensis, II/153. Bologna, 2/ 1983. 22 x 32 cm, xii, 130 pp. Line-cut of the Milan, 1620 edition. Francesco Rognoni came from a prominent musical family and was himself a virtuoso of several instruments. Selva contains important expressive devices of the time: portar la voce, accento, tremolo, grupp, esclamatione and intonatio, absolutely essential for performing the music of Monteverdi and his generation. Introduction in It by Guglielmo Barblan. Wrappers. $63 (more info... ) [item no.1282]


ROMAN, Johan Helmich, 1694-1758

[Sonatas, flute, bc, nos.6-12] Sonate a flauto traverso, violone e cembalo. Facsimiltryck från koppartyrck original Stockholm 1727 i Kungl. Musikaliska Akademiens bibliotek i Stockholm.
Autographus Musicus, 13. Bandhagen, 1977. Oblong, 35 x 26 & upright 21 x 33 cm, 3 partbooks, 70 pp. Line-cut of the printed harpsichord part (Stockholm, 1727) and handwritten flute and violone parts. Wrappers. $32 [item no.4237]


[Trio sonata, 2 oboes/flutes, bc, G minor] Triosonata g-moll, 2 oboes/flaute & basso continuo. [Royal Academy of Music, Stockholm, Ro 50a & Ro 50b].
Autographus Musicus, 19. Bandhagen, 1980. 22 x 31 cm, ii, 24 pp. Line-cut of a contemporary ms copy, spuriously assigned to Roman. Introduction in Eng by Eva Nordenfelt-Åberg. 3 parts and score. Wrappers. $38 [item no.529]


ROSEINGRAVE, Thomas, 1690-1766

[Solos, flute, bc] XII Solos for a German Flute, with a Through Bass for the Harpsichord. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 91. New York, [1992]. 25 x 32 cm, 50 pp. Line-cut of the London, c.1730 edition. Wrappers. $20 [item no.4420]


RUGE, Filippo, c.1725-c.1767

[Capricci, flute] 17 capricci per flauto traverso. Ms. Genova.
Archivum Musicum: Flauto Traversiere, 36. Florence, 2001. Oblong, 32 x 23 cm, ix, 25 pp. Line-cut of a contemporary ms copy. Introduction in Ger/It by Nikolaus Delius. Wrappers, in decorative paper. $34 [item no.8086]


[Solos, flute/violin, bc] Six Solos for a German Flute with a Thorough Bass. London s.d.
Archivum Musicum: Flauto Traversiere, 20. Florence, 1990. 24 x 32 cm, iv, 29 pp. Line-cut of the Walsh edition, London, [1751]. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.3864]


SAMMARTINI, Giuseppe, 1695-1750

[Solos, flute/violin/oboe, bc, op.13] Six Solos for a German Flute with a Thorough Bass. London s.d.
Archivum Musicum: Flauto Traversiere, 31. Florence, 1996. 24 x 33 cm, v, 26 pp. Line-cut of the London, [1760] edition. Preface in It by Rossella Rossi. Wrappers, in decorative paper. $33 [item no.7373]


[Sonatas, flute, bc, op.2] XII sonate a flauto traverso solo con il basso. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 28. Florence, 1994. 24 x 34 cm, ii, 59 pp. Line-cut of the Le Cène edition, Amsterdam, 1736-1737. Introduction in It by Marcello Castellani. Wrappers in decorative paper, with slipcover. $40 [item no.4761]


[Trio sonatas, 2 violins/flutes, bc, op.3] 12 Trio Sonatas, op.3.
Chamber Music from Georgian England, 6. Huntingdon, c.1988. 4º, Line-cut of the London, 1747 edition. Wrappers. $39 [item no.7054]


SARTI, Giuseppe, 1729-1802

[Sonatas, flute, bc; Sonatas, harpsichord, violin/flute] VI sonate a flauto traversiero solo e basso continuo. Paris, s.d. / III sonate per il cembalo con violino o flauto traverso concertante. Amsterdam s.d.
Archivum Musicum: Flauto Traversiere, 17. Florence, 1989. 24 x 32 cm, 3 partbooks, v, 40 pp. Line-cut of the Paris, [1772] and Amsterdam, [1765] editions. Introduction in It by Marcello Castellani. Wrappers, in decorative paper with matching slipcover. $35 [item no.3185]


[Sonatas, flute, bc] VI sonates a flauto traversiero solo e basso continuo.
La Flûte Retrouvée, [15]. Béziers, 2000. 21 x 27 cm, 17 pp. Line-cut of the Paris [1782] edition. Laid paper. Wrappers in marbled paper. $21 [item no.7914]


SCHICKHARDT, Johann Christian, c.1680-c.1762

[Sonatas, flute, 2 oboes, vdg, bc, op.5] Six sonates à une flute, deux haubois, une viole de gamba & basse continue. Cinquiéne ouvrage. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 183. New York, [1997]. 24 x 30 cm, 5 parts, c.60 pp. Line-cut of the Roger edition, Amsterdam, n.d. Wrappers. $38 [item no.7390]


[Sonatas, flute/violin/recorder, bc, op.30] L’alphabet de la musique [contenant, XXIV sonates-solos, pour la flûte traversière ou pour le violon avec une basse continue, selon la clef françoise pour la flûte a bec . . . XXX Ouvrage]. Londra s.d.
Archivum Musicum: Monumenta Musicae Revocata, 12. Florence, 1992. Oblong, 32 x 25 cm, viii, 91 pp. Line-cut of the London, c.1735 edition. Collection of 24 sonatas in 24 different keys. Interestingly, Schickhardt employed five different English engravers for the work. Introduction in It-Eng by Marcello Castellani. Quarter linen. $49 [item no.4229]


SCHOENBERG, Arnold, 1874-1951

Three Pieces for Chamber Orchestra (1910). Score, Facsimile and Parts.
Los Angeles, 1962. 4º, 23, 3 pp. Line-cut of the autograph score, together with new practical edition (score & parts). Scored for fl, ob, cl, bsn, hn, org, cel & strings. Wrappers. $18 [item no.557]


SCHRŒTER, Johann Samuel, c.1752-1788

[Sonatas, harpsichord/piano, flute/violin, op.4] Six sonates pour le clavecin ou le piano forte avec accompagnement de flute ou violon ad libitum. Opera IV.
Biblioteca Classica, 143. Rotterdam, 1984. 4º, 2 parts, 26 pp. Line-cut of the Paris, 1772 edition. Wrappers. $16 [item no.4937]


SCHUBERT, Franz, 1797-1828

[Variations, flute, piano, D.802, E minor] Variationen über “Trockne Blumen” E-Moll für Flöte & Klavier op.160 / D 802. Faksimile des Autographs der Wienbibliothek. Mit einem Kommentar von András Adorján.
Meisterwerke der Musik im Faksimile, 17. Laaber, 2010. Oblong, 4°, xii, 24 pp. Full-color facsimile of the autograph. After completing the song cycle Die schöne Müllerin in January of 1824 Schubert set about recasting the 18th song—“Trockne Blumen”—into an introduction and set of seven variations for flute and piano. The work may have been composed for Ferdinand Bogner, a flutist and friend of the composer. Introduction in Ger-Eng. Hardbound. $102 (more info... ) [item no.9141]


SHIELD, William, 1748-1829

Six Duettos, Five for Two Violins and One for Two German Flutes. Opera 1. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 188. New York, [1996]. 26 x 33 cm, 2 part, 28 pp. Line-cut of the William Napier edition, London, [1777]. Wrappers. $20 [item no.7272]


SPADI, Giovanni Battista, 17th c.

Libro de passaggi ascendenti e descendenti.
Bibliotheca Musica Bononiensis, II/55. Bologna, 3/ 2007. 17 x 25 cm, 31 pp. Line-cut of the A. Vincenti edition, Venice, 1624. Wrappers. $38 [item no.1285]


STANLEY, John, 1712-1786

[Cantatas, voice, winds/strings, bc, op.3] Six Cantatas for a Voice and Instruments [op.3]. [British Library, London].
Alston, 2004. Oblong, 4º. ii, 53 pp. Line-cut of the London, 1742 edition. Conventional English cantatas, with a regular alternation of secco recitatives and airs. Preface by Peter Holman. Wrappers. $34 [item no.8423]


[Cantatas, voice, winds/strings, bc, op.8] Six Cantatas for a Voice and Instruments [op.8]. [British Library, London].
Alston, 2004. Oblong, 4º. ii, 45 pp. Line-cut of the London, c.1748 edition. Conventional English cantatas, with a regular alternation of secco recitatives and airs derived from the Italian cantata during the first decades of the 18th c. Preface by Peter Holman. Wrappers. $34 [item no.8424]


[Solos, flute/violin/harpsichord, op.4] Six Solo’s for a German Flute, Violin or Harpsichord, op.4.
Biblioteca Classica, 97. Rotterdam, 1984. Oblong, 4º, 28 pp. Line-cut of the London, 1745 edition. Plastic ring binding. $19 [item no.4966]


STEIBELT, Daniel, 1765-1823

[Sonatas, piano, flute/violin, op.39] Trois sonates pour piano forte avec flute ou violon, œuvre 39.
Biblioteca Classica, 122. Rotterdam, c.1985. 4º, Line-cut of the first edition. Wrappers. $18 [item no.4939]


STEPAN, Josef Antonin, 1726-1797

[Concertos, harpsichord/harp, flute/violins & bc, op.3,4] Six Concertos pour clavecin ou harpe avec accompagnement, op.3, no.4.
Biblioteca Classica, 157. Rotterdam, 1986. 4º, 20 pp. Line-cut of the Paris, 1772 edition. Wrappers. $13 [item no.4962]


STRAVINSKY, Igor, 1882-1971

[Symphonies for Wind Instruments, 1920 ver.] Symphonies d’instruments à vent. Faksimileausgabe des Particells und der Partitur der Erstfassung (1920) herausgegeben und kommentiert von André Baltensperger und Felix Meyer.
Eine Veröffentlichung der Paul Sacher Stiftung. Basel, 1991. 22 x 26 cm, 48, 36 pp. Superb full-color halftone of the autograph full score and short score (particell). One of the last works from the composer’s “Russian” period, written for 23 wind instruments and dedicated to the memory of Claude Debussy. Reproduces the first version from 1920 in its two surviving versions: a full score fair copy (copied on thin ruled yellow paper) and the autograph particell. Commentary in Ger-Eng. Handsome binding with vellum spine and red paper boards, plus matching slipcase. $211 (more info... ) [item no.4231]


STUCK (BATISTIN), Jean Baptiste, c.1680-1755

[Cantatas, voice, violins/flutes/oboe, bc, book 1] Cantates françoises. Livre I, 1706. Présentation par Bertrand Porot. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 120. Courlay, 1999. Oblong, 33 x 24 cm, xiv, 106 pp. Line-cut of Paris, 1706 edition. Contents: Philomele, L’impatience, L’heureux amant, “Cantate IIII’, La Bergere Philis, Céphale. Wrappers. $53 [item no.7669]


[Cantatas, voice, violins/flutes/oboe, bc, book 2] Cantates françoises. Livre II, 1708. Présentation par Bertrand Porot. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 121. Courlay, 1999. Oblong, 33 x 24 cm, 21, 76 pp. Line-cut of Paris, 1708 edition. Contents: Proserpine, Neptune & Amymone, La Naissance d’Achille, Ariane, Sur la prise de Lerida, Mars Jaloux. Wrappers. $44 [item no.7712]


[Cantatas, voice, violins/flutes/oboe, bc, book 3] Cantates françoises à I, II voix et basse-continue avec symphonie. Livre III. Paris, 1711. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 122. Courlay, 1999. Oblong, 33 x 24 cm, 22, 51 pp. Line-cut of Paris, 1711 edition. Contents: “Les bains de Tomery”, “Heraclite et Democrite”. Introduction in Fr-Eng-Ger by Bertraud Porot. Wrappers. $37 [item no.7695]


[Cantatas, voice, violins/flutes/oboe, bc, book 4] Cantates françoises, [et italienne à I, II voix et basse-continue avec symphonie]. Livre III. 1714. Présentation par Jean Saint-Arroman. [Bibl. Municipale, Lyon].
La Musique Française Classique de 1650 à 1800, 123. Courlay, 1999. Oblong, 33 x 24 cm, xvii, 75 pp. Line-cut of Paris, 1714 edition. Contents of cantatas: “Flore”, “L’amour vengé”, “Diane”, “Psiché”, “Les fetes dolonnoises”, “Cantata”. In addition this prints contains 15 airs & ariettes detachez, and 4 airs italiens. Introduction in Fr-Eng-Ger. Hardbound. $46 [item no.7772]


TAILLART l’AINÉ, Pierre-Evrard, b.?-1782

[Sonatas, 2 flutes, op.1; sonatas, flute, bc, op.2] Sonates pour deux flûtes traversières sans basse; Sonates pour une flûte traversière et basse. Paris s.d. [Bibl. Nationale, Paris].
Archivum Musicum: L’Art de la Flûte Traversière, 27. Florence, 1983. 23 x 31 cm, iv, 42 pp. Line-cut of the Paris, c.1750 editions. Preface in It by Marcello Castellani. Wrappers, in decorative paper. $31 [item no.803]


[Sonatas, flute, bc, op.2] Sonates pour une flûte traversière et basse. IIe Œuvre.
La Flûte Retrouvée, 13. Béziers, 1997. 21 x 27 cm, 21 pp. Line-cut of the author’s edition, Paris, c.1750. Laid paper. Wrappers in marbled paper. $23 [item no.7396]


TARTINI, Giuseppe, 1692-1770

Concerto, violin/flute, strings, G major] Concerto for Violin or Flute in G-Major. [Ms. Universitetsbibliotek Uppsala].
Autographus Musicus, 28. Bandhagen, 1985. Oblong, 29 x 22 cm, iv, 26 pp. Line-cut of a contemporary ms copy. Introduction in Eng by Anders Ljungar-Chapelon. Wrappers. $38 [item no.623]


[Solo, flute, bc, A major] Solo a flauto traverso et basso, ms. Copenhagen / [Zuccarini:] Sonata a flauto e basso, ms. Karlsruhe.
Archivum Musicum: Flauto Traversiere, 22. Florence, 1991. Oblong, 32 x 24 cm, vi, 12 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $33 [item no.4177]


TELEMANN, Georg Philipp, 1681-1767

[Canons, 2 flutes/viols/bass viols, TWV 40:118-123] XIIX canons mélodieux ou 6 sonates en duo (2 flûtes, 2 violes, 2 basses de vile). Présentation par Arlette Leroy-Biget. [Bibliothèque Nationale, Paris].
Collection Dominantes. Courlay, 1999. 4º, 2 partbooks, xi, 31 pp. Wrappers. $26 [item no.7676]


[Essercizii musici; sonatas/trio sonatas, vln/fl, bc, TWV 42] Essercizii musici overo dodeci soli e dodeci trii à diversi stromenti. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 140. New York, [1996]. 25 x 31 cm, 3 partbooks, 138 pp. Line-cut of the Hamburg, 1739-1740 edition. Telemann’s “pedagogical” sonatas, 2 for keyboard or lute (TWV 32:3 & 4), 2 for violin (TWV 41:F4 & A6), 2 for flute (TWV 41:D9 & G9), 2 for viola da gamba (TWV 41:a6 & e5), 2 for recorder (TWV 41:d4 & C5), 2 for oboe (TWV 41:B6 & e6), and the 12 trios: olo instrument and bc, and 12 trio sonatas (TWV 42..) for rec.+ob. (c2), vdg.+harps.obl. (G6), vln.+ob. (g5), fl.+harps.obl. (A6), rec.+vln. (a4), fl.+vdg. (h4), rec.+vdg. (F3), rec.+harps. obl. (B4), fl.+vln. (E4), vln.+vdg. (D9), fl.+ob. (d4) and ob.+harps.obl. (Eb3). Wrappers. $50 [item no.1765]


[Fantasias, flute, TWV 40:2-13] 12 Fantasias for Solo Flute (with Facsimile). [Conservatoire Royal, Brussels, lit. T 5823 W].
Monteux, 1987. 4º, vi, 12, 24 pp. Line-cut of the sole surviving print from c.1728 (possibly Telemann’s first attempt at engraving), together with a new practical edition. Although someone has added a title page that reads “Fantasie per il violino, senza basso”, Barthold Kuijken believes they were intended for transverse flute on account of their range. Wrappers. $13 [item no.3119]


Der getreue Music-Meister.
Musica Repartita, 250. Utrecht, 1997. 21 x 28 cm, 105 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Printed boards with linen spine. $47 [item no.7663]


Der Getreue Music-Meister (1728-1729). Présentation por Michel Giboureau.
Collections Dominantes. Courlay, 2004. 4º, xvi, 108 pp. Halftone of the Hamburg, 1728 edition. The first German musical edition published by installments and model for Birnstiel’s Musikalisches Allerley and CPE Bach’s Musikalisches Vielerey. Telemann prepared the pewter plates himself; he first wrote the music down in pencil (in mirror image) and then engraved over the pencil, taking advantage of a ruler and other engraver’s tools which resulted in greater consistency. Includes: TWV 40:1, 107-111; TWV 41:C1, C2, d1, D1, D4, D5, D6, E2, E3, f1, F2, g4, g5, G6, a3, A2, B3, B4, h2; TWV 42:C1. Wrappers. $63 (more info... ) [item no.8520]


[Getreuer Musikmeister, Sonata, flute, violin, G maj] Duetto in G-dur für Flöte und Violine aus “Der getreuer Musikmeister”. Herausgegeben von Hermien Teske.
Winterthur, 1979. 4º, i, 2, 5 pp. Halftone of the first printed edition, together with a new practical edition. Preface in Ger-Eng. Wrappers. $12 [item no.2093]


[Kleine Cammer-Musik, oboe/violin/flute, bc, works w/o TWV] La petite musique de chambre. Die kleine Kammer-Musik (1728). Présentation par Michel Giboureau. [Hessische Landes- & Hochschulbibl., Darmstadt].
Collection Dominantes. Courlay, 1992. Oblong, 31 x 22 cm, 28, 48 pp. Line-cut of the Hamburg, 1728 edition published at the composer’s expense. Introduction in Fr-Eng-Ger. Wrappers. $37 [item no.4388]


[Musique de table, strings/winds, sel.TWV 41, 42, 43, 50, 55] Musique de Table. Tafelmusik in 3 Produktionen. Herausgegeben von Reinhard Goebel.
Magdeburg, 2010. 4°, 7 partbooks. Line-cut of the Hamburg, 1733 partbook edition. Contents: TWV 41:g6, 41:A4, 41:h4, 42:D5, 42:Es1, 42:e2, 43:d1, 43:e2, 43:G2, 50:5, 50:9, 50:10, 55:D1, 55:e1, 55:B1. With the publication of his Tafelmusik, Telemann provides a crowning “trio” of German instrumental music of the late Baroque period, alongside Bach’s Brandenburg Concerti and Handel’s Concerti grossi op.6. The composer shows himself at the zenith of his creative powers. Each part consists of a series of movements (Ouverture, Quatuor, Concert, Trio, Solo, and Conclusion) in various instrumentations—flauto dolce, flauto traversiere, oboe, tromb, strings & fondamento. One masterwork follows the other, forming a logically-built structure, yet each work can also stand alone. Wrappers, in slipcase. $136 (more info... ) [item no.9051]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Pariser Quartette für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1730. Band I: Quartette 1-6.
Münster, 1996. 4º, partbooks, c.130 pp. Line-cut of the Paris, [1730] edition. Wrappers. $72 [item no.7266]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violoncelle, et basse continuë [“Paris Quartets” Nos. 1-6]. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 223. New York, 1999. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $50 [item no.7696]


[Quartets, vln, fl, viol/vc, bc, no.1-6, “Paris”] Six quatuors à violon, flûte, viole ou violoncelle, et basse continue. Nouvell édition (ca.1740). Présentation par les élèves du C.E.F.E. de M. de Rueil-Malmaison. [Bibl. National, Paris].
Collection Dominantes. Courlay, 1999. 4º, 5 partbooks, 15, 97 pp. Line-cut of the ”nouvelle edition”, Paris c.1740. Wrappers. $51 [item no.7709]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] “Nouveaux quatuors”. “Pariser Quartette” 7-12. für Flöte, Violine, Gambe und B.C. Faksimile des Erstdrucks, Paris 1736. Band II: Quartette 7-12.
Münster, 1995. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, [1736] edition. Wrappers. $72 [item no.7199]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Nouveaux quatuors en six suites a une flûte traversiere, un violon, une basse de viole, où violoncel, et basse continuë [“Parisian Quartets” Nos. 7-12]. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 224. New York, 1998. 4º, 5 partbooks, 130 pp. Line-cut of the Paris, 1736 edition. Wrappers. $55 [item no.7633]


[Quartets, vln, fl, viol/vc, bc, no.7-12, “Paris”] Noveaux quatuors en six suites à une flûte traversière, un violon, une basse de viole ou violoncelle, et basse continue. Paris, 1738. Présentation par les étudiants du Ce.F.E. de M. Île de France. [British Library, London].
Collection Dominantes. Courlay, 2006. 4º, 5 partbooks, xii, 152 pp. Line-cut of the Paris, [1738] edition. Wrappers. $61 [item no.8684]


[Quartets, flute, violin, viola, bc, book 4] Quatrième livre de quatuors a flute, violon, alto viola et basse. [Library of Congress, Washington, D.C.].
Musica Musica, Q/4. Basel, c.1980. 21 x 30 cm, 4 partbooks, 52 pp. Line-cut of the Paris, [1752] edition. Wrappers. $58 [item no.2099]


[Quartets, vln, fl, viol/vc, bc, “Hamburg”] Quadri à Violino, Flauto traversiere, Viola di Gamba ò Violoncello, e Fondamento; Ripartiti in 2. Concerti, 2. Balletti, 2. Sonate.
Shumilov Facsimile Collection. Magdeburg, [2005]. 4º, 5 partbooks, 61 pp. Line-cut of the Hamburg, 1730 edition. This is the edition engraved by Telemann himself, comprising TWV 43:G1, 43:D1, 43:A1, 43:g1, 43:h1, 43:e1, later published in Paris and known as the “Paris Quartets”, nos. 1-6. Wrappers. $42 [item no.8548]


[Sonatas, 2 flutes/recorders/violins, op.2] Sonates pour deux flûtes traversières, deux flûtes douces ou deux violons. Nouvelle édition.
Flûtistes Français du XVIIIe Siècle, IV. Geneva, 1985. 21 x 28 cm, 48 pp. Line-cut of the Paris, c.1738 edition. Contains 6 sonatas in 3 and 4 movts, w/o bass. Wrappers. $51 [item no.636]


[Sonate metodiche, violin/flute, bc, op.13, part 1, works w/o TWV] Sonate metodiche à violino solo ò flauto traverso, opera XIII. Introduction: Jan De Winne. [Conservatoriumbibl., Brussels].
Facsimile Series, IV/1. Peer, 1992. 4º, 42 pp. Line-cut of the composer’s edition, Hamburg, 1728. First six of twelve “methodical” sonatas with slow introductions in two versions, one basic and the other highly ornamented. Indispensable historical document on the art of ornamentation. Wrappers. $16 [item no.4196]


[Sonate metodiche, violin/flute, bc, op.13, part 1, works w/o TWV] Sonate metodiche à violino solo ò flauto traverso. Opera XIII. [Staatsbibliothek, Berlin].
Performers’ Facsimiles, 175. New York, [1996]. 25 x 31 cm, 36 pp. Line-cut of the Hamburg, 1728 edition. published at the composer’s expense. Wrappers. $18 [item no.7255]


[Sonate metodiche, violin/flute, bc, op.13, part 2, works w/o TWV] Continuation des sonates methodiques à flûte traverse ou à violon, avec la basse chiffrée. [Staatsbibliothek, Berlin].
Performers’ Facsimiles, 176. New York, [1996]. 25 x 31 cm, 31 pp. Line-cut of the Hamburg, 1732 edition published at the composer’s expense. Wrappers. $18 [item no.7308]


[Trio sonatas, 2 flutes/violins, bc] III trietti metodici e III scherzi per 2 flauti traversieri o 2 violini col fondamento. Hamburg e Paris, s.d.
Archivum Musicum: Monumenta Musicae Revocata, 27. Florence, 2000. 24 x 33 cm, 3 partbooks, vi, 76 pp. Line-cut of the Hamburg, 1731 and Paris, c.1737 editions, the former engraved by Telemann himself, the later by Denise Vincent. Preface in It-Eng by Marcello Castellani. Wrappers, with quarter linen portfolio. $68 [item no.8091]


[Trio sonatas, flute, viola da gamba, bc] V sonate per flauto traverso, viola da gamba e basso continuo. Mss. Darmstadt. [Hessische Landes- & Hochschulbibl., 599, 631, 634, 665, 675].
Archivum Musicum: Monumenta Musicae Revocata, 30. Florence, 2002. 24 x 33 cm, 3 partbooks, ix, 52 pp. Line-cut of five copyists’ mss, including one in the hand of Christoph Graupner and one of John Samuel Endler. Preface in It-Eng by Francesca Bassi. Wrappers, with quarter linen portfolio. $55 [item no.8232]


[Trio sonatas, various combinations, bc, works w/o TWV] Six trios, 1718. Violon, hautbois et BC – Violon, flûte à bec et BC – Violon, flûte traversière et BC – 2 violons et BC – Violon, basse de viole et BC – Violon, basson ou violoncelle et BC. Présentation par Michel Giboureau. [Musikbibl. der Stadt, Leipzig].
Collection Dominantes. Courlay, 1996. 24 x 33 cm, 3 partbooks, xi, 42 pp. Line-cut of the Frankfurt, 1718 edition published at Telemann’s expense. Introduction in Fr-Eng-Ger by Michel Giboureau. Wrappers. $33 [item no.7261]


TESSARINI, Carlo, 1690-c.1765

[Trio sonatas, 2 flutes/violins, bc, op.12] Sonate à tre per 2 flauti traversi o 2 violini e basso. Paris s.d.
Archivum Musicum: Flauto Traversiere, 30. Florence, 1995. 25 x 33 cm, 3 partbooks, v, 29 pp. Line-cut of the Paris, c.1745 edition. Wrappers. $37 [item no.7143]


TROMLITZ, J.G., 1725-1805

[Method, flute] Ausführlicher und gründlicher Unterricht die Flöte zu spielen. 1791. With Introduction by Frans Vester. [Hague Municipal Museum, The Hague].
Flute Library, 1. Buren, 2/ 1985. 16 x 22 cm, vii, 408 pp. Line-cut of the A.F. Böhme edition, Leipzig, 1791. Hardbound. $120 [item no.2259]


[Method, flute (part 2)] Über die Flöten mit mehreren Klappen; deren Anwendung und Nutzen [nebst noch einigen . . . Aufsätzen. Als zweyter Theil zu meinen ausf. und gründl. Unterricht . . . Leipzig 1800]. With an Introduction by Karl Ventzke. [Gegevens Koninklijke Bibliotheek, The Hague].
Flute Library, 2. Buren, 2/ 1991. 17 x 23 cm, xii, 153 pp. Line-cut of the A.F. Böhme edition, Leipzig, 1800. Hardbound. $95 [item no.2260]


TULOU, Jean-Louis, 1786-1865

[Method, flute] Méthode de flûte progressive et raisonnée adoptée par le Comité d’Enseignment du Conservatoire National de Musique.
Geneva, 1973. 22 x 30 cm, 131 pp. Line-cut of the Paris, 1851 edition. Wrappers. $91 [item no.3344]


TURNER, Eliza, 18th c.

A Collection of Songs with Symphonies and a Thorough Bass with Six Lessons for the Harpsichord Compos’d by Miss Eliza Turner. [King’s College, Cambridge].
Alston, 1999. 4º, i, 78 pp. Line-cut of the author’s edition, London, c.1750. An unusual collection, with songs and lessons for the harpsichord plus transpositions of several of the songs for unaccompanied flute. Ring binding. $31 [item no.7827]


UCCELLINI, Marco, c.1603-1680

[Sonatas, correnti, a1-3, strings, bc, op.4] Sonate, correnti et arie da farsi con diversi stromenti sì da camera, come da chiesa, à uno à due, à trè. Opera quarta.
Archivum Musicum: Strumentalismo Italiano, 59. Florence, 1984. 24 x 34 cm, 4 partbooks, i, c.162 pp. Line-cut of the Venice, 1645 partbooks (canto primo & secondo, terza parte & basso continuo). Contains 41 pieces for 1 to 3 instruments (ideally violins) & continuo. Introduction in It by Marcello Castellani. Wrappers and slip cover in decorative paper. $45 (more info... ) [item no.2263]


VALENTINE, Robert, c.1680-c.1735

[Sonatas, 2 flutes] [8] sonates a deux dessus, accomodées a la flûte traversière par Mr. Hotteterre.
Archivum Musicum: L’Art de la Flûte Traversière, 34. Florence, 1985. Oblong, 29 x 21 cm, vii, 41 pp. Line-cut of the Paris, 1721 edition. Preface by Marcello Castellani. Wrappers in decorative paper. $31 [item no.1798]


[Sonatas, flute, bc; 2 flutes] XII sonate a flauto a basso; VI sonate “La villeggiatura”, a due flauti. Ms. Parma.
Archivum Musicum: Strumentalismo Italiano 90. Florence, 2004. Oblong, 34 x 24 cm, xi, 104 pp. Line-cut of the contemporary manuscript copy. Introduction in It by Nicola Sansoni. Wrappers in decorative paper. $38 [item no.8566]


VANDENBRŒCK, Othon, 1758-1832

Traité général de tous les instrumens à vent à l’usage des compositeurs.
Geneva, 1973. 8º, 65 pp. Line-cut of the Paris, c.1794 edition. Examines the range of the horn in every key played in unison with the violin. Also discusses the clarinet, trumpet, trombone, timpani, oboe, flute, bassoon and serpent. Hardbound. $86 [item no.3234]


VANDERHAGEN, Amand, 1753-1822

[Method, flute] Tre metodi per flauto del Neoclassicismo francese: F. Devienne, Nouvelle méthode, Paris c. 1794 / J.M. Cambini, Nouvelle méthode, Paris c.1796 / A. Vanderhagen, Nouvelle méthode, Paris c.1798.
Archivum Musicum: L’Art de la Flûte Traversière, 29. Florence, 1984. 24 x 33 cm, 15, 229 pp. Line-cut. 3 complementary method books. Preface in It by Marcello Castellani. Wrappers in decorative paper with slipcover. $51 [item no.804]


VAUCANSON, Jacques de, 1709-1782

Le mécanisme du fluteur automate . . . An Account of the Automation of Image Playing the German Flute . . . Paris 1738, London 1742.
Flute Library, 5. Buren, 1979. 8º, xiv, 24, 24 pp. Line-cut. Introduction in Eng by David Lasocki. Cloth. $69 [item no.2173]


VILLENEUVE, Alexandre de, 1677-d.?

[Sonatas, fl/vln, bc, op.1; Trio sonatas, 2 fl/vln/va, op.2] Conversations en manière de sonates pour la flûte ou le violon, avec la basse continue.
Flûtistes Français du XVIIIe Siècle, III. Geneva, 1986. 4º, 60 pp. Line-cut of the 1733 Boivin, Paris edition. 2 unica, containing 2 sets of six suites. Movts with vivid titles: “La danseuse sur la corde”, “La coquette”, etc. Wrappers. $51 [item no.805]


VINCENT, Thomas, c.1720-1783

[Solos, oboe/flute/violin, bc, op.1] Six Solos for a Houtboy, German Flute, Violin, or Harpsichord, with a Thorough Bass.
Performers’ Facsimiles, 51. New York, [1988]. 4º. Line-cut of the London, [1748] edition. Wrappers. $18 [item no.2699]


VIRGILIANO, Aurelio, 17-18th c.

Il Dolcimelo. Variati passaggi e diminutioni cosi per voci. Riproduzione eseguita dall’esemplare del Civico Museo Bibliografico Musicale di Bologna.
Archivum Musicum: Strumentalismo Italiano, 11. Florence, 1979. 24 x 34 cm, v, 113 pp. Halftone of a rare manuscript illustrating ornamentation “tutti modi da sonar qualfiuoglia istrumento”. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $42 [item no.1289]


VISÉE, Robert de, 17th c.

[Suites, melody instrument, bc] Trois suites de pièces pour dessus et basse (violon, flûte à bec ou traversière, hautbois . . . et clavecin, théorbe, viole de gambe . . .). Restitution de Jean-Claude Veilhan.
Archives de la Musique Ancienne. Paris, 1980. Oblong, 4º, 52, with 12 pp. Line-cut of the Paris, 1716 edition, together with a new practical edition. Wrappers. $46 [item no.2268]


VIVALDI, Antonio, 1678-1741

[Concerti, flute, strings, op.10] 6 Flute Concertos, op.10.
Huntingdon, [1990]. 4º, partbooks, c.94 pp. Xerographic reprint of the Le Cène, c.1728 edition. Scored for fl solo, vln I, II, vla, vc, & bc. Concerti correspond to RV 433, 439, 428, 435, 434, & 437. Wrappers. $58 [item no.7018]


[Concerti, flute, strings, op.10] VI concerti a flauto traverso, violino primo, e secondo, alto viola, organo e violoncello. Operas decima. [British Library, London].
Performers’ Facsimiles, 203. New York, [1999]. 23 x 31 cm, 5 partbooks, c.94 pp. Line-cut of the Le Cène edition, Amsterdam, c.1728. Concerti correspond to RV 433, 439 (including “La Notte”), 428, 435, 434, & 437. Wrappers. $60 [item no.7678]


[Concerti, flute, strings, op.10] VI concerti a flauto traverso, opera decima. Versioni manoscritte Torino, Bibl. Naz. Univ., Giordano 31 (RV 98/570, 104, 90, 442, 101).
Archivum Musicum, Vivaldiana, 1. Florence, 2002. 4º, 6 vols, 23, c.94 pp. Halftone of autograph and copyist mss, plus line-cut reproduction of the Amsterdam, c.1728 (partbook) edition. Introduction in It-Eng by Federico Maria Sardelli. Prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Wrappers, in portfolio. $91 [item no.8122]


[Concerti, flute, vln & bc, RV 91, 100] Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 91); Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 100). Présentation par Michel Giboureau. [Bibl. Nazionale, Turin].
Collection Dominantes. Courlay, 2005. Oblong & upright, 4º, 60 pp. Line-cut of two autograph scores. Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.8537]


[Concerti, flute, vln & bc, RV 96, 104, 106] Concerto pour flûte a traversière, violon, basson, et basse continüe (RV 96); Concerto “La notte” pour flûte a traversière (ou violon), 2 violons, basson, et basse continüe (RV 104); Concerto pour flûte a traversière, violon, basson, et basse continüe, ou 2 violons, violoncelle et basse continüe (RV 106). Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 2005. Oblong & upright, 4º, 64 pp. Line-cut of a contemporary ms copy parts (RV 96) and two autograph scores (RV 104 & 106). Introduction in Fr-Eng-Ger. Wrappers. $32 [item no.8538]


[Concerti, flute, oboe, violin, bassoon] Concerto pour flûte traversière... (RV 88); Concerto “Il Gardellino” pour flûte traversière ou violon... (RV 90); Concerto “Tempesta di mare” pour flûte traversière... (RV 98); Concerto pour flûte traversière... (RV 99); Concerto pour flûte traversière... (RV 107). Présentation par Michel Giboureau.
Collection Dominantes. Courlay, 1999. 4º, oblong & upright, xxiii, c.98 pp. Line-cut reproduction of five flute concerti in ms from the Biblioteca Nazionale, Turin, with additional ms parts from the Sächsische Landesbibliothek, Dresden. Wrappers. $54 [item no.7677]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido, sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe, Opera XIII. Réimpression de l’édition de Paris, Boivin, 1737. Source: München, Bayerische Staatsbibliothek, cote 4729/4. RISM: [V. 2233. Catalogue: P. Ryom RV 54-59].
Collection Facsimiles, B1. Gland, 1991. 4º, 40, 8 pp. Line-cut of the Paris, 1737 edition. Together with an introduction in Fr-Eng by Peter Ryom entitled “An Authentic Case of Falsification” which reproduces a document from the Archives Nationales de France clearly identifying N. Chédeville as the composer/arranger of the six sonatas. Limited edition of 500 numbered copies. Linen slipcase. $40 [item no.4302]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido, sonates, pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Opera XIII. [Library of Congress, Washington, D.C.].
Performers’ Facsimiles, 111. New York, [1992]. 24 x 31 cm, 41 pp. Line-cut of the Paris, 1737 edition. Wrappers. $20 [item no.4481]


[Sonatas, musette/vielle/fl/rec/ob/vln, bc, op.13, RV 54-59] Il pastor fido (œuvre attribuée à Antonio Vivaldi), 1737. Présentation par Philippe Lescat. [Munich, Bayerische Staatsbibliothek].
La Musique Française Classique de 1650 à 1800, 78. Courlay, 1994. 24 x 33 cm, 21, 38 pp. Line-cut of the Paris, 1737 edition. Preface in Fr-Eng-Ger. Wrappers. $31 [item no.4804]


WEBERN, Anton, 1883-1945

Sketches (1926-1945). Facsimile Reproductions from the Composer’s Autograph Sketchbooks in the Moldenhauer Archive. Commentary by Ernst Krenek with a Foreword by Hans Moldenhauer.
New York, 1968. Oblong, 37 x 30 cm, 16, 47 pp. Fine line-cut reproduction of the autograph. Webern made preliminary drafts for his compositions which show stages of evolution and the unending thought and care that he bestowed upon them. While Stravinsky called the finished products “those dazzling diamonds”, this volume allows us a glimspe into the composer’s workshop. These fascinating sketches, extracted from five sketchbooks from the Webern Archive, illustrate the meticulous step-by-step process of the composer’s 12-tone technique. Compositions include op.19, 20, 21, 22, 24, 31 and several unidentified works. Handsome binding in beige and brown linen, with slipcase. $50 (more info... ) [item no.671]


WEIGEL, Johann Christopf, 1661-1726

Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Documenta Musicologica, I/22. Kassel, 1/ 1961. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. Mattheson’s Das neu-eröffnete Orchestre (specifically the chapter “Von den musicalischen Instrumenten”) evidently served as a guide for its planning. The engravings date from c.1715-1725. Afterword in Ger-Eng-Fr. Coverboards and slipcase in decorative paper. $95 [item no.4622]


Musicalisches theatrum . . . auf welchem alle zu dieser edlen Kunst gehörige Instrummenta in anmuthigen Posituren lebhafft gezeiget. Faksimile-Nachdruck herausgegeben von Alfred Berner.
Documenta Musicologica, I/22. Kassel, 2/ 1964. 22 x 36 cm, 36, xii pp. Line-cut of the original copper engravings of musicians with their instruments. This facsimile brings together for the first time four separate groups of surviving single sheets from this publisher. $77 [item no.2861]


WILLIAMS, William, b.?-1701

Trio sonatas, 2 vln/fl, bc] Six Sonata’s in Three Parts. Three for Two Violins and Three for Two Flutes. With a Part for the Base Violin or Viol, and a Figur’d Base for the Organ, Harpsicord or Arch-lute. [Library of Congress, Washington, DC].
Alston, 1999. 4º, 4 partbooks, ii, 52 pp. Line-cut of the London, 1700 edition. The composer points out that ”those for the flutes being writ three notes lower, will go on the violins, and those for the violins being rais’d will go on the flutes”. Preface by Peter Holman. Ring binder. $29 [item no.7831]


WOODCOCK, Robert, 1690-1728

[Concerti, violins/flute/recorders, bc] XII Concertos in Eight Parts [The First Three for Violins and One Small Flute, The Second Three for Violins and Two Small Flutes, The Third Three for Violins & One German Flute and the Three Last for Violins & One Hoboy]. [British Library].
Alston, 2002. 4º, 8 partbooks, v, c.160 pp. Line-cut of the Walsh and Hare edition, London, 1727. Introduction by Peter Holman. Ring binding. $74 [item no.8183]


WRANITZKY (VRANICKY), Paul, 1756-1808

[Duets, 2 flutes, op.2] Six Duets for Two Flutes, Op. II.
Wiener Querflöten-Edition. Vienna, 1984. 4º, ii, 35 pp. Line-cut of the J.J. Hummel edition, Berlin. Preface by Gerhard Brauon. Wrappers. $15 [item no.806]


ZACCONI, Lodovico, 1555-1627

Prattica di musica utile et necessaria si al compositore si anco al cantore.
Bibliotheca Musica Bonon3iensis, II/1-2. Bologna, 1983. 17 x 25 cm, 2 vols: 477 pp. Line-cut of the Venice, 1596-1622 edition. An amazing treatment of practical concerns in music, with sections on emotional effect, music as science, the art and responsibility of the singer, director, and composer, mood, time, prolation, techniques of counterpoint, improvisation, and imitation. Includes whole sections of musical examples taken from the works of Tigrini, Cerreti, Zarlino, Banchieri, and Diruti. Wrappers. $120 [item no.2512]


ZANETTI, Francesco, c.1737-?

[Sonatas, flute/violin, bc] VI Solos for a German-Flute or Violin with a Thorough Bass for the Harpsichord. London 1763.
Archivum Musicum: Flauto Traversiere, 41. Florence, 2007. 22 x 31 cm, vi, 20 pp. Line-cut of the London, 1763 edition. Introduction in It by Mario Folena. Wrappers, in decorative paper. $34 [item no.8992]


ZUCCARINI, Carlo, 18th c.

[Sonata, flute, bc, G major] Sonata a flauto e basso, ms. Karlsruhe / [Tartini:] Solo a flauto traverso et basso, ms. Copenhagen.
Archivum Musicum: Flauto Traversiere, 22. Florence, 1991. Oblong, 32 x 24 cm, vi, 12 pp. Line-cut of two contemporary ms copies. Introduction in It by Marcello Castellani. Wrappers, in decorative paper. $33 [item no.4177]


COMPOSITE & MISCELLANEOUS SOURCES

Art du faiseur d’instruments de musique et lutherie extrait de l’Encyclopédie méthodique, Arts et métiers mécaniques.
Geneva, 1972. 8º, 240 pp. Line-cut of the Paris, 1785 edition. Historical and technical articles on musical instruments with 38 original plates. Wrappers. $61 [item no.3236]


[Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti, a quattro, cinque, & otto, con il suo basso generale per l’organo, novamente raccolte da diversi eccellentissimi musici. . . libro primo.
Archivum Musicum: Strumentalismo Italiano, 74. Florence, 1992. 17 x 24 cm, 9 partbooks, ix, 300 pp. Line-cut of the Raverij edition, Venice, 1608. 36 instrumental canzoni a4, 5 & 8 in mensural notation by Gabrieli, Merulo, Guami, Maschera, Antegnati, Luzaschi, Frescobaldi, Grillo, Chilese, Lappi, Bartolini & Massaino. Preface in It by Dario Lo Cicero.Wrappers, in decorative paper. $51 [item no.4230]


[Canzoni, a4, 5 & 8, winds, strings, bc, book 1] Canzoni per sonare con ogni sorte di stromenti a quattro, cinque, & otto con il suo basso generale per l’organo novamente raccolta da diversi eccellentissimi musici, & date in luce. Libro primo. [Stadtbibliothek, Augsburg].
Faksimile-Edition Augsburg, 2. Stuttgart, 1998. 14 x 18 cm, 9 partbooks, c.300 pp. Line-cut of the Alessandro Raverij edition, Venice, 1608. Wrappers, with portfolio in marbled paper. $114 [item no.7577]


A Collection of the Most Celebrated Irish Tunes Proper for the Violin, German Flute or Hautboy. John & William Neal, Dublin, 1724. Second Facsimile Edition Edited by Nicholas Carolan.
Dublin, 2010. 8°, xiv, 118 pp. Illustrated introduction, music (49 melodies), notes on the tunes, appendixes, bibliography, indexes. Hardbound. $79 [item no.9191]


Corona di dodici fiori armonici, tessiuta da altretanti ingegni sonori a trè strumenti. [Civico Museo Bibliografico Musicale, Bologna].
Bibliotheca Musica Bononiensis, IV/143. Bologna, 1974. 22 x 31 cm, 3 partbooks: viii, 80 pp. Line-cut of the Bologna, 1706 edition. 12 sonatas by Alberti, Prandi, Bettinozzi, Laurenti, Manfredini, Sandoni, Farnè, Vitali, Mazzolini and Torelli. Introduction in It by Alberto Colzani. Laid paper. Loose bifolios, with handsome cloth portfolio. $51 [item no.2429]


[Divisions, flute] The First Part of the Division Flute Containing a Collection of Divisions Upon Several Excellent Grounds.
Performers’ Facsimiles, 15. New York, [1987]. 22 x 32 cm, 18 pp. Line-cut of the London, 1706 edition. Works by J. Banister, Eccles, Faronell, Finger, Reading, Tollet, Lord Byron, Clark, Eccles, Finger, Gorton, Hills, King, Lully, Morgan, Mr. O., Pepusch, D. & H. Purcell, & others. Wrappers. $15 [item no.2176]


[Divisions, flute] The Second Part of the Division Flute Containing the Newest Divisions Upon the Choisest Grounds.
Performers’ Facsimiles, 16. New York, [1987]. 22 x 32 cm, 17 pp. Line-cut of the London, 1708 edition. Works by J. Banister, Eccles, Faronell, Finger, Reading, Tollet, Lord Byron, Clark, Eccles, Finger, Gorton, Hills, King, Lully, Morgan, Mr. O., Pepusch, D. & H. Purcell, & others. Wrappers. $15 [item no.2177]


[Divisions, flute/recorder/violin, Greensleeves] Greensleeves to a Ground. Divisions for Flute (Recorder/Violin), with a Ground for Lute (Guitar/Keyboard), with the Violl da Gamba.
Munich, 1983. 4º, iv pp. Line-cut of the 17th-c. edition. Divisions for recorder, flute or violin, with a simple ground for lute, guitar or harpsichord. Wrappers. $9 [item no.3934]


Duos f. 2 Flöten. 3 Drucke von Auguste Vern. G.A. Schneider und F.A. Böhm. [Stadtbibl., Ulm].
Faksimile-Edition Ulm, 17. Stuttgart, 2001. 23 x 31 cm, 2 partbooks, 66 pp. Wrappers. $23 [item no.7902]


Flute & Guitar Facsimiles from the Romantic Salon (Facsimile Edition). Music by Hummel, Meyerbeer & Auber. Introduction by Janice Dockendorff Boland and John Dowdall.
Nashua, 2000. 4º, iii, 44 pp. Line-cut of selections from Hummel, Neue Walzer mit Trios, op.91 (182?), Arnold (arr.), Potpourris sur des motifs des opéras modernes (184?), and Forest (arr.), Choix d’airs pur une flûte avec accompagnement de guitare de l’opera Zanetta (184?). Arranged for flute/violin & guitar. Wrappers. $19 [item no.7934]


Harmonia Anglicana. The Musick of the English Stage Containing Six Sets of Ayers and Tunes in 4 Parts made for the Operas, Tragedys and Comedyes of the Theater Royal. Sets 1 and 2. [Durham Cathedral Libary, Durham].
Alston, 2000. Oblong, 29 x 21 cm, 8 volumes, i, c.104 pp. Line-cut of the Walsh edition, London, 1700-01. Incidental music (overture followed by 7 or 8 dances) from the London theater, suitable for English violin consort (two violins, viola and large bass violin tuned in B flat, or alternatively, oboe band, recorder consort). Music by Paisible, Croft, Finger, Lenton, D. Purcell, Eccles, and Orme. Introduction by Peter Holman. Ring binding. $48 [item no.7814]


Instrumental Music for London Theatres, 1690-1699, Royal College of Music, London, MS 1172. Introduction by Curtis Price.
Music for London Entertainment, 1660-1800, A/3. Tunbridge Wells, 1987. Oblong, 4º, xvi, 101 pp. Halftone. Carefully selected anthology of virtually every type of instrumental music required by the London theaters in the 1690s–overtures, act-tunes, dances and music for special effects–usually written in full score. Compiled c.1700, possibly at the behest of the manangers of the Theatre Royal, Drury Lane. Buckram. $116 [item no.708]


Lutherie. Encyclopédie sciences et arts liberaux.
Bibliotheca Musica Bononiensis, II/101. Bologna, 1981. 25 x 35 cm, 46, with 34 illus pp. Line-cut of the Livorno, 1774 edition. Beautiful full-page illustrations of instruments. Cloth. $48 [item no.4008]


[Methods, flute, France, 1600-1800, part 1] Flûte traversière. Méthodes et traités. Dictionnaires.
Méthodes et Traités, I. Courlay, 2001. 4º, 296 pp. Line-cut. Contents: Mersenne: Harmonie Universelle - 1636; Trichet: Traité des instruments - c.1640; Furetière: Dictionnaire universel - 1690; Brossard: Dictionnaire de musique - 1703; Hotteterre: Principes de la flûte traversière - 1707; Hotteterre: L'art de préluder - 1719; Béthisy: Exposition de la théorie - 1754; Bordet: Méthode raisonnée pour apprendre - 1755; Anon.: Découverte de l'embouchure - 1756; Ancelet: Observations sur la musique - 1757; Mahaut: Nouvelle méthode pour apprendre en peu de temps à jouer de la flûte traversière - 1759; Garsault: Notionnaire ou Mémorial raisonné - 1761; Lusse: L'art de la flûte traversière - 1761; Francoeur Le Neveu: Diapason général de tous les instruments à vent - 1772; Corrette: Méthode raisonnée (2e édition) - 1773; Roeser: Gamme pour la flûte traversière - 1777. Wrappers. $99 [item no.8058]


[Methods, flute, France, 1600-1800, part 2] Flûte traversière. Méthodes et traités. Dictionnaires.
Méthodes et Traités, I. Courlay, 2001. 4º, 304 pp. Line-cut. Contents: Mussard: Nouveaux principes pour apprendre à jouer de la flûte traversière - 1778; Laborde: Essai sur la musique - 1780; Encyclopédie méthodique: Edition Panckoucke et Plomteux (reprend le texte de l'Encyclopédie) - 1788; Anon.: Principe de flûte pour apprendre à jouer sans maître - c.1790; Vandenbrock: Traité général de tous les instruments à vent - c.1793; Devienne: Nouvelle méthode théorique et pratique pour la flûte - 1794; Cambini: Méthode pour la flûte traversière - c.1795; Van der Hagen: Nouvelle méthode de flûte - 1798. Wrappers. $101 [item no.8059]


[Methods, flute, France, 1800-1860, parts 1-7] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. 7 volumes.
Méthodes et Traités, II. Courlay, 2005. 4º, 7 vols, 2,264 pp. Line-cut. Treatises on the transverse flute, arranged chronologically, by Holtzappfel, Hugot/Wunderlich, Michel, Perault, Trézy, Berbiguier, Miroir, Reicha, Wunderlich, Bigot, Coche, Drouët, Farrenc, Fétis, Kastner, Vaillant, Walckiers, Camus, Coche, Berlioz, Bretonnière, Kastner, Nadaud, Dorus, Soussman, Tulou, Bousquet, Cornette, and Gattermann. Wrappers. $578 [item no.8649]


[Methods, flute, France, 1800-1860, part 1] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 1.
Méthodes et Traités, II. Courlay, 2005. 4º, 328 pp. Line-cut. Contents: Perault: Méthode pour la flûte - c.1800; Michel: Nouvelle méthode de flûte - 1802; Trezy: Doigter de la flûte - c.1802; Hugot et Wunderlich: Méthode de flûte du conservatoire - 1804; Holtzappfel: Par brevet d’invention - c.1810. Wrappers. $104 [item no.8650]


[Methods, flute, France, 1800-1860, part 2] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 2.
Méthodes et Traités, II. Courlay, 2005. 4º, 400 pp. Line-cut. Contents: Wunderlich: Principes élémentaires - c.1812; Reicha: Cours de composition - 1816; Miroir: La clef de l’orchestre - 1818; Berbiguier: Nouvelle méthode pour la flûte - c.1818. Wrappers. $124 [item no.8651]


[Methods, flute, France, 1800-1860, part 3] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 3.
Méthodes et Traités, II. Courlay, 2005. 4º, 336 pp. Line-cut. Contents: Vaillant: Nouvelle méthode de flûte - c.1826; Douët: Méthode pour la flûte - c.1827; Walckiers: Méthode de flûte - c.1829; Bigot: Solfège pour la flûte - after 1832; Fetis: Exposition des produits de l’industrie - 1834; Kastner: Traité Général - 1836; Kastner: Supplément Traité Général - c.1837; Coche: Examen critique - 1838; Farreng: Flûte Boehm - 1838. Wrappers. $104 [item no.8652]


[Methods, flute, France, 1800-1860, part 4] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 4.
Méthodes et Traités, II. Courlay, 2005. 4º, 320 pp. Line-cut. Contents: Camus: Méthode pour la nouvelle flûte - 1839; Coche: Méthode pour servir - 1839. Wrappers. $101 [item no.8653]


[Methods, flute, France, 1800-1860, part 5] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 5.
Méthodes et Traités, II. Courlay, 2005. 4º, 312 pp. Line-cut. Contents: Bretonnière: Méthode complète théorique et pratique - 1840; Nadaud: Méthode de flûte - 1841; Kastner: Méthode élémentaire - 1844; Berlioz: Grand traité d’instrumentation - 1844. Wrappers. $99 [item no.8654]


[Methods, flute, France, 1800-1860, part 6] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 6.
Méthodes et Traités, II. Courlay, 2005. 4º, 328 pp. Line-cut. Contents: Dorus: L’étude de la nouvelle flûte - 1845; Soussmani: Ecole pratique de la flûte - 1850; Tulou: Méthode de flûte - 1851. Wrappers. $104 [item no.8655]


[Methods, flute, France, 1800-1860, part 7] Flûte traversière. Méthodes et traités. Réalisés par Ariette Biget et Michel Giboureau. Vol. 7.
Méthodes et Traités, II. Courlay, 2005. 4º, 240 pp. Line-cut. Contents: Gattermann: Méthode de flûte - c.1851; Cornette: Méthode de flûte - 1855; Bousquet: Méthode de flûte - 1858; Gattermann: Méthode précédée des principes - c.1861. Wrappers. $81 [item no.8656]


Musikalisches Vielerley, herausgegeben von Herrn Carl Philip Emanuel Bach. Introduction: Greta Haenen. [Royal Conservatory of Music, Brussels, Wq 6314].
Facsimile Series, IV/9. Peer, 1993. 4º, i, 207 facs, iv pp. Line-cut of the Michael Christian Bock edition, Hamburg, 1770. Edited by Emmanuel Bach, this volume contains music by the composer’s Berlin friends such as Fasch, Kirnberger, Graun, and some relatives, J.C. Friedrich and J.E. Baron. Works for keyboard and various combinations for strings, flute, and voice. With new work and composer indices. Wrappers. $38 [item no.4499]


Philidor, André (ed.) Partition de plusieurs marches et batteries de tambour tant françoises qu’étrangères avec les airs de fifre et de hautbois a 3 et 4 parties. Fac-similé du manuscrits musical 168 de la Bibliothèque Municipale de Versailles. Introduction de François Lesure.
Manuscrits, XXXI. Geneva, 1994. 23 x 34 cm, 10, 170 pp. Line-cut of autograph. André Philidor, music librarian to the French King from 1684, compiled this collection of “marches and batteries for drums, with airs for fife and oboes” in 1705. The elegantly copied source, showing the keen interest of Louis XIVin military music, includes music by Lully, the Philidors (André & Jacques), Hotteterre, Lalande, and Descroziers (the “fifre des mousquetaires”). Wrappers. $87 [item no.4893]


[Swiss songs; arr.] Recueil des principaux ranz des vaches et autres chants nationaux suisses, arrangés pour la flute.
Basel, 1979. 15 x 21 cm, 11 pp. Line-cut of the Basel, c.1850 edition. Collection of Swiss songs arranged for flute. Wrappers. $4 [item no.3643]


Ryan’s Mammoth Collection: 1050 Reels and Jigs, Hornpipes, Clogs, Walk-arounds, Essences, Strathspeys, Highland Flings and Contra Dances, with Fugues, and How to Play Them by Patrick Sky. Bowing and Fingering Marked together with Forty Introductory Studies for the Violin, with Explanations of Bowing, etc.
Pacific, 1995. 4°, 176 pp. This comprehensive book is a line-cut facsimile edition of the original collection published by William Bradbury Ryan in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th c. instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrel show, ethnic music and even classical music influenced some of the genres of what we now call American music. A special section containing historical notes and comments is included. Wrappers. $23 [item no.9089]


[Sonatas, violin/flute, bc] Sonates a violon ou flûte traversière avec a basse. Paris 1710 . . . 1737. Pour la flûte traversière.
Archivum Musicum: L’Art de la Flûte Traversière, 24. Florence, 1983. 24 x 34 cm, iv, 108 pp. Line-cut of seven separate printed editions with works by Senaille, Leclair, Guillemain, Guignon. Introduction in It by Marcello Castellani. Wrappers in decorative paper. $38 [item no.801]


Textes sur les instruments de musique au XVIIIe siècle.
Geneva, 1972. 8º, 242 pp. Line-cut of the Paris, 1756-1782 editions. Large number of little-known documents concerning musical instruments. Authors of booklets include P.-J. Roussier, M. de Laborde, Trouflaut, C. Moucherel, G. de Cryseul, & J.-B. Domenjoud. Hardbound. $71 [item no.3338]


[Thesaurus Musicus, book 1] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Aires, Composed for Two Flutes by Several Masters. The First Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 145. New York, [1995]. 23 x 37 cm, ii, 41 pp. Line-cut of the London, 1693 edition. Pieces by Akeroyde, Barrett, Bannister, Courteville, Finger, Keen, King, Purcell, Staggins & Tollet. Wrappers. $20 [item no.7128]


[Thesaurus Musicus, book 2] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Second Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 146. New York, [1995]. 23 x 37 cm, 43 pp. Line-cut of the London, 1694 edition. Pieces by Bannister, Bowman, Courteville, J. & S. Eccles, Finger, Hall, King, Pack, Paisible, Purcell, and others. Wrappers. $20 [item no.7193]


[Thesaurus Musicus, book 3] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Third Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 147. New York, [1995]. 23 x 37 cm, 44 pp. Line-cut of the London, 1694 edition. Pieces by Courteville, D’Urfrey, Eccles, Finger, King, Pack, Pigott, Purcell, Turner, & anonymous composers. Wrappers. $20 [item no.7194]


[Thesaurus Musicus, book 4] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Fourth Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 148. New York, [1995]. 23 x 37 cm, 36 pp. Line-cut of the London, [1695] edition. Songs by Courteville, Eccles, Finger, R. King, Pack, Pigott, Purcell, Turner and others. Wrappers. $20 [item no.7195]


[Thesaurus Musicus, book 5] Thesaurus Musicus: Being, a Collection of the Newest Songs Performed at Their Majesties Theatres. . . With a Thorow-Bass to Each Song, for the Harpsicord, Theorbo, or Bass-Viol. To Which is Annexed, a Collection of Airs, Composed for Two Flutes by Several Masters. The Fifth Book. [Library of Congress, Washington, DC].
Performers’ Facsimiles, 149. New York, [1995]. 23 x 37 cm, 38 pp. Line-cut of the London, [1695] edition. Songs by Bannister, Eccles, Finger, Franck, King, Paisible, D. & H. Purcell, R.W., & Williams. Wrappers. $20 [item no.7196]


MODERN EDITIONS

Couperin, François (collected works edition) Musique de chambre – 1. Concerts royaux. Publiés par André Schaeffner et revues d’après les sources par Kenneth Gilbert.
François Couperin: Œuvres Complètes, IV/1. Monaco, 1980. 4º, 72 pp. Wrappers. $51 [item no.5546]


Couperin, François (collected works edition) Musique de chambre – 2. Les goûts-réünis. Publiés par André Schaeffner et revus d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/2. Monaco, 1988. 4º, 148 pp. Wrappers. $105 [item no.5547]


Couperin, François (collected works edition) Musique de chambre – 3. Les Nations. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/3. Monaco, 1987. 4º, 224, 4 partbooks: 128 pp. Wrappers. $138 [item no.5548]


Couperin, François (collected works edition) Musique de chambre – 4. Apothéose de Corelli; Apothéose de Lully; Pièces de violes; Sonades inédites. Publiées par Amédée Gastoué et revues d’après les sources par Kenneth Gilbert et Davitt Moroney.
François Couperin: Œuvres Complètes, IV/4. Monaco, 1992. 4º, 214, with 48 pp. Wrappers. $124 [item no.5549]


Couperin, François (collected works edition) Musique de chambre – 1-4.
François Couperin: Œuvres Complètes, IV/1-4. Monaco, 1992. 4º, 214, with 48 pp. Wrappers. $370 [item no.5564]


Croft, William. Complete Chamber Music. Edited by H. Diack Johnstone.
Musica Britannica, LXXXVIII. London, 2009. 4°. xxxvii, 104 pp. Modern edition. Hitherto unpublished, the 4 trio sonatas and 2 five-part sonatas by William Croft, which came to light in 1977, are among the most interesting and rewarding of English chamber works to have been written in the period between the trio sonatas of Purcell and those of Boyce and Arne. Possibly first heard at the concerts of the musical smallcoals man, Thomas Britton, they are complemented by 6 sonatas for 2 solo recorders, and 3 violin sonatas that are amongst the earliest printed works in this genre by an English composer. Buckram. $136 [item no.6841]


Dieupart, Charles. Six suites pour clavecin. Publiées par Paul Brunold. Avec le fac-similé des parties originales du XVIIIe siècle pour violon ou flûte et basse chiffrée (viole ou archiluth). Révision par Kenneth Gilbert.
Monaco, 1990. 4º, 64, 2 partbooks: 32 pp. Newly revised critical edition of the original suites for harpsichord alone (Amsterdam, 1701), and line-cut facsimile of the optional Roger parts for violin or recorder and viol or archlute, mises en concert (Amsterdam, 1711). Wrappers. $69 [item no.5542]


50 Renaissance & Baroque Standards – English Version. With Variants, Examples & Advice for Playing & Improvising on Any Instrument.
Courlay, 2007. 21 x 30 cm, 144 pp. Here, brought together for the first time, are 50 renaissance and baroque ostinato basses, songs and dances upon which composers wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time. Wrappers. $28 [item no.8893]


50 Standards, Renaissance & Baroque. Avec variantes examples & conseils pour jouer & improviser sur tout instruments.
Courlay, 2007. 21 x 30 cm, 144 pp. Same as above, but French version. $30 [item no.8899]


Locatelli, Pietro (critical edition) Dodici concerti grossi, opera I. A cura di/Edited by Agnese Pavanello.
Opera Omnia Pietro Locatelli, I. Mainz, 1998. 4º, cvii, 264 pp. New critical edition. Cloth. (price for subsription orders). $329 [item no.6018]


Locatelli, Pietro (critical edition) Dodici sonate per flauto traverso e basso, opera II. A cura di/Edited by Fulvia Morabito.
Opera Omnia Pietro Locatelli, II. Mainz, 2000. 4º, cxlvii, 143 pp. New critical edition. Cloth. (price for subsription orders). $219 [item no.6270]


Locatelli, Pietro (critical edition) Sei introduzioni teatrali e sei concerti, opera IV. A cura di/Edited by Anna Cattoretti & Livia Pancino.
Opera Omnia Pietro Locatelli, IV. Mainz, 1997. 4º, cliii, 291 pp. New critical edition. Cloth. (price for subscription orders). $392 [item no.6019]


Locatelli, Pietro (critical edition) Sei sonate a tre per due violini o due flauti e basso, opera V. A cura di/Edited by Piera Federici.
Opera Omnia Pietro Locatelli, V. Mainz, 1994. 4º, xlix, 67 pp. New critical edition. Cloth. (price for subscription orders). $103 [item no.6020]


Locatelli, Pietro (critical edition) Composizioni senza numero d’opera. A cura/Edited by Albert Dunning.
Opera Omnia Pietro Locatelli, IX. Mainz, 1999. 4º, lxxxv, 63 pp. New critical edition. Contents: Sonata in sol minore (CsNO 1), Sinfonia in fa minore (CsNO 2), Concerto in la maggiore (CsNO 3), Concerto in mi maggiore (CsNO 4). Cloth. (price for subscription orders). $125 [item no.6220]


Locatelli, Pietro (critical edition) Catalogo tematico, lettere, documenti & Iconografia. A cura di/Edited by Albert Dunning.
Opera Omnia Pietro Locatelli, X. Mainz, 2001. 4º, xxxvi, 257 pp. New critical edition. Cloth. (price for subscription orders). $215 [item no.6312]


Marais, Marin (new edition of instr. works) Pièces en trio pour les flûtes, violon & dessus de viole (1692). Edited by John Hsu.
Marin Marais, The Instrumental Works, 6. New York, 2001. 4º, xvii, 153 pp. Cloth. $150 [item no.6319]


Quantz, Johann Joachim. Trattato sul flauto traverso a cura di Sergio Balestracci.
Musica Ragionata, 4. Lucca, 1992. 12º, xxiii, 456, 24 pp. Quantz’s “Versuch einer Einleitung, die Flöte” zu spielen translated for the first time in Italian from a manuscript in G.B. Martini’s library. Wrappers. $34 [item no.5611]


Rameau, Jean-Philippe (opera omnia) Pièces de clavecin en concerts. Édition de Denis Herlin et Davitt Moroney.
Rameau Opera Omnia, ser.1, v.2, Musica Gallica. Paris, 1996. 4º, li, 137, 3 parts pp. New critical edition. Cloth, plus 3 partbooks in wrappers. $259 [item no.5974]


Schubert, Franz (complete chamber works) Sämtliche Kammermusik-Werk im Taschenbuch.
Kassel, 1996. 8º, 3 vols, ca.1724 pp. Reprint of the complete chamber works of Schubert as published in the NSA. Wrappers. $114 [item no.5875]


Vivaldi, Antonio (new edition) Concerti per traversiere RV 431 e RV 432. Edizione critica a cura di Federico Maria Sardelli.
Antonio Vivaldi, Opere Incomplete, Edizione Critica, 1. Florence, 2001. 8º, xiv, 37 pp. New critical edition of the score prepared under the auspices of the Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi. Preface in It-Eng. Wrappers. $27 [item no.6368]


Weill, Kurt (collected edition) Chamber Music. Edited by Wolfgang Rathert and Jürgen Selk.
The Kurt Weill Edition, II/1. New York, 2004. 30 x 39 cm, 2 vols, 192, 107 pp. The first volume of Weill’s chamber works edited in critical edition. Contents: String Quartet in B Minor, String Quartet op.8, Sonata for Violin and Piano, Frauentanz: Sieben Gedichte des Mittelalter, op.10 (voice, fl, vla, cl, hn, bsn), Ick sitze da_un esse Klops (voice, 2 pic, bsn). Cloth. (Subscribers to the series receive a substantial savings). $335 (more info... ) [item no.6527]


MONOGRAPHS

Caporaletti, Vincenzo. I processi improvvisativi nella musica. Un approccio globale.
Quaderni di Musica/Realtà, 54. Lucca, 2005. 8˚, xii, 508 pp. Wrappers. $48 [item no.6585]


Chouquet, Gustave. Le Musée du Conservatoire avec les Ier, IIe et IIIe suppléments par Léon Pillaut. Introduction et index par Florence Gétreau. [Par] Gustave Chouquet.
Geneva, 1993. 8º, 20, 475, 36 pp. Line-cut of the Paris, 1884, 1894, 1899, & 1903 editions. The only surviving descriptive catalog of this magnificent instrument collection. Wrappers. New index. $136 [item no.5607]


Fabbri, Rossella. Cesare Ciardi. Un flautista toscano alla corte dello zar.
Akademos. Lucca, 1999. 8º, xii, 138 pp. Wrappers. $24 [item no.6266]


Guizzi, Febo. Gli strumenti della musica popolare in Italia.
Alia Musica, 8. Lucca, 2002. 8º, lviii, 502 pp. Invaluable survey of popular instruments in use in Italy, ranging from percussion, wind and plucked instruments to various noise makers. Numerous drawings and plates. Wrappers. $72 [item no.6431]


Pucciarelli, Franco. Flauto e musica, volume I.
Bologna, 1984. 8º, 76 pp. Wrappers. $19 [item no.5001]


Santucci, Pellegrino. L’improvvisazione nella musica.
Bologna, 1982. 4º, ix, 851 pp. Exhaustive study on the doctrine of improvisation with special emphasis on Italian musical practice from the Renaissance and Baroque periods. Hundreds of line-cut facsimiles from various treatises arranged by subject and discussed in detail. Wrappers, in 2 vols. $168 [item no.5012]


Savart, Félix. Mémoire sur la construction des instruments à cordes et à archet. Lu à l’Académie des Sciences, le 31 mai 1819. Suivi du rapport qui en a été fait aux deux Académies des Sciences et des Beaux-Arts, par MM Haüy, Charles, de Prony, Cherubini, Catel, Berton, Le Sueur, Biot rapporteur.
Geneva, 1972. 8º, 128 pp. Line-cut of the Paris, 1819 edition. Wrappers. $40 [item no.3327]


Sibire, Sébastien-André. La chélonomie, ou le parfait luthier.
Geneva, 1984. 16º, 164 pp. Line-cut of the Paris, 1823 edition. Wrappers. $40 [item no.3329]


Spanhove, Bart. The Finishing Touch of Ensemble Playing. With a Historical Chapter by David Lasocki. A Flanders Recorder Quartet Guide for Recorder Players and Teachers.
Peer, 2000. 4º, 85 pp. Wrappers. $28 [item no.6304]


Toscani, Claudio. Sull’improvvisazione, a cura di Claudio Toscani.
Quaderni del Corso di Musicologia del Conservatorio “G. Verdi” di Milano, 4. Lucca, 1998. 8º, 150 pp. Articles by Claudio Toscani, Mariateresa Muttoni, Maria Grazia Sità, Andrea Estero and Alberto Mauriello. Wrappers. $26 [item no.6233]