DE CLAVICORDIO IX Proceedings of the IX International Clavichord Symposium – Magnano, 16 - 19 September 2009. Edited by Bernard Brauchli, Alberto Galazzo, Judith Wardman. 250 pp. ISBN 978-88-900269-6-6 Contents: Peter Bavington: Clavichords made in Latin America: updates and new discoveries Thomas Donahue: Safety factors for replicas of the 1784 Hubert fretted clavichord in Edinburgh Eva Helenius: The reception of hammer instruments into Swedish clavichord culture — from clavichord to square piano Paul Simmonds: A pantalon clavichord from the Friderici stable? Lothar Bemmann: From clavichord to fortepiano — A survey of builders making both instruments Dorothea Demel: « … Silbermann again» Christophe d’Alessandro: The acoustics of tangent-string interaction in the clavichord compared to hammer-string interaction in the fortepiano

HansErik Svensson: Clavichords and squares from Pehr Lindholm’s workshop — a comparison Ilton Wjuniski: The twelve sonatas by Friedrich Wilhelm Rust published by Vincent d’Indy and their performance on the clavichord Michael Günther: ‘Clavier’ — clavichord or fortepiano Barend Kraal: A square piano by J. P. Hinrichs (Hamburg 1804) with a curious half-octave ravalement (1839) Koen Vermeij: Christian Gottlob Hubert’s workshop and the Tafelklavier Norbert Broggini: Haydn’s keyboard music in Spanish and Latin American sources Derek Adlam: Architecture parlante — Joseph Haydn, classical sonata form as a fine art of the Enlightenment, and the role of the clavichord Bernard Brauchli: Addenda and corrigenda to Bernard Brauchli's ‘a comprehensive list of iconographical documents on the clavichord’, De Clavichordio V [Magnano Proceedings 2001], pages 273-295

Alberto Galazzo, Index of Names view other volumes of De Clavicordio Available from: OMI - Old Manuscripts & Incunabula PO Box 6019 FDR Station New York, NY 10150 tel (212) 758-1946 www.omifacsimiles.com immels@earthlink.net